Manuel d'utilisation / d'entretien du produit IXUS IXUS 60 du fabricant Canon
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C amer a Us e r Guide Adv anced DIGIT AL C AMERA Adva n ce d Camera U ser Gu id e Befo re Us ing the Ca mera Shoot i ng Pl ay bac k/ Era si ng Pri nt/T ran sfer Se ttin gs Vi ewi ng I mag es o n a TV .
M a i n Fe at u r e s Sh ooti ng Au tom a tic a lly a dj us ts sh oo tin g setti ng s to matc h pa rt icul ar co nd it ion s ( Sc en e mo de ) Avo id th e e ffe c ts of c am era sh ak e o r b .
1 Con v entions Used i n t his Gui d e I con s ap pe ari ng bel o w ti tles i n di cat e t h e mo de s in wh ic h t he p r oc e du r e c a n b e us ed . In th is g ui de , t he Ba si c C a m er a U s e r G ui de i s r efe rr e d t o a s th e Basi c Gu id e , an d th e Advanced Cam era User Guide is r efe rre d to as th e Adva nc ed G u ide .
2 T able of Content s I t ems m arke d wi t h a ar e l is ts o r c hart s th at su mma r ize cam era f un ct i ons or pr o ced ur e s. Pl ea se Re ad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Sa fet y Prec a uti on s .
3 Swit chin g be tw ee n Fo cu si ng M od e s . . . . . . . . . . . . . . . . . . 46 S h ooti ng Ha rd- t o-F oc us Su bj ec ts ( F oc us L oc k, A F Loc k) . . 4 7 Lo ckin g th e E xp os ur e S ett in g (A E L oc k ) . . . . . . . . . . . . . . . 48 Lo ckin g th e F la sh Ex p osure Se tti ng (F E L oc k) .
4 Ch an gin g M y C amera Se tti ng s . . . . . . . . . . . . . . . . . . . . . . . 91 Re gis te rin g My C a m era Se tti ng s . . . . . . . . . . . . . . . . . . . . . . 92 Ca me ra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
5 Ha ndling Pr ecautions Te s t S h o t s B e f o re yo u tr y t o phot og r ap h im po rt ant su bj e ct s, w e h ig hl y rec om m e nd th at yo u sh oo t s e ve ral tr i al im a ge s to co nf irm th at th e c ame r a i s op er at i ng and be in g op era te d c or r ec tly .
6 V i de o F orm at P l eas e se t th e ca mera 's vi de o si gn al for m at to t he on e us ed in y our reg io n be fo re u s in g i t w i th a TV m o ni tor (p. 90 ) . La ngu ag e S etti ng P l eas e se e the B a si c Guide (p . 4) t o c h an ge th e lan g ua ge s ett in g.
7 W ar nings Equipment Do no t lo ok dir e ct ly at t he su n o r at othe r in ten se li ght s ou rc e s th r oug h t he vie w fin der tha t c oul d da m ag e y ou r ey es ig h t . St or e t hi s e qui pm en t ou t of t h e re a ch of c hi l dr e n a nd i n fant s.
8 Ba tter y D o n o t p lac e t he ba t t ery n ea r a he at s o u rce or e x po s e it to d i r e ct f lam e or h ea t. T he ba tte r y s ho uld not be im me r se d in wat e r or s ea w a ter . Do n ot at t e mpt t o d i sa ss em b l e, al te r o r ap p l y h e at t o t h e ba t te ry .
9 O ther s Do no t trig ger the flash in cl os e prox im i ty to h uman or a nim a l e yes. Exp os ur e to the inte ns e lig ht p r odu ce d b y t he f la sh ma y da ma ge ey es igh t . In part ic ul ar , re ma in a t le as t on e me t e r (3 9 i nc he s ) aw ay f ro m i nfa nt s wh en usi ng t h e fla sh .
10 Fl as h Do n ot op e rat e t h e fl as h wi t h d i rt, d us t or o t h er i t em s stu c k to t he su rf ac e of t he f lash . B e c areful no t to cove r the flash with yo ur fi ngers or c lo t hin g w h en sh ooti ng. T he f l as h ma y be d am ag ed a nd em i t s mok e or no is e.
11 Pr e v en tin g Mal fu ncti on s Av oi d Strong Ma gnetic Fields Nev er plac e t he c am era i n cl o se pr ox imi ty t o el ec tr i c m ot o r s o r oth er e qu ipm en t ge ne rati ng str o ng ele ct ro magn eti c fi elds. Ex po su re to st ro n g ma gn et ic fi el ds m a y c au s e m a lf u nc ti o n s or co r ru pt im ag e da t a .
12 B e f o re Using th e C a me ra —T he C o mp onen ts Gu id e F ront View A/V O UT ( Aud io / Vid eo ou tp ut ) T er m in al (p . 9 0) DIGI T A L T e rminal ( Ba sic G ui de p. 19) T ermin al Co ver ( Basi c Gu id e p. 19 ) Wris t Stra p Mo u nt M ic r op ho ne (p .
13 Before Using the Ca mera—The Compo nent s Guide * W hen c arryin g the c amer a by the s tr ap, be c areful not to s wing t he ca mer a or c atc h it on oth er item s.
14 Op era tion Pa nel In di ca to rs (p. 2 2 ) Po wer Button ( Basi c Gu ide p. 5) Po wer Lamp Zo om L ev e r ( p. 69 , Basi c Gu id e p. 9) Sh oo t in g: (W ide An gl e) / (T el ep ho to ) Pl ay ba ck : (I nd ex ) / (M a gn ify ) Sh utter But ton ( B asi c Gu i d e p.
15 Before Using the Ca mera—Basic Ope rations B ef or e U sing th e Ca mer a — B asic O per a tio ns Th e L C D m on ito r o n o r off setti ng is reta in ed ev e n a f t er t he camera p ower i s turn ed o f f . Th e L CD m o ni tor do es n ot sh ut o f f in th e , , , or m od e.
16 U s i n g t h e C lo ck Y o u ca n di sp la y t h e cu r re nt da te a nd t im e fo r a 5-s e co nd * in te r v al us in g t he fo llo w in g two m eth od s . * D efaul t se tting M eth od 1 Hold t he FUNC./S E T bu tto n do wn whi l e tur ni ng on th e po wer .
17 Before Using the Ca mera—Basic Ope rations LCD M o ni t or Br i gh t ne s s S e tt i ng s T he bri gh t nes s o f t he LCD mo ni tor ca n b e ch ange d i n the f ol lo win g t wo w ays. Ch an gi ng S e tti ng s U si ng th e S et up M en u (p .
18 Sho otin g In fo r m a t ion (Sh oot ing m ode) * A ppea rs ev en i f the L CD moni tor is s et to S tan dar d di splay . In f o r mati on Di s pla yed on t h e LCD Mon i t or Expo s u re Co m pens ation (p . 51) Lo ng Shu tte r Mo de (p . 5 2) Wh it e B a lan ce (p .
19 Before Using the Ca mera—Basic Operations I f th e in di ca t o r bl in ks o r an ge a nd t h e ca m er a s ha ke i co n di spla ys, it indi ca tes t he re i s in su f f ic ie nt illu mi nati on an d a sl ow sh ut ter spe ed w i l l be se le ct ed .
20 Det ailed Th e f oll ow i ng in fo rma ti on ma y al so be di sp la y ed w ith s om e i m ag es . I n f o rma tion f or i mag es shot on ot he r cam era s ma y not di sp la y correctl y . A s ou nd file in a f orm at o t he r th an t he W AV E form at is att ache d or th e file fo rm at is no t r ec og niz ed .
21 Before Using the Ca mera—Basic Ope rations Th e v ie w f i nd er ca n be us e d t o c o ns er v e po w er by tu rn in g t he LC D moni to r o f f (p. 15) w h il e s h oo tin g. H ist ogr a m Fun cti on Th e his to gr am i s a gra ph t ha t a ll ow s yo u to ju dg e th e b ri gh tne s s of t h e i ma ge .
22 Th e ca me r a in di ca t o r s lig h t o r fl as h un de r t h e fol lo w in g ci rcu mst an ces . Upp er I ndi ca tor G r ee n: R e ad y to sh oo t Bl in king Gr ee n: Imag e r ec ord in g/r .
23 Before Using the Ca mera—Basic Ope rations Wh en t ra v el ing a br oa d, yo u ca n r e co r d im ag es w it h l oc al d a te s an d t i mes s im pl y by sw itch in g t he ti me z on e sett ing i f you pre- r e gist er t h e de st in ati on t i me z one s.
24 Sw itc h ing t o t he Des tina ti on Time Zo ne I f you ch ang e the da te a nd t i me wh en th e W o rld o pt ion i s sele ct ed , th e Hom e da te an d tim e w il l a ls o ch a ng e au tom a tic al ly . 5 U s e t he or button to select a destina- tion t i me z one .
25 Before Using the Ca mera—Basic Ope rations Me nu s ar e u s ed to s et the s ho ot in g, pl ay ba ck a nd p rin t s et tin gs a s wel l a s su c h c a me ra se tti ng s as th e da te /ti me a nd el ec tro ni c be ep . T he foll o win g me nus are a vai l ab le.
26 R ec., Play , Pr int , Set up an d My Cam era Menus Co nve nien t s et t ings fo r sh oo tin g, pl ay ba ck or p ri n t i ng can be set wi th th es e me nu s. P res s t h e ME NU b u t t on. U se t he or b ut to n t o s wi t ch be tw ee n me nu s .
27 Before Using the Ca mera—Basic Ope rations F UNC . M enu R ec. M e nu Menu L ist M e nu I tem Pa ge Menu It em P a ge S h oo t i ng Mo de Bas i c p. 5 Me te r i ng Mo de p. 50 Mo vie M od e p. 40 C om pre ssion ( St il l I mage) p. 34 Ex po sure C o mp en sation p.
28 Pl ay Menu Pr int M e n u Set up M en u D ate Sta mp O f f*/D ate /D ate & Tim e p. 37 Lo ng Shu t te r O n / O ff * p. 52 Sti tc h As si st L ef t to r ig ht*/ R igh t to le ft p. 44 Menu I t em Page Me nu It e m Page Tran sition p. 7 6 Pr ot ect p.
29 Before Using the Ca mera—Basic Ope rations Sh utt er V o l u me Ad justs t he volum e of th e so un d pla yed w h en t he sh ut te r re l eas es . T he shu tte r soun d d oe s no t pla y w hen a m ovie is re cordin g . Pla yba ck Vo l. Adjust s the volu m e of m o vie so unds an d so un d m em os.
30 *1 Y ou can change t he pr in ter con nec tion metho d. Ther e i s u sua lly no need to c han ge the sett ings, but selec t when y ou print an ima ge r ecord ed i n th e (Wi descr een) mo de at t he ful l page se tting for w ide p a per us ing a Ca non SE LPHY CP 710/C P510 Com p a ct Ph oto Printe r .
31 Before Using the Ca mera—Basic Ope rations S e t t ings ca nn ot be r e set w he n the cam era is co nne cted t o a co m puter or to a p r i n ter . Th e f ol lo w in g c a nn ot be r e se t. - S ho otin g mo de - The [T ime Zone] , [Da t e/ T i me] , [ Lang uage] and [Vid eo System] options in th e (S e t u p) m e nu (p.
32 Y ou shoul d a lwa ys f or m at a new m emo ry ca rd or one f rom w h ich yo u wi sh to e rase al l imag es a nd ot he r d at a. Low L ev el Fo rma t W e reco mme nd y ou se le ct [ Low Le vel Fo r m at] wh en yo u t hi nk tha t t he r e co r di n g /r e ad in g s p ee d o f a m e mo r y c ard ha s d rop pe d.
33 S h oo t i ng Shooti ng Appr o ximat e V alues f or R ecor ding P ix el s * Paper s izes v a ry ac cording to region. C hanging t he R e cor d i ng Pix els an d C om- pr es s i o n ( S til l I m ages) Sh oo t in g Mo de 1 FUNC . M enu * (R ecor di ng Pix el s) / * (Compression).
34 A ppro ximat e V alues for Com pression Set tings Se e I m ag e D a ta S iz es ( E st i m ate d ) (p . 1 20) . Se e Me m ory C a rds a nd Es ti ma te d Ca pa ci tie s (p. 1 1 9 ) . Y o u c an s ho ot a s u bj ect 3 – 10 cm (1 .2 – 3. 9 i n.
35 S h oo t i ng Y o u ca n sh oot zo om ed i ma ge s us in g the c omb in ed digi t al an d o p t i cal zo oms . S t i ll s: zo o m up to ap pr ox im at el y 12 tim e s M ov ie s (S ta nd ard) : zoom u p t o ap pro xim at ely 1 2 t ime s Im ages b ecome c oar ser t he more t hey ar e di gi t al ly z oomed.
36 In th is m od e, th e c a me ra sh oo ts co nt in uo us ly w h il e t he s hu tte r bu tto n is h el d d own . I f y ou u se th e rec omm ended mem ory ca rd* , yo u ca n sh oo t co nti nu ou sl y (smo ot h co nti nu ou s sh oot i ng) a t a set sh oo ti ng in te r va l un til th e m e mo r y c ard is f ul l (p .
37 S h oo t i ng Y o u can sh oo t i mag es wi th t he o pt i mal se tti ng s fo r po stcar ds by co m po si n g th em i ns id e t he p rin t a rea (w i dth -t o- he ig ht rat i o of a ppr oxi ma tel y 3: 2) sh own i n t h e LCD mo ni to r . For pri nti ng i nst r ucti ons, r ef er t o t he Dir ec t Print Us er G uid e .
38 Y o u c a n s et a 10 s ec . ( ) or 2 s e c. ( ) d el a y , or a c u st om d el ay t im e an d t he n umb er of shot s ( Cus t o m T ime r ) , f or sh oo t i ng af ter th e s h ut t er bu t to n i s pr e s se d. T o Canc el the Se lf-Timer P r es s t h e b ut t on t o di spl ay .
39 S h oo t i ng C ha ngin g th e D el ay T i me and Num be r of S ho ts ( ). Y o u ca n ch an ge th e de la y tim e (0 –1 0, 15 , 2 0, 30 s ec . ) an d n um b er of s ho t s (1 –1 0) . T h es e s et tin gs , ho w e ve r , c an no t b e s et fo r the C o lor Acce nt, C ol or S wap , S titc h As si st or m o vi e mod e.
40 T he fo ll owi ng mov ie m od es ar e av ai la bl e. Mo vi e Sh ooti ng Sh oo tin g Mo de S tanda rd Y ou ca n se l e ct the re cord in g pi x el s an d f ra me ra t e an d reco rd un til t h e m e m o ry card i s ful l (w he n a s up er h i g h-sp eed m emo ry c a rd is us e d, s uc h as t he r ec o m men de d SDC- 51 2MS H) .
41 S h oo t i ng • The recor di ng ti me wi ll vary accor di ng to t he c apaci ty of the m emor y card y ou u se (p. 1 19) . • Re cordi ng wi ll stop after one h our of c onti nuous r eco rding e ven if th e rec or ded da ta volume has not r eac hed 1 GB.
42 Be fo r e r e c or d in g, yo u ca n se t t h e A E lo ck (p . 4 8) an d ex po su re sh ift . 1 . P r es s th e bu t to n. Th e ex po su r e wil l l oc k ( AE lo ck ) a nd th e ex po sur e shif t ba r w i ll ap pe ar in th e LCD mo ni tor . 2. U se t he or butt o n t o ad ju st th e ex po sur e.
43 S h oo t i ng Ch an gin g R eco r d ing Pi x els an d F ram e Ra te s Y o u ca n ch an ge th e rec o r di ng pi x els a nd fr am e r ate w h en th e mo vie mo de i s se t to (S t andar d ) , ( Col or A cce nt) or (C ol or S wap ). 1 FU NC . M e nu * (Rec or di ng P i x e l s) / * ( Fra m e R a te ).
44 S t it ch As sist ca n be u sed t o sh oo t ove rl a ppin g im ages th at ca n later b e m erge d (stit c hed) t o c reate on e p anor am ic im age on a c om puter . S ho oti n g P ano r am i c I m a g es ( Stitch Assi st) Sh oo tin g Mo de 1 FU N C .
45 S h oo t i ng Use P ho t oS ti t ch, a su pp lie d sof twa re p r o gra m, t o m erg e th e i m ag es o n a c om p ute r . 3 S e l ec t a s h oo t i ng di r e ct io n . Y o u c a n s e le ct fro m the fo ll ow i ng t w o sh oot in g di rec tio ns.
46 Y o u c a n s el ec t be t w ee n th e f ol low ing tw o f oc us in g mo de s acc ord in g to th e Ai AF se tti ng . Th e foc us i s loc k ed to th e c e nte r AF fra me w h en th e d ig ital zo om i s us ed .
47 S h oo t i ng It m a y be di ffic ul t t o f oc us o n the fo ll owi ng ty pe s of s ub je cts . S u bjec t s wit h e xt rem el y lo w c ont r a st to t h e sur rou nd in gs Sce ne s wit h a m ix tu r e of ne ar an d far su bj ec ts.
48 T o R e le as e th e A F L oc k P r es s t h e / butt o n. When s hooti ng w it h t he f oc us l oc k or AF l oc k usi ng t he L CD m o nitor , setting [A iAF] to [Off] (p. 46) make s sho o ti ng ea si er si nce the camera f o cuses usi ng t he c ent er AF f r ame onl y .
49 S h oo t i ng A E lo ck can a lso be s et an d rel ea sed in mo de (p. 42 ) . Y o u ca n us e the F E loc k whe n us in g the fl as h. Y o u can lo ck t h e fla sh e xposu r e so th at th e expo su re se t t i ng s ar e c orr ec t ly s et r e ga rdl es s of t h e comp osi tio n o f yo ur su bj ec t .
50 Meter ing M ethods S w i tc hi ng bet w een Meteri ng Modes S h ooti ng Mod e 1 FU NC . M enu * (E v a luat ive). S ee Me nus and S etti ngs ( p. 25) . * D efault s et t ing. Us e the or b utt on to s el ect t he m eter ing mod e a nd p ress th e FUNC.
51 S h oo t i ng A d j ust t h e expo sur e com pensat i on se t t ing t o avoid makin g t he subje ct t oo da rk whe n i t i s backl i t or sho t agains t a br i ght b ackgr ou nd or to avo id mak i ng li ght s appe ar t oo br i ght in ni g ht shot s.
52 Y o u c a n s et th e sh ut ter sp ee d t o a sl ow s e t ti ng to m ak e da r k s ub j ec ts ap pe ar bri gh t e r . S ho oti n g in Lo ng Sh utter M ode Sh oo t i ng M od e 1 (R ec.) M enu [Long Shut ter ] [ On] . S ee Me nus and S etti ngs ( p. 26) .
53 S h oo t i ng Us e t h e LC D mo ni tor t o conf irm t h at th e i mag e was r e cord ed a t t h e desi r ed b rig ht n ess . Ple as e no te th at cam era s ha k e b eco mes a facto r a t l ow shut te r s pe ed s. Sh oo t w i th the c am e r a se cur e d t o a tr ipo d.
54 No rm al ly , th e ( A ut o) whi t e ba l an ce se t ti ng sel e cts a n op t ima l wh it e b al an ce. Wh en t h e sett in g cann ot pr o du ce n at ur a l look in g c olo rs , ch an ge t he wh ite ba lan c e us in g a s et t in g ap pro pri at e fo r th e l i g h t so urce .
55 S h oo t i ng Us ing t he Cus to m W hit e Balan ce Y o u ca n se t a c us to m w hi te ba la nc e to ob t ai n t he op ti ma l s et tin g f or th e s h oo tin g co nd iti on s by h av in g the c a.
56 Y o u are r e co mme nd ed to s et th e sh oo tin g mo de t o an d the exp os ure c omp ensa ti on sett i ng t o [ ±0] be f ore s et tin g a c u st om w h ite b al an ce . T h e co rre ct w hi t e bala nc e may not be ob t aine d wh en th e expo su r e se t t i ng i s inco rr ect ( i m ag e ap pe ars c om p le te l y bl ac k or w hi te) .
57 S h oo t i ng Y o u can ch an ge th e lo ok and fe el of th e pi ct u res yo u ta ke . M y Co lor s Sett ing s * The skin c ol ors of non- huma n s ubje cts may als o be altered . * Y ou may not ob tain the ex pect ed resu lts d epend ing on the skin c ol or .
58 1 FUN C. Menu * (My Col or s O ff ) . S ee Me nus and S etti ngs ( p. 25) . * D efault s etting. z Us e the or b utt on to s el ec t a My Co lo rs m od e. z In Se e S ett in g t he Ca me r a to a Cus - to m C ol or Mo de (p . 5 8) . z W he n n ot in P r e ss t he F U NC.
59 S h oo t i ng Y o u can s hoot i mag es w it h t h e ori gi n al col o r s tra ns fo rme d. T h i s ca n b e per for me d on mov ie s as we ll as s ti l l i mag es , a l l owi ng y ou t o e njoy p ho tog ra ph ing w ith im age or mo vie ef fe ct s .
60 Shoot ing i n the Col or Accent M o de 1 Stills: FUN C. M enu * (Auto) * ( Kids&P et s) (Col or Accent ). M o vies: F U NC . Menu * (Standar d) (Color Accent ) . Se e M e nus an d S etti ngs ( p. 25) . * D efault s et t ing. 2 . T he C ol or Ac ce nt m od e wi ll tak e effe ct .
61 S h oo t i ng Th e d e fau lt co lo r a cc e nt is gr ee n. Y o u may not ob t a in t he ex pect ed re su lts a f t er co lo r in put m od e i f y ou u se t h e fla s h, or ch an ge th e w hi t e ba la nc e or m ete rin g setti ng s.
62 Th e de fau lt se t ti ng f o r c ol or s w a p m o de ch an g es gr e e n i nto white. Y o u m a y no t o bta in th e e x pe cte d res u lt s if yo u us e the fl as h. Th e co lo rs sp ec i fie d i n t he c ol or sw a p mo d e a r e r eta in ed ev en if th e came ra ' s po wer is tu rn ed off .
63 S h oo t i ng Ch angin g th e Sa v e Meth od f or t he Origin al Ima ge Wh en s ho ot i ng s ti ll im ag es i n t he Co lor A c ce nt or C ol or Sw ap mo de , y ou ca n s et w he t he r or n ot to s a ve the ori gi na l im ag e ( pr e - tr a nsf o r m ati on ) a s w el l as th e t ran sfor me d o ne.
64 Ra i se t he IS O sp ee d t o us e a f as t s hu tt er s p ee d w h e n y o u w i sh to r e duc e t he e f fec t s o f ca mer a sh ake or av oi d bl urr y s ub je cts , or t o tu rn the fl as h off w h e n sh oo tin g in a d a rk are a. A d j u s t i n g t h e I SO S p e ed Sh oo t i ng M od e 1 Pr es s the butt on and s w i tc h set ti ngs.
65 S h oo t i ng Y ou r c am e ra is eq ui pp ed w i th an In te lli ge nt O rie nta tio n se ns o r th at d etec t s t he or i ent ati on o f a n im ag e sh ot w i t h t h e cam er a h eld ve r ti ca ll y an d au tom a tic a lly r o t at es i t to t he c or re c t o r ie nt a tio n w he n vi ew i ng it in th e LC D mo ni to r .
66 Y ou can cr ea t e a n ew fo l der a t a ny tim e an d t he re co rde d im ag es wil l b e au to ma tic a lly s a ve d t o tha t f ol de r . Creates a f ol der t he next t i me y ou shoot.
67 S h oo t i ng Up t o 20 00 im ag es c a n be s a ve d in to o ne fo ld er. A n ew fo ld er wi ll au to ma ti ca ll y be cr ea ted w h en y ou r e co rd mo r e th an th at n um b er ev en if y ou ar e n ot c r ea t in g ne w fo ld ers . T he im ag es yo u s ho ot ar e aut oma ti ca lly ass ig ne d f i le nu mber s.
68 Fil e and F o lder Numbers Rec o r de d im ag es a re as si gn ed c on s ec ut iv e f ile n um b er s s tart i ng wi th 00 01 a nd ra ng ing u p t o 99 99 , wh il e f olde r s ar e a ssi g ned n umber s s t ar t ing wi t h 10 0 an d ran gi ng up to 9 99.
69 Pl ay ba ck /E r a sin g Playbac k/Er asing P l ea se a lso se e t he Ba sic Camera Us er Guide (p . 1 1). T o Ca nc el the M ag nifi ed Dis pla y Pr e ss th e zo om l ev e r to w ard . (Y o u ca n al so c a n ce l it i mmedi at e ly by pre ssi ng th e MEN U butt on .
70 T o R e tu rn t o Sin g le I m ag e P lay ba ck P res s t h e zoom l e ver t owa r d . V iew i ng I m ages in Sets of Nin e ( I n dex Pl a y ba ck) 1 Pr es s the z oom le v er t ow ar d . Up t o ni ne im age s can b e vi ewe d at o nc e. Us e the , , or butto n t o ch an ge t h e imag e se lect i on.
71 Pl ay ba ck /E r a sin g Wh en y o u ha v e m a ny i ma ge s r ec o rd e d on t o a m e mo ry c ar d , i t i s h andy to us e the f i ve se arch ke ys b el ow t o j ump ov er i mag es t o fin d t h e ob je ct of you r s ea r ch . T o R e tu rn t o Sin g le I m ag e P lay ba ck Pre ss th e ME N U b utt on .
72 Operating the M o vi e Contr ol P anel U s e t he te le vi si on ’s co nt r ol s to ad ju st th e v ol um e wh en p lay in g a mo v i e on a T V se t (p. 90) . Th e so un d ca nn ot be p la ye d in s low mo ti on p lay b ac k. V iew in g Mo v i es Mo vies c an no t b e pl ay ed i n t he inde x pl ay ba ck mode .
73 Pl ay ba ck /E r a sin g Y o u can de le te po r ti o ns of r e c ord ed m ovi es . Edi ti ng Mo vies P rot e ct ed m ov ies an d mo vies 1 s eco nd or le ss i n d urat i on ca nn ot be e di te d. 1 Select (Edit) in t he m o vie contr ol panel and press .
74 It m ay take a p pro xi ma te ly 3 m i nu tes to sa v e a n e di ted m ov ie . If t he ba tte r y ru ns ou t of c ha r ge par tw a y t h ro ug h, e di ted mo vi e c lip s ca nn ot be s av ed . W he n ed iti ng m ovies , i t i s r e comme nd ed t o use a f ul ly c har ged b att ery or th e se p arat e ly sold AC A dapt er K it ACK-DC 1 0 ( p .
75 Pl ay ba ck /E r a sin g I ma ge s ca n be ro t a t e d cloc kwi se 9 0° or 27 0° in th e di sp la y . R o ta ti ng I ma ge s in t he D is play 1 ( P lay) Menu . Se e M e nus an d Se tt i ng s (p . 26) . 2 Use t he or button to select an image t o rota te and press t o rota te it .
76 Y o u c a n sel ec t the tr an si t io n effe ct di sp la ye d w he n sw i t c hi ng b etw een i mag es . T h e tra ns it ion e f f ec t wi ll no t dis play w hen a n i mag e i s s wit ched whi le th e ca mera is re ad ing an ima ge fr om th e mem ory c ard.
77 Pl ay ba ck /E r a sin g Y o u can ad d e ff ect s to r eco rde d imag es ( s t i lls o nl y) us in g t he My Col or s fu nc ti on . T he fo ll owi ng s ele c tio n of My C o lo rs effe c ts i s av ai la bl e.
78 z Th e My C o lo r s effe cts wi ll no t w o rk if th er e is i ns uffi ci en t s pac e on th e me m or y c ar d . z A lt h ough M y C ol o r s e ff ect s ca n be add ed an y nu mbe r o f t im es t.
79 Pl ay ba ck /E r a sin g Sound Memo Panel 2 Use t he or button to select an image t o a t tac h a sound m emo t o and press . Th e so un d me m o pan el wil l d is pl ay . 3 Select (R ecord) and press . Th e el aps ed t i m e a nd th e rem a in ing t im e d is p lay .
80 Au tom a te d Pl ay b ac k of Me m or y Ca r d Im ag es . Im ag e se tt i ng s f o r s lid e sh ow s a re ba se d on th e Dig ita l P ri nt O r de r Form at (DPOF) s tand ard (p. 8 5) . A u tom ated Pl ay back (Sl i de Shows) All I m a ges Pla ys all i m ag es on a m em ory ca rd in o rde r .
81 Pl ay ba ck /E r a sin g T rans iti on Ef f e cts Y ou c an s el ec t t he t ra ns it io n e ffec t us ed w h en on e im ag e is r e plac ed b y an othe r .
82 S e lect ing an I mage Da te or F ol der for P la y ba ck ( / ) 1 Sel ect or and press . 2 Use t he or but t on t o select t he da t e or folder to be played b ack and press .
83 Pl ay ba ck /E r a sin g Se le ct ing A l l Im ag es 1 Af t er s el e ct i n g – in s t ep 1 ( p. 82) , us e th e bu tto n t o se l ec t [ M a rk al l ] an d pr es s t h e FU NC ./SE T bu t t on. 2 Us e th e bu tto n t o s e le ct [M ark a ll ], p re ss th e F UNC.
84 Y ou can p rotec t i m port ant im ages a nd mo vi es from ac ci de ntal e r a sure. P lease format the m emory card when you wan t to erase not o nly im age d ata but a l so all t he data cont aine d on the car d (p . 32) . Pr ote cti ng I m a ges 1 (Play) M enu .
85 P rint Sett ings/T ran sfer Se ttin gs P ri nt S ett in g s/T ran sf er S ett ing s Y o u can se le ct ima ge s on a me mory c a r d f or p rin ti ng and sp eci fy the n um b er o f pr i nt co pi es i n a dv a nc e u s in g t he c am er a.
86 Al l t he Ima ges on a M emor y Car d z I mag es are p rin te d i n ord er ac cord in g t o the fi le numbe r . z A max imum of 99 8 i mag es c an b e sel ect e d. z Wh en [P rin t Type] is s et to [B o t h] , th e nu mb er of co pi es c an b e s et .
87 P rint Sett ings/T ran sfer Se ttin gs Set ti ng t he Pr int Sty le After se tt ing t he pr i nt s tyl e, s ele c t th e im ag e( s) to pri nt. Th e fol lo w in g pr i nt se t ti ng s ca n be s el ec t ed . T he D a t e an d Fil e No . se t ti ng s ch an ge a cc ordi n g to t h e Pri nt T y pe a s f ol lo ws.
88 Em be dde d d ates i n ( P ost c ard D ate Im pr i nt m od e ) (p . 37) pri nt ou t e ven w he n [Dat e] is s et to [Off]. Do no t s et t he da t e in the D P O F p r in t s et tin gs w h en pri nt ing i mag es t hat hav e h ad t he da te emb ed de d wit h th e [ Da t e S t amp ] f un cti on .
89 P rint Sett ings/T ran sfer Se ttin gs Al l t he Ima ges on a Memo r y Car d I ma ge s ar e tr ansf err e d i n ord er ac cor d in g t o t he f i le nu m be r . A m a xi mu m of 99 8 im ag es c a n b e se le ct ed . 3 Use t he or button to select an image t o transfer and press .
90 V i ewing Ima ge s on a TV set Y ou can us e a vide o- c ompa ti b le te le visi on a s a mo ni tor to shoot or pl ay b ac k im a ge s w he n i t i s co nn ec te d to the c ame ra w ith th e su ppl ie d A V Cabl e .
91 C u s t omizing t he C a mera ( My Ca mera S et tings ) Cus tom i zi ng the Ca me r a (My Ca me r a S e tti n gs) M y Came ra al l ows yo u t o cu stom iz e the s t ar t - up ima ge an d sta r t- u p, op era ti on , s el f- t i mer a nd s hutt e r s oun ds .
92 I ma ge s r e cord ed o nto the me mory c ard an d new l y rec ord ed so un ds ca n be ad de d as My Cam er a se t t i n g s to t he an d men u it em s. Y o u c a n a ls o us e t h e s u pp lie d so f tw ar e t o u p l oa d yo ur co mput er ’ s i ma ges an d so unds t o t he cam era.
93 C u s t omizing t he C a mera ( My Ca mera S et tings ) Se e t he su pp lied S oftw a re S ta rte r Gui de fo r m ore in fo rma ti on on c rea ting an d ad di ng to th e My Ca mera d at a.
94 T r oubl esho oti n g Came r a Camer a will not oper a te. Po wer is no t t urn ed o n. P res s th e po w er bu tto n ( B a si c Guide p. 5 ). Mem ory c a rd sl ot/ba ttery co v er is op en . Co nf i rm th at th e memo ry card s lo t/ b at t er y c o ve r i s s e cu r el y cl os e d ( Basi c Gui de p.
95 T r oub les ho otin g L CD mon i to r T he di s pl ay dar k ens. T he im age in th e LCD mo ni to r wi l l d a rke n in st r on g s u nl ig ht or b rig ht lig ht . T his i s a no r ma l oc cu r re nc e in devices conta ining CCDs and d oes no t co ns ti tut e a m al fu nc tio n.
96 N oise di splays. /Subject's mov ements are ir r egul ar . Ca mera a uto mati cal l y l ight e ned th e i mag e di sp la y ed on th e LC D m on ito r to m ak e i t e as ie r to s ee w he n sh oo ti ng in a da r k are a (p. 1 7 ) . Th er e i s no ef fe ct on the reco rde d im ag e.
97 T r oub les ho otin g I m age i s bl ur red or out of f ocus. AF-a ss i st Bea m is s e t to [Off]. In dar k pla ces wher e it is dif f icult f or th e camera t o focus, t he AF-a ssist B eam will emit to assist f o cusing . As th e AF-a ssist Beam w ill not funct ion when tu r ned off, set it [O n] to acti vate i t (p .
98 Subj ect i n recor ded ima ge is t oo bright, or i m age f lashes w hi te. S ub ject is t o o clos e, ma king th e f la sh to o st r on g . S ho ot with in c orre c t s ho ot in g di sta nc e of t he s ubje ct when us in g th e bu il t-in fl as h (p.
99 T r oub les ho otin g Ey es a ppear r ed. Li gh t i s r efl ec te d b a ck f r om t h e ey es w h en t h e f l as h is u se d i n da rk are as . Us e t h e ( A uto Re d- e y e Red uc tio n) or (R ed - e ye Red uc tio n On) mode ( Ba sic Gu id e p.
100 Sho oti ng Mo vies T he r ecor di ng tim e may not displa y proper l y or shooting may st op une xpect edl y . T he foll owi ng t y pe s of m em or y c a r ds a r e us ed . - Sl ow re cord ing c ards. - Car d s for ma tt e d on a di ff e rent ca mera or a co mput er .
10 1 T r oub les ho otin g P l ay ba c k Cannot pl ay bac k. Y ou a tte mp te d to play b ac k im ag es sh ot w it h a not her ca me r a or im ag es e di te d wi th a co m pu ter.
102 R eading i m ages from m emor y car d is sl o w . Me mor y car d w as f or m at te d i n an ot her d evi ce. Use a m em or y c a rd form a tte d in you r cam era (p.
10 3 T r oub les ho otin g Pri nting on D ir ec t Print C ompati bl e Printe r s Cannot pr int. Ca me r a an d pri nt er n ot p rop erl y co nnect e d. A ttac h the c ame ra to the p rin te r s ec u r el y w it h t h e su pp li ed c ab le. Printe r p ower is o f f .
104 Li st of Mes sa ges Th e fol lo w in g m e ss a ge s m a y ap pe ar on th e LC D m o ni t or du r in g s ho ot i ng or pl ay ba c k. P le as e r efe r t o th e Di rec t Pr in t U s er Gu id e fo r t he mes sag es t h at di sp la y du r in g a p r i nte r c on ne ctio n.
10 5 L i st of M e ss ag es No i mage. No images re c orded o n m e mory card. Im ag e t oo l ar g e. Y o u a t te m pte d to pl ay b ac k an i ma ge l arg er tha n 49 92 x 33 28 pi xe ls o r w it h a l ar g e da t a s i z e. In co mpatib le JP EG form a t.
106 Ca nn o t tra nsfer! Wh en tra ns fe rr in g im ag es to y our co mp ut er us in g t he Di rec t T r a ns fe r m en u, yo u att em p ted to s el ect a n im ag e w ith c or rup ted da ta o r a n i m ag e ta ke n w ith a di f f ere nt ca m era o r da ta t yp e.
10 7 A ppe nd ix A ppendi x Ba t te r y Ha n d li n g B a tter y Cha r ge Th e f ol low ing i co n and me ssa ge w il l disp l ay . Ba t te r y Handl ing Prec auti ons Kee p th e ba t t ery te rmi n al s c le an at al l t i me s. Di r ty te rm in als m a y ca us e po or co nta ct be tw e en th e ba tt e r y an d c am e ra.
108 Y o u m ay be a bl e to ch eck the c har ge st a t e de pe ndin g u pon h ow t he te rm in al co v er i s at t a c he d ( Fig . C , D ). Y o u a re r e co mm e nde d t o u se it i n th e ca me.
10 9 A ppe nd ix H and li ng th e Memo r y Car d SD M emor y Ca r d Wr i te P r o tec t T a b Cauti o ns W h en H andlin g M e mo ry ca rd s ar e hig h- pr e ci si o n e l ec t ro n ic d ev i ce s. D o no t b en d th em, a pply force to the m , or su bject the m t o shoc ks o r vi br at i on .
110 Fo r m a t t i n g P leas e note tha t fo rmattin g (i nitiali z i ng) an memo ry card e ras e s a ll data, inc lud ing pro tec ted im a ges . Y o u a r e r e co mm en d e d t o us e me mo ry c ar d s t hat ha ve b e en f or ma tte d i n y our ca me r a.
11 1 A ppe nd ix It is best to po wer th e c ame ra wit h AC Ada pt er Ki t ACK- DC1 0 (sol d se par at e ly ) w h en y ou a re us in g i t f or l on g pe r io ds o f t i m e o r co nn ecti ng it to a co m pu te r .
112 Hi gh-P o we r Flas h HF -D C 1 Th is fl as h is u se d t o su pp le me nt th e ca m er a 's bu il t- i n f la sh w h en t he su bj ec t i s t o o f ar a way fo r pro pe r il l umi na t io n. U se th e f o ll owi ng p roce du res t o a f fix th e ca mer a and Hig h-P owe r Fl ash t o t h e su ppor ti ng br ac ket .
11 3 A ppe nd ix Be fore a ttac hi ng th e bra c ke t t o t he fl as h, ch eck th at th e l ith iu m ba t t e ry (CR 1 23 A o r DL 123) is in sta ll ed .
114 Cam er a B ody Ge nt l y w ip e dir t o ff the ca me r a bo dy wi t h a sof t c lo th or ey eg lass le ns w i pe r . Le ns F ir s t u se a l en s blo wer brus h t o r em ove du st a nd dir t, t hen remo ve an y r em a in in g d ir t by w i pi ng th e le ns li gh tly w i th a so ft c lo t h .
11 5 A ppe nd ix All da t a is ba s ed on C a no n’s s tan da r d t es ti ng m eth o ds . S u bj ec t to chan ge w i tho u t n oti ce. DI GI T A L I XU S 6 0 Sp ec if ic ati o n s ( W): M a x. w ide a ngle (T ): Max. te lep h ot o C am era E ff ec ti ve P ixel s Approx.
116 W h it e B a la n c e A ut o, Da yli g ht , Cl oud y , Tung st en , Fl u ore sc en t o r Fl uo re sc en t H or Cus t om B u il t - i n F l a sh Au t o , a u t o wi t h red -e ye re du ction, f las h on with re d-e ye re du ctio n, fl a sh o n, flas h of f , sl ow s ync hro Flas h R ange No rma l : 5 0 cm – 3 .
11 7 A ppe nd ix Nu m ber of R ecor d ing P i xel s ( M ovi es) S ta nda rd , Col or Accent , Color S wap : 640 x 480 pi xe l s ( 30 fram es/s ec., 15 f r a mes/sec .
118 *1 This digi t al cam er a supp or t s Exif 2.2 (also ca l led “ Ex if P rint ” ). Ex if P rint is a s t andard f or e nhanc i n g the commun i cation betwee n digi tal c amer as and print ers.
11 9 A ppe nd ix Mem or y Cards and Est ima t ed Ca p acit ies : C ar d inc luded w i t h the camera • C ap able of s mo oth conti nuous s hootin g (p . 36) ( * Onl y av ailable when card has been f or mat ted with a low lev el fo r mat). • This r eflec ts s t andard s hooting c r iteria es t abli s hed by Can on.
120 * Maximum m ovi e clip l e ngth a t : 1 min., at : 3 min. The figures i ndic ate the m axi m um continuo us record i ng ti m e. I mage Da ta Siz es ( Est ima t ed) Fast Fr a me Rate 32 0 x 240 pix els 1 0 se c. 1 mi n . 32 s e c . 5 min. 59 s ec. C ompac t 16 0x 1 20 pix els 1 mi n .
12 1 A ppe nd ix SD M e mor y Ca r d Mul tiMediaCar d Ba t t er y Pac k NB-4 L Ba t t er y Char ger CB -2L V/CB-2L V E Interfac e Co m pat i ble wi t h S D m e m ory ca rd s tan dar ds Dimens i o ns 32 .0 x 24. 0 x 2 .1 m m (1 .3 x 0. 9 x 0.1 in. ) We ight A ppr ox .
122 Compact Po wer Adapter CA- DC10 ( I nc lu ded wit h th e se p ar at ely s ol d A C A d ap t e r K it A CK -D C 10) Rated Inpu t 10 0 – 24 0 V AC (5 0/ 60 Hz ) 16 V A ( 10 0 V) – 26 V A (2 40 V ) R ate d O utp u t 4.3 V DC , 1.5 A Op erat in g T em p e r atur es 0 – 40 ° C ( 32 – 10 4 °F) Dime nsions 42 .
123 IN DEX A AC Ad a pte r Kit A C K-DC 1 0 .. . 11 1 AE L o ck ... .... ... ... ...... ... ... ... ... ... 48 AF F r ame .... ...... ... ... ... ... ... 18 , 46 AF L o c k ... .... ... ... ...... ... ... ... ...... 47 AF-a ss ist Be am . ... ... ... .
124 L L ang uag e . ....... ... ... ... ... ... Basi c 4 LC D M on ito r In fo rmati o n Dis p l a y e d . ... ... . 18 Nig h t D isp lay... ... ... ... ... ... ... . 17 Pla y b ack I nfor ma tion .. ... ... . 19 Quic k- bri ght LC D .. ... ... ... ..
12 5 T Te leph o to. .... ... ... ...... ... ... . Basi c 9 Ti me Zo n e ... ...... ... ... ... ...... 23 , 29 Tr a n s itio n Effect s Pla y b ack .. ... ... ... ... ... ... ... ...... 76 Sli de Sh ow .... ... ... ... ... ... ...... 81 V V ideo Outp u t S ystem.
126 T r ade m ar k Ackno wledgments • C anon , PIX MA and S EL PHY are t rad em ark s of C anon I nc. • Macinto sh, Ma c O S and Qu ickTim e are tr ad emarks of Apple Co mput er I nc. , regist e red i n t h e Unit ed S tates a nd/or ot her countries.
12 7 Fu nc tion s A vai l a bl e i n E ach S ho ot i n g Mo de T he c hart b elow is a refe rence for the se ttings a v a ilable for vari ous shoot ing c ond it io ns . T he se ttin gs selec t e d i n e ac h shoot ing mode are s av ed afte r you f inish s hoo t ing .
128 Setting available ( D efa ul t set tin g) U Set ting c an only be s elec t ed for t he first image . ( S D ef ault s etting) ( S ha de d Ar ea ) : Se t t in g i s r et a i ne d ev e n w he n t he c a mer a po w er i s s hu t o f f .
ENGLIS H CEL-SF5SA 210 © 200 6 CA NON INC. Co v- A d va n c ed. f m Pa g e 1 W e dn e s d a y, Ja nu a r y 4 , 20 06 1 0 :24 A M.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Canon IXUS IXUS 60 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Canon IXUS IXUS 60 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Canon IXUS IXUS 60, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Canon IXUS IXUS 60 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Canon IXUS IXUS 60, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Canon IXUS IXUS 60.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Canon IXUS IXUS 60. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Canon IXUS IXUS 60 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
