Manuel d'utilisation / d'entretien du produit SPD-20 du fabricant Roland
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01453923 '02-2-AE2-61N OWNER’S MANUAL Thank you, and congratulations on your choice of the SPD-20 Total Percussion Pad. The SPD-20 is an electronic percussion unit that has eight pads, trigger interfaces, a high-quality digital sound generator, and on-board digital effects.
2 Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on .
USING THE UNIT SAFELY.............................................2 How to Use This Manual..................................................5 Important Notes ................................................................6 Main Features of the SPD-20.
Settings for Each Pad ...........................................................68 Using External MIDI Devices to Play the Internal Sound Generator..............................................................69 Expanding Patches to Allow Reception of Many Note Numbers (Patch Expand) .
In addition to the items listed under “USING THE UNIT SAFELY” on page 2, please read and observe the following: Impor tant Notes 6 Power Supply • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
• The SPD-20 features 700 different internal instruments, including drum set sounds, percus- sion sounds from around the world, dance sounds, sound effects, phrase loops, and more, that can be used in a wide variety of musical genres. (Instrument List p.
Front fig. (Front Panel) Rear fig. (Rear Panel and Cord Hook) Cord Hook To prevent the disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.
1 Pads 1–8 Play these pads to trigger the various sounds. The pads are velocity sensitive and will respond to your playing dynamics. 2 Patch display This display indicates the Patch number or the value of each parameter (p. 14). 3 P AD BANK indicator Indicates the selected pad bank (A or B) (p.
Attaching the SPD-20 to a Drum Stand If you are attaching the unit to a cymbal stand etc. with a pipe diameter of 10.5–30 mm, use an all pur- pose clamp set (APC-33: sold separately). 1 Using a 4 mm wrench, remove the four screws from the bottom of the SPD-20.
How to Restore the Factor y Settings (System Initialize) When the SPD-20 is shipped, it contains 99 Patches in memory. You can freely overwrite this data. However, the same data is also preserved in ROM, and can be restored at any time. This procedure is called System Initialize.
Connection to Audio Equipment With the SPD-20, you can produce realistic sounds simply by connecting an audio system. You can also use headphones. fig.6 To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
2 Press the power switch to turn the unit on. fig.7 When the power is turned on, the SPD-20 will be in the Play mode. This is the mode in which you will play the SPD-20. fig.8 When you turn the SPD-20’s power on, it takes about one second complete adjustments to the trigger circuits.
Selecting a Patch When you select a Patch, the sound assigned to each pad and the settings for MIDI, effect and pedal will all change instantly. Try each of the 99 factory-preset Patches to hear the different possibilities. To select Patches first make sure you are in the Play mode.
Using a Footswitch to Select Patches By using a special cable (PCS-31; sold separately) to connect two footswitches (FS-5U; sold separately) to the FOOT SW jack, you can select Patches by remote control.
What is a Pad Bank? The 8 pads of the SPD-20, together with 4 external pads (plus the 4 rims) — for a total of 16 pads — are referred to as a pad bank. Each Patch contains two pad bank settings, A and B. fig.13 When you select a Patch, the PAD BANK indicator will show which pad bank the Patch uses.
What is the Layer Function? Layer means that two sounds are played simultaneously. The Layer setting is stored as part of each Patch. A Patch for which Layer is enabled will simultaneously play the sounds of both pad banks (A and B). In this case, however, you will only be able to play half as many notes simultaneously (a maxi- mum of 7).
About the SPD-20 ’ s Internal Setup and Parameter Settings (Edit) This Chapter explains the basic structure of the SPD-20 and how it functions. Before we get into details, you should have an overall understanding of the unit.
Pad section This section has 8 velocity sensitive pads that respond to changes in your playing dynamics. T rigger Inter face section This section sends the trigger signals (electric signals produced when you strike a pad) to the Sound Generating section.
How to Edit To modify parameter values you must be in the Edit mode. The names of all the parameters you can modify are in the Parameter List printed on the front panel.
How to edit 1 Press [EDIT] to enter the Edit mode. 2 Select the parameter you wish to edit. Press [SELECT] to get the appropriate indicator to light, thus selecting a column. Use [ ] or [ ] to select the desired row, by getting the appropriate indicator to light.
Selecting and Adjusting Sounds (Sound Parameters) The parameters in the SOUND group (the sound parameters) allow you to modify the sound assigned to each pad. The SOUND group contains 7 parameters: INST, LEVEL, PITCH, DECAY, PAN, CURVE and FX SEND. Sound parameter settings for each pad are stored in each Patch.
Adjusting the V olume (LEVEL) This parameter determines the volume (0 – 15). At a setting of 0 there will be no sound. When FX SEND in the SOUND parameter group is set above 0, the effects sound alone will be heard even if the LEVEL parameter is set to 0.
Adjusting the Dynamic V olume Response (CURVE) This parameter determines how the Instrument volume will change in response to your playing. You can choose from 16 response curves. fig.22 You can come up with some effective Layered sounds by combining SF (Soft) and Hd (Hard) Velocity Curves.
fig.23 fig.24 When CSt is selected, the unit sounds at maximum volume, regardless of how hard you strike the pad. Adjusting the Effects Depth (FX SEND) This parameter determines the depth (0 – 15) of the effect applied to each Instrument assigned to the pad.
How to Edit Sound Parameters It is not possible to simultaneously edit the sound parameters of pad banks A and B. Use [BANK A/B] to switch between the two pad banks, and edit each bank separately. Editing a sound parameter 1 In the Play mode, use the PATCH/VALUE [-] or [+] buttons to select the Patch (1 – 99) to edit.
9 To edit the other pad bank of the layered sound, repeat steps 5 – 8. 10 When you finish making settings, press [EDIT] to return to the Play mode. By using a special cable (PCS-31; sold separately) to connect two footswitches (FS-5U; sold separate- ly) to the FOOT SW jack, you can change parameter values by remote control.
Adding Reverberation and Other Effects to the Sound (Effect Parameters) The SPD-20 has four on-board effects: Reverb, Delay, Chorus, and Flanger. There are three effects para- meters: FX TYPE, FX TIME and FX LEVEL. Effects settings are stored independently for each Patch, so you can set up the ideal effects for each Patch.
How to Edit Effect Parameters 1 In the Play mode, use PATCH/VALUE [-] or [+] to select a Patch (1 – 99). 2 Press [EDIT] to enter the Edit mode. 3 Press [SELECT] to select the FX/PEDAL parameter group (p. 21). fig.28 4 Press [ ] or [ ] to select the effect parameter you wish to edit.
Adjusting the Pad Sensitivity (TRIG SENS) By adjusting the TRIG SENS in the SYSTEM parameter group you can adjust the sensitivity of the pad when it is struck (the range of adjustment is 1 – 16). Higher settings result in higher sensitivity, so that the pad will produce a loud volume even when struck softly.
Setting the Pad ’ s Minimum Level (TRIG THRESHOLD) By adjusting the TRIG THRESHOLD in the SYSTEM parameter group you can have a pad produce a trigger signal only when struck with more than a certain level of force (a “ threshold ” ). This can be used to prevent a pad from sounding in response to extraneous vibrations from another pad.
Copying a Patch (COPY) This operation copies Patch settings to another Patch. If you need another Patch that is only slightly dif- ferent from an existing one, copy that Patch and then make the changes that you need. fig.29-1 When you execute COPY, the contents of the copy destination patch are rewritten.
Setting Up Y our Own Patch Sequences (Patch Chain) What is a Patch Chain? A Patch Chain is a sequence (that you create) of up to 16 Patches. The SPD-20 can store 8 of these Patch Chains (A, b, C, d, e, F, G, H.
If you press [PATCH CHAIN] to select another Chain before pressing [ALL/ENTER], the Patch Chain settings you just made will be lost. 6 If you wish, you may make settings for another Patch Chain. 7 When you finish making Patch Chain settings, press [EDIT] to return to the Play mode.
You can add external pads to the SPD-20. Furthermore, you can connect a hi-hat control pedal (FD-7; sold separately) to control the opening and closing of the hi-hat. Connecting External Pads or Hi-Hat Contr ol Pedal Connecting External Pads or the Special Pedal Example 1: Percussion Set The SPD-20 should be mounted on a stand.
Example 2: Full Set Kit If you wish to connect a hi-hat control pedal (FD-7; sold separately) to the HH CTRL/TRIG 4 jack, set the [HH CTRL/TRIG 4] select switch (p. 40) to HH CTRL. If you wish to connect an external pad, set the switch to TRIG 4. fig.
Precautions When Connecting a External Pad fig.40 The external pad and Kick Trigger Unit are connected to the Trigger Input jacks 1, 2, and 3, or the HH CTRL/TRIG 4 jack. (However, in this case, the Trigger Input switch is set to TRIG 4.) You may hear a brief sound when you change the position of the switch.
Using a Footswitch Instead of a Kick Pedal Even without a kick pedal, you can play Instruments by connecting a Pedal Switch (DP-2; sold separate- ly) to Trigger Input jack 1. The pedal switch will yield one consistent level, regardless of how hard you hit the pedal.
How to Use the Rim Shot and Cymbal Choke Playing T echniques If a PD-7 or PD-9 is connected, you will be able to use Rim Shot and Cymbal Choke playing technique. If a PD-120 is connected, you will be able to use Rim Shot playing technique. Rim Shot By playing Rim Shot, you can play two types of sound from one pad.
Precautions When Connecting a Hi-Hat Contr ol Pedal Connect the hi-hat control pedal (FD-7; sold separately) to the HH CTRL/TRIG 4 jack, and set the Trigger input switch to HH CTRL. When using an FD-7 you will be able to control various Instrument parameters in real time (p.
Using a Footswitch as a Hold Pedal A footswitch (DP-2/FS-5U; sold separately) connected to the FOOT SW jack can be used as a hold (sus- tain) pedal to control specified Instruments and external MIDI sound modules.
Settings for External Pads or Kick T rigger Units Setting External Pad T one and MIDI Parameters Sound and MIDI parameters can be set for external pads or Kick Trigger Units (connected to the TRIG INPUT jacks) in the same way as for the on-board pads.
Adjusting the Sensitivity of a Pad or Kick T rigger Unit (TRIG SENS) This parameter adjusts the sensitivity of a pad or Kick Trigger Unit. Higher values will result in higher sensitivity (setting range: 1 – 16).
Setting Minimum Levels for the Pads (TRIG THRESHOLD) By setting this parameter, you can make the pad respond with a trigger signal only when it is struck with a force above a threshold level. This allows you to prevent the pad from picking up extraneous vibrations from neighboring pads.
Selecting T ypes for External Pads (TRIG TYPE) The SPD-20 ’ s Trigger Inputs allow you to connect and play using a variety of pad types. While the trigger signal output from a pad can have a variety of characteristics depending on the type of pad, you can make sure the trigger signal is read correctly by setting the Trigger Type.
(Note) This type of Trigger (TRIG TYPE) is for drum pads whose output of the Trigger signal wave- form ’ s attack is slow. In order to reliably detect the strength with which the pad is struck, the time set for detection of the trigger (Scan Time; p.
Setting How the Strength with Which External Pads Are Struck Changes the V olume (TRIG CURVE) With some external pads and acoustic drum triggers, the relationship between the strength with which you strike the pad and the changes in volume output signal is unnatural.
Setting Parameters for Reliable Per formance using Acoustic Drum T riggers and Other Manufacturers ’ Pads (Advanced T rigger Parameters) Sometimes, when you use the SPD-20 with an acoustic drum trigger or a pad from another manufacturer, setting only the Trigger Type may result in poor sound or mistakenly played sounds.
Trigger Type rim and head settings are shared for all pads (PD-7/9, PD-120). You cannot make settings for the internal pads. If you try to select the internal head by striking it, “ ” is displayed. 4 Using PATCH/VALUE [+] or [-], set the Trigger Type.
7 Press [ ] or [ ] to select the Advanced Trigger Parameter to be set. When you make your selection, the name of the parameter appears, followed one second later by the value for that parame- ter. fig. 60 Refer to p. 51 for descriptions of how each of the parameters works.
Adjusting the T rigger Signal Detection Time (Scan Time, Scn) fig.60-a (Available Settings) 0.0 – 0.3 ms (0.1 ms steps) 00–30 appears in the display.
Detecting T rigger Signal Attenuation and Cancelling Incorrect T riggering (Retrigger Cancel, rEt) fig.60-c (Available Settings) 1 – 16 Use this setting when your setup uses mainly acoustic drum triggers.
fig.62 When Mask Time is set, all trigger signals are canceled within the set time. If two or more sounds are being produced when you strike the head just once, then set Retrigger Cancel (p. 52). For more on how to set these values, refer to p. 48. Preventing Vibrations from Other Pads from Causing Incorrect T riggering (Crosstalk Cancel, CrS) fig.
Settings for an External Hi-Hat Contr ol Pedal You can use the hi-hat control pedal (FD-7; sold separately) not only to open and close the hi-hat, you can also use it to control the sound effect level sent in real time, and change the pitch (PDL CTRL; p.
The Velocity Curve (p. 24) and layer (p. 17) settings do not affect the pedal hi-hat sound. Control the effect applied to an Instrument (EFS) When this function is assigned, the hi-hat control pedal will control the effect send level of an Instrument.
Using the Hi-Hat Contr ol Pedal ’ s Action to Set Controller Numbers for Sending and Receiving MIDI Data (PDL CC#) When not using an external MIDI device, Setting Pedal Controller Numbers is unnecessary.
MIDI Connections When connected to other MIDI devices, the SPD-20 can be used in a wide variety of musically creative ways. For example, it can be connected to a sequencer as a pad controller for realtime input, and its on- board sound generator can be layered with external sound modules.
MIDI channels MIDI allows you to independently control two or more devices over a single MIDI cable. This is possi- ble because MIDI provides for multiple channels of control.
The Note Numbers fall within the range of 0 – 127, with middle C (C4) as number 60 (p. 62). Note numbers usually specify the pitch of the sound to be produced, but for rhythm sound generators, they specify the type of drum sound (the Instrument) which is to be played.
• Song Position Point This message tell the connected sequencer to move the current location in the song. With the SPD-20, you can return to the first measure of a sequencer song by striking the pad (p. 61). • Active sensing These messages are used to monitor the integrity of MIDI connections.
MIDI Parameter Settings If you wish to use the SPD-20 to control another MIDI sound module, or use another MIDI device to control the SPD-20, you will need to set the MIDI parameters. You can set MIDI parameters for each pad in a pad bank (A and B), allowing you to control external sound modules on two channels.
Note Number (NOTE #) Set this parameter to the sound (note) of the MIDI sound module you want to play from that pad (0 – 127/oFF). fig.69 When setting the same Note Numbers to a number of pads within the same Patch, the same Note Numbers and Note Messages are transmitted from each pad.
Gate Time (GT TIME) This parameter determines the length of time that the MIDI sound module will produce sound (0.1 sec- ond – 4.0 seconds, ALt). Settings values shown in the display are 01–40 and ALt (0.
MIDI V elocity Curve (CURVE) When changing the strength with which you strike the pad, select from the following 16 types of veloci- ty curves for transmitting Velocity values (volume changes) from MIDI OUT.
Program Change (PGM CHG) By transmitting Program Change messages, the SPD-20 can select sounds on another MIDI device. This parameter specifies the Program Number transmitted when Patches are switched (1 – 128, oFF).
Setting MIDI Parameters Since MIDI parameters can be set independently for each pad bank (A and B), each pad can control two external sound modules. 1 In the Play mode, use PATCH/VALUE [-] or [+] to select the Patch (1 – 99) for which you wish to make settings.
If you set Layer to Velocity Switch, be sure that the SENS parameter is set to the same value for both pad banks (A/B). By changing the SENS value, you can shift the switching point of two sounds other- wise.
Settings for Each Pad Here ’ s how to specify the Instrument (and its Note Number) that will be played by incoming MIDI mes- sages. 1 In the Play mode, use PATCH/VALUE [-] or [+] to select the Patch (1 – 99) for which you wish to make settings. 2 Press [EDIT] to enter the Edit mode.
Using External MIDI Devices to Play the Internal Sound Generator 1 Set the Transmit Channel for the external MIDI device to match the Basic Channel of the SPD-20 (p. 67). 2 If necessary, use PATCH/VALUE [-] or [+] to select a Patch. 3 When you play the external MIDI device, the SPD-20 will sound.
When you make settings for the Patch Chain (p. 33) while the Patch Expand function is on, the dis- play will indicate the selected patch chain (A, b, c, d, e, F, G, H) only. In order to make distinct the “E” indicating Patch Expand, a lower case “e” is used to indicate Patch Chain.
In the contents of Patch Expand Patches, note numbers 35–81 are compatible with GM Percussion Map which can be used to select Percussion sounds under the General MIDI System, and note num- bers 27–87 are compatible with GS Standard Set which can be used under the GS Format.
How to Use a Sequencer or a Computer to Record/Play back Y our Per formance When you wish to record or play back the musical performance of your SPD-20, you must make con- nections properly and make settings (such as Local Control off) before you begin recording.
1 Turn off the power switch. 2 While pressing [PATCH CHAIN], turn the power switch back on. The following message will scroll across the display, and Local Control will be turned off.
How to Set Up the SPD-20 for Sequencing If you wish to record and playback an SPD-20 performance on a MIDI sequencer or computer, make the following settings. (these are the factory settings.) • For each pad you wish to use, set TX CH (p. 61) to the same channel as the Basic Channel.
Storing the SPD-20 ’ s Data in External Devices (Bulk Dump) The Patch data in the SPD-20 can be transmitted either singly or collectively to another SPD-20 (or to a sequencer). SPD-20 data is transmitted and received according to the Device ID number which has been set for each unit.
6 If you wish to transmit other Patch data, repeat steps 3 – 5. 7 Press [EDIT] to return to the Play mode. How to Receive (Bulk Load) Here ’ s how to receive Patch data that was stored in another SPD-20 (or in a sequencer). fig.85 Connect the MIDI OUT of the transmitting device to the MIDI IN of the SPD-20.
Reading SPD-11 Data with the SPD-20 You can use the SPD-20 to receive bulk data (bulk load) from the SPD-11. The SPD-20 has all of the Instruments from the SPD-11 built in, allowing you to play back Patches and other data created on the SPD-11.
What is Device ID According to the explanation on page 58 of this manual, Exclusive data is not differentiated by channel. However, this would mean that in a complex MIDI system that contained two or more SPD-20s, it would not be possible to transmit Exclusive data to only a specific SPD-20.
Here you will find materials that are useful in helping you get the most out of your SPD-20. Read the sections as needed. T aking Advantage of the On-board Effects Effect list FX The parameter TYPE Name Explanation affected by “ Time ” 1. Room (Bright) A bright-sounding room reverb Reverb Time 2.
Explanation of T erms Room Reverb A simulation of the reverberation in a small room. Hall Reverb A simulation of the reverberation in a room with a high ceiling. Plate Reverb A simulation of a plate reverb (a reverb device which uses a metal plate), pro- ducing bright reverberation.
Hints on Using Reverb Reverb gives presence and spaciousness to any sound, whether solo or background. However, exces- sively high effects levels and long effects times may make the performance difficult to follow (because sounds are blurred), or make the rhythm less precise.
T r oubleshooting When playing the internal sound generator • No sound Is the volume set to 0? ➜ Check the SPD-20 volume, and the volume of the amp system and mixer.
• Y ou hear sounds that you did not select Is the layer function on? ➜ Set Layer to Off (p. 15). Is an external MIDI sound module being played from that pad? ➜ If you do not wish to trigger an external MIDI sound module, set the Transmit Channel in the MIDI parameter to “ oFF ” (p.
When playing external MIDI sound modules • No sound Are MIDI connections correct? ➜ Check that the SPD-20 MIDI OUT is connected to the MIDI IN of the external sound module, and that the MIDI cable is not damaged. Is the volume of the MIDI sound module turned down? ➜ Raise the volume.
• T wo sounds are played Is the Layer function set to On? ➜ Turn the Layer function off (p. 15). • When the pad is struck, the sound is intermittent Is the Gate Time set to ALt? ➜ Set the Gate Time to something other than ALt (p.
• The internal sound generator does not hold notes when pressed Have you chosen an instrument that can hold tones? ➜ Holding with the internal sound generator is limited to certain specific Instruments (p .
Err or Messages If a problem occurs during operation, an error message will be displayed. Take the appropriate action as described in this section. fig.87 A MIDI cable is not connected properly or may be damaged. ➜ Check the MIDI cable(s) and the connections with the other device(s).
Instrument List 88 Loop: After Phrase Loop plays for several measures, the volume then decreases (p. 22). Exc No.: You cannot sound the instrument that has the same number (#). Hold: You can use the foot switch to hold notes (p. 41). SPD-11: Indicates one of the SPD-11's internal instruments.
T om-T om No. Instrument Loop Exc No. Hold SPD-11 t01 Big Tom 1 Soft t02 Big Tom 1 Hard t03 Big Tom 2 Soft t04 Big Tom 2 Hard t05 Studio Tom 1 Soft t06 Studio Tom 1 Hard t07 Studio Tom 2 Soft t08 Stud.
No. Instrument Loop Exc No. Hold SPD-11 L19 Claves 1 ✔ L20 Claves 2 ✔ L21 Guiro Short Exc 3 ✔ L22 Guiro Long Exc 3 ✔ L23 Maracas ✔ L24 Shaker 1 ✔ L25 Shaker 2 L26 Shaker 3 L27 Tambourine 1.
No. Instrument Loop Exc No. Hold SPD-11 J16 Yyoo Dude < Korea > J17 Buk J18 Buk Rim J19 Jang-Gu J20 Jing Mute Exc 28 J21 Jing Soft Exc 28 J22 Jing Hard Exc 28 J23 Gengari Mute Exc 29 J24 Gengari.
SOUND EFFECTS Dance Sounds No. Instrument Loop Exc No. Hold SPD-11 d01 Hand Clap 1 ✔ d02 Hand Clap 2 ✔ d03 Little Clap d04 Hip Clap d05 Afro Clap d06 Scratch Push ✔ d07 Scratch Pull ✔ d08 Scra.
Patch List 93 1 2 3 4 5 No. Patch Name Description 1 Drums & Shaker * Demo Kit 2 Latin Set * Demo Kit 3 Orchestral Demo Kit 4 Groove * Demo Kit 5 Amazon * Demo Kit 6 Brushes * Demo Kit 7 Delay Dem.
Parameter List T rigger T ype Internal Parameters (Advanced T rigger Parameters) Refer to the chart for the Advanced Trigger Parameter values, which are set automatically when the Trigger Type is set.
Blank Parameter Char t SOUND MIDI INST LEVEL PITCH DECA Y PA N CUR VE FX SEND TX CH NO TE # GT TIME PA N CUR VE SENS PGM CHG P AD 1 BANK A BANK B P AD 2 BANK A BANK B P AD 3 BANK A BANK B P AD 4 BANK .
Roland Exclusive Message fig. 1. Data Format for Exclusive Messages Roland ’ s MIDI implementation uses the following data format for all Exclusive messages (type IV): • MIDI status: F0H, F7H An Exclusive message must be flanked by a pair of status codes, starting with a Manufacturer ID immediately after F0H (MIDI version 1.
fig. * The size of the requested data does not indicate the number of bytes that will make up a DT1 message, but represents the address fields where the requested data resides. * Some models are subject to limitations in data format used for a single transaction.
TOTAL PERCUSSION PAD Date: Dec. 4 1997 Model SPD-20 Version: 1.00 MIDI Implementation 98 1.TRANSMITTED D A T A [Channel V oice Message] (1) Note off Status Second Third 9nH kkH 00H n = MIDI Channel: 0H – FH (ch.1 – ch.16) kk = Note number: 00H – 7FH (0 – 127) (2) Note on Status Second Third 9nH kkH vvH n = MIDI Channel: 0H – FH (ch.
[System Common Message] (1) Song Position Pointer Status Second Third F2H 00H 00H When “ toP ” is selected as the Transmit Channel, messages are transmitted when the Pad is struck. [System Realtime Message] (1) Start Status FAH When “ S-S ” is selected as the Transmit Channel, messages are transmitted when the Pad is struck.
[System Exclusive Messa g e] Status F0H: System Exclusive F7H: EOX (End Of Exclusive) When using Exclusive Messages with the SPD-20, you can bulk dump Patch data, System data, and Chain data. For details refer to “ Roland Exclusive Message ” and paragraph “ 3.
13 EPAD2 Crosstalk Cancel 0 – 6 14 EPAD2 Rim Sens 0 – 15 15 EPAD3 Trig Type 0 – 13 16 EPAD3 Trig Sens 0 – 15 17 EPAD3 Trig Threshold 0 – 15 18 EPAD3 Trig Curve 0 – 4 19 EPAD3 Scan Time 0 .
MIDI Implementation Char t 102 Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Program Change System Exclusive System Common System Real Time Aux Message No.
How to Read a MIDI Implementation Char t O: MIDI messages that can be transmitted or received X: MIDI messages that cannot be transmitted or received • Basic Channel This is the range of MIDI channels on which MIDI messages can be transmitted (received).
SPD-20: T otal Percussion Pad Specifications 104 • Pads Built-in Pads: 8 Four external trigger inputs (dual) are provided, allowing you to connect Pads.
A Acoustic Drum Trigger ..............................................................................45, 48 Advanced Edit Mode .......................................................................................48 Advanced Trigger Parameter ......
Internal pad settings • When playing the SPD-20 ’ s pads, how to ... Adjust the Seneitivity of the pads ..............................30, 43 Adjust the volume of each pad .........................................23 Change the decay ...............
2 Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
01453923 '02-2-AE2-61N OWNER’S MANUAL Thank you, and congratulations on your choice of the SPD-20 Total Percussion Pad. The SPD-20 is an electronic percussion unit that has eight pads, trigger interfaces, a high-quality digital sound generator, and on-board digital effects.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Roland SPD-20 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Roland SPD-20 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Roland SPD-20, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Roland SPD-20 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Roland SPD-20, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Roland SPD-20.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Roland SPD-20. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Roland SPD-20 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
