Manuel d'utilisation / d'entretien du produit PRO-660 du fabricant Swann
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1 Advanced Featur es: On-Scr een Display MOSD06052011 English PRO-660 PRO-670 PRO-680 PRO-661 PRO-671 PRO-681.
2 About the OSD So - you’ve got one (or more!) of Swann ’ s range of PRO cameras, and you want to use some of the advanced features. Good call! It may seem a little tricky at first, but it’ s pretty easy once you’re up and running. Y ou can adjust almost any aspect of how the camera captures images.
3 The RS485 Controller Using the Quick Configuration The Quick Config button will give you instant access to the following settings: 1. DYNAMIC: Digital Wide Dynamic Range (DWDR) [page 10] 2. CONTRAST [page 14] 3. SHARPNESS [page 14] 4. BRIGHTNESS [page 9] 5.
4 Connection Guide 1 2 3 1. Connect the DC in plug on the camera cable to the DC out pin on the end of the extension cable. 2. Connect the BNC connector on the camera cable to the BNC connector on the extension cable. 3. Plug the green RS485 plug on the end of the camera cable to the RS485 port on the extension cable.
5 4 5 6 7 8 Attaching the RS485 Plug 1. Using a small, flat blade screwdriver , loosen the two screws. 2. Observing the adjacent diagram, insert the PURPLE/RED wire into the LEFT/ UPPER port, and tighten the screw so that it is held secur ely . 3. Repeat with the GREY/BLACK wire into the RIGHT/LOWER port.
6 Exposure Special Setup White Balance Backlight Reset Factory Default BLC HLC WB Manual Cam T itle Motion Privacy Image Adj Font Color Display Shutter Brightness AGC DWDR Menu Structure.
7 Setup (Main) Menu Exposure: Contr ols how sensitive the camera will be to light. Press SELECT to enter the Exposure sub-menu (page 9) to access the detailed exposur e controls. Note: As the cameras have fixed iris lenses, control over exposur e is determined by the electronic shutter (that is, how long each frame is “exposed” for).
8 AWC --> SET : Allows you to create a custom white balance. Y ou’ll need a sheet of thick white card/paper . Hold the paper in front of the camera so that it covers just over half the viewing area.
9 From the EXPOSURE menu, you can contr ol how the camera reacts to lighting conditions. SHUTTER: This setting controls the behaviour of the electr onic shutter . In a nutshell, it controls how long the camera will expose each frame. The longer that the electronic shutter is “open”, the mor e light it will let in.
10 DWDR (Digital Wide Dynamic Range) Menu Y ou can change and set the way that the camera captures and r epresents differ ent lighting conditions. LEVEL: The higher you set the LEVEL, the more dynamic your images can be. It works by changing how the camera interprets data fr om the CCD (the actual image sensor).
11 ‘Special’ Menu CAM TITLE: Y ou can give your camera a name, if you’d like to. There’ s no requir ement to do so, but it can make identifying which video feed you’re viewing on a multiple camera setup easy to determine at a glance. It’ s also kind of nice to feel like the camera is your friend.
12 AREA SELECT : Choose which areas of the camera’ s view that you’d like to configure. Y ou can have up to four areas defined and active simultaneously , which can overlap or be quite discrete. AREA ST A TE: Whether the area has motion detection enabled or not.
13 IMAGE ADJ.: The Image Adjustment menu allows you to control many aspects of the camera’ s pictures. LENS SHAD.: If your lens is exposed to direct light, the LENS SHADE option can improve the quality of your images.
14 Image Adjustment Menu: Continued FONT COLOR: What colors the on-screen text will be. There ar e fifteen options, the default (white) is #3. The text will always have a black border . CONTRAST : Controls the dynamic range of the camera’ s output.
15 PED LEVEL: Altering the PED level will slightly alter the output voltage of the composite video out, altering the way that a CRT monitor will build images by combining the red, gr een and blue pixels on screen. Higher values will give brighter images, particularly in darker areas of gr eyscale.
16 GAMMA: Allows you to fine tune the gamma repr oduction curve of your monitor . This is an expert feature, and intended for advanced users only . If you want to make adjustments to your images, we .
17 Backlight Compensation Menu (BLC) AREA SELECT : Choose which areas of the camera’ s view that you’d like to configure. Y ou can have up to four areas defined and active simultaneously , which can overlap or be quite discrete. AREA ST A TE: Whether the area has backlight compensation enabled or not.
18 Highlight Compensation Menu (HLC) LEVEL: Sets when highlights will be masked. The lower the value, the lower the requir ed luminance value will be for the camera to mask it, and thus the more areas of the scr een will be masked. MODE: Y ou can choose when HLC will be active.
19 Manual White Balance Menu COLOR TEMP: Color temperature (technically measur ed in degrees kelvin) is a measurement of the average wavelength of light being photographed. Artificial lights (particularly older style tugnsten bulbs) have a low color temperature, somewhere between 3000°K and 3500°K, and this appears to be an orange/yellow color .
© Swann Communications 2011 Advanced security made easy™ W arranty Information Helpdesk / T echnical Support Details Swann T echnical Support All Countries E-mail: tech@swannsecurity .
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Swann PRO-660 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Swann PRO-660 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Swann PRO-660, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Swann PRO-660 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Swann PRO-660, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Swann PRO-660.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Swann PRO-660. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Swann PRO-660 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
