Manuel d'utilisation / d'entretien du produit 1012 DAC Preamplifier du fabricant Boulder Amplifiers
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Boulder 1012 DAC Pr eamplifier Owners Manual 10/27/03 Boulder Amplifiers, Inc. 3235 Prairie A ve. Boulder , CO 80301 www .boulderamp.com APPENDIX RECORDING BOULDER LINK PROGRAMMING REMOTE CONTROL OPER.
Boulder 1012 DAC Preamplifier Rear Panel.
T ABLE OF CONTENTS GETTING ST AR TED Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-1 Quick Start . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
REMOTE CONTROL Batteries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-1 Source Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
RECORDING Connecting a Recording Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1 APPENDIX Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
GETTING ST AR TED INTRODUCTION Congratulations on your selection of the Boulder 1012 DAC Preamplifier . W e at Boulder Amplifiers are certain it will provide years of listening pleasure. QUICK ST AR T T o get started listening, you only need to connect the 1012 as you would any other preamplifier , but you should take note of the following.
PLACEMENT OF THE 1012 DAC PREAMPLIFIER Y our Boulder 1012 DAC Pr eamplifier is designed to r educe the effects that external magnetic and radio fields (RF) have on its internal circuitry . While placement is not critical, known magnetic fields should be avoided.
CONNECTING TO THE MAINS OUTLET Y our 1012 DAC Preamplifier is supplied with a mains cord suitable to the location where it was purchased. A label showing the exact voltage and frequency range is located on the rear panel. Make certain that the mains voltage used is with in the specifications shown.
CONNECTING A DIGIT AL SOURCE There are four digital inputs to the DSP and D/A Converter section of the 1012. Three inputs ar e the AES/EBU style. Because of the balanced nature of these connections, it is the preferr ed method of connection and should be used whenever available.
POLARITY Please note that the 1012 DAC Pr eamplifier conforms to the standard of pin 2 as the high or hot pin for all analog balanced inputs and outputs. Because input and output polarities are handled through programming setups and the remote control, no concern for polarity is needed while connecting sour ces.
CONNECTING AN UNBALANCED ANALOG SOURCE Although the inputs are all of the 3 pin type, an unbalanced source is easily accommodated by using a special cable. This cable has an RCA phono type connector on the source end and a 3 pin connector for going to an input on the 1012 DAC Preamplifier .
CONNECTING A TURNT ABLE Balanced inputs are provided for connecting a turntable to the 1012. T o avoid hum pickup in the cabling, it is important to follow these instructions. Do not connect pin 1 (chassis/ground) to either pin 2 or 3 at any point in the cable, turntable chassis, or tonearm.
1-8 PHONO CABLES CARTRIDGE 1012 PHONO INPUT TURNTABLE CHASSIS 3-POS INPUT 2-POS INPUT 1-POS INPUT CHASSIS CARTRIDGE 1012 PHONO INPUT TURNTABLE CHASSIS 3-POS INPUT 2-POS INPUT 1-POS INPUT CHASSIS CARTRIDGE 1012 PHONO INPUT TURNTABLE CHASSIS 3-POS INPUT 2-POS INPUT 1-POS INPUT CHASSIS N.
CONNECTING TO A BALANCED INPUT AMPLIFIER W ith your 1012 DAC Pr eamplifier ’s balanced output driving a balanced input power amplifier , you can take sonic advantage of short speaker cables and correspondingly longer input cables.
CONNECTING TO AN UNBALANCED INPUT AMPLIFIER A special cable is requir ed to make this connection. This cable connects pin 1 to the shield and pin 2 to the center pin. It leaves the output pin 3 unconnected. Connecting the unused output pin (usually pin 3) to ground will cause excessive ground currents and degrade performance.
SETTING THE BOULDERLINK SWITCH Set the Boulderlink MASTER / SLA VE switch to MASTER. For more information on Boulderlink, see the Boulderlink section as indicated by the finger tabs below .
OPERA TION POWERING UP W ith all your connections made, you ar e r eady to listen to your Boulder 1012 DAC Preamplifier . The power LED will cycle through a variety of colors indicating a standby mode. Power is applied only to the microprocessor during this mode.
INPUT SELECTIONS T o select an analog input, press one of the ANALOG pushbuttons labeled ONE, TWO, THREE or PHONO. The respective input will be shown in the display and that signal will be r outed to both the main and recor d outputs. For example, if input ONE is chosen, “A1.
T o select a digital input, pr ess one of the DIGIT AL pushbuttons labeled ONE through FOUR. For a few seconds, the input sample rate of the source and the Upandoversampling™ rate out of the DSP will be shown. For example, a regular CD will show “INPUT RA TE 44.
VOLUME Because the pr ecise feel of the Boulder 1012’s volume control may be differ ent than you ar e used to, we recommend starting the sour ce device so that an audio signal is fed to the 1012 before increasing the volume. The display will show “VOLUME INFINITE” to indicate maximum attenuation or no sound.
BALANCE T o change the level balance, press the BALANCE pushbutton. “BALANCE CENTERED” will show in the display . Now , rotating the control will change the balance instead of the volume for as long as “BALANCE...” is displayed. T urning the control counterclockwise (left) will cause an indication such as “BALANCE R -2.
MUTE T o temporarily r educe the volume, press the MUTE pushbutton. “VOLUME MUTED” will show in the display , replacing the volume indication. Again pr essing the MUTE pushbutton will r eturn the volume to normal level. While muted, the level of both channels will be reduced by -100 dB, regar dless of volume setting.
DISPLA Y The display brightness may be set to any of 4 brightness levels. T o change the brightness level, press the DISPLA Y pushbutton. “DISPLA Y 100%” will show in the display . Rotate the control until the desired brightness is obtained such as “DISPLA Y 50%.
REMOTE CONTROL BA TTERIES A standard small flat blade scr ewdriver is r equired to install the three AAA batteries. T o install batteries in the remote control, it is necessary to separate the two sections. W ARNING: When opened, the pushbutton balls will be loose and care must be taken to properly retain them.
SOURCE SELECTION T o select an input (source) press one of the eight buttons on the left side of the remote control in the ANALOG and DIGIT AL gr oups. Y ou will now be listening to your desired source, and it will be showing in the display . VOLUME, BALANCE and MUTE T o increase the volume, press the button marked with an up arrow .
POLARITY NOTE: Often polarity is mistakenly called phase. As phase indicates any angle between two channels from 0 to 360 degrees, the correct term of polarity is preferred to indicate the 180º phase change, or inversion, available in the 1012 DAC Preamplifier .
PROGRAMMING While it is not necessary to ever use any programming functions, you will find they maximize the enjoyment of your Boulder 1012 DAC Preamplifier .
If you chose to assign a name, then “A1 ANALOG INPUT 1” will be shown in the bottom display row with a blinking cursor before the name’s first character . Rotate the control until the desired character appears. Press the same input source number to accept the displayed character and go to the next character .
THEA TER MODE When the 1012 pr eamplifier is used in a surround sound theater system, it is normally desired to bypass the volume control, thus letting the surr ound processor control the volume. W ARNING: Setting an input to THEA TER MODE forces the volume to unity gain.
INPUT LEVEL CALIBRA TION Pressing the same input source number will make “INPUT LEVEL 0.0dB” show in the bottom display row . Rotating the volume contr ol will change the display and the main outputs’ levels simultaneously . This allows calibration of each input with test tones if desired.
INPUT BALANCE CALIBRA TION Pressing the same input source number will make “INPUT BAL CENTERED” show in the bottom display row . Rotating the volume control will simultaneously change the display and the main output’s balance so that the action can be monitored or measured.
PROGRAMMING BY THE DISPLA Y BUTTON Several special featur es ar e programmed by pressing and holding the DISPLA Y pushbutton until the display changes indicating you ar e in a programming mode. If no action is taken for some time, then the 1012 reverts back to normal operation.
BOULDERLINK ID Again pressing the DISPLA Y pushbutton will make “PROGRAM BOULDER LINK, BOULDER LINK ID 20” show in the display . Rotating the volume control changes the ID number . For more information consult the Boulderlink section. Unless you are using two or more 1012 DAC Preamplifiers together , this setting should be left at “20.
RESET TO F ACTOR Y DEF AUL TS Should you wish to have all settings reset to original factory defaults, you may execute a master reset. Normally , this function is not used. Press and hold the POWER pushbutton. “RESET ALL P ARAMETERS, DIG 1=YES DIG 2=NO” will show in the display .
BOULDERLINK Boulderlink is a means of interconnecting most Boulder products so that their microprocessors can talk to each other and pass important information. Among the key features, Boulderlink allows sequential initiation of power amplifiers’ and other products’ power up when the 1012 DAC Preamplifier is turned on.
SETTING BOULDERLINK SWITCHES Every Boulderlink system must have one “MASTER” component, and only one component can be set to MASTER. Usually this is the preamplifier . Power amplifiers and other products not having a MASTER/SLA VE switch are not eligible to be “MASTER.
POWER UP VIA BOULDERLINK W ith each component connected together with a Boulderlink cable, and individually connected to the mains, pressing the 1012’s POWER pushbutton will initiate the turn on sequence of all components. The first time a “MASTER” 1012 is powered up, it will sear ch for any “slave” units connected to it.
BOULDERLINK MESSAGES Each component in the system can send a message to the 1012 which is then shown on its display . This is particularly helpful in confirming the operating status of each power amplifier in a multiple amplifier system.
“UNIT 1 IS OFFLINE” means that the slave is no longer responding via Boulderlink. Its Boulderlink cable may have become disconnected, or the mains power has been disconnected. “UNIT 1 IS ONLINE” means that the slave is now responding via Boulderlink in a normal manner and has been recognized by the master .
RECORDING A separated analog output is provided for making recor dings or supplying a fixed level output to other system components. CONNECTING A RECORDING DEVICE A r ecording device may be connected to the 1012 DAC Pr eamplifier .
APPENDIX 7-1 1012 AUDIO BLOCK DIAGRAM 4 DIGITAL AUDIO RECEIVER MODULE BOULDER CUSTOM DSP DIGITAL LOW PASS D/A CONVERTER 6 POLE BESSEL ANALOG LOW PASS 100K OHM BALANCED INPUT BUFFER 200 STEP ATTENUATOR.
APPENDIX 7-2 BOULDER 1012 DAC PREAMPLIFIER SPECIFICA TIONS DIGIT AL INPUTS Digital Inputs 3 AES/EBU, Adapts to SPDIF (1 DABL Adapter included), 1 T oslink Sampling Rates 32, 44.
APPENDIX 7-3 BOULDER 1012 DAC PREAMPLIFIER SPECIFICA TIONS (CTD) Maximum Input Level 6.0 Vrms Maximum Output Level 14.0 V rms THD+N, 2V Output, from 20 Hz to 20 kHz 0.
APPENDIX 7-4 TROUBLESHOOTING SYMPTOM CAUSE REMEDY No power indication Preamplifier is not plugged in Connect to an AC outlet Analog source selected, Amber power indication but sound not heard from eit.
APPENDIX 7-5 NOTES.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Boulder Amplifiers 1012 DAC Preamplifier c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Boulder Amplifiers 1012 DAC Preamplifier - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Boulder Amplifiers 1012 DAC Preamplifier, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Boulder Amplifiers 1012 DAC Preamplifier va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Boulder Amplifiers 1012 DAC Preamplifier, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Boulder Amplifiers 1012 DAC Preamplifier.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Boulder Amplifiers 1012 DAC Preamplifier. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Boulder Amplifiers 1012 DAC Preamplifier ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
