Manuel d'utilisation / d'entretien du produit DSP-A3090 du fabricant Yamaha
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TAPE 2 MONITOR AC 3 PRO LOGIC DSP DIGITAL SOURCE AC 3 PCM PROCESSOR VCR 3/DVD VIDEO AUX SET MENU BASS EXTENSION VIDEO AUX INPUT MODE VCR 3/DVD VIDEO AUX PHONES BASS TREBLE BALANCE REC OUT INPUT SELECT.
1 Read Instructions – All the safety and operating instructions should be read before the unit is operated. 2 Retain Instructions – The safety and operating instructions should be retained for future reference. 3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to.
15 Damage Requiring Service – The unit should be serviced by qualified service personnel when: A. The power-supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the unit; or C. The unit has been exposed to rain; or D.
PRECA UTIONS 1. AVOID EXCESSIVE HEAT, HUMIDITY, DUST AND VIBRATION Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity—such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage.
1 English Congratulations! Y ou ar e the proud owner of a Y amaha Digital Sound Field Pr ocessing (DSP) System—an extremely sophisticated audio component. The DSP system takes full advantage of Y amaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences.
2 PRECA UTIONS & SAFETY INSTR UCTIONS ...........................................................................Inside the front co v er GETTING ST ARTED ...........................................................................3 FEA TURES .....
Unpac king If you ha v en’t already done so , carefully remo v e this unit and its accessories from the box and wr apping material. Y ou should find the unit itself and the f ollo wing accessories.
Notes about the Remote Contr ol Unit ● When you notice that remote control oper ation has become erratic , or the distance from which the remote control will function has decreased, it’ s time to replace the batteries. Alw a ys replace all batteries at the same time.
5 English This unit incor por ates a sophisticated, multi-prog r am digital sound field processor . The processor allo ws y ou to electronically e xpand and change the shape of the audio sound field from both audio and video sources, creating a theater-lik e e xperience in your listening room.
6 Dolb y Pro Logic Surr ound This unit emplo ys a Dolb y Pro Logic Surround decoder similar to prof essional Dolb y Stereo decoders used in man y mo vie theaters . By using the Dolby Pro Logic Surround decoder , you can e xperience the dramatic realism and impact of Dolb y Surround mo vie theater sound in your o wn home .
7 English Laser Disc is a home audio f or mat that could benefit from Dolby A C-3. In the near future , Dolby A C-3 will also be applied to DBS, CA TV , D VD and HDTV . The ongoing release of Dolby Stereo Digital theatrical films now underwa y will provide an immediate source of A C-3 encoded video software.
8 Dolby Pr o Logic + 2 Digital Sound Fields A digital sound field is created on the presence side and the rear surround side of the Dolb y Pro Logic Surround-processed sound field individually .
Video superimpose If you connect y our video cassette recorder , LD pla y er , video monitor , etc. to this unit, y ou can tak e adv antage of this unit’ s capability to displa y prog ram titles , par ameter data and inf or mation f or v arious setting changes and adjustments on y our video monitor’ s screen.
10 Setting Up Y our Speaker System This unit has been designed to provide the best sound field quality with a full se v en-speaker system setup , using two extr a pairs of eff ect speak ers to gener ate the sound field plus one center speaker f or dialog.
11 English 4 Speaker System Simplest system. You can enjoy widely diffused sound by only adding two additional speaker units at the rear. FRONT MIX switch—Set to ON. (See page 21.) CENTER SP—Set to PHNTM. (See page 30.) 5 Speaker System Good for Audio/Video sources.
12 Speakers and Speaker Placement Y our full sev en-speaker system will require three speak er pairs: the MAIN SPEAKERS (y our normal stereo speakers), the FR ONT EFFECT SPEAKERS and the REAR EFFECT SPEAKERS , plus the CENTER SPEAKER. Y ou may also be using a subw oof er .
13 English CONTROLS & THEIR FUNCTIONS FR ONT P ANEL NATURAL SOUND DIGITAL SOUND FIELD PROCESSING AMPLIFIER DSP A3090 CINEMA DSP 7ch TAPE 2 MONITOR AC 3 PRO LOGIC DSP DIGITAL SOURCE AC 3 PCM PROCES.
14 1 PO WER Switch T ur ns this unit on and off . 2 Standby Indicator (Europe , U .K. and Austr alia models only) While the pow er of this unit is on, pressing the PO WER k e y on the remote control unit s witches this unit to the standb y mode. In this mode, the standb y indicator is half illuminated.
15 English F BASS and TREBLE Controls Adjust low and high frequency response respectiv ely f or the left main, right main and center channels only . * Increasing low frequency response with the BASS control will not be so eff ective if y ou set the function “1.
16 REMO TE CONTROL UNIT 1 TRANSMIT/LEARN Indicator In “LEARN” mode, lights to indicate that the k ey just pressed is ready f or learning input. In “USER” mode, b links when a learned ke y is pressed to show that a control signal has been sent to y our equipment.
17 English 8 FRONT LEVEL +/– K eys Increase (+) or decrease (–) the v olume le v el of the front eff ect speakers . 9 CENTER LEVEL +/– K e ys Increase (+) or decrease (–) the v olume le v el of the center speaker(s). 0 REAR LEVEL +/– K eys Increase (+) or decrease (–) the volume le v el of the rear eff ect speakers .
18 REAR P ANEL P AR TS AND THEIR FUNCTIONS Bef ore you star t making connections mak e sure all related electronic components are tur ned OFF . AC–3 RF SIGNAL AUDIO SIGNAL AUDIO SIGNAL VIDEO SIGNAL .
19 English 1 OPTICAL Digital Input and Output J ac ks Can be connected with audio/video units that ha v e optical digital signal output (and input) jac ks. 2 COAXIAL Digital Input J ack (f or CD Pla yer) Can be connected with a CD pla y er that has a coaxial digital signal output jac k.
20 G CENTER OUT Jac ks Center-channel line outputs. The CENTER OUT jac k at the low er par t is connected with the jumper bar to the CENTER IN jac k when the built-in amplifier is used. Can be connected to input jack(s) of one or tw o e xternal power amplifier(s) to drive the center speaker(s).
21 English REAR P ANEL SWITCH AND CONTR OL SETTINGS There are se v eral s witches and controls on the rear panel that you’ll ha v e to chec k bef ore operating y our system, and it’ s a good idea to do it bef ore y ou connect cab les. Locate the MAIN LEVEL slide s witch ( D ) and FRONT MIX slide s witch ( C ).
22 AC–3 RF SIGNAL AUDIO SIGNAL AUDIO SIGNAL VIDEO SIGNAL GND PHONO LD CD 1 CD 2 TUNER 3 TAPE PB 4 REC OUT TAPE 1 3 TAPE PB 4 REC OUT TAPE 2 COAXIAL OPTICAL CD TAPE PB TAPE 1 REC OUT LD TV/DBS VCR 3 .
23 English CONNECTING T O DIGIT AL (OPTICAL AND CO AXIAL) J A CKS If your CD pla y er , video cassette recoder , LD pla y er , etc. are equipped with optical digital audio signal output (and input) jac ks , they can be connected to this unit ’ s OPTICAL digital signal input (and output) jacks .
24 If your LD pla y er has an AC-3 RF signal output jac k, connect it to this unit’ s A C-3 RF SIGNAL input jac k. Audio signals encoded with the Dolby Surround A C-3 are input to this unit b y this connection. * T o play bac k an LD source decoding its A C-3 RF signal, set the input mode of LD pla yer to “A UTO” or “A C-3 RF”.
25 English CONNECTING T O S VIDEO J A CKS If your video cassette recorder , LD pla y er , etc. and your monitor are equipped with “S” (high-resolution) video terminals, connect them to this unit’ s S VIDEO jac ks , and connect this unit’ s S VIDEO MONIT OR OUT jack to the “S” video input of y our monitor .
26 For connecting with a monitor TV that uses a 21 pin connector f or input (for Eur ope and U .K. models) Make a connection as figured belo w with a commercially av ailab le scar t-plug connector cab le . CONNECTING SPEAKER SYSTEMS Connect the SPEAKERS ter minals to y our speakers with wire of the proper gauge, cut as shor t as possib le.
27 English CONNECTING THE MAIN SPEAKERS T O THIS UNIT Connect the MAIN speak ers to the MAIN SPEAKERS terminals of this unit. Mak e sure that the jumper bars between the PRE OUT and MAIN IN jacks on the rear panel are in place . It is also possib le to use an e xternal power amplifier if more po w er is desired.
28 CONNECTING THE EFFECT SPEAKERS AND THE CENTER SPEAKER(S) T O THIS UNIT Connect the FR ONT eff ect speak ers to the FR ONT SPEAKERS ter minals of this unit. If the FRONT eff ect speak ers are not used, the FR ONT MIX s witch should be set to “ON”.
29 English ADDING A SUBW OOFER Y ou may wish to add a subw oof er to reinf orce the bass frequencies. This unit provides line-le v el subw oof er outputs. If y ou use one subwoof er , connect the MONO SUBW OOFER jac k to the INPUT jack of the subw oof er amplifier , and connect the speak er terminals of the subwoof er amplifier to the subwoof er .
30 DESCRIPTION OF EA CH FUNCTION 1A. CENTER SPEAKER(S) Choices: NRML/WD/PHNTM Preset position: NRML NRML: Select this position when you use a center speak er that is smaller than the main speakers .
31 English 1C. MAIN SPEAKERS Choices: SMALL/LARGE Preset position: LARGE SMALL: Select this position if your main speak ers do not hav e a high ability f or bass reproduction. Howe v er , if your system does not include a subwoof er , do not select this position.
32 METHOD OF CHANGING SELECTIONS The use of the remote control unit is recommended f or simple operation. Operations should be made w atching inf ormation on this unit’ s displa y panel or the monitor screen. 1. T ur n the pow er of this unit on. (If y ou w ant to displa y inf ormation on the monitor , turn the power of the monitor on.
33 English This operation uses an internal test-tone generator f or balancing the le v els of the main, center and eff ect speak ers . 1. Depress the TEST s witch on the remote control so that “TEST DOLBY SUR. ” appears on the displa y panel to enter test mode .
34 3. F or the front eff ect speak er le v el adjustment, depress the TEST s witch on the remote control again so that “TEST DSP” appears on the displa y panel. A calibr ation signal should be heard from the main speakers and the front eff ect speak ers in turn (see diagram).
35 English This adjustment is impor tant f or obtaining the best perf ormance from the inter nal circuits of this unit. The optim um input le v el of this unit is pre-adjusted on the basis of the CD source le v el.
36 The f ollo wing thir teen types of functions maximiz e the perf ormance of your system and e xpand your enjo yment f or audio listening and video watching. 1. SPEAKER SET 2. LO W FREQ . TEST 3. LFE LEVEL 4. CENTER DELA Y 5. CENTER GEQ 6. CINEMA EQ 7.
37 English DESCRIPTIONS OF THE FUNCTIONS 1. SPEAKER SET (Selecting the output modes suitable for y our speaker system) See page 30 f or details. (Once y ou hav e selected proper modes, y ou do not hav e to make a setting change until an y alteration is made in y our speaker system.
38 3. LFE LEVEL (Adjusting the output level at the LFE (low frequenc y effect) channel) Control range: MUTE, –20 dB to 0 dB (in 1 dB step) Preset value: 0 dB * This adjustment is eff ectiv e only when the Dolb y Surround A C-3 is decoded. Adjusts the output le vel at the LFE (lo w frequency eff ect) channel.
39 English 6. CINEMA EQ (Adjusting the tonal balance of speakers) It is difficult to balance tonal quality of the main, center , front effect and rear eff ect speak ers , because the y ma y be diff erent in type and size , and their setting positions and heights are also diff erent.
40 m Preset value of the CINEMA Equalizer L, C, R EQ HIGH: FRQ ............ 12.7 kHz GAIN ........................... –3 dB FRONT , REAR EFCT EQ HIGH: FRQ .
41 English The f ollo wing curves show frequency char acteristics when the P arametric Equalizer (PEQ) is adjusted at the indicated v alues. PEQ: FRQ ................................ 1.0 kHz GAIN ............................. +6 dB to –9 dB PEQ: FRQ .
42 STD (Standard): P o werful sounds of e xtremely wide dynamic range are not alwa ys suitab le for home use . Depending upon the condition of your listening en vironment, it ma y not possible to incr.
43 English 9. MEMOR Y GU ARD (Locking DSP parameters and other adjustments) If you wish to pre v ent accidental alteration to DSP parameters or other adjustments on this unit, select “ON”. In this position, they are lock ed and cannot be changed. The f ollowing functions on this unit can be lock ed by this oper ation.
44 11. INPUT TRIM (Input level adjustment) This function is av ailab le to all input sources. Select an input source with the INPUT SELECT OR on the front panel or the input selector ke ys on the remote control unit. Input le vel can be controlled from 0 to +6 dB in 2 dB steps.
45 English PLA YING A SOURCE 1. Set the master V OLUME control to minimum. 2. T ur n the pow er on. 3. Select an input source. The selected source is shown b y the displa y panel and the monitor screen. F or the source that inputs tw o or more types of signals to this unit, its current input mode is also sho wn.
46 Switching the input mode This unit allows y ou to s witch the input mode only f or sources that input two or more types of signals to this unit. m For CD , T APE 1, TV/DBS and VCR3/D VD sour ces: The f ollo wing two input modes are pro vided.
47 English Notes on input mode selection f or LD sour ces • T o play bac k a Dolb y Surround A C-3 encoded source decoding its A C-3 RF signal, set the input mode to “A UT O” or “A C-3 RF”. • When you want to enjo y a Dolb y Surround AC-3 encoded source with a Dolby Pro Logic Surround prog ram, select the DIGIT AL or ANALOG mode.
48 RECORDING A SOURCE T O A UDIO/VIDEO T APE (OR DUBBING FROM A T APE T O ANO THER) 1. Set the REC OUT selector to the SOURCE position. 2. Select the source y ou want to record. 3. Pla y the source and increase the setting of the master V OLUME control to confir m it.
49 English NO TE: Adjusting the master V OLUME, BASS , TREBLE controls , etc., or selecting a sound field progr am has no eff ect on the material being recorded. NO TE: Composite video and S video signals pass independently through this unit’ s video circuits .
50 3. All sound field programs ha v e two “sub-programs” (see “DESCRIPTIONS OF THE SOUND FIELD PROGRAMS”). The sub-programs are selected using the PR OGRAM Selector on the front panel or the P arameter +/– k eys on the remote control unit.
51 English MUTING THE EFFECT SOUND The EFFECT s witch on the front panel and the EFFECT ON/OFF ke y on the remote control unit mak e it simple to compare the normal stereo sound with the fully processed eff ect sound. T o mute the eff ect sound and monitor only the main sound, press the EFFECT ON/OFF k e y or the EFFECT s witch.
52 The f ollo wing list giv es brief descriptions of the sound fields produced by each of the DSP prog r ams. K eep in mind that most of these are precise digital recreations of actual acoustic en vironments . The data f or them was recorded at the locations described using so phisticated sound field measurement equipment.
53 English 3. CONCER T HALL 3 Hall E in Europe: A classic large shoe-bo x type concer t hall with appro ximately 2200 seats . It has a circular stage and seats located behind the stage. Liv e Concer t: A large round concer t hall with a rich surround eff ect.
54 7. CONCER T VIDEO 1 Classical/Opera: This program pro vides e xcellent depth of v ocals and o v er all clarity , restraining e xcessiv e re v erber ation. F or oper a, the orchestra pit and the stage are ideally combined, letting y ou f eel a full presence sound.
55 English 9. TV THEA TER Mono Movie: This program is f or reproducing monaur al video sources (old movies etc.). Monaur al sounds are reproduced with much presence by the front presence side of the sound field and optimum re v erberation eff ect.
56 70 mm Adv enture (When the Dolby Pro Logic Surround is decoded): A C-3 Adv enture (When the Dolby Surround A C-3 is decoded): This program is ideal f or precisely reproducing the sound design of the new est 70 mm/A C-3 multi-tr ac k films .
57 English PROLOGIC/Normal (When the Dolby Pro Logic Surround is decoded): A C-3/Normal (When the Dolby Surround A C-3 is decoded): The built-in Dolb y Pro Logic Surround decoder or Dolby Surround A C-3 decoder precisely reproduces sounds and sound eff ects of a source encoded with Dolb y Surround.
58 SELECTING AND EDITING PR OGRAM P ARAMETERS WHA T IS A SOUND FIELD? In order to e xplain the impressiv e functions of the DSP system, we need to first understand what a sound field really is . What really creates the rich, full tones of a live instrument are the multiple reflections from the w alls of the room.
59 English In addition to the “TYPE” parameter which selects the sub- programs within each sound field prog ram (e.g. “Hall A in Europe” and “Hall B in Europe” f or program 1, “CONCER T .
60 DESCRIPTIONS OF THE DIGIT AL SOUND FIELD P ARAMETERS Not all of the f ollo wing par ameters are f ound in e v ery program. ● ROOM SIZE How it Aff ects the Sound: Changes the apparent size of the m usic v en ue . The larger the v alue , the larger the simulated room will sound.
61 English ● LIVENESS How it Aff ects the Sound: This parameter changes the apparent reflectivity of the w alls in the hall. The early reflections from a sound source will lose intensity (deca y) m uch f aster in a room with acoustically absorbent w all surf aces than in one which has mostly reflectiv e surf aces .
62 ● REV . DELA Y (Reverberation Dela y) This parameter sets the time diff erence between the beginning of the direct sound and the beginning of the re v erberation sound.
63 English ● P . INIT . DL Y (Presence Initial Delay) Adjusts the dela y betw een the direct sound and the first reflection on the presence side of the sound field. The larger the v alue , the later the first reflection begins. Control Range: 1 – 49 milliseconds ● P .
64 The remote control unit, in addition to controlling the most commonly used functions of the main unit and other connected Y amaha audio and video equipment, has a sophisticated “lear ning” function that allo ws it to control other equipment in your system or other household appliances equipped with infrared remote control receiv ers.
65 English NO TE : The originally preset function of a ke y is still av ailable in the USER position if the ke y does not lear n a ne w function. NO TE : If there is no more room in the memor y area f or a function to be lear ned, the TRANSMIT/LEARN indicator will flash on and off eight times.
66 PROBLEM Power does not come on. Hum. No sound. No sound from the effect speakers. No sound from the front effect speakers. No sound from the center speaker. Poor bass reproduction. The sound suddenly goes off. The volume level cannot be increased, or sound is distorted.
67 English PROBLEM The sound is degraded when listening with the headphones connected to the compact disc player or cassette deck that are connected with this unit. The remote control unit does not function properly. The remote control unit cannot learn a new function from another remote control unit.
68 Minimum RMS Output Power Per Channel Main (20 Hz – 20 kHz 0.015% THD 8 Ω ) ........................................ 80W+80W Center (20 Hz – 20 kHz 0.015% THD 8 Ω ) ............................................... 80W Front Effect (1 kHz 0.05% THD 8 Ω ) .
69 English Tone Control Characteristics Bass Boost/Cut .............................................................................. ±10 dB (50 Hz) Turnover frequency ........................................................................... 350 Hz Treble Boost/Cut .
YAMAHA ELECTRONICS CORPORATION, US A 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD . 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H . SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Yamaha DSP-A3090 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Yamaha DSP-A3090 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Yamaha DSP-A3090, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Yamaha DSP-A3090 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Yamaha DSP-A3090, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Yamaha DSP-A3090.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Yamaha DSP-A3090. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Yamaha DSP-A3090 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
