Manuel d'utilisation / d'entretien du produit SOLO 50 du fabricant Mesa/Boogie
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1317 Ross Street Petaluma, CA 94954 USA The Spirit of Art in Technology OO GI E B M ESA Owner's Manual.
Gr eetings F rom The Home Of T one YOU, the smart player and all around intuitive human, have put your trust in us to be your amplifier company . This is something we do not take lightly . Our reward is that we ’ ve made a classic amplifier and by choosing this amplifier , you have become part of the Mesa family .
PRECAUTIONS: OVERVIEW: ____________________________________________________________________________ 1 INST ANT GRA TIFICA TION (3 DEMONSTRA TION SETTINGS) _____________________________________________.
YOUR AMPLIFIER IS LOUD! EXPOSURE TO HIGH SOUND VOLUMES MAY CAUSE PERMANENT HEARING DAMAGE NO USER SERVICEABLE PARTS INSIDE: Refer service to qualified personnel. Always unplug AC power before removing chassis. EXPORT MODELS: Always insure that unit is wired for proper voltage.
Overview: Congratulations on your choice of the SINGLE RECTIFIER 50 . Y ou have purchased a handbuilt instrument of the finest quality and craftsmanship. A unique blend of yesteryears’ black magic power section design combined with our race-shop approach to fine ly tuned, high gain pre-amp circuitry leaves the RECT -O 50 standing alone.
P AGE 2 FRONT PANEL: First familiarize yourself with the layout of the Front Panel. Next, remove the footswitch from the transport pouch located ins ide the cabinet ( combo ) and connect it to the proper jack. RECT -O-VERBS use a DIN jack located on the rear of the chassis directly behind the label FOOTSWITCH.
Each channel of your amplifier contains two different Modes of operation that may be selected depending on your application. In this way you may decide to use the channels for their most obvious sounds or with the flick of a switch - invert the channels for th e opposite sound style.
BASS: P AGE 4 As with most guitar amplifiers, the TREBLE control is the strongest of the three rotary tone controls. Its setting on the RECT -O 50 determines the blend and strength of the MIDDLE and BASS controls. Set high, it is the dominant control, thus minimizing the am ount of Mid and Bass that would be possible in the mix.
These are controls that work in the power section to reduce attack and brightness. They work on a different frequency than the TREBLE control, and depending on the mode chosen and the amount of Gain dialed up, can sound higher or lower than the T reble frequency .
OUTPUT: SOLO: This control determines the overall output volume level of the amplifier . After the GAIN controls have been set for the desired sound style and the two channels levels have been balanced with the channel MASTER controls, the OUTPUT control allows you to change the playing level by adjusting a single control.
SOLO, a pre-settable boost in overall levels is possible on the fly ...giving you some control over your levels when it’s time to step out. Engineers may give you a bit of a frown the first time you use it.
The total power consumption for the RECT -O 50 is 2.5Amps @ 120 V olts. Thus, a 15 Amp circuit (which is what most house circuitry is wired with) is adequate. Make sure the Euro style A.C. power cord is firmly seated in the power receptacle before powering up the unit.
P AGE 9 Sensitivity to speaker mismatching in regards to ohmage differences is low , hence no damage to the amplifier will occur . Howeve r, very low ohmage loads will cause the power tubes to wear faster .
P AGE 10 FACTORY SAMPLE SETTINGS HEAD VERSION SHOWN SAMPLE 1 Sparkling Clean SAMPLE 2 Pushed Bluesy Rhythm / Solo: Both Channels SAMPLE 3 Blues Lead: Both Channels SAMPLE 4 High Gain Lead / Crunch: Both Channels MASTER GAIN TREBLE MID PRESENCE BASS INPUT FT.
FACTORY SAMPLE SETTINGS COMBO VERSION SHOWN SAMPLE 1 Sparkling Clean SAMPLE 2 Pushed Bluesy Rhythm / Solo: Both Channels SAMPLE 3 Blues Lead: Both Channels SAMPLE 4 High Gain Lead / Crunch: Both Chann.
P AGE 12 SOUND 1 SOUND 2 SOUND 3 SOUND 4 PERSONAL SETTINGS PAGE HEAD VERSION SHOWN MASTER GAIN TREBLE MID PRESENCE BASS INPUT FT.SW CLEAN PUSHED MODERN VINTAGE SOLO OUTPUT GAIN TREBLE MID PRESENCE BASS INPUT FT.SW CLEAN PUSHED MODERN VINTAGE SOLO OUTPUT MASTER MASTER GAIN TREBLE MID PRESENCE BASS INPUT FT.
SOUND 1 SOUND 2 SOUND 3 SOUND 4 PERSONAL SETTINGS PAGE COMBO VERSION SHOWN P AGE 13 GAIN MASTER PRESENCE BASS TREBLE MID INPUT CLEAN PUSHED MODERN VINTAGE OUTPUT LEAD RHYTHM GAIN MASTER PRESENCE BASS .
SOUND 1 SOUND 2 SOUND 3 SOUND 4 PERSONAL SETTINGS PAGE COMBO VERSION SHOWN P AGE 14 GAIN MASTER PRESENCE BASS TREBLE MID INPUT CLEAN PUSHED MODERN VINTAGE OUTPUT LEAD RHYTHM GAIN MASTER PRESENCE BASS .
SOUND 1 SOUND 2 SOUND 3 SOUND 4 PERSONAL SETTINGS PAGE COMBO VERSION SHOWN P AGE 15 GAIN MASTER PRESENCE BASS TREBLE MID INPUT CLEAN PUSHED MODERN VINTAGE OUTPUT LEAD RHYTHM GAIN MASTER PRESENCE BASS .
P AGE 16 R ECT-O-VERB SOLO 50 6L6 6L6 PARTIAL VIEW OF LARGE TRANSFORMER 12AX7 REAR OF CHASSIS (HEAD VERSION) NOTE: POWER TUBES ARE HOT ! BEFORE CHANGING TUBES TURN POWER SWITCH TO OFF AND LET COOL OR USE A RAG FOR PROTECTION.
P AGE 17 Y ou may occasionally experience some form of tube noise or microphonics. Certainly no cause for alarm, this quirky behavior com es with the territory and the T one.
Because your amplifier is an all tube design, it is quite possible that you will at some point experience minor pre-amp tube no ise. Rest assured - this is no cause for alarm and you can take care of the problem yourself in a matter of minutes by simply swapping tu bes.
P AGE 19 NOTE: An article written by Randall Smith that we thought you might find interesting. Here’s a question we often hear: “Why doesn’t M esa put bias adjustments in their amplifiers?” Well, there’ s a short answer and a long answer to this question.
V oltage and current are NOT the same. Current is the AMOUNT of electricity , the “quantity” — and is measured in amperes. V olt age is the degree of electric charge — like the “pressure” to use the old water analogy .
Some of the other recommended biasing, “methods” — such as -”.. tubes running red hot, increase the bias .. sounds harsh and ru ns too cool, turn it down ...” are guesswork at best. Luckily , one of the great things about tube amps is that they can usually s tand some abuse without causing any real harm .
P AGE 22 INPUT FT.SW CLEAN PUSHED MODERN VINTAGE POWER ON ON STANDBY GAIN TREBLE MID PRESENCE BASS MASTER SOLO OUTPUT LEAD RHYTHM SLAVE OUT WARNING: Unplug power before replacing fuse or removing bolts mounting chassis. F U S E F U S E POWER FUSE 2.5 A SLO BLO 120 V~ 50-60 Hz 2.
The Spirit of Art in Technology OO GI E B M ESA Thank you for trusting MESA/Boogie to be your amplifie r company. We wish you many years of toneful enjoyment from this handbuilt all tube instrument.
1317 Ross Street Petaluma, CA 94954 USA Phone: (707) 778-6565 FAX: (707) 765-1503 The Spirit of Art in Technology.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Mesa/Boogie SOLO 50 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Mesa/Boogie SOLO 50 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Mesa/Boogie SOLO 50, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Mesa/Boogie SOLO 50 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Mesa/Boogie SOLO 50, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Mesa/Boogie SOLO 50.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Mesa/Boogie SOLO 50. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Mesa/Boogie SOLO 50 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
