Manuel d'utilisation / d'entretien du produit Spirit Folio 4 du fabricant SoundCraft
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Thank you for buying a SPI RIT FOL IO 4 mixer, brought t o y ou with p ride by t he S PIRI T team of P eter, Graham, Malcolm, M artin, P eter, B rian, George, Colin, T ony, Jam es, M ukesh, Andy , Candy and Simon.
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e This group of switches selects a choice of sources for the STEREO LISTEN switch (see below). Any combination may be selected as required. A built-in 1kHz OSCILLA T OR provides a test tone for system tests or aligning T ape Machines. Press the switch to turn ON the oscillator and feed a 1kHz tone to the MIX and GROUP outputs at a fixed level.
Normally the Monitor and Phones outputs receive either the Mix signal or the 2 T rack Return signal, depending on the position of the MIX/2TK switch. STEREO LISTEN provides a further choice of sources from Aux Sends 5-8, Groups 1-4 or Stereo Returns PFL.
You will probably use your SP IRI T FOLIO 4 with a wide r ange of different types of sound source, and these will be at varying signal levels. It is i m port ant to set the GAIN of the inputs corr ectly to give the best perfor mance.
While the connec tions to the FOLIO 4 for PA wor k are quite s traightf orward, recording is rather more dem anding because the m ixer is not only required to mix down input s i gnals but a l so t o provide a monitor mix for art ists to hear previously recorded tracks when overdubbing new parts.
Balan ced Input 2. Hot(+v e) 3. Cold( -ve) 1. Screen MONO INPUT CHANNEL Unbala nced Input 1. Screen 2. Hot(+ ve) Link 3 to 1 Hot (+ve) Cold (-ve) Gnd/Screen Signal Gnd/Screen Gnd/Screen Tip Ring Sleev.
INSERT The pre-EQ Inser t is a break point in the channel signal path. I t allows the signal to be taken out of the mixer, through an external piece of equipment and then back into the m ixer to continue thr ough to the f inal output. The Insert is a 3-pole ‘A’ gauge jack socket, wh ich is normally bypassed.
These contr ol s route the input channel signal to any one or more of eight Auxiliary busses. These combine th e sends from each channel, mixing them to separate outputs on the rear of the mixer. Since they are independent of the main outputs t hey can provide additional sources for foldback, effects processors or ex t ra loudspeaker ‘fil ls’.
STEREO INPUT CHANNE LS 13-2 0 STEREO INPUT L & R These i nputs accept 3-pole ‘A’ gauge (TRS) jacks. Use t hese inputs for sources such as keybo a rds, d rum mac hines, sy nths, tape machi nes or as re turn s from processi n g un it s.
This send can be pre- fade and used in the same way as Aux Sends 1 & 2 for Foldback or as a Monitor feed, but for Effect s it is more appropriate for the Aux Send to fade up and down with the fader (PO S T-FADE).
Just like the P FL switches on the channels, you can monitor the AUX 1-4 outputs by pressing the latching AFL switch. This rout es the AUX out put signal to the MO NITOR or P HONES, rep lacing any existing signal (norm ally the Monitor receives e i ther MI X or the Tape Ret urn, depending on the position of the MIX switch - see bel ow).
The three colour PPM Bargraph Meters normally fol low the Monitor selection to show the level of the S t ereo MIX outputs or 2-T rack Tape Ret urns, giving y ou a constant warning of exc essive peaks in the signal which might cause overloading.
STEREO PUBLIC ADDRESS In this basic PA Set-up, v arious sources are connec ted to the inputs, microphones to Mic inputs and keyboards etc. to L ine inputs. Note that som e gu itars will not produce suff icient level for a direct connect ion, and will requi re a Direct In j ection (DI ) box connected via the microphone input .
PUBLIC ADDRESS - STEREO + SIDE F I L L OR CENTRE F E ED In this second example an additional side fill or cent re speaker cluster is driven from Aux 7 & 8, Aux 4 or Aux 3 switched to Post -fade, with individual rotary fader contro l. Aux 7 & 8 woul d be ideal, since a Group can also feed these Aux sends if required.
STEREO RECORDING The console m ay be used for 2-T rack or basic m ul titrac k recording, l ive or in the stud i o. T he set up is s i mi lar to the previous ex amples, but w i th the Mix L/ R Output feeding a 2-Track Tape M achine. T he tape out puts are brought back to the console for monitoring via t he 2-Track Tape Returns.
4-Track Reco rd ing The console m ay also be used for 4- T r ack recording. T he set up i s sim i lar to the previous examp l e, but with a 4-track recor der fed from the Group Outputs and brought back for monitoring via 4 line inputs. In this case a compressor /limiter is shown applied to one o f the mic channels via the insert.
AFL (After Fade Liste n) a function t hat allows the ope rator to mo nitor the post -fa de signa l in a cha nnel indep endent ly of the main mix. Balance the rela tive levels of the left and r ight c hann els of a stereo s ignal.
(Measured 20Hz - 20kHz RMS) Ω (inc. No ise @ 1kHz) (@ 1kHz, typical) Ω 25.
1 19.37 (4.70") 777.00 (30.59") 470.00 (18.50") 124.00 (4.88") 17.00 (0.67") 410.00 (16.14") Ω Ω Ω 26.
3 1 2 MONO INPUT CHANNEL STEREO INPUT CHANNEL STEREO RETURNS ▲ ▲ ➚ ➚ ➚ ➚ MASTER SECTION SY STE M BLOCK DIAGRAM 27.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté SoundCraft Spirit Folio 4 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du SoundCraft Spirit Folio 4 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation SoundCraft Spirit Folio 4, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le SoundCraft Spirit Folio 4 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le SoundCraft Spirit Folio 4, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du SoundCraft Spirit Folio 4.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le SoundCraft Spirit Folio 4. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei SoundCraft Spirit Folio 4 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
