Manuel d'utilisation / d'entretien du produit DMV Pro du fabricant Art
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- i - 7K H $ 57 TA BLE OF CO NTEN TS Introduction .................................................................................................................. .................................................. 1 Installation ...........
- ii - Routing LEDs .................................................................................................................. ......................................... 8 Unloaded Pres et Indica tor ............................................
- iii - Modulated Ef f ec ts ............................................................................................................. ................................ 40 Chorus .....................................................................
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- 1 - INTRODUCTION Thank you for purch asing a DMV-P RO and c ongratu lations! You no w own one of the m ost sophisticat ed pieces of audio si gnal-proc essin g technol ogy ava ilable.
- 2 - INSTALLATION The DMV-PRO may be used in a var iety of setups including wit h mixer c hannel inserts , mixers with reverb send an d return f aciliti es, and i n the ef fect s loop of an instr um ent or P.
- 3 - QUICK START INSTRUCTIONS You’ve unpack ed your DMV -PRO and you’re i n a hurr y to get it u p an d r un ni ng. You pr o bab l y would r ather pl a y wit h it than read t he m anual. Fair enough. Fir st, ch eck out the basic s, outl ined her e, jus t to get your DMV-PRO on- line.
- 4 - called Dr y Kill that wil l convenient ly turn off the dry signal p ath inside the u nit. Each pres et’s Mix v alue is st ill retained, ev en though all dry sou nd is elim inated. To enable Dr y Kill, turn on the DM V-PRO and pr ess the MIDI/Util but ton.
- 5 - TRY IT OUT: Turn on your am p or m ixer and m onitor am plifier . Make s ure that your m ixer’s or am p’s send le vel c ontrol is turne d up a nd that a signal is bein g s ent to the DMV-PRO.
- 6 - DMV-PRO FRONT PANEL CONTROLS & INDICATORS PROCESSORS (A ) AND (B) The DMV-PRO conta ins two a udio proc essors , labele d Proces sor (A) and Proc essor (B). Eac h can b e operated indepe ndentl y from the other. The c ontrols for each proces sor op erate sim ilarl y and are outlined below.
- 7 - the Encod er’s f unction b etween se lecti ng param eters and c hang ing valu es. For m ore inf ormation on param eters, see pag e 28. ) PROCESSORS (A) & (B) ENCODER / SWITCH The firs t two Encoders are used separ ately to vie w and modif y their c orrespo nding pr ocess or’s param eters and ef fects .
- 8 - option is availa ble as a n effec t param eter. See the param eter desc riptions o n page 28 for m ore inform ation on bypass ing in di vidua l effe cts .
- 9 - 2 UNLOADED PRESET INDICATOR W hen you turn the Preset Encoder to vie w presets, th e DMV-PRO ’s s ound won’ t change unt il you pr ess the Preset Encod er to lo ad the pr eset. The Un loade d Preset I ndicator is a rem inder th at you ar e view ing an un loaded pr eset.
- 10 - Dry Kill and Global Mix Dry Kill a nd Glob al Mix ar e two r elated f unctions t hat al low you to quic kl y alter the rat io of wet (proc essed) and dry (unproces s ed) soun d com ing out of the un it.
- 11 - Setting Dry Kill and Global Mix : To adjust Dr y Kill or G lobal Mix , pres s the MIDI/U til bu tton. T urn the Pres et Enco der unti l [ ] appears on the top li ne of LCD (A). Turn Enco der (A) t o s witch the bo ttom line of LCD ( A) bet ween ON an d OFF.
- 12 - DMV-PRO REAR PANEL CONNECTIONS Despite th e DMV-PRO ’s sophis ticatio n, it’s eas y to interf ace the unit with other equipm ent. Al l inputs and outputs are located o n the rear panel. Standar d ¼” inp uts an d outputs m ake patching s imple.
- 13 - & OUTPUTS #1–4 All four Outp uts are single- ended (unbal anced) ¼” jac ks with low im pedanc e. A pres et’s r outin g determ ines the use of each Output jac k . For exam ple, Cas c ade and Mu lt i FX Rout ings do not us e O ut puts # 3 an d # 4.
- 14 - TUTORIAL The best wa y to unders tand the DM V-PRO is just to j ump in a nd edit som e presets. It do esn’t take lo ng and you’ll see how eas y edit ing is d ue to the DM V-PRO ’s intu itive la yout.
- 15 - Cascad e Cascade ro uting a lso has two eff ects with two linked engi nes, but t he outpu t of the f irst gr oup is fed into the second. In this routi ng, you ha ve t wo stack ed, true-stereo ef fec ts. Only Inputs and Outputs # 1 and #2 ar e us ed.
- 16 - TUTORIAL 1: ST ARTING FROM SCRATCH AND CHA NGI NG EFFECTS Edit the Routing: By editi ng an y preset ’s rout ing, you are ess entia lly bui lding a new preset fr om s cratc h. W hen routings are cha nged, the D MV-PRO rec onfigures its int ernal arc hitecture and lo ads in default eff ects.
- 17 - Repeatedl y press th e Routin g button u ntil t he Disc rete 4 Rout ing LED is lit. O bserve b oth LCDs. Again, the DMV-PRO has loaded def ault eff ects for Disc rete 4 routing, but notice that t here are no w two effec ts in each LCD. Look at LCD ( A).
- 18 - Follow the instruc tions: Us e the Preset Enc oder to s elect t he pres et num ber that you want to over write (you don’t hav e to tur n t he enc od er if you jus t wa nt to o ver writ e th e c urr ent pr eset) . W hen you are r ea d y, pres s th e Store button to conf irm the opera tion.
- 19 - As you can see, the editin g operation is sim ple: T urn the enc oder to select a param eter, pres s and tur n the encoder t o change the param eter’s value, press and turn to s elect an other par ameter , press and turn to change the new param eter’s value, and so on .
- 20 - this orderin g. You could, for exam ple, set a received program change val ue of 1 t o reca ll DMV-PRO prese t #40, a pro gram change valu e of 2 to reca ll DM V-PRO pr eset #5, a nd a progr am change val ue of 3 t o a lso recall DM V-PRO prese t #5.
- 21 - Next, turn Encoder ( A) to sel ect an incom ing MIDI pr ogram change num ber that you wis h to map. T his control’s rang e is f r om 1 to 128. T urn Encod er ( B) to s et th e c or res pon di ng D MV- PRO pr eset num ber that wi ll be recalle d when t he progr am c hange num ber in LCD ( A) is receive d.
- 22 - control ler’s value l inearl y correspon ds to t he ke y, veloc ity, or aftertouc h va lue bein g pla yed. For ex am ple, if MIDI CC Num ber was s et to Not e On and Mode was set to C ontinu ous, t hen the controll er’s value would equal the k e y number pla yed.
- 23 - TUTORIAL 4: ADVANCED APPLICATIONS The Smart Encoder : The Sm art Encoder™ functions allo w you to p erf orm real-tim e task s, such as tappin g in new dela y tim es or spinning up and do wn the r otar y eff ect, b y pressing t he Ed it and Enc oder bu ttons.
- 24 - Rotary The Rotary Spin High/L ow option allows th e Encoder to toggle t he rotar y speed be tween a hi gh and low spin rate (alter nating with eac h Encod er press ). Smart Encoder Programming: Smar t Encoder oper ation is set with an eff ect’s param eters.
- 25 - Smart Encoder Functions while Editing Reverb, Delay , and Rotary Effects: Smar t Encoder functions are aut om aticall y set up to work whil e editing reverb, del ay, and rotar y effec ts.
- 26 - THE DMV-PRO’s ADJUSTABLE PARAMETERS DESCRIPTION OF ROUTINGS AND ENGINES The DMV-PRO co ntains four engi nes that can be routed in four diff erent wa ys. Our propr ietar y Dynam ic Engine Allocat ion (DE A™) techno log y ensures th at all DSP hor sepower is eff ortlessl y configure d f or your rout ing c hoice.
- 27 - Discrete 4: This routing configur es the D MV-PR O as four m ono signal process ors. Each Input f eeds its c orrespo nding O utput. However, if any Input (except #1) does not hav e a jack inserted , its input will be taken fr om the c losest prev ious input that h as a p lug inser ted.
- 28 - DESCRIPTION OF CLA SSES Each eff ect has six classes , which ar e effec t variatio ns. The c lass nam e general ly denotes the app licatio n for which the c lass was optim ized. For ex am ple, The Vocal class of rever bs is designed to en hance voice- ty p e inputs.
- 29 - Effect Cla ss: Classes ar e eff ect variations and are nam ed after the appl ications th ey are optim ized for . Each eff ect has six classes and their names , sounds, a nd adjus table par ameter s var y based on th e eff ect. (See p age 31 f or a descripti on of all eff ects and the ir class es.
- 30 - T re b le C o n tro l -20 -15 -10 -5 0 5 10 15 20 100 1000 10000 10 0000 Fre quency i n H z ( Log Scal e) B o o s t (d B ) MIDI Paramet ers Eff ects can have up to f our contro ller as signm ents (desig nated a, b, c, an d d) that c an m odif y an y of its param eters in r eal-tim e.
- 31 - &+$0 %( 5 5(9( 5% The Cham ber Reverb s im ulates a ref lectiv e enclos ure (per haps m ade of wood or co ncrete) with a soun d sour ce at one end and a microphon e near the other. B y varying the Size param eter from sm all to large, you can s imulat e spaces as sm all as a s hower stall a nd as large as an ele vator sh aft.
- 32 - Instrument The Instrum ent Reverb is tail ored for mos t solo instrum ents to mainta in the ir tonal q ualit y. High fr equenc y decays are not l imited a nd lo w frequ encies are c ontrolle d to preve nt m uddines s. An aux iliar y gat e is a vailab le to dynam icall y process the sound.
- 33 - (greater th an 3 sec onds) are usual ly used f or “bigger than l ife” s pecial ef fects . Both the Deca y and S ize param eters should be us ed together to set t he over all im press ion of the s imulated s pace.
- 34 - Length: Sets the l ength of th e gated r everb, f rom 50 to 500 m illisec onds. Motion: Sets the m ovem ent of the r everbera tion t ail. This contro l is us ed to he lp m ak e long dec ay tim es sound mor e natural. When turned on, th is control’s range is fr om 1 to 9 a nd is norm ally set at 1, produc ing a ver y subtle eff ect.
- 35 - C a b i n e t S i z e M i c D i s t a n c e M i c S e p e r a t i o n M i c P o s i t i o n T o l e f t o u t p u t T o r i g h t o u t p u t ',*,7 $/'( /$< Thes e algor ithm s dela y a signa l in t im e. T he max im um dela y le ngth , per c h ann el, is 1.
- 36 - Dy nam ic The D ynamic Dela y uses input le vel to switch t he Reg eneratio n am ount between its pres et valu e and 0 . DUCKING CLASSIC CONCERT GA TED MIC PLACEMENT DYNAMIC Dela y ±1ms Delay .
- 37 - starting from the bottom -left speak er. An ‘S’ at the end of the line ind icates t hat both mic s pick up s ound from both speaker s as with norm al Stereo m i k ing. An ‘M’ at the e nd of the line indicates that both m ics are acting in Mo no and are sonic all y isolated f rom the opposite s peak er.
- 38 - 3,7& + 7 5$ 1 63 2 6( 5 The Pitch Trans poser (PT ) algorithm can chan ge the bas e-pitc h of a sou nd. Each PT cl ass contai ns an aux iliary digital d ela y that feeds back into the pitc h-sh ift to cr eate falli ng or ris ing pitch ef fec ts.
- 39 - PITCH PARAMETERS: Buffer Si ze : This c ontrol sets the loop lengt h and sp licing ch aracter istics of the PT . T wo of the four settings , Sm ooth- Long and Sm ooth-S hort, ar e optim ized f or the sm oothest soun d, but n eed a fix ed am ount of trans port delay.
- 40 - 02'8 /$7( ' ())( & 76 Chorus, flanger , phaser, trem olo, and pa nner are m odulat ed ef fects . They use a Low Fr equenc y Osci llator (LFO ) to sweep certa in aspects of the effect’s sound. LFO Spe ed determ ines the m ovement (sweep) rate and the LFO Shape determ ines the s weep patter n.
- 41 - Classic, Jaz z Chorus, M XR “Grey,” and MXR “ Phase 90,” These c lasses r ecreate th e sound of the “c lassic” effec ts. T he LFO param eters and som etim es Bandwidth are controlled to produce the char acterist ic soun d and con trol ac tion.
- 42 - 5-Notch Ducking MXR “Pha se 90” MX R “Phase 1 00” Gated “Boston” Phaser D y namic Dela y ±1ms Dela y ±1ms Dela y ±1ms Dela y ±1ms Dela y ±1ms Del ay ±1ms Delay ± 50ms Delay .
- 43 - Effect En abled : In Ducking and Gated class es, this c ontrol se ts the aud io input leve l that con trols th e g ating action of the eff ect. Signals that f all wit hin its s ettin g (for exam ple, above –10 d B) are heard and on es that are not ar e muted.
- 44 - 527 $5< The Rotar y eff ect s imulates a 2- wa y rotating-s peak er c abinet with a bu ilt in cros sover net work . Rotat ing speak ers are tradition all y used with electric organs , but contem porary uses inc lude wit h guitars, voca ls, drum s, and just about an y sound that needs s om e added motio n.
- 45 - Auto Switch Wood Cabinet Concert Gated Stereo Split Dy namic Spin Up Time Spin Up T ime Spin Up Time Spin Up Time Spin Up Time Spin Up T ime Spin Down T ime Spin Down T ime Spin Dow n Time Spin.
- 46 - MIDI/ UTI L PARAMETERS The MIDI/Ut il Param eters affec t the whole unit are set in MID I/Util Mode. T o access this m ode, press the MIDI/Uti l button, then turn t he Preset Encod er to scr oll both LCDs thr ough their separate list of param eters.
- 47 - internal ly change patches wh en th is happe ns; it jus t sets LCD (A)’s program change n um ber to the num ber that it receive s. DRY KILL / GLOBAL MIX Dry Kill Dry Kill is used when runnin g the DM V-PRO with a mix ing board in a sen d/return fashion.
- 48 - REFERENCE: DMV - PRO Factor y Preset List # Name Routing In/Out 1 In/Out 2 In/Out 3 In/Out 4 TOP 19 1 Big Ster eo Re verb Twi n St ereo Concert H all Instrum ent Plate 2 Tight St ereo Reverb Tw.
- 49 - Chorus 50 Wide Rhode Multi FX Chorus → T remolo → Stereo Hall 51 MXR "Y ellow" Tw in Ste reo Stereo Ch orus Stereo Ch orus 52 Tri-Chorus Mult i FX Chorus → Chor us → St.
- 50 - LFO SH A PES ( tw o cycles each) EXPONENTIAL The Expone ntial wavefor m is not available on Trem olo and P anner ef fects. SINE TRIANGLE RECTIFIED SI NE These graphs are of the avail able LFO sh apes for Chorus , Fanger, Phaser, T rem olo, and Pa nner ef fects .
- 51 - INVERTED RECTI FIED SINE SQUA RE RA MP INVERTED RAMP MIDI IMPLEMENT A TION IN THE DMV-PRO Channel Voice M essages The DMV-PRO ca n respond to N ote On, Co ntrol Cha nge, Pro gram Change, Ch annel Pr essure, a nd Pi tch Bend mes sages.
- 52 - By t e Nu mber Value (in hex) Descript ion 1 F0 Start of SysEx m essage. 2 1A A R T m anufactur er’s ID. 3 0x MIDI channe l (00 to 0F). 4 22 DMV-PRO pr oduct ID. 5 ?? Function ID. ... ?? (data, zero or m ore b ytes) (last) F7 End of S ysEx m essage.
- 53 - MIDI CONTROLLERS AND NUMBE RS Here’s a list of MIDI C ontro llers and their n um bers, which m a y hel p to a void conflic ts if you c ontrol the DMV-PRO and other MIDI gear in the s am e setup. The D MV-PR O displ ays co ntroller n umber s as decim al number s.
- 54 - W A RR ANTY INFORM ATION Limited Warranty Applied Res earch and Tec hnolog y, Inc. will provide warr anty and Ser v ice f or this unit in ac corda nce with the following war r ants: Applied Res earch and Tec hnolog y, Inc.
- 55 - 4) Pack the un it in its origi nal car ton or a re asonabl e substi tute. T he pack ing box is no t recom m ended as a shipping carton. Put th e pac k aged un it i n a noth er box f or s hi ppi ng. Pri nt th e R A num ber c learl y on the outsi de of the shi pping box .
- 56 - DMV-PRO SPECIFIC A T IONS: A/D convert ers: 20 bit, 64 t im es oversam pled, de lta sigm a, X4 D/A convert ers: 20 bit, 128 tim es oversam pled, d elta sigm a, X4 Sample Rat e: 46.875 k Hz Bandwidth: 10 Hz – 20 k H z +0, -2 dB Dynam ic Range: >93dB Total Harm onic Distortion: < .
- 57 - A R T m aintains a polic y of cons tant prod uct im provem ent. A R T r eserves the right to m ake changes in design or mak e additions to or im provem ents upo n this prod uc t witho ut a n y ob lig ati on to ins ta ll t he s am e on pro duc ts prev i ous l y manuf actured.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Art DMV Pro c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Art DMV Pro - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Art DMV Pro, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Art DMV Pro va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Art DMV Pro, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Art DMV Pro.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Art DMV Pro. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Art DMV Pro ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
