Manuel d'utilisation / d'entretien du produit CD3000XL du fabricant Akai
Aller à la page of 323
W ARNING To prevent fire or shock hazard, do not expose this appliance to rain or moisture. Operator ’ s Manual STEREO DIGITAL SAMPLER.
.
CD3000XL Operator’s Manual i THE SYMBOLS ARE RULED BY UL STANDARDS (U.S.A.) The lightning flash with the arrowhead symbol superimposed across a graphical representation of a person, within an equila.
ii CD3000XL Operator’s Manual IMPORT ANT SAFETY INSTRUCTIONS SA VE THESE INSTRUCTIONS WARNING - When using electric products, basic precautions should always be followed, including the following; 1) Read all the instructions before using the product.
CD3000XL Operator’s Manual iii GROUNDING INSTRUCTIONS This product must be grounded. If it should malfunction or breakdown, grounding provides a path of least resistance for electric current to reduce the risk of electric shock. This product is equipped with a cord having an equipment-grounding conductor and a grounding plug.
iv CD3000XL Operator’s Manual WARNING WARNING THIS APPARATUS MUST BE EARTHED IMPORTANT This equipment is fitted with an approved non-rewireable UK mains plug. To change the fuse in this type of plug proceed as follows: 1) Remove the fuse cover and old fuse.
CD3000XL Operator’s Manual v WARNING 21B-En 27-F 27-En CERTIFICATION: PRODUCT COMPLIES WITH DHHS RULES 21 CFR, CHAPTER I, SUBCHAPTER J. 19-En CAUTION USE OF CONTROLS OR ADJUSTMENTS OR PERFORMANCE OF PROCEDURES OTHER THAN THOSE SPECIFIED HEREIN MAY RESULT IN HAZARDOUS RADIATION EXPOSURE.
vi CD3000XL Operator’s Manual WARNING The CD3000XL is designed to be used in a standard household environment. Power requirements for electrical equipment vary from area to area. Please ensure that your CD3000XL meets the power requirements in your area.
CD3000XL Operator’s Manual vii WARRANTY AKAI Electric Co. Ltd. warrants its products, when purchased from an authorized “AKAI professional” dealer, to be free from defects in materials and workmanship for a period of 12 (twelve) months from the date of purchase.
viii CD3000XL Operator’s Manual CD-ROM care Dust, dirt, scratches or warps on the CD-ROM may lead to faulty CD-ROM playback. In order to take full advantage of the CD-ROM player’s performance capabilities, follow the precautions outlined on this page.
INTRODUCTION ................................................................................ 1 FEATURES ......................................................................................................... 2 ABOUT THIS MANUAL.....................
PROGRAM EDITING ........................................................................... 56 WHAT IS A KEYGROUP? ....................................................................................... 57 KEYGROUP ZONES ..............................
THE PARAMETER PAGE ........................................................................... 154 REVERSING SAMPLES............................................................................. 156 SECTIONAL EDITING ...................................
AUTO LOADING FROM DISK .................................................................................. 226 SEARCHING FOR FILES - USING THE FIND FUNCTION ............................................... 227 USING THE TAG DIRECTORY SYSTEM ............
APPENDIX 1 .................................................................................... 291 CONNECTING AN EXTERNAL HARD DISK DRIVE....................................................... 291 NOTES ON USING HARD DISK DRIVES......................
.
INTRODUCTION CD3000XL OperatorÕs Manual Page 1 Welcome to the Akai CD3000XL stereo digital sampler and thank you for buying it! The CD3000XL features 32-voice polyphony, expandable memory, DSP functions, etc.
INTRODUCTION Page 2 CD3000XL OperatorÕs Manual FEATURES • Polyphony 3 2 voices • A-D Conversion 16-bit stereo with 64-times oversampling • Internal processing 28-bit accumulation • D-A Conversion 18-bit with 8-times oversampling • Sampling rates 44.
INTRODUCTION CD3000XL OperatorÕs Manual Page 3 The CD3000XL can also read CD-ROMs made for other manufacturer’s samplers 1 . • Data storage A variety of storage devices may be used to store data including floppy disk, hard disk, Syquest™ removable cartridges and Magneto Optical (MO) disks.
INTRODUCTION Page 4 CD3000XL OperatorÕs Manual • EDITING FEATURES EDIT SAMPLE Trim, Loop (with FIND and CROSSFADE functions), Join, Merge, Splice, Chop, Extract, Reverse, Gain normalisation, Timestretch, Re-sample.
INTRODUCTION CD3000XL OperatorÕs Manual Page 5 ABOUT THIS MANUAL This manual has been written to allow you to get the most out of your new sampler. Please take the time to read it as a fuller understanding of the instrument will enable you to use the CD3000XL’s remarkable facilities to the full.
INTRODUCTION Page 6 CD3000XL OperatorÕs Manual FRONT PANEL ON OFF POWER F 1 F 2 F 3 F 4 F 5 F 6 F 7 F 8 SCREEN FUNCTION SINGLE MULTI SAMPLE EFFECT EDIT GLOBAL S AVE LOAD CURSOR DATA + / – / REC GAI.
INTRODUCTION CD3000XL OperatorÕs Manual Page 7 PHONES This stereo jack socket allows you to monitor the L/R (stereo) output of the CD3000XL through stereo headphones. The level is regulated using the MAIN VOLUME control (see below). DISPLAY CONTRAST Sets the viewing angle for the LCD.
INTRODUCTION Page 8 CD3000XL OperatorÕs Manual MAINTAINANCE You need to perform maintenance if the BUSY LED indicator flashes at an interval of 2-3 seconds, indicating that the pick-up or the disk is dirty.
INTRODUCTION CD3000XL OperatorÕs Manual Page 9 FLOPPY DISK DRIVE The 3.5 inch floppy disk drive will accept high density and low density disks. Disks are inserted into the drive thus: DISK EJECT BUTT.
INTRODUCTION Page 10 CD3000XL OperatorÕs Manual TAKING CARE OF YOUR DISKS These floppy disks contain valuable sound data and, as such, should be treated with extreme care. Please observe the following points, therefore: 1 Never slide the metal cover back and touch the disk.
INTRODUCTION CD3000XL OperatorÕs Manual Page 11 REAR PANEL INPUT L / MONO R LR STEREO OUT 12345678 OUTPUT IN OUT THRU MIDI SCSI CLASS 1LASER PRODUCT 12-14, HIGASHI-KOJIYA 2-CHOME, OHTA-KU, TOKYO, JAPAN MADE IN JAPAN CERTIFICATION: PRODUCT COMPLIES WITH DHHS RULES 21 CFR, CHAPTER I, SUBCHAPTER J.
INTRODUCTION Page 12 CD3000XL OperatorÕs Manual SCSI This 25-way connector is used to attach hard disks, CD-ROMs, Magneto Optical (MO) disks and removable cartridges to the CD3000XL for data storage and retrieval. You may also connect the CD3000XL to a Macintosh™ computer for use with the editing software that is bundled with the CD3000XL.
INTRODUCTION CD3000XL OperatorÕs Manual Page 13 SETTING UP THE CD3000XL This short section tells you how to get ‘up and running’ fast. For full details of operation, please refer to the appropriate section in this manual. CONNECTIONS Don’t switch the CD3000XL on for the moment.
INTRODUCTION Page 14 CD3000XL OperatorÕs Manual LOADING THE DEMO FLOPPY DISKS To get you started, some sounds are provided on floppy disk. To load the sound library disk, insert it into the drive and press the LOAD key. Now simply press F7 - CLR. You will receive a prompt asking you if you want to clear the entire memory.
INTRODUCTION CD3000XL OperatorÕs Manual Page 15 MOUNTING THE CD3000XL If you plan to rack mount the CD3000XL, try to leave some ‘breathing space’ around it to prevent overheating. It is recommended you leave 1U of rack space above and below the sampler.
INTRODUCTION Page 16 CD3000XL OperatorÕs Manual GETTING AROUND THE CD3000XL The CD3000XL is pretty straightforward to use. Basically, it operates in different ‘modes’ which are selected according to what it is you want to do. In these modes, you navigate your way around the functions using the soft keys.
INTRODUCTION CD3000XL OperatorÕs Manual Page 17 SOFT KEYS The SOFT KEYS directly under the LCD call up various functions and pages within each mode - these vary from mode to mode and have no pre-defined function.
INTRODUCTION Page 18 CD3000XL OperatorÕs Manual If a number such as 123456.78 is displayed, and the -/< key is pressed so that only the first three digits are highlighted thus: Turning the DATA EN.
INTRODUCTION CD3000XL OperatorÕs Manual Page 19 NAMING FILES - THE NAME KEY When samples, programs, effects or drum input settings are changed, they should be given a name for easy reference. NAME Pressing the NAME button in certain pages enables you to name data.
INTRODUCTION Page 20 CD3000XL OperatorÕs Manual RECORD LEVEL, MAIN VOLUME, HEADPHONE OUTPUT Next to the DATA wheel, you will find the RECORD LEVEL and MAIN VOLUME controls: REC GAIN MIN MA X MAIN VOL.
INTRODUCTION CD3000XL OperatorÕs Manual Page 21 HOW THE CD3000XL WORKS Despite its versatility, the CD3000XL is very straightforward and once you have a basic grasp of the flowcharts shown on the next pages, things will make more sense. Basically, you can have SAMPLES.
INTRODUCTION Page 22 CD3000XL OperatorÕs Manual Once you have placed your sample(s) into a program, you may play them from a MIDI controller in SINGLE mode. If the optional effects processor EB016 is fitted in your CD3000XL, you may add powerful multi-effects such as simultaneous distortion, EQ, chorus/flange, delay and reverb to these programs.
INTRODUCTION CD3000XL OperatorÕs Manual Page 23 SAMPLE(S) TRIM CHOP C U T LOOP (X4) JOIN FADE XFADE REVERSE TIMESTRETCH RESAMPLE TUNE EDIT SAMPLE EXTRACT ANALOGUE INPUTS DIGITAL INPUTS FLOPPY DISK HARD DISK/CARTRIDGE CD ROM NORMALISE/RE-SCALE MOD.WHL P.
INTRODUCTION Page 24 CD3000XL OperatorÕs Manual PARTS 1-16 TUNE PROGRAM SELECT OCTAVE LEVEL PA N FX BUSS FX SEND LEVEL PRIORITY MIDI CH PER PART OUTPUT ASSIGN MULTI-MODE DISTORTION EQ RING MOD CHORUS.
SINGLE MODE CD3000XL OperatorÕs Manual Page 25 SINGLE MODE SINGLE is where you may select and play programs. Pressing SINGLE gives this screen display. NOTES REGARDING THE CD3000XL’S SINGLE MODE Before we look at the functions in this mode, please bear the following in mind.
SINGLE MODE Page 26 CD3000XL OperatorÕs Manual CD3000XL is that it is possible to be playing one program whilst another is being selected. For example, whilst holding down a low string note you could select, say, a brass sound. The strings will continue to sound and you may now play the brass part.
SINGLE MODE CD3000XL OperatorÕs Manual Page 27 may not make any sense to you when you come to load it in three weeks time!! When you have many different setups saved onto the disk, sensible naming practices will really pay off.
SINGLE MODE Page 28 CD3000XL OperatorÕs Manual This will execute the currently selected setup and will load marked programs and their samples and then load any changes and edits to those samples you might have saved.
SINGLE MODE CD3000XL OperatorÕs Manual Page 29 SEARCHING FOR FILES ON THE CD-ROM Pressing will display this screen: Here, you may search for particular files on the CD-ROM. Entering the name is done in the normal fashion by pressing the NAME key. You will receive this display: You can now enter the name of the file you are searching for.
SINGLE MODE Page 30 CD3000XL OperatorÕs Manual SCROLLING THROUGH MARKED FILES The key allows you to sequentially step through marked files. Each press of this key will take you to each marked file in turn.
SINGLE MODE CD3000XL OperatorÕs Manual Page 31 SETTING PROGRAM LEVELS, PAN, FX SENDS In the MIX page of SINGLE, you may view the programs in memory and set their level, pan, etc.. This is a convenient and quick way to adjust the levels of single programs en masse without having to edit each one individually in EDIT PROGRAM.
SINGLE MODE Page 32 CD3000XL OperatorÕs Manual SETTING PROGRAMS’ MIDI PARAMETERS Pressing F3 - - will display the following screen: This could be regarded as a ‘MIDI mixer’ as it follows a similar layout to the MIX page described above. This page allows you to set various MIDI parameters for each program.
SINGLE MODE CD3000XL OperatorÕs Manual Page 33 This is an abbreviation of TRANSPOSE and sets the basic octave range for the program. The range is +/- 50 semitones. You will note that this is not a pitch shift function as such but a MIDI transpose function - this overcomes the problem of playing back samples out of their range.
SINGLE MODE Page 34 CD3000XL OperatorÕs Manual LOADING FROM FLOPPY DISK The next key along, F5, gives you access to some basic disk functions for loading sounds into the CD3000XL.
SINGLE MODE CD3000XL OperatorÕs Manual Page 35 LOADING FROM HARD DISK If you have a hard disk of any description connected via SCSI for loading sounds, you will receive the following display when F5 is pressed: This is almost the same as for floppy except that you can see it tells you that it is a hard disk.
SINGLE MODE Page 36 CD3000XL OperatorÕs Manual DELETING PROGRAMS Programs and their associated samples may be deleted from memory in this page, which is accessed by pressing the key. Pressing this key displays this screen: When this page is displayed, the cursor will highlight a program.
SINGLE MODE CD3000XL OperatorÕs Manual Page 37 This, of course, is the most drastic of these three options. If you answer GO and YES to the questions regarding released samples, then all programs, (except for an CD3000XL generated program - TEST PROGRAM) and samples will be deleted.
SINGLE MODE Page 38 CD3000XL OperatorÕs Manual RENUMBERING PROGRAMS On the CD3000XL, program numbers correspond to patch numbers on a synthesiser. When a MIDI Program Change message is received, the appropriate program is selected.
SINGLE MODE CD3000XL OperatorÕs Manual Page 39 USING THE CD3000XL IN ‘OLD AKAI’ MODE! The next group of explanations deal with using the SINGLE mode like the SELECT PROG mode on earlier Akai samplers such as the S1000, S1100 and S3000 series.
SINGLE MODE Page 40 CD3000XL OperatorÕs Manual USING RENUMBERING TO CREATE MULTI-TIMBRAL SETUPS One of the most appealing things about MIDI is its multi-channel ability. Originally, synth modules could be set to a specific MIDI channel number so that several modules could be set to play several musical parts from a sequencer.
SINGLE MODE CD3000XL OperatorÕs Manual Page 41 SINGLE VS MULTI As mentioned, you may avhieve similar results in the MULTI mode where you can create multi- timbral setups, key splits, layered programs (and combinations of these) very quickly and easily.
SINGLE MODE Page 42 CD3000XL OperatorÕs Manual • When you assign a new program to the setup, its level, pan, effects routings are recalled with it. This may be an advantage for some users but it does mean you have to reset the mix every time you replace one sound with another.
MULTI MODE CD3000XL OperatorÕs Manual Page 43 MULTI MODE - COMBINING SEVERAL PROGRAMS Multi mode is where you can combine up to sixteen programs together so that they may be played in combination.
MULTI MODE Page 44 CD3000XL OperatorÕs Manual Pressing MULTI will give you this screen: ASSIGNING PROGRAMS TO PARTS To assign a program to a part, simply move the cursor to the program name field and use the DATA wheel to scroll through the programs in memory.
MULTI MODE CD3000XL OperatorÕs Manual Page 45 ASSIGNING PARTS TO THE INDIVIDUAL OUTPUTS Pressing F2 - - will take you to the output assignment page: Here, you can set which of the 8 individual outputs each part will appear through. You may also set the level of the sound appearing at any of the outputs.
MULTI MODE Page 46 CD3000XL OperatorÕs Manual SETTING A PART’S PRIORITY When sequencing multi-timbrally, you may need to give certain parts higher or lower priority to prevent ‘note stealing’ when the 32-voice limit is exceeded.
MULTI MODE CD3000XL OperatorÕs Manual Page 47 SETTING UP A MULTI Assigning programs to a multi is simplicity itself. You simply move the cursor to the appropriate part and selecting the program using the DATA control. To set parameters such as level, pan, etc.
MULTI MODE Page 48 CD3000XL OperatorÕs Manual MODIFYING THE MULTI The beauty of the CD3000XL’s MULTI mode is that, as the sequencer is playing back your sequence, you can interact with the parts, a.
MULTI MODE CD3000XL OperatorÕs Manual Page 49 NAMING A MULTI You may wish to name the multi file to something more suitable. Simply press the NAME key. You will receive the usual naming prompt: In conjunction with the CURSOR keys which can be used to move the cursor around within the name, use the DATA control to scroll through characters.
MULTI MODE Page 50 CD3000XL OperatorÕs Manual RENUMBERING PROGRAMS There will often be occasions when you load in several programs, maybe from different disks and the programs you have loaded have the same program numbers or the numbers of the programs you have loaded are not well ordered, etc.
MULTI MODE CD3000XL OperatorÕs Manual Page 51 This is probably the best selection as it will simply renumber the programs 1-? sequentially regardless of the programs’ original numbers. I.e.: Once you are happy with the result of your renumbering, press F7 to return you to the main MULTI screen display.
MULTI MODE Page 52 CD3000XL OperatorÕs Manual IMPORTANT NOTES ABOUT MULTI PARAMETERS The parameters in the multi such as level, pan, tuning, etc., are unique to the multi and override any similar parameters in the program assigned to any part. For example, it is possible to set a pan position within a program.
MULTI MODE CD3000XL OperatorÕs Manual Page 53 USING MULTI MODE FOR LAYERING PROGRAMS So far we have seen how to use the MULTI mode for creating multi-timbral set-ups for sequencing.
MULTI MODE Page 54 CD3000XL OperatorÕs Manual USING MULTI MODE TO SET KEYBOARD SPLITS Using the same techniques for layering programs described above, you may also set key splits.
MULTI MODE CD3000XL OperatorÕs Manual Page 55 And don’t forget... If you have the multi-effects processor installed, layers and splits may be sent to different effects in varying amounts to create even more variation.
EDIT PROGRAM - SINGLE Page 56 CD3000XL OperatorÕs Manual PROGRAM EDITING Once you have a few programs in memory, it may be that you need to edit them to make them more suitable for your application. They may need simple tweaking such as altering the attack times or the filter cutoff or adding a bit of vibrato.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 57 WHAT IS A KEYGROUP? A KEYGROUP is precisely that - a group of keys which have a particular note range on the keyboard. The simplest program you can have is with one keygroup in it that spans the entire MIDI range on C0-G8.
EDIT PROGRAM - SINGLE Page 58 CD3000XL OperatorÕs Manual KEYGROUP ZONES Within each keygroup, you may assign up to four samples in what are referred to as ZONES. These can be used for a number of things that include velocity switching and crossfading, playback of stereo samples and layering.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 59 OVERLAPPING AND CROSSFADING KEYGROUPS So far we have seen keygroups side by side. This is usually fine for most applications but there are sometimes occasions where the abrupt transition between one keygroup and another can be a bit obvious.
EDIT PROGRAM - SINGLE Page 60 CD3000XL OperatorÕs Manual ASSIGNABLE PROGRAM MODULATION First introduced on the Akai S2800, S3000 and S3200, the CD3000XL has Assignable Program Modulation (or APM for .
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 61 This block diagram may help you to understand the concept of APM. MOD.WHL P.BEND AFTERTOUCH VELOCITY EXT.MIDI KBD AMP KEYGROUP(S) E E E E D D D D II I I T T T T P P P P R R R R O O O O G G G G R R R R A A A A M M M M IND.
EDIT PROGRAM - SINGLE Page 62 CD3000XL OperatorÕs Manual External This selects the MIDI controller set in the external control field of the main GLOBAL - MIDI page.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 63 NOTES ABOUT ASSIGNABLE PROGRAM MODULATION 1. When loading S1000 or S1100 library disks (which do not have APM), the CD3000XL loads the assignments of the S1000/S1100 - i.e. the fixed assignments.
EDIT PROGRAM - SINGLE Page 64 CD3000XL OperatorÕs Manual EDIT SINGLE EDIT SINGLE is used to create programs. In the CD3000XL, we always use another program as the basis for a new one. There are several ways you can work this. You can use an existing program from your sound library that closely resembles the one you wish to create.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 65 NAMING PROGRAMS - COPYING AND RENAMING If you have already recorded your own samples, then this procedure should be familiar as it follows the same conventions. To copy or rename a program, press the NAME key.
EDIT PROGRAM - SINGLE Page 66 CD3000XL OperatorÕs Manual DELETING PROGRAMS It is possible to delete programs using the key - F8. Pressing this will give you the following prompt: You should press F7 or F8 accordingly.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 67 This function is extremely useful for emulating the playing styles and phrasing of solo instruments such as flutes, oboe, clarinet, saxophone, etc.. It can also be effectively used on solo and ensemble strings and brass.
EDIT PROGRAM - SINGLE Page 68 CD3000XL OperatorÕs Manual The soft keys along the bottom of the PROGRAM EDIT main screen are: This shows the currently selected MAIN PROGRAM EDIT page. This takes you to the parameters concerned with individual keygroups.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 69 MIDI PAGE Pressing displays this screen: The top line of this page contains a field which allows you to change the program currently being edited. You may select different programs for editing here if you wish.
EDIT PROGRAM - SINGLE Page 70 CD3000XL OperatorÕs Manual This allows you to set the overall keyboard range C0-G8 of the program and this will override any keygroup range settings made in the keygroup SPAN page.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 71 OUTPUT LEVELS PAGE Pressing the button takes you to the OUTPUT LEVELS page where you can control the audio output of the program from the CD3000XL.
EDIT PROGRAM - SINGLE Page 72 CD3000XL OperatorÕs Manual The parameters down the right of the screen allow you to affect the overall loudness of the program.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 73 introduce the feedback element of the sound using pressure to create a powerful heavy metal guitar. You can, of course, change the default selection from to anything you like simply by placing the cursor where it says and scrolling through the modulation options.
EDIT PROGRAM - SINGLE Page 74 CD3000XL OperatorÕs Manual PAN PAGE In this page you may set the characteristics of the auto panning functions. Pressing will display this screen: As usual, the program name of the program currently selected for editing is shown here which you may change if you like.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 75 LFO1 Use this as an alternative to LFO2. This LFO’s extra facilities allow some very odd things to be done.
EDIT PROGRAM - SINGLE Page 76 CD3000XL OperatorÕs Manual THE TUNE PAGE The next soft key is the key and this takes us, not surprisingly, to the main program tuning page. Pressing will give you this display: As usual, the program name is displayed at the top right of the screen - a different one may be selected if you wish.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 77 MODULATION PAGES The next group of pages we will look at also affects the program as a whole but also has a direct influence on individual keygroups. These are the modulation pages where you may set the parameters for the two low frequency oscillators and the pitch bend.
EDIT PROGRAM - SINGLE Page 78 CD3000XL OperatorÕs Manual PITCH BEND The first page we encounter is the PITCH page where you may set the parameters associated with pitch bend. As usual, you may select a program for editing at the top right hand of the corner.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 79 LFO1 Pressing will give you this screen display: This is the page used for setting up LFO1. Again, the program name is shown at the top right of the screen and other programs may be selected for editing if you wish.
EDIT PROGRAM - SINGLE Page 80 CD3000XL OperatorÕs Manual This selects whether the LFO’s (all 32 of them!) are synchronised or not. With ON, all the LFO’s are not synchronised and so give a rich texture to ensemble sounds when being used for vibrato.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 81 • Applying a slow LFO2 to speed will give a gradual speed up and slow down of LFO1 rate. This can be used for special effects, especially in synth sounds - for example, apply a slow LFO1 mod to the filter cutoff and assign a slow LFO2 to control LFO1’s speed, setting a value of + 50.
EDIT PROGRAM - SINGLE Page 82 CD3000XL OperatorÕs Manual SETTING LFO1 MODULATION DEPTH The master output of the LFO is set using the control and this has to be set to something other than 00 for ther.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 83 LFO2 Pressing the key will take you to the second LFO page: This is a simpler LFO for auxiliary modulation purposes.
EDIT PROGRAM - SINGLE Page 84 CD3000XL OperatorÕs Manual When the parameter is set to 00, the random steps will only change when a new note-on is received and will sustain at that level until a new note- on is received.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 85 Here, you can set whether or not LFO2 will re-trigger with every new note-on or not. With set to ON, each note you play will reset the cycle of the selected waveform to its leading edge.
EDIT PROGRAM - SINGLE Page 86 CD3000XL OperatorÕs Manual SETTING UP THE SOFT PEDAL Pressing will display this screen: This final page in the modulation section allows you to set the response of the CD3000XL to the soft pedal (MIDI controller 67). This can be very useful in obtaining better expression for piano sounds.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 87 PORTAMENTO Portamento is a function that allows you to ‘glide’ from one note to another instead of moving in steps as is normally the case.
EDIT PROGRAM - SINGLE Page 88 CD3000XL OperatorÕs Manual effect. Similarly, with fretless bass, the portamento pedal may be used to slide notes whenever you please. TIP: This may also be used to good effect to simulate the TB303 bassline synth so loved in dance music.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 89 NOTES ON USING PORTAMENTO The portamento effect can be used when playing polyphonically or monophonically. When playing polyphonically, notes in a chord will slide up or down to the next chord accordingly at a speed set by the and parameter.
EDIT PROGRAM - SINGLE Page 90 CD3000XL OperatorÕs Manual KEYGROUP PARAMETERS - CREATING KEYGROUPS All the previous parameter descriptions have so far been concerned with global or master changes to the program - i.e. not keygroup specific. This next section delves deeper into PROGRAM EDIT and examines the individual keygroup parameters.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 91 For example: OPEN HI-HAT (or triangle, etc) CLOSED HI-HAT (or triangle, etc) OPEN AND CLOSED HI-HAT WITH MUTE GROUP OFF Here, you can see that the open hi-hat continues to play even though the closed hi-hat is triggered.
EDIT PROGRAM - SINGLE Page 92 CD3000XL OperatorÕs Manual On the S1000 and S1000 and in early versions of S2800, S3000 and S3200 software, you needed to create a separate program, make it 1 voice polyphonic and assign it the same program number as the rest of your drums.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 93 MAPPING OUT YOUR KEYGROUPS - SETTING KEYSPAN Pressing will display this screen: This is where you can set up the note ranges for the keygroup. You can see a graphic representation of the keyboard to the left of the screen.
EDIT PROGRAM - SINGLE Page 94 CD3000XL OperatorÕs Manual This allows you to tune the keygroup up or down in semitones and cents. The range is ± 50.00. This introduces a fixed tuning offset and can be used when layering samples to provide a chorus effect.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 95 ASSIGNING SAMPLES TO KEYGROUPS AND ZONES - SMP1 Samples are assigned to keygroups in the SMPL page. Pressing gives this display: This is SMP1 (the first page to do with assigning samples - there are three in total).
EDIT PROGRAM - SINGLE Page 96 CD3000XL OperatorÕs Manual For layering sounds, you might like to set something like the following: Here we have assigned two identical synth samples to zones 1 and 2 and, as in the stereo program above, both have a velocity range of 0-127.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 97 USEFUL HINT FOR ASSIGNING SAMPLES! Assuming you have a lot of samples to assign and you have made up a program with sufficient keygroups, go to keygroup 1 and press MARK/#. Now move the cursor to the sample assign field below and select the first sample.
EDIT PROGRAM - SINGLE Page 98 CD3000XL OperatorÕs Manual SMP2 Once you have assigned your samples, you may go to the next sample page by pressing . Here you may tune and pan your samples.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 99 This allows you to change the loop and playback characteristics of the sample. Normally, these are set in EDIT SAMPLE but they may be changed here if you wish.
EDIT PROGRAM - SINGLE Page 100 CD3000XL OperatorÕs Manual SMP3 Pressing takes you to the last of the three sample pages in PROGRAM EDIT. Here you may set the velocity start time for the sample(s) assigned to the currently selected keygroup.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 101 THE FILTERS Pressing displays the main keygroup function select where you may access the filter and the envelope generators: From this page p.
EDIT PROGRAM - SINGLE Page 102 CD3000XL OperatorÕs Manual (pp). Using the filter and applying velocity (or controlling the output of the filter’s envelope generator using velocity) we can have a certain amount of control over tonal dynamics as well.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 103 The next three parameters down the right hand side are the modulation inputs to the filter. The defaults for these are , and respectively. These may be mixed and the range for each modulation input is the usual +/-50.
EDIT PROGRAM - SINGLE Page 104 CD3000XL OperatorÕs Manual ENV1 - SHAPING AMPLITUDE Pressing F5 - - will give this screen display: Here we have the normal parameters across the top of the page where you may select your keygroup, whether one or all keygroups are being edited and the program name.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 105 Once the basic envelope has been set up, these other factors can be used to affect the speed of the envelope. This is variable from +50 to -50, and determines the amount by which the attack speed will be changed depending on the Note On velocity.
EDIT PROGRAM - SINGLE Page 106 CD3000XL OperatorÕs Manual ENV2 - SHAPING THE FILTER Access to ENV2 is also via the KGRP or FILT page. However you arrive there, the screen looks like this: This is a 4-stage envelope generator with 4 rates going to 4 levels.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 107 USING THE FILTER AND ENVELOPE GENERATORS One of the inherent problems of sampling is that, because of memory limitations, it is usually necessary to loop a sample.
EDIT PROGRAM - SINGLE Page 108 CD3000XL OperatorÕs Manual THE SECOND FILTERS If the IB304F filter bank is installed in your CD3000XL, the second bank of filters is accessed by pressing .
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 109 Here, frequencies below the cutoff and above are removed. You may simultaneously remove depth and top end using this selection and the result is a buzzy, thinner type of sound.
EDIT PROGRAM - SINGLE Page 110 CD3000XL OperatorÕs Manual The fields on the FILTER 2 page are as follows: The parameters across the top of the page follow the usual convention and allow you to select.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 111 NOTE: The attenuator should be enough to overcome distortion that may result from very high resonance settings. If, however, it is not, then you will have to turn the program level down in the OUT page.
EDIT PROGRAM - SINGLE Page 112 CD3000XL OperatorÕs Manual CREATING 24db/8ve 4-POLE LOWPASS FILTER There are two types of filters commonly used in analogue synthesisers.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 113 Whilst you can hear a difference between 2-pole and 4-pole filters, going to 6-pole or higher does not yield any significant differences which is why such filters are rarely, if ever found on analogue synths.
EDIT PROGRAM - SINGLE Page 114 CD3000XL OperatorÕs Manual THE TONE PAGE If the IB304F is fitted, the CD3000XL also features a simple tone control which is accessed via F8 - . Pressing this will display this screen: The TONE section can best be described as ‘spectral tilt’.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 115 Setting a higher value with a negative slope value may produce something like this: L E V E L FREQUENCY CENTRE FREQUENCY + - CENTRE FREQUENCY=75 SLOPE=-50 Here, bass frequencies and some mid range components are boosted whilst high frequencies are cut.
EDIT PROGRAM - SINGLE Page 116 CD3000XL OperatorÕs Manual ENV3 If the IB304F is installed in your CD3000XL, a third multi-stage envelope generator is provided which is exactly the same as ENV2.
EDIT PROGRAM - SINGLE CD3000XL OperatorÕs Manual Page 117 KEYGROUP PITCH/AMPLITUDE MODULATION The final page in PROGRAM EDIT is where you may assign modulation to pitch and amplitude for individual keygroups. This is accessed via the KGRP page by pressing .
EDIT PROGRAM - SINGLE Page 118 CD3000XL OperatorÕs Manual SUGGESTIONS FOR THE PITCH MOD2 INPUT Because the second modulation input for pitch is freely assignable, there are many possibilities you may.
EDIT PROGRAM - MULTI CD3000XL OperatorÕs Manual Page 119 EDIT MULTI EDIT SINGLE and EDIT MULTI are both essentially the same but there is one big difference. In EDIT SINGLE, you can select any program for editing or create new ones or delete existing ones but, in EDIT MULTI, you can only edit the sound assigned to the currently selected part.
EDIT PROGRAM - MULTI Page 120 CD3000XL OperatorÕs Manual SCREEN DIFFERENCES IN EDIT MULTI When in the MULTI mode, pressing EDIT will show something like this screen display: This differs from EDIT SINGLE slightly in that you cannot select another program.
SAMPLE CD3000XL OperatorÕs Manual Page 121 SAMPLE MODE In SAMPLE mode, you may record sounds and in EDIT SAMPLE mode, you may, amongst other things, trim, loop, join, merge, reverse, re-sample and timestretch recordings. But before we can do any of that, we first need to make some recordings.
SAMPLE Page 122 CD3000XL OperatorÕs Manual WHAT IS SAMPLING? Sampling is a process where we record sound digitally. All natural sound comes in the form of variations in sound pressure. Using a microphone, we can convert those changes in air pressure into rising and falling voltages.
SAMPLE CD3000XL Operator’s Manual Page 123 One of the inherent problems with sampling is the RAM and it is not possible to have an endless supply of it installed in the sampler (sadly!) although the CD3000XL does allow up to 32Mbytes of RAM and a further 16Mbytes of Flash ROM to be installed offering nearly nine minutes of storage.
SAMPLE Page 124 CD3000XL OperatorÕs Manual RECORD MODE Pressing SAMPLE enters the record or ‘sampling’ mode. The first screen you see is the RECORD SETUP page where you may set certain parameters related to recording. This shows that you have named (or selected for over-writing) a sample called STRING C4.
SAMPLE CD3000XL OperatorÕs Manual Page 125 This field allows you to select an input source. Options are ANALOG (INPUT L/MONO, R connector on the rear panel), DIGITAL (DIGITAL IN connector on the rear panel), and CD-AUDIO (internal CD-ROM drive). If you have selected CD-AUDIO, insert an audio CD, not a CD-ROM, in the drive.
SAMPLE Page 126 CD3000XL OperatorÕs Manual IMPORTANT NOTE - SAVING RECORD PARAMETERS TO DISK It is possible to save your own set of record parameters to disk. By setting the parameters as you need them, save the operating system to floppy disk (go to SAVE, move the cursor to ‘type of load:’ and select OPERATING SYSTEM.
SAMPLE CD3000XL OperatorÕs Manual Page 127 Pressing this key will pause playback of the CD. Using this key and the REW and FF keys allows you to locate the top of the part you wish to start sampling. This is not a transport key, but will cause the CD3000XL to enter sampling mode.
SAMPLE Page 128 CD3000XL OperatorÕs Manual This sets the note on which the new sample will be placed when you record it. The default is C 3 but you may set any note you like.
SAMPLE CD3000XL OperatorÕs Manual Page 129 RECORDING ON THE CD3000XL Assuming all your parameters are correctly set, all you need do is press . You will receive the following prompt: This indicates t.
SAMPLE Page 130 CD3000XL OperatorÕs Manual DIGITAL RECORDING Using the digital input, you may record digitally into the CD3000XL. This offers excellent sound quality with no deterioration of signal or increase in noise.
SAMPLE CD3000XL OperatorÕs Manual Page 131 If you press GO or when the threshold is exceeded or the MIDI note is received, the CD3000XL will start recording and you will get a display something like the following: This indicates that the CD3000XL is recording digitally.
EDIT SAMPLE Page 132 CD3000XL OperatorÕs Manual EDIT SAMPLE Assuming you have made a few recordings, let’s move on to see how we can edit these. To edit a sample, press EDIT (of course, you must first be in SAMPLE mode). You will see this screen: Here we see one of the default sample waveforms, a pulse wave called, not surprisingly, PULSE.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 133 The soft keys along the bottom are: This indicates you are on the sample select page. Press this to switch between sample points and millisecond displays. This takes to you to the TRIM page where you may edit the start and end of a sample.
EDIT SAMPLE Page 134 CD3000XL OperatorÕs Manual NAMING SAMPLES - COPYING AND RENAMING There are times when you want to rename a sample or copy it. You may want to rename it just to give it a more meaningful name. You may want to copy a sample so that you can work on it with no harm coming to the original.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 135 DELETING SAMPLES It is possible to delete samples using the key - F8. Pressing this will give you the following prompt: and you should press F7 or F8 accordingly. NOTE : Deleting samples is destructive.
EDIT SAMPLE Page 136 CD3000XL OperatorÕs Manual T T T T R R R R II I I M M M M M M M M II I I N N N N G G G G S S S S A A A A M M M M P P P P L L L L E E E E S S S S Pressing in the main SLCT page will take you straight to the TRIM page and you will receive a display something like the following: This shows the waveform of the selected sample.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 137 Moving the cursor to the field and adjusting that will give you a display such as: As with the field, you may move the cursor using the -/< and +/> keys. Running across the top of the waveform display you will see up to four horizontal lines which show you where you have set your loop point(s).
EDIT SAMPLE Page 138 CD3000XL OperatorÕs Manual The four cut options are: This will take you out of the CUT screen and return you to the normal TRIM page. Use this if you change your mind when trimming. This will discard audio before the start point and after the end point you have set manually.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 139 Whilst it is possible to edit by ear with very good precision, it is sometimes desirable to see what you are doing.
EDIT SAMPLE Page 140 CD3000XL OperatorÕs Manual LOOPING Looping is one of the trickiest areas of sampling but not impossible and the CD3000XL makes it as easy as it can with some functions to help you make good loops. In either the SLCT page or the TRIM page, press the key to access the looping page.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 141 For the most part, you will probably find that one loop is sufficient for most sounds so don’t worry about setting multiple loops for every sound - you don’t have to use them. The name of the currently selected sample is shown next which can be changed if you wish.
EDIT SAMPLE Page 142 CD3000XL OperatorÕs Manual MAKING A GOOD LOOP Making a loop is one of the trickiest things in sampling. The trick is to match two points in the sample that are similar in level and tone.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 143 NOTE : Sometimes when crossfading, because part of the area chosen for crossfade may be slightly out of phase with the loop area, you may sometimes get a dip in level where they cancel each other out. This is not a fault of the CD3000XL but something that cannot be avoided.
EDIT SAMPLE Page 144 CD3000XL OperatorÕs Manual LEVEL NORMALISATION Pressing in either the TRIM, LOOP or SLCT pages will display this screen: Here you may set new levels for the selected sample and also normalise it.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 145 DSP FUNCTIONS - TIMESTRETCH, RE-SAMPLING AND EQ The CD3000XL has three powerful digital signal processing (DSP) functions which are accessed via the key in the main SLCT page.
EDIT SAMPLE Page 146 CD3000XL OperatorÕs Manual You can see that the length in both of these examples changes quite drastically but the envelope remains pretty much the same, thereby ensuring the integrity of the sound. The timestretch on the CD3000XL works by making a copy of the original.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 147 As usual, you may select the sample to be edited at the top of the page. The parameters on this page are: Here you may set two values to set the start and end of the area of the chosen sample you wish to stretch.
EDIT SAMPLE Page 148 CD3000XL OperatorÕs Manual PERFORMING A TIMESTRETCH Set the parameters as described above - if you are stretching complex samples such as breakbeats, backing tracks, drumloops, voice over, backing vocals, etc., use the INTELL mode of operation.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 149 RE-SAMPLING The re-sampling page (called RATE on the soft key because we didn’t have enough room!) allows you to re-sample your sounds at different sampling rates. This is to allow you to sample at anything other than 44.
EDIT SAMPLE Page 150 CD3000XL OperatorÕs Manual PERFORMING A RE-SAMPLE First, create a new sample - re-sampling is a copy process and so you have to create a new sample by pressing NAME, entering a new name and pressing ENT.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 151 EQ The CD3000XL is also equipped with an EQ (equalisation) DSP function. This allows you to add EQ, affecting the tone of the sample.
EDIT SAMPLE Page 152 CD3000XL OperatorÕs Manual The next selection is BAND THIN: FREQ Similar to BAND WIDE described above, BAND THIN has a narrower ‘bell’ and so will accentuate or remove a tighter band of frequencies.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 153 EQ’ING A SAMPLE Select the sound you want to EQ. The EQ process must always make a copy of the source sample so press NAME and enter a suitable name for the copy. Press ENT/PLAY to complete the naming process.
EDIT SAMPLE Page 154 CD3000XL OperatorÕs Manual F F F F U U U U R R R R T T T T H H H H E E E E R R R R E E E E D D D D II I I T T T T II I I N N N N G G G G F F F F U U U U N N N N C C C C T T T T I.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 155 PLAY TO SAMPLE END is useful for triggering sampled drums either from a keyboard or sequencer or by drum trigger units such as the ME35T and the like.
EDIT SAMPLE Page 156 CD3000XL OperatorÕs Manual REVERSING SAMPLES In the PARAMETERS page, when the soft key (F8) is pressed, the sample will be reversed. Pressing it again will reverse the sample back to its original form. Note that any loop points you have set will stay in the same absolute positions, and will not be reversed with the sample.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 157 SECTIONAL EDITING Pressing will take you to this screen: This is the SECTIONAL editing page and shows a typical drum riff, something for which the sectional editing functions are ideally suited for editing.
EDIT SAMPLE Page 158 CD3000XL OperatorÕs Manual Here you are presented with four choices. These offer three distinctly different edits depending on what it is you want to achieve. They are: This will exit this screen and return you to the main SECTIONAL edit screen without having any effect on the sample.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 159 As with TRIM, the CD3000XL is very considerate and won’t let you ruin good loops and if you move the start or end points into any loop zone (shown above the waveform) you will receive the warnings: or In this case, whatever editing action you perform will be ignored.
EDIT SAMPLE Page 160 CD3000XL OperatorÕs Manual THE JOIN PAGE In this page, you may join two samples end to end, crossfade them and merge them. This can be very interesting for creating long, evolving sounds and big, thick orchestral and synth textures.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 161 SPLICING SAMPLES Select the A and B samples using the DATA control. You must then choose a name for the J sample. This can either be the name of an existing, unwanted sample, or you can enter a new name using the NAME key followed by pressing ENT/PLAY.
EDIT SAMPLE Page 162 CD3000XL OperatorÕs Manual CROSSFADING To avoid a sharp break in sounds when you splice them together, one sound can be crossfaded into another. The crossfading will start before the value set in the point of A, the time at which crossfading starts depending on the number of samples set in the field.
EDIT SAMPLE CD3000XL OperatorÕs Manual Page 163 MIXING AND LAYERING SAMPLES It is also possible to ‘stack’ samples on top of each other. This can be an effective way of layering sounds without eating into polyphony. The same principles apply as above.
EDIT SAMPLE Page 164 CD3000XL OperatorÕs Manual SETTING DIGITAL FADES It is also possible to set fades on a sample. This may seem unnecessary seeing that you may effectively set fades using the envelope generators in EDIT PROGRAM but it does have uses.
EFFECTS CD3000XL OperatorÕs Manual Page 165 EFFECTS MODE If the EB16 is not installed in your CD3000XL, you will see this message when you press EFFECTS: Please contact your local Akai dealer regarding this option.
EFFECTS Page 166 CD3000XL OperatorÕs Manual With the EB16 installed, the EFFECTS key gives access to the CD3000XL’s internal effects. The CD3000XL’s effects processor is a 4 channel effects processor.
EFFECTS CD3000XL OperatorÕs Manual Page 167 The two multi-effects channels (FX1 and FX2) are divided into three distinct sections: DISTORTION/EQ/RING MOD into MODULATION/DELAY into REVERB. The ‘reverb only’ channels (RV3 and RV4) only offer reverb effects.
EFFECTS Page 168 CD3000XL OperatorÕs Manual ORGANISATION OF EFFECTS FILES There are 50 ‘effects’ presets (i.e. combinations of distortion, EQ, ring mod, modulation/pitch shift/rotary speaker and delay effects) and 50 reverb files. FX1 and FX2, (the multi-effects channels) can use any of the 50 effects presets.
EFFECTS CD3000XL OperatorÕs Manual Page 169 ASSIGNING EFFECTS TO SINGLE PROGRAMS In the SINGLE mode, you can assign the program to one of the effects channels. The easiest way to do this is to use the MIX page in SINGLE: Here, you see a list of the programs in memory.
EFFECTS Page 170 CD3000XL OperatorÕs Manual Furthermore, a single program will ‘remember’ the four effects selected on the other channels. You can use this to offer some alternative effects for a single sound. For example, you may have a guitar sound to which you wish to add effects.
EFFECTS CD3000XL OperatorÕs Manual Page 171 ASSIGNING EFFECTS TO MULTI PARTS In the MULTI mode, you route the selected part to the effects in the column of the main MIX page: In this example, we see that PART 1 is routed to FX1, PART 2 to FX2, PART 3 also to FX1, PART 4 to RV4, etc.
EFFECTS Page 172 CD3000XL OperatorÕs Manual NOTE ABOUT EFFECTS SELECTION IN MULTI The CD3000XL makes no distinction between effects in MULTI or in SINGLE. This means that an effect created for use with a sound in SINGLE mode can be used on the same sound in MULTI mode.
EFFECTS CD3000XL OperatorÕs Manual Page 173 ASSIGNING EFFECTS TO INDIVIDUAL KEYGROUPS It is also possible to send individual keygroups in a program to the effects.
EFFECTS Page 174 CD3000XL OperatorÕs Manual PROCESSING EXTERNAL SOUND SOURCES THROUGH THE EFFECTS As well as processing programs, parts and keygroups through the internal effects, you may also process external sound sources thereby turing the CD3000XL into a very flexible stand alone effects processor as well.
EFFECTS CD3000XL OperatorÕs Manual Page 175 In this example, an Akai DR8 8-track digital audio recorder/editor is feeding its eight tracks into the mixer providing the ‘non-MIDIable’ parts such as vocals, guitar, etc.. It is also running timecode to a sequencer which, in turn, is ‘playing’ the CD3000XL ‘live’ in the mix.
EFFECTS Page 176 CD3000XL OperatorÕs Manual CHAINING EFFECTS Not only is it possible to have the multi-effects with distortion/EQ>mod/delay>reverb on FX1 and FX2 but you may also feed the outputs of these two channels to the ‘spare’ reverb channels RV3 and RV4.
EFFECTS CD3000XL OperatorÕs Manual Page 177 FX1 MOD/ECHO The output of FX1’s modulation/echo section will also be fed to the reverb in RV3: PATH CONTROL MOD/ECHO REVERB PATH PATH DIST/EQ L/R outs L/R outs RV3 REVERB L/R outs Again, you may have two reverbs applied to any sound routed to the FX1 buss.
EFFECTS Page 178 CD3000XL OperatorÕs Manual MUTING EFFECTS There may be times when you want to temporarily turn the effects off. You could of course, turn the send level down at the program/multi source but a quicker way is to use the soft keys. will mute all four effects channels.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 179 EFFECTS EDIT As we have seen, there are 50 ‘effects’ presets (i.e. presets for the distortion/EQ/ring mod/modulation/delay effects sections of the multi-effects channels) which can be freely assigned to the two multi-effects channels FX1 and FX2.
EFFECTS EDIT Page 180 CD3000XL OperatorÕs Manual DISTORTION/RING MODULATION The first page you encounter is the DIST(ortion) page Here, you can add ring modulation and distortion to a sound. A ring modulator is a device with two inputs and one output.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 181 EQ Pressing in any of the effects pages will give you access to the EQ functions. The EQ section of the two multi-effects channels is a four band EQ offering lowpass control over a low frequency, two bandpass mid frequencies and a highpass high frequency control.
EFFECTS EDIT Page 182 CD3000XL OperatorÕs Manual For the two mid-range frequencies, you may also set the width of the EQ. Larger values set a wider width whilst lower settings produce a narrow width.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 183 MODULATION EFFECTS The next group of pages deal with the modulation effects. These include effects such as chorus, flanging and phase shifting. Also in this section are pitch shift, rotary speaker emulation effects and autopanning.
EFFECTS EDIT Page 184 CD3000XL OperatorÕs Manual These effects are chosen in the field and are as follows: PHASING This gives a ‘swooshing’ effect.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 185 ROTARY SPEAKER EFFECTS If ROTARY SPKRS is selected in the field, you will see this screen: In ‘the good ol’ days’, the sound of an organ was enhanced using a rotary speaker (it was also a popular one-off effect on guitar and other sounds as well).
EFFECTS EDIT Page 186 CD3000XL OperatorÕs Manual Depending on the MIDI controller selected in the field, you may select whether crossing a threshold level of 64 that will cause the speed change or a switch action that will cause the speed change. When LEVEL is selected, once the controller goes past a level of 64, the speed will change.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 187 AUTOPAN AND FREQUENCY MODULATION EFFECTS If you selected FMOD/AUTOPAN in the field, this selects the autopanner and frequency modulator. This will cause the sound to pan backwards and forwards from left to right and back again.
EFFECTS EDIT Page 188 CD3000XL OperatorÕs Manual STEREO PITCH SHIFT EFFECTS If you selected PITCH SHIFT in the field, the screen will look like this: The pitch shifter allows you to set an interval for left and right. More often than not, a small amount of detune is set here (i.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 189 The parameters set the delay time for the feedback loop and the parameters set the amount of feedback (repeats) for the sound. NOTE: You will please note that when PITCH SHIFT+FBK is selected, this uses the delay line normally used for echo effects.
EFFECTS EDIT Page 190 CD3000XL OperatorÕs Manual BYPASSING THE MODULATION EFFECTS The final selection in the modulation effects section is not an effect as such but bypasses the modulation section co.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 191 DELAY AND ECHO EFFECTS The next section in the effects allows you to set delay and echo effects. The delay line in the multi-effects is dual channel allowing you to create ping pong and many other stereo delay effects.
EFFECTS EDIT Page 192 CD3000XL OperatorÕs Manual STEREO This creates stereo echo and delay effects with separate control of the left and right delay times. DELAY RIGHT FBK L DELAY LEFT FBK R LEFT IN RIGHT IN HF DAMP HF DAMP NOTE: The delay section of the effects has one large pool of memory to create the echo and delay effects.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 193 MONO DELAY/ECHO EFFECTS If you selected either of the MONO echo effects, the screen you will see is something like this: The parameters are: Here, you.
EFFECTS EDIT Page 194 CD3000XL OperatorÕs Manual PING PONG ECHO EFFECTS The field allows you to add another repeat element to the echo effect and takes a ‘tap’ off the delayed signal to produce a secondary repeat. This allows you to create pseudo stereo ‘ping pong’ echo effects that bounce back and forth from left to right.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 195 CROSSOVER DELAY The XOVER delay selection offers an interesting variation on ping-pong echo. Ping-pong simply ‘switches’ between left>right>left>right>etc.. The XOVER delay effect will swap the left/right signals with every other repeat - i.
EFFECTS EDIT Page 196 CD3000XL OperatorÕs Manual STEREO DELAY/ECHO EFFECTS If you select STEREO in the MODE page, the screen display will show something like this: Here you may set the delay time, the high frequency damping and feedback level for the left and right delay channels.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 197 REVERB EFFECTS Besides all the effects described so far, the effects processor also has a reverb effect on each of the four channels. NOTE: The multi effects described above relate only to the multi-effects channels 1 and 2.
EFFECTS EDIT Page 198 CD3000XL OperatorÕs Manual In the effects processor, we have access to parameters that allow you to set up a wide range of reverb effects. The reverb page is as follows: Here, you can select from a range of reverb types that include large hall, small hall, large room and small room.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 199 As we saw in the delay section, as the sound echos so it normally gets progressively duller. The same is true of reverb. As the sound is bouncing all over the place, each time it hits a surface, that surface will absorb some high frequencies.
EFFECTS EDIT Page 200 CD3000XL OperatorÕs Manual REVERSE REVERB So far, we have seen the parameters for the ‘natural’ reverb effects. There are, however, certain special reverb types which can also be selected in the TYPE parameter.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 201 GATED REVERB Gated reverb is ordinary reverb that cuts off abruptly. It was discovered by Peter Gabriel and his enginerr Hugh Padgham when setting up a drum sound and some noise gates were still connected to some mixer channels that had reverb going through them.
EFFECTS EDIT Page 202 CD3000XL OperatorÕs Manual The parameters for GATED 2 are identical: This sets the time before the gated reverb will start sounding. This sets the length of the gated reverb. This has the effect of making the gated sound more or less ‘grainy’ and ‘echoey’.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 203 EFFECTS OUTPUT SECTION The multi-effects section is laid out thus: DIST/EQ MOD FX DELAY REVERB PAN LVL PAN LVL PAN LVL L/R OUT You have control over t.
EFFECTS EDIT Page 204 CD3000XL OperatorÕs Manual EFFECTS DIRECTION The parameter allows you to set the flow or direction of the effects. Most multi- effects processors follow a ‘traditional’ path for the effects - i.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 205 Another way to picture the is as follows: 00 MOD/ECHO > REV REV > MOD/ECHO -50 +50 At values of +01 to +50, more of the mod/echo section is fed to the reverb and setting of -01 to -50, more of the reverb is fed into the mod/echo section.
EFFECTS EDIT Page 206 CD3000XL OperatorÕs Manual SOLOING THE CURRENT EFFECT There are times when editing the effects that you may want to hear the effect in isolation.
EFFECTS EDIT CD3000XL OperatorÕs Manual Page 207 COPYING EFFECTS Sometimes, you may find an effects preset that is close to what you want but needs ‘tweaking’ You can, of course, edit the preset immediately but this may affect other sounds using this preset.
EFFECTS EDIT Page 208 CD3000XL OperatorÕs Manual COPYING EFFECTS BETWEEN DIFFERENT EFFECTS FILES There may be occasions where you have an effect in another effects file that you wish to use in the current effects file. To copy effects between different effects files, load the effects file that contains the effect you are interested in.
SAVE CD3000XL OperatorÕs Manual Page 209 SAVE MODE Once you have some sounds in memory that you have edited, you will no doubt want to save them for future retrieval.
SAVE Page 210 CD3000XL OperatorÕs Manual The options are: ENTIRE VOLUME This will save the entire contents of the memory to disk. This will include all programs, samples, the multi and effects file (if the optional EB16 multi-effects processor is fitted).
SAVE CD3000XL OperatorÕs Manual Page 211 SAVING TO FLOPPY DISK In the main SAVE page, select the media you wish to save to (i.e. floppy). You will see something like this screen: Now make your selection in the field by moving the cursor to this field and use the DATA wheel to make your selection.
SAVE Page 212 CD3000XL OperatorÕs Manual SAVING TO HARD DISK In the main SAVE page, select the media you wish to save to (i.e. hard disk). You will see something like this screen: To select the partition to save to, place the cursor on the partition field and use the DATA wheel to select the partition.
SAVE CD3000XL OperatorÕs Manual Page 213 If, for some reason, there is a problem with the hard disk (i.e. it is not connected or not switched on or, if it’s a removable medium of some sort and the .
SAVE Page 214 CD3000XL OperatorÕs Manual RENAMING FILES Pressing F3 ( ) takes you to the RENAME page. In the rename page, you can rename individual files on disk, or rename a volume on disk (a floppy disk can contain only one volume, but a hard disk can contain many volumes).
SAVE CD3000XL OperatorÕs Manual Page 215 With a hard disk fitted, MIDI Program Change messages may be used to load volumes. Use the parameter on this page to assign a number from 1 to 128 for the current volume. Once set, you may turn this on and off freely in the field.
SAVE Page 216 CD3000XL OperatorÕs Manual HARD DISK CONTROL SCSI (Small Computer Serial Interface) has become very popular as a means of interfacing devices and because a SCSI interface is fitted as standard on the CD3000XL, you may use a wide range of hard disks as a storage device for your sound library.
SAVE CD3000XL OperatorÕs Manual Page 217 FORMATTING A FLOPPY DISK Before a floppy disk can be used with the CD3000XL, it must be formatted. To format a floppy disk, insert the disk in the drive, and press . You will see this screen display: There are two types of floppy disk available - DD (double density) or HD (high density).
SAVE Page 218 CD3000XL OperatorÕs Manual The key is used as a quick format for changing the size of the directory of disks formatted on an S1000 or S1100 (please see below - NOTES ON USING S1000 AND S1100 SOUND LIBRARY). Usually, you must use to format a new disk for use in the CD3000XL.
SAVE CD3000XL OperatorÕs Manual Page 219 FORMATTING A HARD DISK Hard disks can and should also be formatted before use. The maximum size of hard disk which can be formatted and used with the CD3000XL is 510Mbytes. If any larger hard disk is attached to the CD3000XL, data above this size will not be recognised or used.
SAVE Page 220 CD3000XL OperatorÕs Manual If the drive is not connected or the SCSI ID’s don’t match, you might receive the message when you press or : or it may say: Please check your SCSI cables and that the drive is switched on (it does happen!).
LOAD CD3000XL OperatorÕs Manual Page 221 LOAD MODE The LOAD mode allows you to load data into the CD3000XL. The main LOAD page looks something like this: A list of all files (programs, samples and drum settings) will be displayed on the right side of the page.
LOAD Page 222 CD3000XL OperatorÕs Manual SELECTING THE HARD DISK OR CD-ROM VOLUME As well as being divided into partitions, each partition is divided into volumes. The volume is selected in the field (in the above example, it shows that the volume is not named - see later for details on naming volumes).
LOAD CD3000XL OperatorÕs Manual Page 223 LOADING FROM FLOPPY DISK In the main LOAD page, select the media you wish to load from (i.e. floppy). You will see something like this screen: Now make your selection in the field by moving the cursor to this field and use the DATA wheel to make your selection.
LOAD Page 224 CD3000XL OperatorÕs Manual LOADING FROM HARD DISK OR CD-ROM In the main LOAD page, select the media you wish to load from (i.e. CD-ROM, hard disk). You will see something like this screen: To select the partition to load from, place the cursor on the partition field and use the DATA wheel to select the partition.
LOAD CD3000XL OperatorÕs Manual Page 225 It is possible that the chosen file(s) will occupy more memory space than is actually available, in which case the loading process will be halted and you will receive this prompt: Any files which have been completely loaded into memory prior to the prompt will remain in memory, however.
LOAD Page 226 CD3000XL OperatorÕs Manual LOADING S900/S950 SAMPLES AND PROGRAMS No special command is provided for S900 samples. Inserting an S900 disk will give you this display: Simply select the appropriate load type and proceed as above.
LOAD CD3000XL OperatorÕs Manual Page 227 SEARCHING FOR FILES - USING THE FIND FUNCTION Because of the large amount of data on hard disks, a special ‘find’ function exists to locate files more rapidly. Pressing the key will display this screen: To locate the file you want, press NAME and then enter a suitable name and press ENT/PLAY.
LOAD Page 228 CD3000XL OperatorÕs Manual Using the FIND function, typing in something like SYN may give a screen display such as: where all files with the characters SYN have been found. If you wanted to limit the search to only synth sounds, it would be best to type in SYNT in which case, those sounds named SYNC or SYNVOX, etc.
LOAD CD3000XL OperatorÕs Manual Page 229 USING THE TAG DIRECTORY SYSTEM On the CD3000XL, it is possible to ‘tag’ files. This is much the same as placing it in a special sub-directory. In this way, certain files in a partition can be categorised according to type or any other category you wish.
LOAD Page 230 CD3000XL OperatorÕs Manual If you make a mistake and accidentally tag a file you did not wish to tag, simply press again to un-tag it, Similarly, at a later date, should you wish to remove a file from a particular tag, move the cursor to it and press to un-tag it.
LOAD CD3000XL OperatorÕs Manual Page 231 NAMING TAGS You may also name a tag simply by pressing NAME, typing in a suitable name followed by ENT. It is worth giving your tags useful names to avoid confusion at a later date.
LOAD Page 232 CD3000XL OperatorÕs Manual HARD DISK CONTROL SCSI (Small Computer Serial Interface) has become very popular as a means of interfacing devices and because a SCSI interface is fitted as standard on the CD3000XL, you may use a wide range of hard disks as a storage device for your sound library.
LOAD CD3000XL OperatorÕs Manual Page 233 IMPORTING SOUNDS FROM OTHER MANUFACTURER’S CD-ROMS On the CD3000XL, as well as having access to a vast range of Akai sound library, you may also import sounds from CD-ROMs made for certain samplers made by other manufacturers thereby giving you access to even more sounds.
LOAD Page 234 CD3000XL OperatorÕs Manual • The CD3000XL can only read CD-ROMs up to 512Mbytes. CD-ROMs or hard disks larger than this can be used but any data stored above 512Mbytes will be ignored. • The CD3000XL comes supplied with 2Mbytes of RAM as standard.
GLOBAL CD3000XL OperatorÕs Manual Page 235 GLOBAL MODE The GLOBAL mode gives access to certain ‘system’ parameters that affect the CD3000XL as a whole. It also gives access to functions such as the disk recording, DAT back-up, MIDI song file playback, etc.
GLOBAL Page 236 CD3000XL OperatorÕs Manual MIDI FUNCTIONS When you first press the MIDI mode key, the BASIC MIDI CHANNEL CONTROL page is entered. The parameter sets the MIDI channel for the CD3000XL .
GLOBAL CD3000XL OperatorÕs Manual Page 237 By using this filter, you can control the response of the CD3000XL to MIDI events. By filtering out aftertouch on a percussion program where it is not needed, for instance, you can improve the response of the CD3000XL when a lot of MIDI data is received.
GLOBAL Page 238 CD3000XL OperatorÕs Manual MIDI RECEIVE PAGE - ANALYSING MIDI Another MIDI receive monitor is available in the page. Here, you can monitor other types of MIDI information received by the CD3000XL. Again, this is especially useful if you are faultfinding on your MIDI system.
GLOBAL CD3000XL OperatorÕs Manual Page 239 MIDI SAMPLE DUMPS Samples can be transferred between the CD3000XL and other samplers via MIDI and this is done in the EXCL page: To perform a MIDI data dump, you must make a MIDI loop (MIDI OUT of the CD3000XL connected to MIDI IN of the other sampler, and vice versa).
GLOBAL Page 240 CD3000XL OperatorÕs Manual PERFORMING A MIDI SAMPLE DUMP When all the parameters are set up, press the key to initiate transmission. Once the handshake protocol has been successfully initiated between the two devices, data transfer will take place.
GLOBAL CD3000XL OperatorÕs Manual Page 241 MIDI VIA SCSI The final soft key in this mode, F7, calls up the SCSI screen: On this page you can enable or disable MIDI bulk data transmission along a SCSI buss, rather than the MIDI connections, and set the SCSI IDs for both the CD3000XL ( ) and the other SCSI device ( ).
GLOBAL Page 242 CD3000XL OperatorÕs Manual ME35T DRUM SETTINGS Pressing displays the following screen: The CD3000XL is capable of acting as a highly sophisticated percussion sampler using the AKAI ME35T audio/MIDI trigger interface unit to produce MIDI trigger signals from a variety of sources.
GLOBAL CD3000XL OperatorÕs Manual Page 243 Here you may select the MIDI note number you wish to assign to the input This sets the overall velocity sensitivity for the selected input.
GLOBAL Page 244 CD3000XL OperatorÕs Manual DAT BACK-UP AND RESTORE One very useful function of the digital interface is that of DAT backup. This allows you to make safety copies of your data on a simple DAT tape.
GLOBAL CD3000XL OperatorÕs Manual Page 245 PERFORMING A DAT BACK UP This is simple! Assuming you have made the necessary digital audio connections, simply press RECORD and PLAY on the DAT (or whatever combination is required on your particular DAT machine) and, ensuring that the DAT is actually recording, press - F7.
GLOBAL Page 246 CD3000XL OperatorÕs Manual STANDARD MIDI FILE - MIDI SONG FILE PLAY The CD3000XL is able to load Standard MIDI Files (SMF’s) into its memory and play them as standard MIDI sequence files.
GLOBAL CD3000XL OperatorÕs Manual Page 247 The soft key functions are: This will take you to the SMF load page (see below). You may delete the selected song file from memory using this key. This will play the selected song at the tempo specified in the or from the bar selected in the field.
GLOBAL Page 248 CD3000XL OperatorÕs Manual The soft key functions are: This will take you back to the MIDI SONG PLAY screen where you may play the songs you have loaded.
GLOBAL CD3000XL OperatorÕs Manual Page 249 HARD DISK RECORDING The CD3000XL is capable of recording audio to a hard disk. You may record audio whilst sequencing ordinary programs and samples allowing you to effectively overdub onto disk.
GLOBAL Page 250 CD3000XL OperatorÕs Manual FORMATTING THE HARD DISK FOR DISK RECORDING Before you can use the disk record functions, it is necessary to format your hard disk. The CD3000XL allows you to allocate a certain part of your hard disk for sound library and a certain part for disk recordings.
GLOBAL CD3000XL OperatorÕs Manual Page 251 HOW THE DISK RECORD FUNCTIONS WORK The CD3000XL flowchart is something like this INPUTS SAMPLE(S) TAKE(S) PROGRAM(S) SONG RAM DISK MIDI TRIGGER The takes can be played in a number of ways: Takes can be placed into what we call a SONG and triggered from MIDI.
GLOBAL Page 252 CD3000XL OperatorÕs Manual 3 When triggering takes via MIDI, there is always a delay in the take playing back. This is due to disk access time (i.e. the speed with which the disks heads can find the audio material and get it ready to playback).
GLOBAL CD3000XL OperatorÕs Manual Page 253 USING THE DISK RECORD FUNCTIONS Pressing F8 - - takes you directly to the disk record functions and will display this screen: Here you may select takes and view their record parameters as well as select new takes for recording or deletion, etc.
GLOBAL Page 254 CD3000XL OperatorÕs Manual Pressing F7 ( ) will display this screen: The parameters on this page are used to set SCSI ID’s. The most important parameters you need to know about are and . SCSI allows up to 8 devices to be on the buss and these each have a unique number 0-7 (it’s similar to the concept of MIDI channels).
GLOBAL CD3000XL OperatorÕs Manual Page 255 CREATING NEW TAKES You may create a new take for recording in the DD TAKES page if you wish simply by entering a new, unique name. Whether the take is an existing one or a new one will be indicated in the display.
GLOBAL Page 256 CD3000XL OperatorÕs Manual MAKING A RECORDING To prepare for a recording, press in any of the DD pages. You will receive this screen display: This is the disk record set-up page and here you may select and create takes to record as well as set their record parameters.
GLOBAL CD3000XL OperatorÕs Manual Page 257 NOTE: Because it takes time for a hard disk to actually find the data and play it back, it is necessary to be able to set a fixed offset so that the disk al.
GLOBAL Page 258 CD3000XL OperatorÕs Manual The soft keys in this page are: This takes you to the DD TAKES view page This takes you the SONG mode where you may compile takes for sequential playback or.
GLOBAL CD3000XL OperatorÕs Manual Page 259 RECORDING A TAKE Actual recording is done within the TAKE page. Pressing - F6 - gives you this screen display: This is very much like the record page you will probably already be familiar with in the sample recording pages.
GLOBAL Page 260 CD3000XL OperatorÕs Manual When a recording is being made, the screen shows the incoming waveform as it is being recorded. I.e: You may stop recording by pressing F8 at any time. If you are going to record digitally, when you enter the DD RECORD page, the screen will show: or whatever sample rate is being received.
GLOBAL CD3000XL OperatorÕs Manual Page 261 The soft keys in the DD RECORD page are: This takes you to the DD TAKES view page This takes you the SONG mode where you may compile takes for sequential pl.
GLOBAL Page 262 CD3000XL OperatorÕs Manual EDITING A RECORDING After you have recorded a take, you may need or want to edit it. This is done by adjusting the take’s start and end times and is done within the EDIT page.
GLOBAL CD3000XL OperatorÕs Manual Page 263 The soft keys in the EDIT page are: This takes you to the DD TAKES view page This takes you the SONG mode where you may compile takes for sequential playbac.
GLOBAL Page 264 CD3000XL OperatorÕs Manual U U U U S S S S II I I N N N N G G G G T T T T H H H H E E E E E E E E D D D D II I I T T T T II I I N N N N G G G G F F F F U U U U N N N N C C C C T T T T II I I O O O O N N N N S S S S The editing functions have been kept deliberately simple to use.
GLOBAL CD3000XL OperatorÕs Manual Page 265 PLAYING TAKES There are a number of ways you can play a take within the CD3000XL’s DD functions: 1 You can play a take in ANY page using the ENT/PLAY key 2 You can assign a series of takes to a SONG for sequential playback or for triggering from MIDI.
GLOBAL Page 266 CD3000XL OperatorÕs Manual - This will cause the take to play back upon receipt of a suitable MIDI note but with a delay offset set in the delay: field described below. If is pressed, however, playback is immediate in the PLAY page. - This will cause the take to playback when it receives a MIDI SONG START command after is pressed.
GLOBAL CD3000XL OperatorÕs Manual Page 267 USING THE PLAY PAGE Although you may play takes from within any page of the DD functions and whilst the SONG mode is provided either for sequential playback.
GLOBAL Page 268 CD3000XL OperatorÕs Manual EDITING A TAKE FOR SYNCHRONISED PLAYBACK When you make a recording that needs to be synchronised to other audio material (such as sequenced programs, etc.
GLOBAL CD3000XL OperatorÕs Manual Page 269 USING THE SONG MODE The SONG mode is where you can compile a list of takes for playback. The SONG mode has two functions, in fact. You may use the SONG mode to compile a list of takes for triggering from MIDI notes or you may use the SONG mode to append and playback a sequence of takes ‘back-to-back’.
GLOBAL Page 270 CD3000XL OperatorÕs Manual FADE OUT - This sets the fade out time for the take and is also variable up to 10 seconds. REPEAT - Although not operative when triggering takes from MIDI, .
GLOBAL CD3000XL OperatorÕs Manual Page 271 If you are triggering from MIDI, you will most likely want to edit the MIDI note and channel and if you are creating a song to run takes sequentially, you will possibly want to set a repeat for that step.
GLOBAL Page 272 CD3000XL OperatorÕs Manual TRIGGERING TAKES FROM MIDI This powerful function of the CD3000XL’s disk recording capabilities allows you to simultaneously playback audio from the hard disk whilst sequencing programs in the CD3000XL.
GLOBAL CD3000XL OperatorÕs Manual Page 273 milliseconds will normally do the trick. Fades longer than that can be useful for fading in a take or causing a smooth, gradual decay at the end of a take’s replay. As soon as the CD3000XL receives the appropriate note on the appropriate channel (i.
GLOBAL Page 274 CD3000XL OperatorÕs Manual IMPORTANT NOTES ABOUT TRIGGERING TAKES FROM MIDI When triggering takes from MIDI, if you stop the sequencer and restart it somewhere in the middle of where a take should be playing, it will not sound. This is because it requires the MIDI note-on to trigger it.
GLOBAL CD3000XL OperatorÕs Manual Page 275 USING THE SONG MODE TO CHAIN TAKES This mode of operation allows you to playback takes sequentially ‘back-to-back’.
GLOBAL Page 276 CD3000XL OperatorÕs Manual As the song is playing, a small highlighted box appears to the left of the step to indicate your playback position. If the song exceeds five steps, the list of steps will scroll up the screen with the currently playing step being placed in the centre of the screen.
GLOBAL CD3000XL OperatorÕs Manual Page 277 This method of block copying and inserting has even more uses than just appending block onto themselves. Again, another example should demonstrate this.
GLOBAL Page 278 CD3000XL OperatorÕs Manual NAMING SONGS To name a song, simply press the NAME key and enter a name of up to 12 characters in the usual way, completing the action by pressing ENT/PLAY. SAVING A SONG To save a song, go to the SAVE mode and select CURSOR ITEM ONLY as the save type.
GLOBAL CD3000XL OperatorÕs Manual Page 279 BACKING UP TAKES TO DAT Back up of takes to DAT is accessed via the PLAY page of the disk record functions. The soft key F7 - - takes you to the BACKUP SAVE page. I.e: Press F7 - - will display this screen: This simple page displays the transmit rate for the back up to DAT.
GLOBAL Page 280 CD3000XL OperatorÕs Manual RESTORING TAKES BACK FROM DAT TO DISK The take restore functions are found in the DREC page on F7 - . I.e: Pressing this gives this screen display: This page looks very much like the normal record page except that you have lost the threshold field.
GLOBAL CD3000XL OperatorÕs Manual Page 281 Assuming you wish to proceed with the restore, press PLAY on your DAT machine. When the take is being restored to disk, the screen will show: This is virtually identical to the normal record page when a recording is being made and the take’s waveform envelope will be displayed as it is being restored.
FLASHROM Page 282 CD3000XL OperatorÕs Manual FLASHROM When the optional FMX008 FLASHROM board is installed, it allows you to keep samples and programs in a separate piece of memory so that your favourite sounds can reside in the sampler even when its power is switched off.
FLASHROM CD3000XL OperatorÕs Manual Page 283 FORMATTING THE FLASHROM As with a hard disk, the FlashROM needs to be formatted. This will arrange the memory on the board(s) to be ready to accept sound data and/or operating systems. Formatting should be performed when you first install the board(s).
FLASHROM Page 284 CD3000XL OperatorÕs Manual ARRANGING THE FLASHROM It is also possible to arrange the memory on the FlashROM board(s). However, the arrange is somewhat different from that of a disk.
FLASHROM CD3000XL OperatorÕs Manual Page 285 SAVING DATA TO THE FLASHROM Saving data to FlashROM is virtually identical to saving data to disk and is done in the SAVE mode.
FLASHROM Page 286 CD3000XL OperatorÕs Manual There are different types of FlashROM volumes you should be aware of. These are: BOOT SYSTEM In this, the first FlashROM volume, you may save an operating system and this will boot up automatically when you switch on the sampler.
FLASHROM CD3000XL OperatorÕs Manual Page 287 When data is in a FlashROM volume, a ‘#’ is shown alongside the volume name to indicate this. You may, of course, save other items to the FlashROM and you may choose: MULTI+PROGS+SAMPS This will save the multi, its programs, samples and effects to the selected FlashROM volume.
FLASHROM Page 288 CD3000XL OperatorÕs Manual USING THE FLASHROM AS A FAST HARD DISK You should bear in mind that if you have a lot of RAM installed in the sampler, it could be that the amount of data.
FLASHROM CD3000XL OperatorÕs Manual Page 289 COPYING A FLASHROM SAMPLE TO RAM If you really do need to edit a sample in the FlashROM, the original sample will need to be loaded into RAM.
FLASHROM Page 290 CD3000XL OperatorÕs Manual SAVING FLASHROM DATA BACK TO DISK Any sounds you save to FlashROM can be saved back to disk. Assuming you have ‘loaded’ the FlashROM data, simply go to SAVE, select DISK, select FLOPPY or HDSK as appropriate and do a normal save to disk.
APPENDIX 1 CD3000XL OperatorÕs Manual Page 291 CONNECTING AN EXTERNAL HARD DISK DRIVE SCSI devices (hard disk drives, CD-ROMs, etc.) are connected as follows: SCSI INTERFACE HARD DISK DRIVE (or CD ROM, etc.) To other SCSI devices SCSI CABLE The CD3000XL uses a 25-pin SCSI connector.
APPENDIX 1 Page 292 CD3000XL OperatorÕs Manual TERMINATION A chain of SCSI devices must be terminated at either end and terminating resistors are fitted to most SCSI devices when you buy them. The CD3000XL’s SCSI interface is terminated. It is most likely that the CD3000XL will be at one end of the chain and so must be left terminated.
APPENDIX 2 CD3000XL OperatorÕs Manual Page 293 DATA COMPATIBILITY ISSUES With any advance in technology, certain problems arise regarding data compatibility between older and newer models (witness the chaos with PowerPC software!). At Akai, we have tried to make models as compatible as possible both backwards (i.
APPENDIX 2 Page 294 CD3000XL OperatorÕs Manual WARNING! WHEN USING A HARD DISK, THE ACTION OF KILLING A VOLUME APPLIES ONLY TO THAT VOLUME. THIS IS NOT A FULL FORMATTING PROCEDURE. WHEN YOU SEE THE PROMPT, USE - DO NOT FORMAT YOUR HARD DISK AS THIS WILL ERASE EVERYTHING ON IT.
APPENDIX 3 CD3000XL OperatorÕs Manual Page 295 CAUTION - These servicing instructions are for use by qualified personnel only. To reduce the risk of electric shock, do not perform any of servicing other than that contained in the Operating instructions unless you are qualified to do so.
APPENDIX 3 Page 296 CD3000XL OperatorÕs Manual INSTALLING MEMORY EXPANSION The CD3000XL’s internal memory can be expanded to 32Mbytes giving a massive recording time of nearly six minutes. The CD3000XL comes with 8Meg of memory ‘hardwired’ and there are two slots in which you can install SIMMs chips.
APPENDIX 3 CD3000XL OperatorÕs Manual Page 297 INSTALLING THE FLASHROM There are two slots into which the FlashROM can be installed. If you are installing only one board, it has to be inserted into the first slot ‘A’ (P20). Of course, when you install another, then it is inserted into the second slot ‘B’.
APPENDIX 3 Page 298 CD3000XL OperatorÕs Manual IMPORTANT NOTES ABOUT INSTALLING THE FMX008 When you install the FMX008 board, please note that the following problems could be had. • ALWAYS disconnect the sampler’s mains lead from the mains outlet when opening the sampler’s casework.
APPENDIX 4 CD3000XL OperatorÕs Manual Page 299 If you are familiar with analogue synthesisers, you may like to visualise your CD3000XL as a large and sophisticated modular synth.
APPENDIX 5 Page 300 CD3000XL OperatorÕs Manual MIDI CONTROLLER LIST The following is a list of the controllers that may be used as controllers within a program and which are selected in the main MIDI page in GLOBAL mode.
CD3000XL Operator’s Manual Page 301 APPENDIX 4 SPECIFICATIONS Model Name : MIDI Stereo CD-ROM Sampler CD3000XL Sampling Data format : 16-bit linear encoding Sampling rates : 44.1 KHz (20 Hz~20 KHz audio band width) 22.05 KHz (20 Hz~10 KHz audio band width) Sampling time : 92.
Page 302 CD3000XL Operator’s Manual Function .... Transmitted Recognized Remarks Basic Default X O 1 Without disk Channel Changed X O 1-16 Memorized (disk) Default X Mode 3 Without disk Mode 1-4 Mem.
APPENDIX 5 CD3000XL OperatorÕs Manual Page 303 A ABOUT THIS MANUAL 5 APM 21 , 60 , 299 Assignable Program Modulation 21 , 60 AUDIO OUTPUTS 11 Autopan 74 C Compatibility, See DATA COMPATIBILITY Connec.
APPENDIX 5 Page 304 CD3000XL OperatorÕs Manual Loop time 140 EDIT SAMPLE cont. Loop tune 155 Loop type 154 Making a good loop 142 Looping 140 - 143 Mixing/layering samples 162 Naming 134 Pitch 154 Pr.
APPENDIX 5 CD3000XL OperatorÕs Manual Page 305 Features 249 Formatting disks 250 GLOBAL cont. Loading songs 278 MIDI Triggering 272 - 274 Naming songs 278 Naming takes 255 PLAYBACK 265 - 268 Fade In/.
APPENDIX 5 Page 306 CD3000XL OperatorÕs Manual MULTI cont. Setting up 47 Transposing parts 45 Tuning parts 45 MULTI EDIT See EDIT PROGRAM Multi-sampling 56 Multi-timbral setups 40 , 43 Muting effects.
APPENDIX 5 CD3000XL OperatorÕs Manual Page 307 T TAKES See GLOBAL-HARD DISK RECORDING TIMESTRETCH See EDIT SAMPLE TRIMMING SAMPLES See EDIT SAMPLE TUNING Keygroups 98 Loop 155 Multi part 45 Program 7.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Akai CD3000XL c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Akai CD3000XL - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Akai CD3000XL, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Akai CD3000XL va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Akai CD3000XL, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Akai CD3000XL.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Akai CD3000XL. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Akai CD3000XL ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
