Manuel d'utilisation / d'entretien du produit BR-600 du fabricant Boss Audio Systems
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■ Printing Conventions in This Manual • Text or numerals enclosed in square brackets [ ] indicate buttons. [PLAY] PLAY button [REC] REC button • Reference such as (p. **) indicate pages in this manual to which you can refer. Owner’s Manual 17041748 4SX Thank you, and congratulations on your choice of the BOSS BR-600 Digital Recorder.
This product complies with the requirements of European Directive 89/336/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
3 Re v0.10 013 • In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. .............................................................
4 Re v0.10 IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply: Use of Batteries 301 • Do not co.
5 IMPORTANT NOTES Re v0.10 556 • When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements. 558a • To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels.
6 Re v0.10 Contents IMPORTANT NOTES .............................. 4 Introduction to the BR-600 ................. 12 Features ........................................................... 12 Memory Cards Supported by Your BR-600 ....... 15 Formatting the memory card (CompactFlash) .
7 Re v0.10 Section 1 Recording and Playback ..... 53 Recording .......................................... 54 Creating Songs for Recording ...................... 54 About data types ......................................................... 54 Selecting the Recording Track .
8 Re v0.10 Section 3 Using Effects ........ 91 Using the Insert Effects ....................... 92 Effect Patches and Banks............................... 92 Editing Insert Effect Settings ........................ 93 Saving Insert Effects Settings (Write) .
9 Re v0.10 Fixing the Pitch of Vocals (Pitch Correction)............................. 123 The Pitch Correction .................................... 123 Makeup of the Pitch Correction ................. 123 Pitch Correction Patches .....................
10 Re v0.10 Creating Patterns by Tapping the Drum Pads (Realtime Recording) ............ 145 Rehearsing Recordings ................................ 146 Deleting Unneeded Drum Sounds ............ 147 Changing the Metronome Volume ............ 147 I nputting Sounds One by One While Confirming the Input Visually (Step Recording) .
11 Re v0.10 Section 6 Other Convenient Functions .. 189 Adjusting the Display Contrast ......... 190 Using a Foot Switch or Expression Pedal ............................ 191 When Using an Expression Pedal .............. 191 When Using a Foot Switch...
12 Re v0.10 Introduction to the BR-600 The BR-600 digital multitrack recorder has been designed to provide the intuitive feel of a conventional music recorder, making it simple to operate, even for beginners.
13 Introduction to the BR-600 Re v0.10 Versatile digital effects processors The BR-600 comes with five different types of effects processors. These systems, including recording effects (Insert effects.
14 Introduction to the BR-600 Re v0.10 Your BR-600 is equipped with the input jacks shown below. GUITAR/BASS : This high-impedance input jack allows you to directly connect your guitar or bass (accepts 1/4” phone plugs). MIC1 : This jack allow a mic to be connected.
15 Introduction to the BR-600 Re v0.10 The BR-600 uses CompactFlash cards as the storage media for recording and playback. The BR-600 uses 32 MB to 1 GB CompactFlash cards with a 3.3 V power supply. For more on supported memory cards (CompactFlash) for the BR-600, refer to “About Memory Cards” (separate sheet).
16 Re v0.10 Panel Descriptions fig.00-050 Input section GUITAR/BASS/MIC2 dial This dial adjusts the input sensitivity for the GUITAR/ BASS and MIC2 inputs. MIC1 dial This dial adjusts the sensitivity for MIC1 and the onboard stereo mic. PEAK indicator This indicator shows how strong the input level is at the various input jacks (e.
17 Panel Descriptions Re v0.10 INPUT SELECT buttons Use these buttons to select the input source (input jack) that you wish to record. The selected button will light. You can mute (silence) the input sound by pressing a button that is lit. “Selecting the Input” (p.
18 Panel Descriptions Re v0.10 [TUNER] Use this button to turn on and off the tuner. “Tuning an Instrument (Tuner)” (p. 192) [RHYTHM ON/OFF] This switches the Rhythm function on and off. [ARRANGE] This switches the Rhythm function to Arrange mode.
19 Panel Descriptions Re v0.10 REC/PLAY section AUTO PUNCH This button is used to make settings for the automatic punch in/out function. [ON/OFF] This turns the auto punch-in/out function on/off. When this is on, the button will light. “Specifying the area for auto punching in/out” (p.
20 Panel Descriptions Re v0.10 Track/Fader section TRACK MIXER fader 1–4, 5/6–7/8 For controlling the volumes of each track during playback. RHYTHM fader Adjusts the volume of the Rhythm. “Playing Arrangements” (p. 41) “Playing Patterns” (p.
21 Panel Descriptions Re v0.10 Display fig.00-051 Information about items for which settings are available in volume level and menu screens, parameter settings screens, and other screens are displayed here. If the screen is difficult to view, see “Adjusting the Display Contrast” (p.
22 Panel Descriptions Re v0.10 1. MIC2 jack (TRS 1/4” phone type) These jack allows a mic to be connected (p. 34). * If the connection has been made to the GUITAR/BASS and the MIC2 jacks, the MIC2 jack is given priority. * Connecting a mic to MIC2 switches off the onboard stereo mic.
23 Panel Descriptions Re v0.10 fig.00-090 1. GUITAR / BASS jack High-impedance input jack to directly connect your guitar or bass.(p. 34) 2. MIC1 L / R (onboard stereo microphone L / R) This microphone can be used for recording with the BR-600. “Selecting the Input” (p.
24 Panel Descriptions Re v0.10 1 Make sure that the power of the BR-600 is turned off. 2 Turn over the BR-600. 3 Slide the battery cover in the direction indicated by the arrow and remove. 4 Being careful not to reverse the polarity (+/-), insert six AA dry-cell batteries into the battery compartment.
25 Panel Descriptions Re v0.10 The Play screen is the most fundamental screen of the BR- 600, and is the first screen that appears when the BR-600 is turned on (see below). fig.00-242 Unless special note is made otherwise, the screen content referred to in the procedures described in this manual is that of the Play screen.
MEMO Re v0.10 26.
27 Quick Start Quick Start.
28 Re v0.10 Connecting Peripheral Devices Make connections as shown in the diagram below. When making any connections, make sure that all devices are turned off. fig.00-110 F ront P anel Rear P anel CD Play er etc. Foot Switch (FS-5U etc.) Electric Guitar or Electric Bass Audio Set etc.
29 Connecting Peripheral Devices Re v0.10 Quick Start The bottom of the BR-600 features a groove (cord hook) for securing the AC adaptor (PSA series) cord.
30 Connecting Peripheral Devices Re v0.10 If your mic cable has an XLR connector, you can connect the mic using the converter cable included with the BR-600. The following describes how to connect the mic using this cable. fig.00-111 Insert the memory card (CompactFlash) with the card label facing upward.
Re v0.10 31 Quick Start Turning On / Off the BR-600 Be sure to use the following steps to turn on the power. Making a mistake in this procedure may result in malfunction or cause damage to your speakers. 1 Before you turn the power on, make sure of the following points.
32 Re v0.10 Listening to a Demo Song Upon power-up, the song that was selected before the power was turned off is selected, and the data of that song is loaded. As soon as the data has been loaded, the Play screen appears in the display. fig.00-170 1 Confirm that [PAD] is not lit, then press [UTILITY].
Re v0.10 33 Quick Start Moving the current position You can use the following method to move the current position. The song fast forwards as long as the [FF] is held down, and rewinds (reverses) while the [REW] button is held down. To move to the time where the first sound of a song is recorded, press and hold [STOP] and press [REW].
34 Re v0.10 Connecting Instruments Your BR-600 is equipped with a number of input jacks to match the type of instrument that you will connect. Select an instrument appropriate for your purposes. fig.00-280 GUITAR/BASS : An electric guitar or bass can be connected to this jack.
Re v0.10 35 Quick Start Preparing Songs For Recording When the memory card contains more than one song, the song that was recorded last is automatically selected. To record a new song, follow the procedure given below. fig.00-250 1 Confirm that [PAD] is not lit, then press [UTILITY].
36 Re v0.10 Selecting the Input Select the input source to record. The selected button will light. fig.00-290 [GUITAR] Select to record the instrument connected to the GUITAR/ BASS jack or the MIC 2 jack. [MIC] Select to record the signal from a microphone connected to the MIC1 jack and the MIC2 jack or from the onboard stereo microphone.
37 Selecting the Input Re v0.10 Quick Start Adjust the volume of the input source for recording. 1 Lower the MASTER fader. 2 Turn the REC LEVEL dial to its center position and then slowly increase the MASTER fader. fig.00-330 3 Adjust the recording level with the REC LEVEL dial.
38 Re v0.10 Using Insert Effects The BR-600 comes with five onboard effects processors: an insert effect, loop effects, track EQ, pitch correction and mastering tool kit. Below is an explanation of the operations related to the insert effects. 1 Confirm that [PAD] is not lit, then press [EFFECTS] to display the currently selected effect patch.
39 Using Insert Effects Re v0.10 Quick Start 2 Press CURSOR [ ] [ ] to align the cursor up with the effect patch, and turn the TIME/VALUE dial to change the effect patch. Preset patches (P) The preset patches contain preset data. Their settings can be changed, but you cannot create a new preset patch.
40 Re v0.10 Using the Rhythm The “Rhythm” is a dedicated Rhythm track that can not only play back Rhythm sounds as a guide during recording, you can also use it to play internal Rhythm patterns and original user-created Rhythm patterns and to play and record these patterns as your own Rhythm part performances.
41 Using the Rhythm Re v0.10 Quick Start 1 Confirm that [PAD] is not lit, then press [ARRANGE] so that the button lights up (indicating the BR-600 is in Arrangement mode). [RHYTHM ON/OFF] simultaneously lights, confirm that the rhythms are enabled. 2 Press [PLAY].
42 Using the Rhythm Re v0.10 1 Confirm that [PAD] is not lit, then press [ARRANGE] so that the button lights up. fig.00-400 [RHYTHM ON/OFF] simultaneously lights, confirm that the rhythms are enabled. 2 Select an arrangement. Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the Preset/Song and number.
43 Using the Rhythm Re v0.10 Quick Start You can temporarily change the tempo of the arrangement or pattern being played by carrying out the following procedure while the Play screen is displayed. 1 Use [CURSOR] and align the cursor up with “TEMPO” in the display.
44 Re v0.10 Recording 1 Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. fig.00-480 The status of each track can be determined from the indicator on the button. Off : No recorded data exists on the track.
45 Recording Re v0.10 Quick Start Recording on the BR-600 is separated into three main modes. Use whichever mode is suitable in the course of bringing your song to completion. fig.00-520 INPUT : Only the instrument sounds or other input sources are recorded to the tracks.
46 Recording Re v0.10 fig.00-530 1 Press [REC MODE] repeatedly until INPUT is indicated for REC MODE at the left of the screen. The BR-600 will now enter Input mode. fig.00-540 2 Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state.
Re v0.10 47 Quick Start Playing Back Recorded Music fig.00-561 1 Press [ZERO] to move to the time location 00:00:00- 00.0. 2 Press [PLAY]. [PLAY] lights in green, and playback begins. Use the TRACK faders to adjust the volume separately for each track.
48 Re v0.10 Recording an additional performance while listening to an existing performance Overdubbing The tracks for which the REC TRACK button is lit in green (or alternately in orange and green) are tracks that already have data recorded on them.
Re v0.10 49 Quick Start Putting multiple tracks together (Bounce) You can adjust the tone, panning, and volume balance for each track individually. 1 Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX]. fig.00-590 2 Press CURSOR [ ] [ ] to move the cursor to “PAN,” and press [ENTER].
50 Putting multiple tracks together (Bounce) Re v0.10 “Track EQ” is an independent two-band equalizer featured on each track that allows you to adjust the high- and low- frequency tonal qualities separately. These are just like the tone control on a stereo.
51 Putting multiple tracks together (Bounce) Re v0.10 Quick Start 3 Press CURSOR [ ] [ ] until “FX Type” or “Type” is displayed, then turn the TIME/VALUE dial to select the loop effect. When using CHO/DLY Select from “CHORUS,” “DELAY,” or “DBLN” (doubling).
52 Putting multiple tracks together (Bounce) Re v0.10 fig.00-720 1 Press [REC MODE] repeatedly until “BOUNCE” is indicated for REC MODE at the left of the screen.
53 Section 1 Recording and Playback Section 1 Recording and Playback.
54 Re v0.10 Recording fig.00-250 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR [ ] [ ] to move the cursor to “NEW,” and press [ENTER]. “Type” appears in the display. fig.00-260 3 Rotate the TIME/VALUE dial to select the data type.
55 Recording Re v0.10 Section 1 1 Press either [1]–[7/8] at REC TRACK to select the recording track. If the button flashes in red, that track is ready for recording. fig.00-480 The status of each track can be determined from the indicator on the button.
56 Recording Re v0.10 The BR-600 is a eight-track multitrack recorder, and each track consists of eight V-Tracks. You can select any one of these V-Tracks for recording or playback. This allows a wide range of uses, such as recording one take of a guitar solo or vocal, and then recording another take without having to erase the first one.
57 Recording Re v0.10 Section 1 1 Press [REC MODE] repeatedly until INPUT indicator lights up. fig.00-540 2 Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state. fig.00-550 3 Press [PLAY]. [PLAY] lights in green, the [REC] and REC TRACK buttons now light solidly instead of flashing in red, and recording begins.
58 Re v0.10 Repeating Playback (Repeat) By using the “Repeat function” you can repeatedly play back a specified part. Repeating playback allows you to check the mixing balance or perform loop recordings (p. 63) with the punch in/out functions. Playback repeats in the portion set with Repeat as shown below.
59 Repeating Playback (Repeat) Re v0.10 Section 1 Normally, the repeat start and end points are registered at the exact position where [REPEAT] is pressed.
60 Re v0.10 Re-recording Only a Mistake (Punch-in/out) You may occasionally make a mistake while recording, or the performance may not turn out as you expect.
61 Re-recording Only a Mistake (Punch-in/out) Re v0.10 Section 1 It can be difficult sometimes to punch in and out with the [REC] button when both playing an instrument and recording by yourself.
62 Re-recording Only a Mistake (Punch-in/out) Re v0.10 • To erase an auto punch-in location, press and hold AUTO PUNCH [ON/OFF] and then press [IN]. • To erase an auto punch-out location, press and hold AUTO PUNCH [ON/OFF] and then press [OUT]. When the settings are erased, the AUTO PUNCH [ON/OFF], [IN], and [OUT] go out.
63 Re-recording Only a Mistake (Punch-in/out) Re v0.10 Section 1 The repeat function (p. 58) allows you to play a certain portion of a song (the loop portion) over and over again. If you used auto punch in/out together with the repeat function, the portion will be repeated so the result of the recording can be heard right away.
64 Re v0.10 Canceling an Operation (Undo/Redo) Occasionally when the recording you make may not turn out as you wish, or the settings you make for an editing operation are incorrect, and you want to reverse what you have done. At these times, you can use the “Undo function.
Re v0.10 65 Section 1 Putting Multiple Tracks Together (Bounce) Although the BR-600 allows the simultaneous playback of eight tracks, when you run out of tracks, the BR-600 also lets you copy the recordings of multiple tracks together onto one track (V-Track).
66 Putting Multiple Tracks Together (Bounce) Re v0.10 5 If you want to mix in the sound of the Rhythm as well, increase the Rhythm fader. If you do not want to record the Rhythm, lower the fader. 6 Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the recording-destination track/V-Track.
Re v0.10 67 Section 1 L oading Songs Created with the BR-900CD/BR-864/BR-532 You can load songs created with the BR-900CD, BR-864, or BR-532 into the BR-600 via memory cards. First, save the song data created with the BR-900CD or BR- 864 to a memory card, then insert the memory card into the BR-600.
68 Loading Songs Created with the BR-900CD/BR-864/BR-532 Re v0.10 When copying song data created with the BR-532 from SmartMedia to a BR-600 memory card, you can load the data as a BR-600 song. Fist, insert the memory card containing the copy of the desired data into the BR-600.
Re v0.10 69 Section 1 Displaying the Song Information Follow the procedure below to either display the elapsed recording time in the recording standby and recording screens. 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR [ ] [ ] to move the cursor to “SYS,” and press [ENTER].
MEMO Re v0.10 70.
71 Section 2 Editing Section 2 Editing.
72 Re v0.10 Registering Time (Locator) Using the locator function, you can register any desired time in a song as a “locator point” so that you can jump to that point later with just the press of a button. This function is quite useful during editing.
Re v0.10 73 Section 2 Search for the Music’s Start and End (Scrub/Preview) Scrub function When editing a sound, some times you need to know exactly where the sound starts, or exactly where the recording with an auto punch in starts. To enable you to find these points accurately, the BR-600 is equipped with the Scrub function.
74 Search for the Music’s Start and End (Scrub/Preview) Re v0.10 Besides switching the scrub point in the Play screen (p. 73), you can also use the following method to switch the scrub point. 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR [ ] [ ] to move the cursor to “SCR,” and press [ENTER].
Re v0.10 75 Section 2 Editing the Performance on a Track (Track Edit) The BR-600 allows you to edit your songs by performing editing functions such as copying and moving data recorded on the tracks. Track Copy allows you to copy a specific part of data and then place it in a different location.
76 Editing the Performance on a Track (Track Edit) Re v0.10 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR [ ] [ ] to move the cursor to “TRK,” and press [ENTER]. fig.02-180 3 Press CURSOR [ ] [ ] to move the cursor to “CPY,” and press [ENTER].
77 Editing the Performance on a Track (Track Edit) Re v0.10 Section 2 Perform the procedure given below to copy the portion from the repeat start (A) to the repeat end (B). Ex. 1 : Copying twice to the same track fig.02-090 Ex. 2 : Copying twice to another track fig.
78 Editing the Performance on a Track (Track Edit) Re v0.10 8 Press [ENTER]. fig.02-150 9 Turn the TIME/VALUE dial to select the number of copies you want to be placed. 10 When you are ready to execute the copy, press [ENTER]. The display will ask “Are you sure?,” so that you can confirm the operation.
79 Editing the Performance on a Track (Track Edit) Re v0.10 Section 2 Track Move allows you to move a specific portion of data to a different location. Perform the procedure given below to move the portion between specific times. Ex. 1 : Moving to the same track fig.
80 Editing the Performance on a Track (Track Edit) Re v0.10 10 Press [ENTER]. fig.02-410 11 Use [CURSOR] and the TIME/VALUE dial to specify the time of the beginning of the location “T” (To) where you want the data moved. 12 When you are ready to execute the move, press [ENTER].
81 Editing the Performance on a Track (Track Edit) Re v0.10 Section 2 4 Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-320 5 Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to move from, and track/V- Track to move to.
82 Editing the Performance on a Track (Track Edit) Re v0.10 6 Press [ENTER]. fig.02-450 7 Use [CURSOR] and the TIME/VALUE dial to specify the time of the beginning of the location “T” (To) where you want the data to be moved. 8 When you are ready to execute the move, press [ENTER].
83 Editing the Performance on a Track (Track Edit) Re v0.10 Section 2 3 Press CURSOR [ ] [ ] to move the cursor to “ERS,” and press [ENTER]. fig.02-520 4 Turn the TIME/VALUE dial to select “TME/MES” and press [ENTER]. fig.02-530 5 Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to erase from.
84 Editing the Performance on a Track (Track Edit) Re v0.10 3 Press CURSOR [ ] [ ] to move the cursor to “ERS,” and press [ENTER]. fig.02-480 4 Turn the TIME/VALUE dial to select “AB” and press [ENTER]. fig.02-490 5 Use CURSOR [ ] [ ] and the TIME/VALUE dial to select the track/V-Track to erase from.
85 Editing the Performance on a Track (Track Edit) Re v0.10 Section 2 Perform the procedure given below to exchange the data between two tracks. Ex. : exchanging all the data on track 1 with all the data on track 2 fig.02-590 1 Confirm that [PAD] is not lit, then press [UTILITY].
86 Re v0.10 Organizing the Songs You’ve Recorded Follow the procedure below to copy the currently selected song. 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR [ ] [ ] to move the cursor to “EDT,” and press [ENTER]. fig.02-620 3 Press CURSOR [ ] [ ] to move the cursor to “CPY,” and press [ENTER].
87 Organizing the Songs You’ve Recorded Re v0.10 Section 2 When you perform overdubbing or punch-in/out, the data that you rewrite (replace) actually remains on the memory card. In some cases, this unwanted data may occupy a significant amount of space on the memory card.
88 Organizing the Songs You’ve Recorded Re v0.10 When a new song is created, it is automatically given a name such as “SONG 0001.” With your 600, you can use “Song Name” to give each song a name, which helps you manage and organize your songs.
89 Organizing the Songs You’ve Recorded Re v0.10 Section 2 3 Press CURSOR [ ] [ ] to move the cursor to “PRT,” and press [ENTER]. The Song Protect screen appears in the display. fig.02-710 4 Rotate TIME/VALUE dial to select the “ON.” 5 Press [UTILITY] (or press [EXIT] repeatedly) to return to the Play screen.
90 Re v0.10 Creating a Master Tape/ Disc This process involves recording the finished song to your recorder (cassette tape recorder, CD recorder, etc.) and making a master tape or a master disc. 1 Connect the BR-600 LINE OUT jacks to the cassette tape recorder's input jacks.
91 Section 3 Using Effects Section 3 Using Effects.
92 Re v0.10 Using the Insert Effects The BR-600 comes with five effects processors: an insert effects, loop effects, Track EQ, Pitch Correction, and Mastering Tool Kit. An insert effects, loop effects, and Track EQ can be used simultaneously, and you can make settings for each effect as desired.
93 Using the Insert Effects Re v0.10 Section 3 If you wish to create a new effect sound, you should first select an existing patch that is closest to the sound you want, and then edit its settings. If you wish to save the effect settings that you edited, save them as a user patch or song patch.
94 Using the Insert Effects Re v0.10 Follow the procedure below to enter a name (patch name) for an effect that you’ve modified, and save it as a new effect patch. * If you do not need to change the patch name, go to Step 4 after entering the Effect screen.
95 Using the Insert Effects Re v0.10 Section 3 By default, the insert effect is inserted immediately after the input source. The reason for this is to allow for the effects- processed (wet) sound to be recorded and monitored. However, sometimes you want to change the connection order.
96 Re v0.10 Insert Effect Parameter Functions The algorithms (the available effects and their connection order) that can be used as an insert effect are shown below.
97 Insert Effect Parameter Functions Re v0.10 Section 3 Simulates the sound of a bass guitar. Obtain the sound of a bass guitar while playing an electric guitar.
98 Insert Effect Parameter Functions Re v0.10 This is a multi-effect designed for bass guitar. This features an amp sound that uses a preamp and speaker simulator.
99 Insert Effect Parameter Functions Re v0.10 Section 3 This is a multi-effect designed for vocals. The COSM compressor/limiter is perfect for creating a basic sound. fig.03-270 COSM Comp/Limiter De-esser Enhancer 4Band Equalizer Noise Suppressor Foot Volume Delay This algorithm connects seven types of effect, all in full stereo.
100 Insert Effect Parameter Functions Re v0.10 This algorithm is for use when simultaneously recording a vocal and electric guitar. For the guitar, you can produce an amp sound using a preamp and speaker simulator.
101 Insert Effect Parameter Functions Re v0.10 Section 3 This simulates the sound of an acoustic guitar. It allows you to use an electric guitar to produce sounds similar to those of an acoustic guitar. * If you set the pickup selector of your guitar to the front position, the desired effect will be easier to achieve.
102 Insert Effect Parameter Functions Re v0.10 A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader. Best results will be achieved when stereo recording. * This effect can be used when the MODULATION “Type” parameter is set to “CHORUS.
103 Insert Effect Parameter Functions Re v0.10 Section 3 Attack Time (with VtgRack) 0 – 100 This adjusts the amount of time it takes for the compression ratio set in Ratio to be reached once compression begins, as the input level exceeds the set threshold level.
104 Insert Effect Parameter Functions Re v0.10 By adding sounds which are out-of-phase with the direct sound, this effect enhances the definition of the sound, and pushes it to the forefront. On/Off OFF, ON This parameter turns the enhancer effect on/off.
105 Insert Effect Parameter Functions Re v0.10 Section 3 Produces a lo-fi sound. On/Off OFF, ON This parameter turns the lo-fi box effect on/off. Type Select the mode of the lo-fi box.
106 Insert Effect Parameter Functions Re v0.10 This effect reduces the noise and hum. Since it suppresses the noise in synchronization with the envelope of the sound (the way in which the sound decays over time), it has very little effect on the sound, and does not harm the natural character of the sound.
107 Insert Effect Parameter Functions Re v0.10 Section 3 Adjust the distortion and tone of the guitar sound. * When all Bass, Middle and Treble are set to “0,” no sound may be produced depending on the “Type” setting. On/Off OFF, ON Turns the preamp effect on/off.
108 Insert Effect Parameter Functions Re v0.10 This creates a bell-like sound by ring-modulating the guitar sound with the signal from the internal oscillator. The sound will be unmusical and lack distinctive pitches. On/Off OFF, ON This parameter turns the ring modulator effect on/off.
109 Insert Effect Parameter Functions Re v0.10 Section 3 Tremolo is an effect that creates a cyclic change in volume. Pan cyclically moves the stereo position between left and right (when stereo output is used). * This effect can be used when the MODULATION “Type” parameter is set to “TRM/PAN.
110 Insert Effect Parameter Functions Re v0.10 The wah effect creates a unique tone by changing the frequency response characteristics of a filter. Touch wah creates an automatic wah by changing the filter in response to the volume of the input. Pedal wah lets you use an Expression pedal or the like to obtain real-time control of the wah effect.
Re v0.10 111 Section 3 Mastering Use the “Mastering Tool Kit” to produce a two-track master of the bounce tracks with the levels optimized. * Mastering can be performed only on Tracks 7 and 8. Record any song you want to master to Tracks 7 and 8 before you begin the mastering process.
112 Mastering Re v0.10 5 Select the Mastering Tool Kit. Use the TIME/VALUE dial to select the Preset/Song/ User patch and number for the Mastering Tool Kit. “Mastering Tool Kit Patch List” (p. 207) 6 Press [EXIT] to return to the Play screen. The overall volume is adjusted by the MASTER fader.
113 Mastering Re v0.10 Section 3 To create a new patch, select the patch that most closely resembles the sound you have in mind from the effects patches already stored in the unit, then edit its settings. If you wish to save the effect settings that you edited, save them as a user patch or song patch.
114 Mastering Re v0.10 This assigns a name (patch name) to the edited patch settings and saves the settings. * If you do not need to change the patch name, go to Step 4 after entering the Mastering Tool Kit selection screen. 1 At the Mastering Tool Kit selection screen, press CURSOR [ ] to move the cursor to “NAME,” and press [ENTER].
Re v0.10 115 Section 3 Mastering Tool Kit Parameter Functions The Mastering Tool Kit's algorithms are composed from the following effects. Equalizer Bass Cut Filter Enhancer Input Expander Compressor Mixer Limiter Output On/Off OFF, ON This parameter turns the equalizer effect on/off.
116 Mastering Tool Kit Parameter Functions Re v0.10 This is a filter that cuts unwanted low range noise, such as pops. On/Off OFF, ON This setting turns the Bass Cut Filter on/off. Freq 20 Hz – 2.0 kHz This sets the frequency containing popping or other undesirable lower-range noises that you want to cut.
117 Mastering Tool Kit Parameter Functions Re v0.10 Section 3 This compresses the overall output signal when the input volume level exceeds a set value. On/Off OFF, ON This parameter turns the compressor effect on/off. Lo Thres -24 – 0 dB This sets the volume level at which the lower-range compressor goes into effect.
118 Re v0.10 Using the Loop Effects Here is an explanation of how to change the various parameters for the loop effects (chorus/delay/doubling/ reverb). For an explanation of loop effects, refer to “Loop Effect Parameter Functions” (p. 120). 1 Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
119 Using the Loop Effects Re v0.10 Section 3 The following explains how you can alter the volume of the signals sent by each track to the loop effects (the send level), and control the degree to which the loop effects are applied. 1 Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
120 Re v0.10 Loop Effect Parameter Functions This selects the chorus, delay, or doubling effect. FX Type This sets the type of the effect. CHORUS : A sound with a subtly shifted pitch is added to the direct sound, making the final output sound thicker and broader.
Re v0.10 121 Section 3 Using the Track EQ This section explains how to edit the Track EQ settings (parameters). For a fuller description of Track EQ, refer to “Track EQ Parameter Functions” (p. 122). 1 Confirm that [PAD] is not lit, then press [PAN/EQ/ LOOP FX].
122 Re v0.10 Track EQ Parameter Functions This is a two-band equalizer that is independent for each track. On/Off OFF, ON This parameter turns the equalizer effect on/off. LoG -12 – +12 dB This sets the gain (-12 to +12 dB) for the low-range equalizer (shelving type).
Re v0.10 123 Section 3 Fixing the Pitch of Vocals (Pitch Correction) The term Pitch Correction is used to describe a group of effects that are used on recorded vocal tracks to fix incorrect pitches. When compared with guitars, pianos, and other musical instruments, the human voice generally produces a relatively unstable tone.
124 Fixing the Pitch of Vocals (Pitch Correction) Re v0.10 Let’s now use the BR-600’s pitch correction feature to clean up some mistakes in a solo vocal part. Using this feature, we will be able to correct pitches in real time and in semitone units.
125 Fixing the Pitch of Vocals (Pitch Correction) Re v0.10 Section 3 13 Press [PLAY]. Both [PLAY] and [REC] will light up and recording will start. The solo part will be played and any incorrect pitches will be fixed. At the same time, the corrected part will be recorded on the selected track.
126 Fixing the Pitch of Vocals (Pitch Correction) Re v0.10 Each of the preset patches 1–5 uses a slightly different method for correcting pitches. Normally, it will be sufficient to select the patch.
127 Fixing the Pitch of Vocals (Pitch Correction) Re v0.10 Section 3 Modified Pitch Correction settings are saved by writing them together under a new patch name. * If you do not need to change the patch name, go to Step 4 after entering the Pitch Correction patch selection screen.
128 Fixing the Pitch of Vocals (Pitch Correction) Re v0.10 In the procedures described thus far, what has been explained is how to correct the overall pitch for the entire song, from start to finish, in semitone increments.
129 Fixing the Pitch of Vocals (Pitch Correction) Re v0.10 Section 3 6 Use [CURSOR] to move the cursor to “Smth” and specify the correction speed. Smth (Smooth) -100 – +100 The value set here is added to the value for the “Smooth” patch parameter (p.
MEMO Re v0.10 130.
131 Section 4 Using The Rhythm Section 4 Using The Rhythm.
132 Re v0.10 About Rhythms With the BR-600, you can use the panel buttons (drum pads) to play the drum sounds any way you like. The BR-600 features nine pre-programmed collections of drum sounds designed for use in different musical genres (drum kits); select the drum kit suited to the type of music you are playing.
133 About Rhythms Re v0.10 Section 4 The BR-600’s rhythms are composed of performance data of two main types called “patterns” and “arrangements.” When bands and other groups play, the drums usually repeat a predetermined pattern lasting about one or two measures.
134 About Rhythms Re v0.10 Although you can play a pattern by itself as a guide for practice, like a metronome, the rhythm in that case continues from the start of the song to the end without changing.
Re v0.10 135 Section 4 Playing the Drum Sounds Now try playing the drum sounds using free hand movements to play the pads. 1 With the Play screen active, press [PAD] so that the button lights. You do not need to press [PAD] if the indicator is already lit.
Re v0.10 136 Changing the Drum Sound (Drum Kits) Selecting Drum Kits A drum kit consists of a collection of various rhythm instrument sounds organized as one set. The BR-600 is programmed with nine internal “preset drum kits.” Also included are five original “song drum kits.
137 Changing the Drum Sound (Drum Kits) Re v0.10 Section 4 3 Press CURSOR [ ] [ ] to move the cursor to “KIT,” and press [ENTER]. When using pattern mode When using arrangement mode fig.04-060 4 Use CURSOR [ ] [ ] and the TIME/VALUE dial to select drum kits by switching the preset/song and number.
Changing the Drum Sound (Drum Kits) Re v0.10 138 Creating Original Drum Kits (Tone Load) With the BR-600, you can create original drum kits not only with the internal drum sounds, but by loading drum sounds from external sources as well (Tone Load). There are three ways to load drum tones.
139 Changing the Drum Sound (Drum Kits) Re v0.10 Section 4 5 Use CURSOR [ ] [ ] and the TIME/VALUE dial to specify the range (start and end points) of drum sounds to be loaded in terms of measures or time locations. Start Point (“S”) Specify the measure or location to be used as the start point for loading the drum sounds.
140 Changing the Drum Sound (Drum Kits) Re v0.10 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR[ ][ ]to move the cursor to “TONE,” and press [ENTER]. fig.04-150 3 Press CURSOR [ ] [ ] to move the cursor to “COPY,” and press [ENTER].
141 Changing the Drum Sound (Drum Kits) Re v0.10 Section 4 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR [ ] [ ] to move the cursor to “TONE,” and press [ENTER]. 3 Press CURSOR [ ] [ ] to move the cursor to “ERASE,” and press [ENTER].
142 Re v0.10 Playing Rhythm Patterns Now try selecting a pattern you like from the internal rhythm patterns and then have that pattern play back repeatedly. 1 Confirm that [PAD] is not lit, then press [PATTERN] so that the button lights. The BR-600 switches to Pattern mode, enabling patterns to be played.
Re v0.10 143 Section 4 Playing Rhythm Arrangements Now try selecting an arrangement you like from the internal arrangements and then have that arrangement play back . 1 Confirm that [PAD] is not lit, then press [ARRANGE] so that the button lights. The BR-600 switches to Arrangement mode, enabling arrangements to be played.
144 Re v0.10 Creating Original Patterns With the BR-600 you can create your own original patterns and then save these as song patterns. This is convenient when, for example, you cannot find just the pattern you want from the preset patterns. There are three ways to create patterns.
Re v0.10 Creating Original Patterns 145 Section 4 Creating Patterns by Tapping the Drum Pads (Realtime Recording) 1 Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. 2 Press [RHYTHM EDIT]. [PAD] lights up, indicating that the drum pads are enabled for use.
146 Creating Original Patterns Re v0.10 6 Press CURSOR [ ] [ ] to select “REC,” and press [ENTER]. A one-measure count-in is played, and then Realtime Recording starts. * You can also start Realtime Recording by pressing the [REC] button. 7 Input the drum sounds by tapping the drum pads at the desired timing.
147 Creating Original Patterns Re v0.10 Section 4 During Realtime Recording, you can delete any drum sounds you do not need by holding down [DELETE/ MUTE] and pressing the drum pad for the drum sound you want to delete. 1 Hold down [DELETE/MUTE] and press the drum pad for the drum sound you want to delete.
Creating Original Patterns Re v0.10 148 Inputting Sounds One by One While Confirming the Input Visually (Step Recording) When inputting patterns, you can add drum sounds one at a time and confirm the input visually in the display. This is convenient for inputting patterns that are difficult to perform using the drum pads.
149 Creating Original Patterns Re v0.10 Section 4 6 Press CURSOR [ ] [ ] to select “REC,” and press [ENTER]. Recording begins. * You can also start recording by pressing [REC]. 7 Use CURSOR [ ] to move the cursor to the position where the drum sound currently enabled for input is displayed.
150 Creating Original Patterns Re v0.10 11 If you mistakenly input the wrong drum sound, delete that sound. You can use the following procedure to delete drum sounds. Move the cursor to the position of the drum sound you want to delete, then carry out the following.
Re v0.10 151 Section 4 Naming Patterns Song patterns can be given a name (pattern name) that consists of up to eight characters. 1 Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. 2 Press [RHYTHM EDIT]. The Pattern Edit screen appears in the display.
152 Re v0.10 Copying Patterns When you want to change a preset pattern slightly to create a desired pattern, you can copy the preset pattern to a song pattern, after which you have complete freedom to change the performance data. 1 Confirm that [PAD] is not lit, then press [PATTERN].
Re v0.10 153 Section 4 Erasing Patterns 1 Confirm that [PAD] is not lit, then press [PATTERN]. [PATTERN] and [RHYTHM ON/OFF] light. 2 Press [RHYTHM EDIT]. The Pattern Edit screen appears in the display. 3 Press CURSOR [ ] [ ] to move the cursor to “ERASE,” and press [ENTER].
154 Re v0.10 Creating Original Arrangements With the BR-600, you can arrange patterns in whatever sequence you like, giving you freedom to compose songs, from intro to ending, the way you want. You can then save these arranged patterns as song arrangements.
155 Creating Original Arrangements Re v0.10 Section 4 6 Press CURSOR [ ] [ ] to move the cursor to the parameter you want to change, then turn the TIME/ VALUE dial to change the setting’s value. You can press [PLAY] to play the sound of the pattern in the currently selected step.
156 Creating Original Arrangements Re v0.10 Perform the procedure below to insert a new step at the current step. fig.04-550 1 Confirm that [PAD] is not lit, then press [ARRANGE] so that the button lights. [ARRANGE] and [RHYTHM ON/OFF] light. 2 Press [RHYTHM EDIT].
Re v0.10 157 Section 4 Naming Arrangements Song arrangements can be given a name (arrangement name) of your choice that consists of up to eight characters. 1 Confirm that [PAD] is not lit, then press [ARRANGE]. [ARRANGE] and [RHYTHM ON/OFF] light. 2 Press [RHYTHM EDIT].
158 Re v0.10 Copying Arrangements When you want to change a preset arrangement slightly to create a desired arrangement or create a variation of a source arrangement, you can copy the preset arrangement as a song arrangement, after which you can change it freely.
Re v0.10 159 Section 4 Erasing Arrangements This erases Step 2 and all subsequent steps in the currently selected song arrangement. Step 1 cannot be erased, but instead remains with the step set to “Metro” (Metronome). 1 Confirm that [PAD] is not lit, then press [ARRANGE].
MEMO Re v0.10 160.
161 Section 5 Using USB Section5 Using USB.
162 Re v0.10 Before Using USB (Overview) The BR-600 is equipped with a USB port for connecting the BR-600 directly to computers, allowing you to carry out the following operations.
163 Before Using USB (Overview) Re v0.10 Section 5 USB Folder WAV and AIFF files loaded to the BR-600’s tracks, and WAV and AIFF files saved on computers (track data converted to WAV and AIFF format) will be saved here (p. 167, p. 170, p. 180, p. 182).
164 Re v0.10 With Windows When a memory card is full or when you want to save important data to a computer, you can carry out a backup. We recommend making frequent backups to minimize the risk of losing data if a memory card becomes damaged. 1 Connect your computer and the BR-600 with a USB cable.
165 With Windows Re v0.10 Section 5 With Windows 2000/Me 1) In My Computer, right-click on the “BOSS_BR- 600” icon (or “Removable disk (*:)” icon) to “Eject” the disk. 2) Click the icon in the task tray, then click the “Stop USB Disk–drive (*:)” message displayed there.
166 With Windows Re v0.10 5 When restoring data backed up on a computer to the BR-600, drag the “ROLAND” folder to the “BOSS_BR-600” icon (or the “Removable disk (*:)” icon) and drop it there (overwriting it). fig.05-070 When you have finished recovering the data, the Idling screen returns to the display.
167 With Windows Re v0.10 Section 5 You can convert the BR-600’s track data into WAV or AIFF files and save these on your computer. After converting your mastered tracks to WAV or AIFF files, you can easily use your computer to create audio CDs with the data, as well as load the data into audio applications.
168 With Windows Re v0.10 8 Export the WAV or AIFF file to the computer. 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon. 2) Drag the WAV or AIFF file in the “USB” folder in the “ROLAND” folder to the computer’s folder and drop it in the folder.
169 With Windows Re v0.10 Section 5 When exporting WAV or AIFF files, a memory card needs to have the following amounts of storage space remaining: When exporting in “mono” : approximately 5.1 MB per track per minute When exporting in “stereo” : approximately 10.
170 With Windows Re v0.10 You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-600’s tracks. 1 Connect your computer and the BR-600 with a USB cable. 2 Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
171 With Windows Re v0.10 Section 5 7 Copy the WAV or AIFF files you want to import. 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon. 2) Drag the imported WAV or AIFF file to the “USB” folder in the “ROLAND” folder. * Only one file can be imported at a time in each import operation.
172 With Windows Re v0.10 You can import SMFs (Standard MIDI Files) stored on memory cards as song patterns. You can easily increase your collection of song patterns by creating SMFs on your computer or other device and copying them to memory cards. 1 Connect your computer and the BR-600 with a USB cable.
173 With Windows Re v0.10 Section 5 7 Press [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear. In this case, pressing [ENTER] and then [EXIT] returns the Play screen to the display.
174 With Windows Re v0.10 You can import WAV and AIFF files on your computer and load these as drum sounds (TONE LOAD). 1 Connect your computer and the BR-600 with a USB cable. 2 Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
175 With Windows Re v0.10 Section 5 6 Quit the connection to the computer. With Windows XP In My Computer, right-click on the “BOSS_BR-600” icon (or “Removable disk (*:)” icon) to “Eject” the disk. * If this procedure fails to eject the disk, use the procedure below.
176 With Windows Re v0.10 11 Use the TIME/VALUE dial to select the WAV or AIFF file you want to load as the drum sound, then press [ENTER]. 12 Turn the TIME/VALUE dial to specify the load- destination song drum kit.
177 With Windows Re v0.10 Section 5 6 Delete the BR-600 “ROLAND” folder. 1) Click the “BOSS_BR-600” (or “Removable disk (*:)”) icon, and delete the “ROLAND” folder. 7 Drag the previously backed up BR-900CD / BR-864 / BR-532 “ROLAND” folder to the “BOSS_BR-600” (or “Removable disk (*:)”) icon and drop it there.
178 Re v0.10 With Macintosh When a memory card is full or when you want to save important data to a computer, you can carry out a backup. We recommend making frequent backups to minimize the risk of losing data if a memory card becomes damaged. 1 Connect your computer and the BR-600 with a USB cable.
179 With Macintosh Re v0.10 Section 5 1 Connect your computer and the BR-600 with a USB cable. 2 Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY]. 3 Press CURSOR [ ] [ ] to move the cursor to “USB,” and press [ENTER]. The USB screen appears in the display.
180 With Macintosh Re v0.10 You can convert the BR-600’s track data into WAV or AIFF files and save these on your computer. After converting your mastered tracks to WAV or AIFF files, you can easily use your computer to create audio CDs with the data, as well as load the data into audio applications.
181 With Macintosh Re v0.10 Section 5 8 Export the WAV or AIFF file to the computer. 1) Double-click the “BOSS_BR-600” icon. 2) Drag the WAV or AIFF file in the “USB” folder in the “ROLAND” folder to the computer’s folder and drop it in the folder.
182 With Macintosh Re v0.10 You can take WAV or AIFF files on your computer, such as files created with audio software applications, and load them to the BR-600’s tracks. 1 Connect your computer and the BR-600 with a USB cable. 2 Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
183 With Macintosh Re v0.10 Section 5 6 Use [CURSOR] and the TIME/VALUE dial to specify the measure or position in the track from which loading is to start, then press [ENTER]. fig.05-660 The “BOSS_BR-600” icon is added to the computer. fig.05-860 7 Copy the WAV or AIFF files you want to import.
184 With Macintosh Re v0.10 You can import SMFs (Standard MIDI Files) stored on memory cards as song patterns. You can easily increase your collection of song patterns by creating SMFs on your computer or other device and copying them to memory cards.
185 With Macintosh Re v0.10 Section 5 10 Press [CURSOR] to move the cursor to “SMF,” and press [ENTER]. The names of the SMFs on the memory card are displayed. fig.05-750 11 Turn the TIME/VALUE dial to select the SMF to be imported, then press [ENTER].
186 With Macintosh Re v0.10 You can import WAV and AIFF files on your computer and load these as drum sounds (TONE LOAD). 1 Connect your computer and the BR-600 with a USB cable. 2 Confirm that [PAD] is not lit, and with the recorder stopped, press [UTILITY].
187 With Macintosh Re v0.10 Section 5 6 Quit the connection to the computer. 1) Drag the “BOSS_BR-600” icon into the trash. 7 Press [EXIT] repeatedly to return to the Play screen. * If you press [EXIT] without quitting the connection to the computer, the following screens appear.
188 With Macintosh Re v0.10 You can use the BR-600 to play BR-900CD / BR-864 / BR- 532 data. * First be sure to back up the BR-900CD / BR-864 / BR-532’s “ROLAND” folder to the computer. 1 Initializing the memory card on the BR-600 (p. 199). 2 Connect your computer and the BR-600 with a USB cable.
189 Section 6 Other Convenient Functions Section6 Other Convenient Functions.
190 Re v0.10 Adjusting the Display Contrast Depending on where the BR-600 is situated, the display contents may be difficult to read. If this is the case, perform the procedure given below to adjust the contrast (1 to 17). fig.06-010 1 Confirm that [PAD] is not lit, then press [UTILITY].
Re v0.10 191 Section 6 Using a Foot Switch or Expression Pedal You can connect a sold separately foot switch (such as the BOSS FS-5U or Roland DP-2) or expression pedal (such as the Roland EV-5 or BOSS FV-500L/FV-500H) to the FOOT SW/EXP PEDAL jack on the rear panel, allowing you to use your foot to control a number of functions.
192 Re v0.10 Tuning an Instrument (Tuner) The BR-600 has a built-in “chromatic tuner function” that allows you to tune your instrument quickly. The built-in tuner supports both guitar and bass guitar. As an example here, we will explain how to use the tuner to tune your guitar.
193 Tuning an Instrument (Tuner) Re v0.10 Section 6 3 While viewing the tuning guide, adjust the tuning so that “ ” is positioned midway “ ” between the two sides. If the pitch of the string is within +/-50 cents of the correct pitch, the tuning guide will indicate the discrepancy between the actual and the correct pitches.
194 Re v0.10 Mixing the Output from an External Audio Device with the Output from Your BR-600 ( Audio Sub Mix) The Audio Sub Mix function allows you to mix the signal input from LINE IN with the signal output to LINE OUT.
Re v0.10 195 Section 6 Practicing Difficult Phrases (Phrase Trainer) Your BR-600 features a built-in “Phrase Trainer.” You can also slow down (Time Stretch) the playback to aid in practicing difficult phrases or remove the guitar solo sound (Center Cancel) to play along with only the backing instruments as a practice aid.
196 Practicing Difficult Phrases (Phrase Trainer) Re v0.10 The Center Cancel function allows you to remove the central sound of the playback (e.g., vocals or guitar solos). This is helpful if you want to practice playing along with the backing instruments.
Re v0.10 197 Section 6 Initializing the BR-600’s Settings The following settings are initialized together at one time. • System Settings • Effects (User Patches/Song Patches) • Rhythm (Arrangements/Patterns/Drum Kits) 1 Confirm that [PAD] is not lit, then press [UTILITY].
198 Initializing the BR-600’s Settings Re v0.10 Follow the procedure below to initialize the user effect patches or song effect patches. * The same content as that in the Preset patches is copied. 1 Confirm that [PAD] is not lit, then press [UTILITY].
199 Initializing the BR-600’s Settings Re v0.10 Section 6 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR [ ] [ ] to move the cursor to “INI,” and press [ENTER]. fig.06-290 3 Press CURSOR [ ] [ ] to move the cursor to “CARD,” and press [ENTER].
200 Re v0.10 Conserving Battery Power (Power Save) Your BR-600 is equipped with a power save function that limits the current dissipation during use. When the power save function is activated, if no b.
Re v0.10 201 Section 6 Utility Parameter List Utilities include the following : • “System parameters” for setting functions affecting the entire BR-600 • “Sync parameters” for setting synchronized performance functions • “Scrub parameters” for setting scrub functions This section describes the System parameters.
202 Utility Parameter List Re v0.10 1 Confirm that [PAD] is not lit, then press [UTILITY]. 2 Press CURSOR [ ] [ ] to move the cursor to “SYNC,” and press [ENTER]. 3 Make the settings with the TIME/VALUE dial Offset Valid Settings : 00:00:00-00.0– 23:59:59-29.
203 Section 7 Appendices Section7 Appendices.
204 Re v0.10 Effect Patch List ■ GTR (GUITAR/BASS) No. Patch Name Algorithm 01 JC Clean COSM GTR AMP 02 HiGainLd COSM GTR AMP 03 Over Drv COSM GTR AMP 04 Phased COSM GTR AMP 05 Crunch COSM GTR AMP 0.
205 Effect Patch List Re v0.10 Section 7 No. Patch Name Algorithm 01 Vo Comp1 COSM COMP VCL 02 Vo Comp2 COSM COMP VCL 03 Kick Cmp COSM COMP VCL 04 SnareCmp COSM COMP VCL 05 BrassCmp COSM COMP VCL 06 V.
206 Effect Patch List Re v0.10 No. Patch Name Algorithm 01 EQ + JC VO+GT AMP 02 DELAY+JC VO+GT AMP 03 CMP+TWIN VO+GT AMP 04 EQ+twin VO+GT AMP 05 CMP+SMAL VO+GT AMP 06 EQ+CRNCH VO+GT AMP 07 EQ+MATCH VO.
207 Re v0.10 Section 7 Mastering Tool Kit Patch List ■ MTK (MASTERING TOOL KIT) No. Patch Name 01 Mix Down 02 PreMastr 03 Live Mix 04 Pop Mix 05 DanceMix 06 JinglMix 07 HardComp 08 SoftComp 09 Clean.
208 Re v0.10 Arrangement / Pattern List Preset Arrangement List Each of the preset Arrangement (except Metro4/4) is set so that a three-measure BREAK, followed by V1 (verse) comes after the E (ending).
209 Arrangement / Pattern List Re v0.10 Section 7 Preset Pattern List Pattern Name (Abbreviation shown in display) Initial Tempo Beat Measure IN V1 F1 V2 F2 E ROCK1 130 4/4 1 2 2 2 2 4 ROCK2 130 4/4 2.
210 Re v0.10 Parameter List (*1) If you want to save the settings as the currently selected song data, hold down [STOP] and press [REC]. (*2) Stored in the BR-600.
211 Parameter List Re v0.10 Section 7 Pitch Correction Parameter Name Display Initial Value Valid Settings Location Location TRACK 1 TRACK 1–8, TRACK 1 2–7 8 Track EQ Parameter Name Display Initia.
212 Parameter List Re v0.10 ■ Sync Parameter (*1) Parameter Name Display Initial Value Valid Settings Sync Offset Offset 00:00:00-00.0 00:00:00-00.0–23:59:59-29.
Re v0.10 213 Section 7 Troubleshooting If the BR-600 does not function as you expect, please check the following points before assuming that a malfunction has occurred. If this does not resolve the problem, contact a nearby Roland service center or your dealer.
214 Troubleshooting Re v0.10 “Unsupported Card!” is displayed ❍ Do you have a compatible (CompactFlash) memory card inserted in the BR-600? ❍ Is the memory card fully and securely inserted? Memory card data was damaged If memory card data has been damaged, the following causes are possible.
Re v0.10 215 Section 7 Error Messages If you attempt an incorrect operation or if an operation could not be executed, the display will indicate an error message. Refer to this list and take the appropriate action. Battery Low! Cause : The batteries are depleted (6 x AA Alkaline dry cell batteries).
216 Error Messages Re v0.10 Drive Busy! Cause : If this message appears after you have been using the memory card with the BR-600, the data on the card has become fragmented, causing delays in reading and writing data. Or, you could be using memory card with a slow processing speed.
217 Error Messages Re v0.10 Section 7 No Song! Cause : There are no songs on the memory card. Solution : Create a new song (p. 54). Cause : Incorrect data is in the song folder, or the necessary data is not present. Solution : Restore the data backed up on the computer to the BR-600.
218 Re v0.10 Specifications BR-600 : Digital Recorder ● Tracks Track : 8 V-Track : 64 (8 V-Tracks per each Track) * Up to 2 tracks can be recorded simultaneously, and up to 8 tracks can be played back simultaneously.
219 Specifications Re v0.10 Section 7 ● Power Supply DC 9 V : Supply AC Adaptor (PSA series)/ Size AA Dry battery x 6 (alkaline batteries recommended) ● Current Draw 200 mA Alkaline dry cell batte.
220 Re v0.10 Index Numerics 4Band Equalizer .............................................................. 96–100 4Band Equalizer/Wah ..................................................... 96–99 808 .................................................
221 Index Re v0.10 Delay ......................................................................... 96–100, 103 DELETE/MUTE ...................................................................... 47 Demo Song ..........................................
222 Index Re v0.10 Rhythm ............................................................................ 198 System ............................................................................. 197 INPUT .................................................
223 Index Re v0.10 N NAM ......................................................................................... 88 NAME ............................................................. 114, 127, 151, 157 NEW ...........................................
224 Index Re v0.10 Repeating Playback ................................................................ 58 Resonance ....................................................................... 104–106 REV .................................................
225 Index Re v0.10 USB .......................................................................................... 162 USB Folder ............................................................................. 163 User Patch .............................
226 TRACK SHEET PAN EQ Low EQ High CHO/DLY Send REV Send PAN EQ Low EQ High PAN EQ Low EQ High PAN EQ Low EQ High PAN EQ Low EQ High TRA CK 1 TRACK 2 TRACK 3 TRA CK 4 TRA CK 5/6 TRA CK7/8 PAN EQ Low E.
This product complies with the requirements of European Directive 89/336/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
■ Printing Conventions in This Manual • Text or numerals enclosed in square brackets [ ] indicate buttons. [PLAY] PLAY button [REC] REC button • Reference such as (p. **) indicate pages in this manual to which you can refer. Owner’s Manual 17041748 4SX Thank you, and congratulations on your choice of the BOSS BR-600 Digital Recorder.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Boss Audio Systems BR-600 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Boss Audio Systems BR-600 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Boss Audio Systems BR-600, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Boss Audio Systems BR-600 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Boss Audio Systems BR-600, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Boss Audio Systems BR-600.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Boss Audio Systems BR-600. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Boss Audio Systems BR-600 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
