Manuel d'utilisation / d'entretien du produit 1100 du fabricant Yamaha
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OWNER’ S MANUAL DIC 99 OWNER ’ S MANUAL OWNER ’ S MANUAL M.D .G., Pro Audio & Digital Musical Instrument Division, Y amaha Corporation © 2003 Y amaha Cor poration WA44060 301APAP3.3-01A0 Printed in China Yamaha PK CLUB (Portable Keyboard Home Page, English only) http://www.
Introduction SPECIAL MESSA GE SECTION This product utilizes batteries or an external power supply (adapter). DO NO T connect this product to any power sup- ply or adapter other than one described in the manual, on the name plate, or specifically recommended by Y amaha.
3 PSR-2100/1100 (3)-7 1/2 PRECA UTIONS PLEASE READ CAREFULL Y BEFORE PR OCEEDING * Please keep this man ual in a safe place f or future reference . W ARNING Alwa ys follo w the basic precautions listed belo w to av oid the possibility of serious injury or even death fr om electrical shock, shor t-circuiting, damages, fire or other hazards.
PSR-2100/1100 4 (3)-7 2/2 • Bef ore connecting the instr ument to other electronic compo- nents, turn off the power f or all components. Before turning the power on or off f or all components, set all volume le vels to mini- m um.
5 PSR-2100/1100 T hank you for pur chasing the Y amaha PSR-2100/1100! We recommend that you read this manual carefully so that y ou can fully take adv antage of the adv anced and conv enient functions of the PSR-2100/1100. We also recommend that you keep this manual in a safe and hand y place for future reference.
PSR-2100/1100 6 Accessories ■ P A-300 AC Adaptor * ■ Floppy Disk (blank) ■ Music Rest (page 17) ■ Data List ■ Owner’ s Manual *M ay not be included in your area.
7 PSR-2100/1100 Handling the Floppy Disk Drive (FDD) and Floppy Disk Be sure to handle floppy disks and treat the disk dri ve with care. F ollow the important precautions below .
PSR-2100/1100 8 To handle floppy disks with care: • Do not place hea vy objects on a disk or bend or apply pressure to the disk in any w ay . Alw ays keep flopp y disks in their protectiv e cases when they are not in use. • Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessi ve humidity , dust or liquids.
9 PSR-2100/1100 T able of Contents Introduction ............................ 2 PRECAUTIONS .......................................................... 3 Accessories ............................................................... 6 About this Owner’s Manual and Data List .
PSR-2100/1100 10 Displaying Music Notation — Score ...................... 83 Displaying the Lyrics .............................................. 86 Saving and Recalling Custom Panel Setups — Registration Memory ........ 87 Registering Panel Setups — Registration Memory .
11 PSR-2100/1100 Introduction Quick Guide Basic Operations - Organizing Y our Data Playing the Demos V oices Styles The Multi Pad Creating Multi Pad - Multi Pad Creator Song Playback Saving and Recall.
PSR-2100/1100 12 Application Index Use this index to find r eference pages that may be helpful for your particular application and situation. Listening Listening to the internal songs ..................................................................
13 PSR-2100/1100 Application Index Using a micr ophone (PSR-2100 only) Connecting the microphone.............. “Connecting the Microphone or Guitar (MIC./LINE IN jack)” on page 155 Adding automatic harmonies to your singing .......................
PSR-2100/1100 14 BALANCE FUNCTION HELP MENU DEMO SOUND CREA TOR DIGIT AL RECORDING MIXING CONSOLE DIGIT AL STUDIO DIRECT ACCESS PA R T CHANNEL ON/OFF D A E B C 8 1 2 3 4 5 6 7 TRANSPOSE ACMP ST ANDBY ON INTRO ST ART/STOP MAIN ENDING / rit. AUTO FILL IN OTS LINK SYNC.
15 PSR-2100/1100 USER ENTER EXIT FREEZE MEMORY D ATA ENTRY ORGAN FLUTES STRINGS CHOIR & P AD GUIT AR MAIN BA CK NEXT LEFT MUSIC FINDER LA YER I F J G H BASS PIANO & HARPSI. E.PIANO XG UPPER OCT AVE WOODWIND PERCUSSION V ARIATION MONO TOUCH SUST AIN DSP HARMONY/ ECHO LEFT HOLD SYNTH.
PSR-2100/1100 16 Setting Up the PSR-2100/1100 1 Make sure that the PSR-2100/1100’ s ST ANDBY/ON switc h is at the ST ANDBY (off) position. 2 Connect one end of the AC cable to the P A-300. 3 Connect the P A-300’ s DC plug to the PSR-2100/ 1100’ s DC IN terminal on the instrument’ s rear panel.
17 PSR-2100/1100 CA UTION In order to av oid possible damage to the speak ers or other connected electronic equipment, alwa ys switch on the pow er of the 2100/1100 before s witching on the power of the amplified speak ers or mix er and amplifier .
PSR-2100/1100 18 Panel Controls and T er minals PO WER [ST ANDBY/ON] s witch ......................................................... P . 17 WHEEL PITCH BEND ....................................................................... P . 61 MODULA TION (PSR-2100 only) .
19 PSR-2100/1100 DISPLA Y CONTROL [A] - [J] buttons ..................................................................... P . 43 [DIRECT ACCESS] b utton ................................................... P . 50 [BALANCE] button ......................
Quick Guide 20 Quick Guide . . . . . . . . . . . . . . . . . . . . . . . . . Playing the Demos T he PSR-2100/1100 features an extensiv e variety of Demo songs, that showcase its ric h, authentic voices and its dynamic rh ythms and styles. What’ s more, there’ s a special selection of Demo functions.
Song Playback Quick Guide 21 Song Playback Here’ s w here all of the amazing voices, effects, rh ythms, styles and other sophisticated features of the PSR-2100/1100 come together — in songs! T he following songs are compatible for pla yback on the PSR-2100/1100.
Song Playback Quick Guide 22 2 Press the [A] button to call up the Song Open displa y . If the MAIN screen is not displa yed, press the [DIRECT ACCESS] button follo wed by the [EXIT] button. 3 Press the [A] - [C] button to select the V oice/Style/Function folder .
Song Playback Quick Guide 23 4 Press one of the [A] to [J] buttons to select the song file. 5 Press the SONG [ST ART/ST OP] button to start playbac k.
Song Playback Quick Guide 24 7 F inally , take the producer’ s seat and try y our hand at mixing. T hese Balance controls let y ou adjust the levels of the individual parts — the song, the style, y our singing (PSR-2100 only), and your pla ying. 1) Press the [BALANCE] button.
Playing Voices Quick Guide 25 Playing V oices T he PSR-2100/1100 features a stunning variety of o ver 700 dynamic, ric h and realistic voices. T ry pla ying some of these voices now and hear w hat they can do for your music.
Playing Voices Quick Guide 26 3 Select a voice. 4 Pla y the voices. Naturally , you can pla y the voice yourself from the keyboard, but y ou can also ha ve the PSR-2100/1100 demonstrate the voice for y ou. Simply press the [8 ▲ ] button from the displa y above, and a Demo of the voice pla ys automatically .
Playing Voices Quick Guide 27 Playing Different V oices with the Left and Right Hands 1 Press the VOICE P ART ON/OFF [LEFT] button to turn the LEFT part on. 2 Press the [H] button to select the LEFT part. 3 Select a voice gr oup. Here, we’ll select the “STRINGS” group — so that you can pla y rich, or chestral c hords with your left hand.
Playing Styles Quick Guide 28 Playing Styles T he PSR-2100/1100 has a huge variety of musical “styles” that y ou can call upon to back up your own performance. T hey give y ou anything from a simple, yet effecti ve piano backing or per cussion accompaniment to a full band or orc hestra.
Playing Styles Quick Guide 29 3 T urn SYNC.ST ART on. 4 As soon as you pla y a chord with y our left hand, the style starts. F or this example, pla y a C major chord (as shown below). 5 Change the tempo b y using the TEMPO[ ] [ ] buttons if necessary .
Playing Styles Quick Guide 30 Style Sections Each style in the auto accompaniment is made up of “sections. ” Since each section is a rh ythmic variation of the basic style, you can use them to add spice to y our performance and mix up the beats — while you’ re pla ying.
Playing Styles Quick Guide 31 ■ Accompaniment Structure Other Controls F ADE IN/OUT The [F ADE IN/OUT] b utton can be used to produce smooth fade-ins and f ade-outs (page 68)when star ting and stopping the style. T AP TEMPO The style can be star ted at any tempo you desire b y “tapping” out the tempo with the [T AP TEMPO] button.
Playing Styles Quick Guide 32 One T ouch Setting One T ouch Setting is a powerful and conv enient feature that automatically calls up the most appropriate panel settings (voice number , etc.) for the currently selected style, with the touc h of a single button.
Music Finder Quick Guide 33 Music Finder If you w ant to pla y in a certain song but don’t know w hich style and voice settings w ould be appropriate, the convenient Music F inder can help you out.
Music Finder Quick Guide 34 Sear ching the Music Finder Records T he Music Finder is also equipped with a con venient search function that lets y ou enter a song title or keyword — and instantly call up all the records that match y our search criteria.
Music Finder Quick Guide 35 7 Select a recor d (see step #2 on page 33) and play along with the style pla yback. Press the [EXIT] button to return to the MAIN displa y . Y ou can also create your own Music F inder setups and save them to flopp y disk (pages 38 and 47).
Playing with the Songs Quick Guide 36 Playing with the Songs Playing Along with the PSR-2100/1100 In this section, try using the PSR-2100/1100’ s song pla yback features to cancel or mute the right-hand melod y while you pla y the part yourself. It’ s like having a v ery talented and versatile playing partner accompan y you while y ou perform.
Playing with the Songs Quick Guide 37 Recording T he PSR-2100/1100 lets you record, too — quic kly and easily . T ry out the Quick Recording feature no w and capture your keyboard performance. 1 - 3 Select a voice for r ecording. Use the same oper ations as in “Playing a V oice” on pages 25, 26.
PSR-2100/1100 38 Basic Operations — Organizing Y our Data When the power is turned on, the MAIN Displa y appears, showing important and relev ant operation information. Pressing the [A] - [J] buttons w hen the MAIN Displa y appears calls up displays corresponding to each button.
Basic Operations — Organizing Your Data 39 PSR-2100/1100 T he PSR-2100/1100 utilizes a variety of data types — including v oices, accompaniment styles, songs, multi pads and registration memory settings.
Basic Operations — Organizing Your Data PSR-2100/1100 40 Example — Open/Save display Each Open/Sa ve displa y consists of three kinds of drive pages: PRESET , USER , and FLOPPY DISK . In the examples giv en here, the Open/Save displa y for V oice is shown.
Basic Operations — Organizing Your Data 41 PSR-2100/1100 ■ Files and Drives BA CK NEXT FLOPPY DISK USER PRESET PRESET drive Cannot be overwritten V oice Style Song Multi P ad Bank V ocal Har mony .
Basic Operations — Organizing Your Data PSR-2100/1100 42 ■ Features and Memory Drives V oice Style One T ouch Setting Registration Memory Music Finder Record System Setup Song Four Multi P ads MID.
Basic Operations — Organizing Your Data 43 PSR-2100/1100 Select a file shown in the displa y . In this example, we’ll select a v oice file. First, press the VOICE [PIANO & HARPSI.
Basic Operations — Organizing Your Data PSR-2100/1100 44 Naming Files/Folders Y ou can assign names to files and folders. An y file/folder in the USER and FLOPPY DISK sections can be named or renamed. Execute the following steps w hen there is data in the User drive.
Basic Operations — Organizing Your Data 45 PSR-2100/1100 Moving Files/Folders Y ou can move files and folders as desired, for organizing your data. Any file/folder in the USER and FLOPPY DISK sections can be moved, using the cut-and-paste oper ation described below .
Basic Operations — Organizing Your Data PSR-2100/1100 46 Copying Files/Folders Y ou can also copy files and folders as desired, for organizing your data. Any file/folder in the PRESET , USER and FLOPPY DISK sections can be copied, using the copy-and-paste oper ation described below .
Basic Operations — Organizing Your Data 47 PSR-2100/1100 Saving Files T his operation lets y ou save the data (suc h as song and voice) you created in current memory (page 40) to files. T he files can be sa ved only to the USER and FLOPPY DISK driv es.
Basic Operations — Organizing Your Data PSR-2100/1100 48 Entering Characters T he instructions that follow show y ou how to enter char acters in naming your files and folders. T he method is much the same as inputting names and numbers to your cell phone.
Basic Operations — Organizing Your Data 49 PSR-2100/1100 Changing the Icon Y ou can also change the icon that appears at the left of the file name. Call up the ICON SELECT displa y by pressing the [1 ▼ ] (ICON) button from the char acter input display (page 48).
Basic Operations — Organizing Your Data PSR-2100/1100 50 W ith the con venient Direct Access function, you can instantly call up the desired displa y — with just a single additional button press. Press the [DIRECT A CCESS] button and a message appears in the display prompting y ou to press the appropriate button.
Basic Operations — Organizing Your Data 51 PSR-2100/1100 Direct Access Chart Operation: [DIRECT ACCESS] button + button listed below Corresponding LCD display and function See pages SONG [TRACK1] FU.
Basic Operations — Organizing Your Data PSR-2100/1100 52 T he Help messages giv e you explanations and descriptions of all the main functions and features of the PSR-2100/1100.
Basic Operations — Organizing Your Data 53 PSR-2100/1100 T he metr onome pro vides a click sound, giving y ou an accurate tempo guide when y ou practice, or letting you hear and chec k how a specific tempo sounds. T he metronome starts b y pressing the [METRONOME] button.
Basic Operations — Organizing Your Data PSR-2100/1100 54 T ap T empo T his useful feature lets you tap out the tempo for a song or an accompaniment style. Simply tap the [T AP TEMPO] button at the desired speed, and the tempo of the song or the accompaniment style changes to matc h your tapping.
55 PSR-2100/1100 Reference Playing the Demos T he PSR-2100/1100 is an extraordinarily versatile and sophisticated instrument, featuring a wide v ariety of dynamic voices and rh ythms, plus a wealth of adv anced functions.
Playing the Demos PSR-2100/1100 56 EXIT E ND Return to the MAIN screen. I F J G H ENTER MAIN BA CK NEXT LEFT LA YER This example shows the Sound System in the FUNCTION demo. 3 F or the Function demos, an introduction screen appears in the displa y and the Demo starts pla ying.
57 PSR-2100/1100 V oices T he PSR-2100/1100 giv es you an enormous selection of authentic voices, including v arious keyboard instruments, strings and brass — and man y , many more.
Voices PSR-2100/1100 58 V oice Char acteristics T he voice type and its defining c haracteristics are indicated above the v oice name. Liv e! (PSR-2100 only) T hese acoustic instrument sounds were sampled in stereo, to produce a truly authentic, rich sound — full of atmosphere and ambience.
Voices 59 PSR-2100/1100 T he PSR-2100/1100 lets you set three v oices for simultaneous play: MAIN, LA YER, and LEFT . By effectively combining these three, you can create ric hly textured, multi-instrument setups for your performance.
Voices PSR-2100/1100 60 Left — Setting Separate V oices for the Left and Right Sections of the Keyboard T his section of the panel lets you add a v ariety of effects to the voices you pla y on the keyboard. ■ TOUCH T his button turns the touch response of the keyboard on or off.
Voices 61 PSR-2100/1100 ■ VARIA TION T his control changes the V ariation effect settings, letting you alter some aspect of the effect, depending on the selected type. F or example, when the Rotary Speaker effect is selected (page 127), this lets y ou switch the rotor speed between slow and fast.
PSR-2100/1100 62 Styles T he PSR-2100/1100 features styles (accompaniment patterns) in a variety of different musical genres including pops, jazz, Latin and dance.
Styles 63 PSR-2100/1100 ACMP INTR O BREAK STYLE CONTROL ACMP INTR O ST ART/STOP MAIN ENDING / rit. AUT O FILL IN OTS LINK SYNC. STOP SYNC. ST ART BREAK STYLE CONTROL ACMP INTR O ST ART/STOP MAIN ENDING / rit.
Styles PSR-2100/1100 64 Playing a Style’ s Rhythm Channels only Adjusting the V olume Balance/Channel Muting ACMP INTR O ST ART/STOP MAIN ENDING / rit. AUT O FILL IN OTS LINK SYNC. STOP SYNC. ST ART BREAK STYLE CONTROL Rhythm starts. 1 Select a style (page 62).
Styles 65 PSR-2100/1100 T he style pla yback can be controlled by the c hords you pla y in the keys to the left of the split point. T here are 7 types of fingerings as described below . Go to the CHORD FINGERING page (page 142), and select the Chord F ingerings.
Styles PSR-2100/1100 66 * Only this voicing (in version) is recognized. Other chords not marked with an asterisk can be play ed in any inversion. Chord Name [Abbre viation] Normal V oicing Display f o.
Styles 67 PSR-2100/1100 T he PSR-2100/1100 features various types of Auto Accompaniment Sections that allow you to v ary the arrangement of the Style. T hey are: Intro, Main, Break and Ending. By switc hing among them as you pla y , you can easily produce the d ynamic elements of a professional-sounding arrangement in y our performance.
Styles PSR-2100/1100 68 Stopping the Style Playback While Releasing Keys ( SYNC. STOP) When the Synchro Stop function is engaged, accompaniment pla yback will stop completely when all keys in the Auto Accompaniment section of the keyboard are released.
Styles 69 PSR-2100/1100 Selecting Intro and Ending T ypes (INTRO/ENDING) Playing Fill-in patterns automatically when changing accompaniment sections — Auto Fill In D A E B C D E Select a Intro Select a Ending 3 Pla y the style using the Intro or Ending section (page 30, 31).
Styles PSR-2100/1100 70 T he conv enient One T ouc h Setting function makes it easy for y ou to select voices and effects that are appropriate to the style y ou’ re pla ying. Each preset style has four pre-progr ammed panel setups that y ou can select by pressing a single button.
Styles 71 PSR-2100/1100 Automatically Changing One T ouch Settings with the Sections — OTS Link T he convenient O TS (One T ouc h Setting) Link function lets you automatically ha ve One T ouc h Settings change when you select a different Main section (A - D).
Styles PSR-2100/1100 72 T he Music Finder feature lets y ou instantly call up the appropriate settings for the instrument — including voice, style, and One T ouch Settings — simply b y selecting the desired song title.
Styles 73 PSR-2100/1100 Sear ching the Ideal Setups — Music Finder Sear ch Y ou can search the record b y music title or keywords. T he results appears in the display . ■ [A] MUSIC Searc hes by music or song title. Press this button to call up the displa y for inputting the song title.
Styles PSR-2100/1100 74 Editing Records — Music Finder Record Edit F rom this display , you can call up existing records and edit them to suit your preferences. Y ou can even use this to create y our own Music Finder records. ■ [A] MUSIC Selects the music or song title for editing.
Styles 75 PSR-2100/1100 ■ [J] NEW RECORD Registers a new record. T he smallest a vailable empty record number is used for registering. When you press this button, a message appears prompting y ou to execute, abort or cancel the operation. YES ......
PSR-2100/1100 76 The Multi Pads T he PSR-2100/1100 Multi P ads can be used to pla y a number of short pre-recorded rh ythmic and melodic sequences that can be used to add impact and variety to y our keyboard performances. 1 Select the desired bank in the MUL TI P AD Bank displa y (page 38).
The Multi Pad 77 PSR-2100/1100 T his function lets you cop y individual Multi P ad settings from one Multi P ad bank to another . Multi Pad Edit I F J G H D A E B C 8 1 2 3 4 5 6 7 Select the desired Multi P ad(s). The same as the Open/Sav e display on pages 44 and 47.
PSR-2100/1100 78 Song Playback Here you’ll learn ho w to play bac k songs. Songs include the internal songs of the instrument, performances you’ ve recorded yourself using the recording functions (page 95), and commer cially av ailable song data.
Song Playback 79 PSR-2100/1100 Playing the Internal Songs Song Playback BA CK NEXT I F J G H D A E B C BA CK NEXT I F J G H D A E B C REC REW FF ST ART/STOP TOP NEW SONG SYNC. ST ART SONG METRO- NOME EXTRA TRACKS (STYLE) (R) (L) TRACK 2 TRACK 1 REPEA T E ND 2 -2 Open a folder and select a song to be played bac k.
Song Playback PSR-2100/1100 80 Simultaneously Pla ying a Song and an Accompaniment Style When pla ying back a song and an accompaniment style at the same time, channels 9 - 16 of the song data are rep.
Song Playback 81 PSR-2100/1100 Playing Back Songs on Disk Insert the disk into the driv e. T he method for pla ying back is the same as in the “Playing the Internal Songs” instructions (page 79), except that you should select FLOPPY DISK page in the SONG displa y .
Song Playback PSR-2100/1100 82 T his feature lets you mute certain parts of the song (T r ack1, T rack2, Extr a T racks), and pla y back only those parts y ou w ant to hear . F or example, if you want to pr actice the melody of a song, y ou can mute just the right-hand part and play that part yourself.
Song Playback 83 PSR-2100/1100 With this feature, y ou can hav e the notation automatically shown on the display as the song pla ys. This can be used with your o wn recordings as well as the internal Demo songs. Displaying Music Notation — Score D A E B C 8 1 2 3 4 5 6 7 1 Select the desired song (page 79, 81).
Song Playback PSR-2100/1100 84 Detailed Settings for Notation ■ [1 ▲▼ ] LEFT CH/[2 ▲▼ ] RIGHT CH T his determines the Left channel (c hannel for the left-hand part) and Right channel (channel for the right-hand part). T his setting returns to AU TO when a different song is selected.
Song Playback 85 PSR-2100/1100 ■ [6 ▲▼ ] NOTE NAME Select the Note Name type when “ NO TE ” (page 83) is set to ON. ABC ................. Note names are indicated as letters (C, D , E, F , G, A, B). Fix ed Do .......... Note names are indicated in solfeggio and differ depending on the selected language (page 52).
Song Playback PSR-2100/1100 86 T his function lets you displa y the lyrics while the song is pla ying back — making it easy to sing along with y our performance or song pla yback. * Microphone input is a vailable only on the PSR-2100. Displaying the Lyrics D A E B C 1 Select the desired song (page 79, 81).
87 PSR-2100/1100 Saving and Recalling Custom Panel Setups — Registration Memor y Registration Memory is a powerful feature that lets y ou set up the PSR-2100/1100 just as you w ant — selecting specific voices, styles, effect settings etc. — and sa ve y our custom panel setup for future recall.
Saving and Recalling Custom Panel Setups — Registration Memory PSR-2100/1100 88 Saving Y our Registration Memor y Setups T he settings registered to the REGISTRA TION MEMORY [1]-[8] buttons are sa ved as a single file. REGISTRA TION EDIT display T he contents of the current Registration Memory bank (REGIST .
Saving and Recalling Custom Panel Setups — Registration Memory 89 PSR-2100/1100 Y ou can recall all of the panel settings you’ ve made — or only those you specifically w ant or need.
PSR-2100/1100 90 Editing V oices — Sound Creator T he PSR-2100/1100 has a Sound Creator feature that allows y ou to create your own voices by editing some parameters of the existing voices. Once y ou’ ve created a voice, y ou can sa ve it as a USER voice for future recall.
Editing the voice -SOUND CREATOR- 91 PSR-2100/1100 Regular V oice Parameters T he parameter for Organ Flute, see page 94 T he following parameters are linked to the ones in eac h display . COMMON T he explanations here apply to step #3 on page 90. COMMON Deter mines the common settings such as voice v olume or octave .
Editing the voice -SOUND CREATOR- PSR-2100/1100 92 SOUND T he explanations here apply to step #3 on page 90. ■ FIL TER FIL TER settings determine the o verall timbre of the sound by boosting or cutting a certain frequency r ange. ■ EG T he EG (Envelope Gener ator) settings determine how the level of the sound changes in time.
Editing the voice -SOUND CREATOR- 93 PSR-2100/1100 ■ VIBRA TO • DEPTH ........ Determines the intensity of the V ibrato effect (see diagram). Higher settings result in a more pronounced V ibrato. • SPEED ......... Determines the speed of the V ibrato effect (see diagram).
Editing the voice -SOUND CREATOR- PSR-2100/1100 94 Organ Flutes (PSR-2100 only) In addition to the many organ v oices in the ORGAN voice category , the PSR-2100/1100 has an ORGAN FLUTES v oice.
95 PSR-2100/1100 Recording Y our Performances and Creating Songs — Song Creator W ith these po werful yet easy-to-use song creating features, you can record y our own keyboard performances and store them for future recall.
Recording Your Performances and Creating Songs — Song Creator PSR-2100/1100 96 T his is the easiest recording method — perfect for quickly recording and pla ying back a piano song y ou’ re practicing, so you can c heck your progress.
Recording Your Performances and Creating Songs — Song Creator 97 PSR-2100/1100 T his lets you record a song with sev eral different instrument sounds on up to sixteen channels, and create the sound of a full band or orc hestra. T he structure of the channels and parts are sho wn in the chart below .
Recording Your Performances and Creating Songs — Song Creator PSR-2100/1100 98 D C 3 Select the part you w ant to assign to the channel to be recor ded. T his determines whic h of the keyboard-play ed parts (Main/Lay er/Left) and the accompaniment style parts (RHYTHM 1/2, B ASS, etc.
Recording Your Performances and Creating Songs — Song Creator 99 PSR-2100/1100 T his method lets you create a song b y entering notes one by one, without ha ving to perform them in real time. T his is also convenient for recording the c hords and the melody separ ately .
Recording Your Performances and Creating Songs — Song Creator PSR-2100/1100 100 ■ Bar/Beat/Clock ■ V elocity T he table below shows the a vailable settings and the corresponding velocity v alues. ■ Gate Time T he following settings are a vailable: Normal .
Recording Your Performances and Creating Songs — Song Creator 101 PSR-2100/1100 Recording Melodies — Step Record (Note) In this section, we’ll sho w you how to use Step Recording b y guiding you through this actual music example, sho wn at right.
Recording Your Performances and Creating Songs — Song Creator PSR-2100/1100 102 Recording Chord Changes for the Auto Accompaniment — Step Record (Chord) T he Chord Step recording feature makes it possible to record auto accompaniment chord c hanges one at a time with precise timing.
Recording Your Performances and Creating Songs — Song Creator 103 PSR-2100/1100 ■ Play back the newly created chord progression Use the [C] ( ) button to mo ve the cursor to the beginning of the song, and press the SONG [ST ART/ST OP] button to hear the newly entered notes.
Recording Your Performances and Creating Songs — Song Creator PSR-2100/1100 104 F rom this display y ou can set up how recording is started and stopped for either Quick Recording or Multi Recording. To call up these settings, select the REC MODE displa y by using the [B ACK][NEXT] button, after performing oper ation steps 1 - 3 on page 99.
Recording Your Performances and Creating Songs — Song Creator 105 PSR-2100/1100 Whether you’ ve recorded a song using Quic k Recording, Multi Recording, or Step Recording, you can use the editing features to change the song data. Editing Channel-related Parameters — Channel Calling up the operations here apply to step 4 on page 99.
Recording Your Performances and Creating Songs — Song Creator PSR-2100/1100 106 Delete T his lets you delete recorded data in the specified c hannel. Mix T his function lets you mix the data of tw o channels and place the results in a different channel.
Recording Your Performances and Creating Songs — Song Creator 107 PSR-2100/1100 Channel T ranspose T his allows y ou to transpose the recorded data of individual channels up or do wn by a maximum of two octa ves in semitone increments.
Recording Your Performances and Creating Songs — Song Creator PSR-2100/1100 108 Editing Note Events — 1 - 16 F rom this display , you can edit individual note ev ents (see below). Calling up operations here apply to step 4 on page 99. Use the [BA CK] / [NEXT] buttons to call up the display belo w .
Recording Your Performances and Creating Songs — Song Creator 109 PSR-2100/1100 Editing Chord Events — CHD F rom this display , you can edit the chord ev ents you’ ve recorded to the song. Calling up operations here apply to step 4 on page 99. Use the [B ACK] / [NEXT] buttons to call up the display below .
Recording Your Performances and Creating Songs — Song Creator PSR-2100/1100 110 Inputting and Editing L yrics T his convenient function lets y ou enter the song name and the lyrics for the song. It also lets you change or correct already existing lyrics.
111 PSR-2100/1100 Creating Accompaniment Styles — Style Creator T his powerful feature lets y ou create your own original styles, whic h can then be used for auto accompaniment — just as with the preset styles.
Creating Accompaniment Styles — Style Creator PSR-2100/1100 112 Style File Format T he Style File F ormat (SFF) combines all of Y amaha’ s auto accompaniment know-how into a single unified format. By using the edit functions, you can take full ad vantage of the SFF format and freely create your o wn styles.
Creating Accompaniment Styles — Style Creator 113 PSR-2100/1100 Y ou can use the Realtime Recording features to create your own accompaniment style — either from scratc h or based on the preset accompaniment data. T he operations here apply to step 4 on page 112.
Creating Accompaniment Styles — Style Creator PSR-2100/1100 114 With this method, y ou can create a style pattern by entering notes and other data individually , without having to perform them in real time. T he operations here apply to step 4 on page 112.
Creating Accompaniment Styles — Style Creator 115 PSR-2100/1100 T his convenient function lets y ou combine accompaniment elements — such as rh ythm, bass, and chord patterns — from existing styles, and use them to create your o wn original accompaniment styles.
Creating Accompaniment Styles — Style Creator PSR-2100/1100 116 Change the Rhythmic Feel — Groove and Dynamics T hese versatile features gi ve you a wide v ariety of tools for changing the rh ythmic feel of your created accompaniment style. T he operations here apply to step 4 on page 112.
Creating Accompaniment Styles — Style Creator 117 PSR-2100/1100 ■ Dynamics Dynamics par ameters Accent T ype Selects the type of accent. Strength Determines how strongly the selected Accent T ype (above) will be applied. The higher the value , the stronger the effect.
Creating Accompaniment Styles — Style Creator PSR-2100/1100 118 Editing the Channel Data In this displa y , there are five different c hannel-related edit functions, including Quantize, for editing the recorded accompaniment style data. T he operations here apply to step 4 on page 112.
Creating Accompaniment Styles — Style Creator 119 PSR-2100/1100 Making Style File Format Settings — Parameter T his display pro vides a variety of style controls— such as determining ho w the pitch and sound of the recorded style change w hen playing the c hords in the left-hand range of the keyboard.
Creating Accompaniment Styles — Style Creator PSR-2100/1100 120 • NTT (Note T r ansposition T able) T his sets the note transposition table for the source pattern. Six tr ansposition types are av ailable. Bypass No transposition. Melody Suitable for melody line tr ansposition.
121 PSR-2100/1100 Creating Multi Pad — Multi Pad Creator T he PSR-2100/1100 lets you create y our own original Multi P ad phrases — w hich y ou can use in your performances in the same wa y as the preset Multi P ads.
Creating Multi Pad — Multi Pad Creator PSR-2100/1100 122 T he operations here apply to step 4 on page 121. Start recording F irst, select the desired v oice. Press the [H] (REC) button to set the Record standby mode. Recording begins automatically as soon as you pla y on the keyboard.
Creating Multi Pad — Multi Pad Creator 123 PSR-2100/1100 With this method, y ou can create a Multi P ad by entering notes and other data indi vidually , without ha ving to perform them in real time.
PSR-2100/1100 124 Adjust the V olume Balance and Changing V oices — Mixing Console Set up just like a real mixing console, this displa y gives y ou comprehensiv e control over the sound. Y ou can call up additional basic mixing controls by using the [BALANCE] button and the [CHANNEL ON/OFF] button (page 64).
Adjust the Volume Balance and Changing Voices — Mixing Console 125 PSR-2100/1100 T he operations for this page apply to step 2 of the procedure on page 124.
Adjust the Volume Balance and Changing Voices — Mixing Console PSR-2100/1100 126 T he operations for this page apply to step 2 of the procedure on page 124. T he operations for this page apply to step 2 of the procedure on page 124. PORT AMENT O TIME .
Adjust the Volume Balance and Changing Voices — Mixing Console 127 PSR-2100/1100 T he operations for this page apply to step 2 of the procedure on page 124. Adjusting the Effects There are three effect sec- tions: Rev erb, Chorus, and DSP (which contains a vari- ety of effect types).
Adjust the Volume Balance and Changing Voices — Mixing Console PSR-2100/1100 128 Effect Block Block Par t s Characteristics Number of User Effect REVERB All par ts Reproduces the warm ambience of playing in a concer t hall or jazz club . 3 CHORUS All parts Produces a r ich “f at” sound as if se veral parts are being play ed simultaneously .
Adjust the Volume Balance and Changing Voices — Mixing Console 129 PSR-2100/1100 Effect Structure T he PSR-2100/1100 features the following digital effect systems.
Adjust the Volume Balance and Changing Voices — Mixing Console PSR-2100/1100 130 Usually an equalizer is used to correct the sound output from amps or speakers to match the special c haracter of the room. T he sound is divided into sev eral frequency bands, allowing y ou to correct the sound by raising or lo wering the level for eac h band.
131 PSR-2100 Using a Microphone — MIC. (PSR-2100 only) T his extraordinarily powerful feature uses ad vanced v oice-processing technology to automatically produce vocal harmony based on a single lead v ocal. F our distinct harmony modes as well as an extensiv e selection of preset harmony types are provided.
Using a Microphone — MIC. (PSR-2100 only) PSR-2100 132 V ocal Harmony P arameter List Chordal T ype/V ocoder T ype Determines how the harmony notes are applied. Harmony Gender T ype Can be set to “Off ” or “A uto”. When “Auto”, the gender of the harmony sound is changed automatically .
Using a Microphone — MIC. (PSR-2100 only) 133 PSR-2100 Operation Adjusting the V ocal Harmony Settings and Microphone Effects — OVERALL SETTING T he explanations here apply to step 2 above. ■ 3BAND EQ (3-BAND EQUALIZER) Usually an equalizer is used to correct the sound output from amps or speakers to match the special character of the room.
Using a Microphone — MIC. (PSR-2100 only) PSR-2100 134 ■ COMPRESSOR T his effect holds down the output w hen the input signal from the microphone exceeds a specified level. T his is useful when recording a signal with widely v arying dynamics. It effecti vely “compresses” the signal, making soft parts louder and loud parts softer .
Using a Microphone — MIC. (PSR-2100 only) 135 PSR-2100 Setting the Microphone V olume and Related Effects — T ALK SETTING Determines the settings when the [T ALK] button is on.
PSR-2100/1100 136 Making Global and Other Important Settings — Function T he Function mode giv es you access to various ad vanced functions related to the instrument as a w hole. T hese sophisticated functions let you customize the PSR-2100/1100 to y our own musical needs and preferences.
Making Global and Other Important Settings — Function 137 PSR-2100/1100 Making Settings for the Pedals and Keyboard — Controller ■ Pedal (page 142) T hese settings determine how the connected foot pedals (including foot controllers and footswitc hes) are used.
Making Global and Other Important Settings — Function PSR-2100/1100 138 T he explanations here apply to step #3 of the procedure on page 136. T uning the Overall Pitch — Master T une Selecting a S.
Making Global and Other Important Settings — Function 139 PSR-2100/1100 Scale ■ Equal T emperament T he pitch r ange of each octav e is divided equally into twelve parts, with eac h half-step evenly spaced in pitch. T his is the most commonly used tuning in music toda y .
Making Global and Other Important Settings — Function PSR-2100/1100 140 T he explanations here apply to step #3 of the procedure on page 136. Setting Song-related Parameters — Song Settings Quick Start On some commercially av ail- able song data, certain set- tings related to the song (such as voice selection, v ol- ume, etc.
Making Global and Other Important Settings — Function 141 PSR-2100/1100 T he explanations here apply to step #3 of the procedure on page 136. Setting Auto Accompaniment-related Parameters — Style .
Making Global and Other Important Settings — Function PSR-2100/1100 142 Setting the Fingering Method — Chord Fingering T his determines how the notes y ou play on the keyboard indicate or pla y the chords of the accompaniment. T o learn how to pla y certain chords, use the conv enient Chord T utor function (see note below).
Making Global and Other Important Settings — Function 143 PSR-2100/1100 Pedal-controllable Functions * For best results , use the optional Y amaha FC7 F oot Controller . The parameters below correspond to b uttons [2 ▲▼ ] - [8 ▲▼ ] , and their av ailability depends on the selected control T ype.
Making Global and Other Important Settings — Function PSR-2100/1100 144 Changing the T ouch Sensitivity Modulation and T ranspose — Keyboard/Panel Keyboard T ouch/Modulation Wheel T he T ouc h feature lets you control the v olume of the voices by y our playing strength.
Making Global and Other Important Settings — Function 145 PSR-2100/1100 T he explanations here apply to step #3 of the procedure on page 136. Specifying the Order for Calling Up Registration Memory .
Making Global and Other Important Settings — Function PSR-2100/1100 146 Changing the Automatically Selected V oice Settings — V oice Set When changing v oices (selecting a voice file), the settings best matching the v oice — the same as those set in the Sound Creator — are alwa ys and automatically called up.
Making Global and Other Important Settings — Function 147 PSR-2100/1100 About the Harmony T ypes When a normal Harmony type (“Standard Duet” through “Strum”) is selected When “Multi Assign” is selected Multi Assign automatically assigns notes play ed simultaneously on the right-hand section of the keyboard to separate parts (v oices).
Making Global and Other Important Settings — Function PSR-2100/1100 148 In this section, you can make MIDI-related settings for the instrument. T hese settings can be stored all together from the USER displa y , for future recall.F or general information and details about MIDI, see “What is MIDI?” (page 158).
Making Global and Other Important Settings — Function 149 PSR-2100/1100 Clock, T ransmit Clock, Receive T ranspose, Start/Stop ■ Clock Determines whether the PSR-2100/1100 is controlled b y its own internal clock or a MIDI cloc k signal received from an external device.
Making Global and Other Important Settings — Function PSR-2100/1100 150 Receiving MIDI Data — Receive T his determines whic h parts will receive MIDI data and ov er which MIDI c hannel the data will be received.
Making Global and Other Important Settings — Function 151 PSR-2100/1100 T he explanations here apply to step #3 of the procedure on page 136. Making Settings for Fade In/Out, Metronome, Parameter Lo.
Making Global and Other Important Settings — Function PSR-2100/1100 152 Parameter Lock T his function is used to “lock” the specified par ameters so that they can only be changed directly via the panel controls — in other words, instead of via Registration Memory , One T ouc h Setting, Music Finder , or song and sequence data.
Making Global and Other Important Settings — Function 153 PSR-2100/1100 Copying and Formatting Disks — Disk • Copying cannot be done between a 2DD disk and 2HD disk.
Making Global and Other Important Settings — Function PSR-2100/1100 154 Entering Y our Name and Language Preference — Owner Restoring the Factory-programmed Settings of the PSR-2100/1100 — System Reset T his operation lets y ou restore the PSR-2100/1100 to its original factory settings.
155 PSR-2100/1100 Using Y our PSR-2100/1100 with Other Devices 1 Using the Headphones (PHONES jack). A standard pair of stereo headphones can be plugged in here for priv ate practice or late-night pla ying. T he internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack (page 152).
Using Your PSR-2100/1100 with Other Devices PSR-2100/1100 156 3 Playing the sounds of the PSR-2100/1100 through an external audio system, and recording the sounds to an external recorder (AUX OUT/ OUTPUT jacks) Y ou can connect the PSR-2100/1100 to a wide range of audio equipment by using the A UX OUT and OUTPUT jacks.
Using Your PSR-2100/1100 with Other Devices 157 PSR-2100/1100 6 Connecting to a Computer (USB terminal, MIDI terminal) Connecting your PSR-2100/1100 to a computer allo ws you to tr ansfer data back and forth between the two and take adv antage of the powerful and versatile music software a vailable.
Using Your PSR-2100/1100 with Other Devices PSR-2100/1100 158 • When using a MIDI interface with a Macintosh series computer , connect the RS-422 terminal of the computer (modem or printer terminal).
Using Your PSR-2100/1100 with Other Devices 159 PSR-2100/1100 T he “controller” and “tone generator” in the illustration above are equi valent to the piano in our acoustic example. Here, the pla yer’ s performance on the keyboard is captured as MIDI song data (see illustration below).
Using Your PSR-2100/1100 with Other Devices PSR-2100/1100 160 MIDI channels MIDI performance data is assigned to one of sixteen MIDI channels. Using these c hannels, 1 - 16, the performance data for sixteen different instrument parts can be simultaneously sent over one MIDI cable.
Using Your PSR-2100/1100 with Other Devices 161 PSR-2100/1100 MIDI Data Compatibility T his section covers basic information on data compatibility: whether or not other MIDI devices can pla yback the .
Using Your PSR-2100/1100 with Other Devices PSR-2100/1100 162 V oice Allocation Format With MIDI, v oices are assigned to specific numbers, called “program numbers. ” T he numbering standard (order of voice allocation) is referred to as the “v oice allocation format.
163 PSR-2100/1100 T roubleshooting Prob lem P ossible Cause and Solution • The PSR-2100/1100 does not tur n on; there is no power . Make sure that the PSR-2100/1100 has been plugged in proper ly (page 16). •A click or pop is heard when the power is turned on or off.
Troubleshooting PSR-2100/1100 164 • Cer tain notes sound at the wrong pitch. The Scale parameter has probably been set to something other than “Equal, ” changing the tuning system of the keyboard. Make sure “Equal” is selected as the Scale in the Scale T une page ( page 138).
165 PSR-2100/1100 Specifications : av ailable Model Name PSR-2100 PSR-1100 Sound Source A WM Dynamic Stereo Sampling Display 320 ✕ 240 dots bac klit graphic LCD Ke yboard 61 ke ys (C1 - C6 with Ini.
Specifications PSR-2100/1100 166 * Specifications and descriptions in this owner's manual are for information purposes only . Y amaha Corp. reserves the right to change or modify products or specifications at an y time without prior notice.
167 PSR-2100/1100 Index Numerics 1 - 16 ........................................................................... 99, 108 [1 ▲▼ ] - [8 ▲▼ ] buttons ........................................... 19, 38–48 3BAND EQ (3-BAND EQUALIZER) .........
Index PSR-2100/1100 168 [DIRECT ACCESS] button ............................................... 19, 50 Direct Access Chart .............................................................. 51 Disk ..........................................................
Index 169 PSR-2100/1100 Keyboard Percussion ............................................................ 58 Keyboard Touch ................................................................. 144 Keyboard/Panel ...........................................
Index PSR-2100/1100 170 Playing a style ................................................................ 28, 62 Playing a Style’s Rhythm Channels only ............................... 64 Playing Along with the PSR-2100/1100 ..........................
Index 171 PSR-2100/1100 Song Playback .......................................................... 21, 78, 79 Song Recording .................................................................... 95 Song Settings ..........................................
Index PSR-2100/1100 172 MEMO.
L imited W arr anty 90 D A YS LABOR 1 YEAR P AR TS Y amaha Corporation of America, hereafter referred to as Y amaha, warrants to the original consumer of a product included in the cate- gories listed below , that the product will be free of defects in materials and/or workmanship for the periods indicated.
* This applies only to products distributed by Y AMAHA CORPORA TION OF AMERICA. (class B) (standby) FCC INFORMA TION (U .S.A.) 1. IMPORT ANT NOTICE: DO NO T MODIFY THIS UNIT! This product, when installed as indicated in the instruc- tions contained in this manual, meets FCC require- ments.
PSR2100/1100_Cover 裏 - 1 - Introduction SPECIAL MESSA GE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any po wer sup- ply or adapter other than one described in the manual, on the name plate, or specifically recommended by Y amaha.
OWNER’ S MANUAL DIC 99 OWNER ’ S MANUAL OWNER ’ S MANUAL M.D .G., Pro Audio & Digital Musical Instrument Division, Y amaha Corporation © 2003 Y amaha Corporation WA44060 302APAP3.3-02B0 Printed in China Yamaha PK CLUB (Portable Keyboard Home Page, English only) http://www.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Yamaha 1100 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Yamaha 1100 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Yamaha 1100, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Yamaha 1100 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Yamaha 1100, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Yamaha 1100.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Yamaha 1100. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Yamaha 1100 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
