Manuel d'utilisation / d'entretien du produit E580 du fabricant Yamaha
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DSP PRO LOGIC TAPE MONITOR PROGRAM EFFECT NATURAL SOUND DIGITAL SOUND FIELD PROCESSOR / AMPLIFIER DSP-E580 D D S S P P - - E E 5 5 8 8 0 0 CONTENTS PRECAUTIONS & SAFETY INSTRUCTIONS ....................Inside Front Cover SETUP & ADJUSTMENT ...
1 Read Instructions – All the safety and operating instructions should be read before the unit is operated. 2 Retain Instructions – The safety and operating instructions should be retained for future reference. 3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to.
1 1 To ensure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2 Install your unit in a cool, dry, clean place – away from windows, heat sources, and too much vibration, dust, moisture or cold.
2 Congratulations! Y ou are the pr oud owner of a Y amaha Digital Sound Field Processing (DSP) System—an extremely sophisticated audio component. The DSP system takes full advantage of Y amaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences.
1-1. GETTING ST AR TED Unpac king If you ha v en’t already done so , carefully remo v e this unit and its accessories from the box and wr apping material.
● When you notice that remote control oper ation has become erratic , or the distance from which the remote control will function has decreased, it’ s time to replace the batteries. Alw a ys replace all batteries at the same time. ● This remote control uses an adv anced, highly directional infr ared beam.
Dolb y Pro Logic Surr ound The Dolby Pro Logic Surround Decoder prog r am lets y ou e xperience the dramatic realism and impact of Dolb y Surround mo vie theater sound in y our own home .
Setting Up Y our Speaker System This unit has been designed to provide the best sound field quality with a full fiv e-speak er system setup , using one e xtra pairs of eff ect speak ers to gener ate the sound field plus one center speak er f or dialog, when using Dolb y Pro Logic Surround decoding.
Speakers and Speaker Placement Y our full fiv e-speaker system will require tw o speak er pairs: the MAIN SPEAKERS (y our normal stereo speakers) and the REAR EFFECT SPEAKERS , plus the CENTER SPEAKER. Y ou ma y also be using a subwoof er . Y ou will probably use y our present stereo speak ers as the MAIN SPEAKER pair .
8 1-2. SETUP Bef ore you star t making connections make sure all related electronic components are turned OFF . REAR P ANEL SINGLE DUAL DUAL INPUT TAPE OUTPUT SINGLE AB 10dB 0dB - To AC outlet 15 7 9 .
1 Main Le v el Switch Nor mally set to “0 dB”. If desired, y ou can decrease the main- channel line output le v el at the MAIN OUTPUT jac ks b y 10 dB b y setting this s witch to “–10 dB”.
C Video NTSC/P AL Switch (General Model only) Set this s witch to the position corresponding to the standard that your video equipment emplo ys . D V oltage Selector (General Model only) Be sure to set to the line v oltage in your area bef ore applying pow er .
CONNECTING AN INTEGRA TED STEREO AMPLIFIER OR STEREO RECEIVER T O THIS UNIT Using an Integrated Amplifier or Stereo Receiver with PRE OUT and MAIN IN T erminals Some integrated amplifiers and stereo receiv ers ha v e PRE OUT and MAIN IN jacks which permit the preamplifier and power amplifier sections to function independently .
Using an Integrated Amplifier or Stereo Receiver that Does Not Have PRE OUT and MAIN IN T erminals If your integ rated amplifier is NO T equipped with PRE OUT and MAIN IN jac ks, this unit must be connected to the amplifier or receiv er T APE jacks .
CONNECTING A COMPONENT PREAMPLIFIER T O THIS UNIT Connect the PRE OUT jac ks of the preamplifier (control amplifier) to this unit’ s INPUT jac ks with a stereo pin cab le .
CONNECTING T O VIDEO SIGNAL J A CKS If your integ r ated amplifier or similar component is equipped with a video output jac k, connect it to this unit’ s VIDEO IN jack, and connect this unit’ s VIDEO OUT jac k to the video input of y our monitor .
CONNECTING SPEAKER SYSTEMS Connect the SPEAKERS ter minals to your speak ers with wire of the proper gauge, cut as shor t as possible . If the connections are f aulty , no sound will be heard from the speakers . Mak e sure that the polarity of the speaker wires is correct, that is , + and – markings are obser ved.
16 CONNECTING THE CENTER SPEAKER(S) T O THIS UNIT Connect the CENTER speak er to the CENTER SPEAKERS ter minals. One or tw o CENTER speak ers can be connected to this unit.
ADDING A SUBW OOFER Y ou ma y wish to add a subwoof er to reinf orce the bass frequencies. This unit provides a line-le v el subw oof er output, which contains only the frequencies under 200 Hz from the main and center channels.
18 1-3. CONTR OLS & ADJUSTMENTS FR ONT P ANEL NATURAL SOUND DIGITAL SOUND FIELD PROCESSOR / AMPLIFIER DSP-E580 TAPE MONITOR PROGRAM EFFECT DSP PRO LOGIC 12 3 4 5 6 9 7 8 (General Model).
1 P o wer Switch * ST ANDBY Mode (Europe model only) While the pow er is on, pressing the PO WER k ey on the remote control unit s witches the unit to the ST ANDBY mode. (In this mode, the indicator is half illuminated.) 2 Remote control sensor Signals from the remote control unit are receiv ed here.
REMO TE CONTR OL UNIT 1 P o wer K ey T ur ns this unit on and off . * (Europe model only): T ur ns the POWER on mode to the ST ANDBY mode and vice versa.
PREP ARA TION 1. Set all v olume controls—on the main amp (preamp) and eff ect pow er amplifiers—to their MINIMUM positions . 2. T ur n on the power to all system components . This unit is turned on by pressing the PO WER s witch on the front panel or the PO WER ke y on the remote control unit.
MAIN/CENTER/REAR EFFECT SPEAKER LEVEL B ALANCE ADJUSTMENT This operation uses an internal test-tone generator f or balancing the le v els of the main, center and rear eff ect speakers. All speak ers should be adjusted to the same apparent sound le v el f or proper Dolby Pro Logic decoding.
O THER IMPOR T ANT SETTINGS AND ADJUSTMENTS IN THE “SET MENU” MODE The f ollo wing three types of settings and adjustments should be done bef ore enjo ying audio and video sources . Note that these settings and adjustments cannot be done without monitoring the displa y inf or mation (or the inf ormation displa y ed on the monitor screen).
24 2-1. PLA YING A SOURCE 1. Set the MASTER V OLUME control to minim um. 2. T ur n the power on. 3. Select a source using the input selector on the integr ated amplifier etc.
2-2. DIGIT AL SOUND FIELD PROGRAMS This unit has 16 progr ams f or digital sound field processing, 4 from actual acoustic en vironments from around the world, and 12 programs f or A udio/Video sources including sources encoded with Dolby Pro Logic surround.
26 2-6. DESCRIPTIONS OF THE SOUND FIELD PR OGRAMS The f ollo wing list giv es brief descriptions of the sound fields produced by each of the DSP prog r ams. K eep in mind that most of these are precise digital recreations of actual acoustic en vironments .
5. CONCER T VIDEO: This program produces an enthusiastic atmosphere and lets y ou f eel that y ou are in the midst of the action, as if attending an actual jazz or roc k concer t.
9. TV THEA TER: The data of the sound field of a relativ ely narro w space is used f or the front presence side. A moder ately siz ed spatial sound field without e xcessiv e sound e xtension and re v erber ations giv es reality to the characters in a dr ama.
29 13. 70 mm MO VIE THEA TER 1: This program is ideal f or precisely reproducing the sound design of the new est mo vies . The sound field is made according to the design of the new est mo vie theaters , so the re v erberations of the sound field itself are restrained as m uch as possib le .
30 3-1. SELECTING AND EDITING PR OGRAM P ARAMETERS WHA T IS A SOUND FIELD? In order to e xplain the impressiv e functions of the DSP system, we need to first understand what a sound field really is . What really creates the rich, full tones of a live instrument are the multiple reflections from the w alls of the room.
Each sound field progr am has a set of parameters that allo w y ou to change the characteristics of the acoustic environment to create precisely the eff ect y ou w ant. These par ameters correspond to the many natur al acoustic f actors that create the sound field y ou e xperience in an actual concer t hall or other listening environment.
32 3-2. DESCRIPTIONS OF THE DIGIT AL SOUND FIELD P ARAMETERS Not all of the f ollo wing par ameters are f ound in e v ery program. ● INIT DL Y (Initial Delay) How it Aff ects the Sound: Changes the apparent distance from the source sound.
33 ● REV . TIME (Reverberation Time) How it Aff ects the Sound: The natural re v erberation time of a room depends primarily on its size and the char acteristics of its inner surf aces . This parameter , theref ore , changes the apparent siz e of the acoustic en vironment ov er an e xtremely wide r ange .
34 PROBLEM POSSIBLE CAUSE WHAT TO DO Power does not come on. AC cord not properly plugged in. Carefully plug AC plug into outlet. Hum. Bad cable connection. Firmly plug in all connection cables. No sound. Bad or incorrect input connection. Check connections.
35 Minimum RMS Output Power Per Channel Center (1 kHz 0.03% THD 8 Ω ) ...................................................................... 25W Rear Effect (1 kHz 0.03% THD 8 Ω ) ..................................................... 25W+25W Input Sensitivity/Impedance (1V) INPUT/TAPE PB .
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-2084 RELLINGEN BEI HAMBURG, F.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Yamaha E580 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Yamaha E580 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Yamaha E580, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Yamaha E580 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Yamaha E580, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Yamaha E580.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Yamaha E580. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Yamaha E580 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
