Manuel d'utilisation / d'entretien du produit AT-350C du fabricant Roland
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Copyright © 2011 ROLAND C ORPORA TION All rights reserved. No part of this publication may be reproduced in an y form without the written permission of ROLAND CORPORA TION. Roland, GS, SuperNA TURAL, VIMA, and VIMA TUNES are either register ed trademarks or trademarks of Roland Corporation in the United States and/or other countries.
4 Quick Star t T rying O ut the Sounds Let’ s tr y playing v arious instrumental sounds. Pr oducing S ound On O 3. While playing the keyboar d, use the [Master Volume] knob to adjust the volume . 2. Press the [P ower] switch to turn on the power .
5 Quick Star t P er forming with Rhythms Here ’ s how to enjoy listening to rh ythms in various styles while you play . 2. Use the Value [-] [+] buttons t o select a rhythm. 4. Play along with the rh ythm. 1. Press a Rh ythm button to select the desired rhythm g roup (p .
6 Quick Star t Recalling V oices and Rhythms with a Single Button Here ’ s how you can recall settings f or voices and rhythms b y pressing a single button. Recalling voic es and other panel settings 1. Press and immediat ely release one of the registr ation [1]–[8] buttons.
7 Quick Star t Playing Along with a Song Here ’ s how you can play back one of the songs that ar e built into the A TELIER, and per form along with the song. 2. Use the Value [-] [+] buttons t o select a song. 4. Play along with the song . 1. Press the [Song] button.
8 Do not open (or modify in any way) the unit or its A C adaptor . Do not attempt to repair the unit, or r eplace parts within it (except when this manual pr ovides specic instructions directing you to do so).
9 USING THE UNIT SAFEL Y 9 In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe oper ation of the unit.
10 IMPORT ANT NO TES P ow er Supply • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an in verter (such as a refrigerator , washing machine, micro wave ov en, or air conditioner), or that contains a motor .
11 IMPORT ANT NOTES 11 Before U sing USB Memories Using USB Memories • Carefully insert the USB memories all the way in—until it is rmly in place.
12 C onten ts Q u i c k S t a r t ......................................... 4 T r y i n g O u t t h e S o u n d s ........................................... 4 P e r f o r m i n g w i t h R h y t h m s ........................................ 5 Recalling Voic es and Rhythms with a Single Button .
13 Cont ents Adjusting the Volume of the Vintage Organ ( V i n t a g e O r g a n V o l u m e ) .................................... 92 Selecting the Parts to which V ibrato or Chorus will be Applied ( Vibra to/Chorus Part) . . . . . . . . . . . . . . .
14 P anel Descriptions 1 Solo v oice select buttons (p . 29) Use these buttons to select a solo voice and to adjust the v olume of the solo voice. Solo part [Alterna te] button (p . 29) Level [ ] [ ] buttons (p. 35) [ T o Lower] button (p . 47) 2 V intage Organ buttons (p .
15 Panel Descriptions Panel Descriptions 10 L ower voic e select buttons (p . 29) These buttons let you select the lower v oice and adjust the volume of the lower voic e. Low er part [Alterna te] button (p . 29) Level [ ] [ ] buttons (p. 35) 11 Upper v oice selec t buttons (p .
16 Panel Descriptions 17 [Utility] button (p. 90) This button takes you to the Utility menu. [Display/Exit] button This button returns you t o the previous screen or cancels an operation. Menu [ ] [ ] buttons These buttons select parameters. V alue [-] [+] buttons These buttons select a song or rhythm, or edit the v alue of a setting.
17 Panel Descriptions Panel Descriptions 23 Rh ythm select buttons (p. 58) These buttons select and play rhythms. Rhythm button T empo [ ] [ ] buttons (p . 62) Arranger [ On/O ] button (p. 62) Auto [F ill in] button (p. 63) V ariation [1]–[4] buttons (p .
18 Panel Descriptions Rear P anel 2 3 1 5 4 6 7 8 9 1 USB (MIDI) c onnector Connect your computer f or transferring performance data (p. 113). 2 MIDI c onnectors Connect an external MIDI device here to transfer performance data (p . 113). 3 Input jacks Y ou can connect an audio source here (p .
19 Panel Descriptions Panel Descriptions O ther C onnec tors 1 2 1 USB Memory connector This port lets you connect separately available USB memory or a CD drive. Y ou can use USB memory to store a registration set or a song that y ou’ ve recor ded on the A TELIER (p.
20 Getting Ready Placing the A TELIER on the Stand If you place the A TELIER on a stand, you must use the KS-G8 or the KS -12 (sold separat ely). NO TE! • When placing the A TELIER on the stand, be careful not to pinch your ngers between the instrument and the stand.
21 Getting Ready Attaching the Music Rest 1. Remove the two music r est fastening screw s from the rear panel. 2. Tight en the two screws t o fasten the music rest in place . NO TE! • When attaching the music rest, support it securely with your hand so that it does not fall.
22 T urning the P ower On/O * Once the connections have been completed, turn on po wer to y our various devices in the order specied . By turning on devices in the wrong order , you risk causing malfunction and/or damage to speakers and other devices.
23 Getting Ready V iewing the basic screen The A TELIER has three types of basic display screen: the Rhythm Screen, the Composer Screen and the Registration Scr een.
24 Live performance Mixer , etc. Pow er amp/speaker Main Out jack MEMO If you connect speakers or an external reverb unit to the A UX Out jacks, you ’ll be able to much more readily e xpress the expansiveness of the stereo sound eld and add mor e of a sense of presence to y our music (p.
25 Getting Ready Setting up the pedalboard Set up the pedalboard as shown below . F or the PK-25A Position the pedalboard so tha t the lower keyboard’ s A4 key is aligned with the center of the PK -25A ’ s expression pedal. Position the pedalboard so tha t the A TELIER’ s rear panel is aligned with the PK-25A ’ s rear panel.
26 C onnecting expression pedals and pedal switches Y ou can connect an expression pedal (EV-7; sold separately) and pedal switches (DP series; sold separately) to the P edal jacks on the rear panel.
27 Getting Ready Listening t o the Demo S ongs The A TELIER contains 10 demo songs. Here’ s how to play the demo songs, and fully apprecia te the sounds, Rhythms, and A utomatic Accompaniment that are available with the A TELIER. 3 4 2 1 5 1. Press the [Registr ation] button and [Media] button simultaneously .
28 P er f or ming Selec ting Sounds ( V oices) The A TELIER is able to produce the sounds of various instruments. These sounds are called “Voices. ” About the V oices and P ar ts The A TELIER is a t wo-manual instrument. These two manuals are called the “upper keyboard” and the “lower keyboard.
29 P er forming F unc tions of the V oice Buttons Each time you press a voic e button, its indicator will alternate between lit and unlit; when the indica tor of a voice ’ s button is lit, that voice can be played. With the ex ception of the pedal bass buttons, two v oices of the same categor y are assig ned to each button.
30 Selec ting a v oice of the [ O thers] butt on Each part has an [Others] button. By using the [O thers] button y ou can select voices other than organ, such as violin or ute . 1. Press the [ O thers] button for the P ar t for which y ou wish to specify a voic e.
31 P er forming Recalling Panel Settings by Choosing a K ey w ord (Music Assistant) The A TELIER contains panel settings appropriate for various well-known songs from around the w or ld. By choosing a keyword that suits the feel of your song , you can easily recall a rhythm accompaniment and melody voic es.
32 Crea ting O r gan Sounds ( V intage Organ) The Vintage Organ button lets you add vintage organ sounds t o the upper and lower parts. In addition, you can also use the harmonic bars to modify the selected sound as desired.
33 P er forming Playing a V intage Organ V oice 1. Press the Vintage Organ [ On/O ] button so its indicator is lit. Each time you press the button, the indicat or will alternate between ON (lit) and OFF . The Vintage organ screen appears. 2. Slide the harmonic bars that you w ant to hear .
34 Adjusting the r at e at which the per cussion dec a ys Y ou can shorten the decay time of the percussion sound. 1. Press the P ercussion [F ast Decay] button to swit ch the indicator between lit/unlit. Percussion [F ast Decay] Button Explanation Lit The percussion sound will disappear quickly .
35 P er forming Adjust the V olume Balance The A TELIER allows you to adjust the volume balance individually for each P ar t. The following butt ons are used to adjust the volume of a multiple number of P ar ts.
36 T ransposing to a Dier ent Ke y (Key T ranspose) Y ou can transpose the key of a performance without having to shift the position of your ngers on the keyboard. This feature is called “Key Transpose . ” For e xample: you may play in the familiar C major scale while y our music will sound in any key of your choice .
37 P er forming T ranspose the Pitch in Octav e Units ( O ctav e S hift) The pitch of the sound played b y the keyboard can be adjusted in one-oc tav e steps. This function is called “Octave Shift. ” Y ou can individually specify Octave Shift for each of the following parts.
38 Adding E ects to a V oice The A TELIER allows you to apply various eects to the sounds you play fr om the keyboard. Adding Harmon y to a Melody (Harmony Int elligence) Harmony appropriate f or the chord you play in the lo wer keyboard can be added to the highest not e played in the upper keyboard .
39 P er forming Adding Modula tion to the Sound (Rotar y Eec t) Rotary is an eect which simulates the sound of rotating speakers. There is a choice of two settings: F ast and Slow . 1. Select the voice to which you wish to apply the Rotary eect.
40 Adding Resonanc e to the Sound (Sustain Eect) Sustain allows you to add a Sustain e ec t or decay to each v oice after the keys are released . The Sustain eect can be added simultaneously to the Upper (exc ept the Solo Part), Lower , and Pedal voices.
41 P er forming Adding Rev erberation t o the Sound (Reverb E ec t) Reverb is an eect that adds a sense of spaciousness to the sound, cr eating the illusion of playing in a concert hall. 1. Press the Rev erb [ ] [ ] buttons to adjust the ov erall Reverb amount .
42 Changing the wall type By changing the type of reverb you can experience the f eeling of performing in various dierent locations, and by chang ing the W all T ype (wall material) you can make further adjustments to the way in which rev erberation occurs.
43 P er forming Making the Sound Distor t ( O v erdriv e Eect) The Overdrive e ect makes the sound distor t. 1. Press the [Utility] button. 2. Use the Menu [ ] [ ] buttons to selec t “Ov erdrive . ” 3. Use Value [-] [+] to adjust the amoun t of distortion.
44 Using the D Beam C ontr oller to Modify the Sound By positioning your hand above the D Beam contr oller located on the front panel , you can easily modify the sound or produce sound e ects. This is a useful way to make y our live performance even more expressiv e.
45 P er forming Using the L ow er Keyboar d Eec tiv ely Y ou can divide the lower keyboard in to two or more sections and play solo voices , play the pedal bass voice , or combine a variety of uses for even mor e versatility . For e xample, the following applica tions are possible.
46 Using the lo wer k eyboard t o play dr um sounds and solo voic e Press the [Drums/SFX] butt on, and then press the Solo [ T o Low er] button (p. 47, p . 50). Drums/SFX Manual Percussion Bass Lower Solo By changing the combination of voices that ar e played on the Lower keyboard, and by changing the Solo Split Point (p.
47 P er forming Playing the Solo V oice on the L ow er Keyboard (Solo T o L ow er) Normally , the solo voice will sound on the upper keyboard . By using the Solo [ T o Lower] butt on, you can play the solo voice in the righthand side of the lo wer keyboard that includes the B4 key .
48 Using the L ower K eyboard to Pla y the B ass V oice (Bass Split) By using the “Bass Split” function you can play the bass voice in the left-hand side (including C3) of the low er keyboard. The location at which the low er keyboard is divided in this way , to play the pedal bass voice, is called the “Bass Split Point.
49 P er forming Playing a L ow er V oice with P ercussion Instrument Sounds and a V oice Phrase (Manual P ercussion) Y ou can play various drum sounds and sound eects using the bottom 15 keys of the L ower keyboard . This is convenient when you wish to pla y the Lower v oice together with drum sounds or sound eects.
50 Playing Drums fr om the Entire L ow er Keyboar d (Drums/SFX) Y ou can use the Low er keyboard to play various drum sounds (drum set). In this case, the L ower voic es will no longer sound. 1. Press the [Drums/SFX] button (indica tor lights). Play the Lo wer keyboard and listen to the v arious drum sounds on each key .
51 P er forming Using the L ower K eyboard to Pla y the B ass V oice (P edal T o Lo wer) By using the Pedal [T o Lower] button, y ou can sound the Pedal Bass voice by pla ying the root note (p . 122) of a chord on the Lower keyboar d in the area that is playing the Lo wer voice .
52 Realistically Expressing Acoustic Instrumen t P er formances (SuperNA TURAL V oices) Acoustic instruments ar e noted for their richly varied tonal changes and the diversity of their performance techniques; these are indispensable elements that produce the distinctive charm of such instruments .
53 P er forming Selec ting the SuperNA TUR AL v oice of the [Others] button 1. Press the Solo part [Others] button. The display will show the v oice name. The indicator of the selected [Others] button will light. 2. While the display show s the voice name, use the Value [-] [+] buttons t o select a SuperNA TURAL voice .
54 Playing a SuperNA TURAL V oice When you play a SuperNA TURAL voice, its tone quality will change appropriately when y ou play legato or staccat o passages. In addition, using the foot switches or D Beam while you perform can apply a variety of eects to the sound, making your per f ormance expression even richer and more realistic .
55 P er forming Adjusting the Ov erall V olume Using an Expr ession P edal Y ou can use a pedalboard (PK series; sold separately) or expr ession pedal (EV-7; sold separately) to adjust the A TELIER’ s overall volume. St epping down on the expression pedal will increase the v olume; releasing the pedal will decrease the volume .
56 P er forming with an Ac tiv e Expression V oice For “ Active Expression Voices, ” operating the expression pedal will c ontrol not only the volume but also the tone , or may add additional sounds.
57 P er forming Using the F oot Swit ch There are two f oot switches located at either side of the expression pedal on the pedalboard (PK series; sold separately).
58 P er f or ming with Rhythms The A TELIER lets you enjoy playing along with a rhythmic accompaniment. Selec ting a Rhythm The A TELIER provides 210 types of Rhythms and Automatic Accompanimen ts (Music Styles). The four buttons sho wn below are known as the “R h ythm buttons.
59 P er forming with Rhythms Selec ting Rhythms St or ed in User Memor y or USB Memor y Here ’ s how to play rhythms tha t are stored in user memory or USB memory. Y ou can select these rhythms by choosing the User group . MEMO With the factory settings, rhythms are already stor ed in user memory.
60 Playing Rh ythm There are two w ays to start the rhythm. Y ou can press the [Star t/St op] button to start the rhythm, or you can use Synchro Start to have the rh ythm start when you play the low er keyboard or the pedalboard. Y ou can also make the rhythm start with an intro, or st op with an ending.
61 P er forming with Rhythms Stopping the Rh ythm Stopping with an ending 1. Press the [Intr o/Ending] button. An Ending is played, then the Rh ythm stops. While the Ending is playing, the [Intr o/Ending] button indicator will light, until the Ending nishes the button indica tor will be turned o .
62 Changing a T empo of Rhythm and Aut omatic Acc ompaniment Y ou can change the tempo of the Rhythm or Aut omatic Accompaniment. 1. Press the T empo [ ] [ ] buttons to change the tempo (speed) of the Rh ythm or Automatic A ccompaniment.
63 P er forming with Rhythms Adding V ariety to the Rhythm or Aut omatic Acc ompaniment Y ou can add variety to the rhythm or automatic acc ompaniment by changing the rhythm patt ern of the rhythm. 1. Press the A uto [F ill In] button (indicator lights).
64 A Simple W a y to Mak e Automa tic Accompanimen t Settings (One T ouch Program) When using the Arranger function (p. 62) f or automatic accompanimen t, you can also use the “One T ouch Prog ram ” function to automatically select panel settings that are appropriate f or the selec ted rhythm.
65 P er forming with Rhythms Deleting a Rhythm from U ser Memor y or USB Memor y Y ou can delete rhythms stor ed in User memory or USB memor y . 1. Select the rhythm you want to delet e (p . 58). 2. Press the [L oad] button and [Save] butt ons simultaneously .
66 Storing Y our P er formance Settings (Registra tion) The A TELIER allows you to store sound settings and panel settings such as 8 in the Registration butt ons. There are a t otal of 8 Registration buttons, and one set of panel settings can be stor ed in each, allowing you to register a total of 8 di erent panel settings.
67 Storing Y our Performance Settings (Registration) Storing Registra tions 1. Make all the panel settings that you wish t o store. 2. While holding down the [Write] button, press one of the Registr ation [1]–[8] buttons. The panel settings will be stored in the selected Registration butt on.
68 S a ving Registration Sets With the settings of Registration butt ons [1]–[8] considered as one set, you can st ore the registration set t o USB memory or User memor y . W e recommend that complex panel settings or Registr ations you wish to keep be sav ed on USB memory.
69 Storing Y our Performance Settings (Registration) 8. Press the V alue [-] [+] buttons to select the format in which the data will be sa ved. Display Explanation ORIGINAL Save formats that can be used with the A T-350C.
70 Loading P re viously S a ved Registra tion S ets Int o the A TELIER Here ’ s how to recall a pr eviously saved Registration set fr om the User memory or USB memor y into the memory of the A TELIER. Registrations can be selected in the following thr ee ways.
71 Storing Y our Performance Settings (Registration) L oading an Individual Registra tion Recall the settings of one of the Registration [1]–[8] buttons. 1. If you want to load a r egistration from USB memory , connect your USB memor y to the USB Memory connector .
72 Recalling the Order tha t the Registrations ar e Saved (L oad Next) Y ou can recall Registrations in the or der in which they were sav ed on the USB memory or User memor y . This function is called “Load Next. ” When you will be performing live, you can sa ve Registration sets to USB memory in the order in which you will be performing.
73 Storing Y our Performance Settings (Registration) Deleting a S et of Registra tions Here ’ s how to delete a Registration set tha t was saved to a USB memory , or User memory.
74 Recor ding Y our P er formance Y ou can record y our own performance to see how you sound, or y ou can play along with a recor ded performance. The A TELIER lets you record in the following w ays. Recording format Explanation SMF recording (p . 75) Records the song in SMF format.
75 Recording Y our Performance Recor ding in SMF F ormat Here ’ s how a song you perform can be recorded in SMF f ormat. 3 5 7 6 2 4 Pr eparing to rec or d 1. Select the panel settings needed for recording the performance. 2. Press the [Rec] button.
76 Listening t o the r ecor ded per formance 6. Press the [Reset] button. The location at which playback will start will return to the beginning of the rst measure (bar). If you wish to begin playback from the middle of the song , press the [Bwd] button or [Fwd] butt on to move to the measur e from which you wish to begin playback.
77 Recording Y our Performance Adv anced Recording Methods Recor ding each par t separately In this method, each part (track button) is recorded one after another: rst the bass part, then the Lower part, etc. If there are any pr eviously recorded performances, you can listen to them as you r ecord additional parts.
78 Re -r ecording Y ou can record o ver recor ded performance data. 1 4 5 2 3 1. Press the [Bw d] button or the [F wd] button to select the desired measure (bar) when y ou star t recording . If you wish to start recording from the beginning of the song , press the [Reset] button.
79 Recording Y our Performance Lay ering a new rec ording on to SMF music les Y ou can load commercially av ailable SMF music les into the A TELIER, and record your own performance on top of it. During recording , the data you’ve loaded will be played back, while you recor d your performance.
80 Re -r ecording using per formanc e data fr om a USB memor y If you want to re-record performance data from a USB memory , you must rst load that performance data into the A TELIER ’ s internal memor y . 4 5 2 3 1. Prepar e the per f ormance data.
81 Recording Y our Performance Saving P er formance Songs The performance data that you recor ded will disappear when the power of the A TELIER is turned o. If you wish to keep the performance data, you can save it on a USB memory , or “F avorites” (internal memory).
82 6. Give the performance data a name. Press the Menu [ ] [ ] buttons to move the cursor , and press the Value [-] [+] buttons to select a character . Button Explanation V alue [-] [+] buttons Select a character. The following characters can be selected.
83 Recording Y our Performance If the following scr een appears If you select a number at which per formance da ta has already been saved , the following screen appears . If you wish t o update the c ontents of the performance data 1. Press the [Rec] button.
84 Erasing P er formance Da ta If you wish to discard your r ecording and re-record fr om the beginning, or if you wish t o record a new performance, y ou must erase the previously- recorded data. 2 1 3 1. Press the [Displa y/Exit] button a number of times to access the c omposer screen.
85 Recording Y our Performance Recor ding in Audio F ormat Here ’ s how to recor d your performance in audio format. * Performances recorded in audio f ormat are sav ed on a USB memory. If you w ant to recor d audio, y ou must connec t y our USB memory to the USB Memory connec tor .
86 Naming your performance data 7. Press the Menu [ ] [ ] buttons to move the cursor , and press the V alue [-] [+] buttons to select a character . Button Explanation V alue [-] [+] buttons Select a character. The following characters can be selected.
87 Recording Y our Performance Changing the Name of P er formance Data Y ou can change the name of performance data that’ s been recorded in audio format. 4 3 2 5 1. Load the performance data that is to be giv en a name change (p. 80). 2. Press the [Displa y/Exit] button a number of times to access the c omposer screen.
88 Playing P er formance Da ta from U ser Memor y or a USB memor y Here ’ s how to play back performance data that’ s been saved in user memory or on a USB memor y . 5 6 4 2 3 1. Prepar e the song that you wan t to play back. If you want to play back performance data from a USB memory , connect it to the USB Memor y connector .
89 Recording Y our Performance Deleting a S a v ed P er formance Songs Y ou can delete performance data that was saved ont o a “Fav orites, ” or USB memor y . If you want to delete a song in USB memory , connect your USB memory to the USB Memor y connector before y ou continue.
90 Detailed Settings for V arious F unc tions Basic Operations in the Utility Screen In the Utility screen you can make various settings related to performance and recor ding. 5 4 2 1 3 Selec ting the paramet er to edit 1. Press the [Utility] button. The [Utility] button ’ s indicator will light, and the Utility screen appears.
91 Detailed Settings for V arious Functions Settings you can change Paramet er Page Octave Shift Octave Shift: Pedal p. 37 Octave Shift: Lower Octave Shift: Upper Organ Octave Shift: Upper Orchestra Octave Shift: Solo Sustain Sustain: Upper p. 40 Sustain: Lower Sustain: Pedal Length: Upper Length: Low er Length: P edal Reverb Reverb Type p.
92 Adjusting Ho w the Instrument Responds Adjusting the V olume of the V intage Organ ( V intageOrganV olume) Y ou can adjust the volume of the Vintage Organ sound to regulat e the volume balance relativ e to the other sounds. V alue Explanation 0–12 Increasing the value will increase the volume of the Vintage Organ sound.
93 Detailed Settings for V arious Functions Changing the P edalboard P olyphony (P edal Bass Mode) Y ou can set the Bass Pedalboar d to play simultaneous multiple notes or single notes only . V alue Explanation MONOPHONIC Only single notes can be played.
94 Changing the Pit ch Bend R ange (Pit ch Bend R ange) This setting allows you t o choose the maximum amount of Pitch change (range) permissible when using P itch Bend (p. 44). The range can be set anywhere between 1–12 (in semitone units; with a maximum of one octave).
95 Detailed Settings for V arious Functions Rhythm Settings Pr oducing Chords with Simple Fingering ( Chord Int elligence) “Chord Intelligenc e” is a feature that int elligently plays the correct accompaniment chords the moment y ou play a key specifying a chord on the Lower keyboar d dur ing A utomatic Accompanimen t.
96 Adjusting the V olume Balance of the Arranger ( Acc ompP ar tBalance) Y ou can adjust the volume balance of each part. 1. Press the [Utility] button. 2. Use the Menu [ ] [ ] buttons to selec t “ Ac compPartBalance. ” 3. Press the [Utility] button.
97 Detailed Settings for V arious Functions Registra tion Arranger Upda te ( Arranger Upda te) Y ou can specify how the settings related t o Rhythm performances and Automatic A ccompaniment will be recalled when y ou press a Registration [1]–[8] button.
98 Silencing a Specic T rack (T rack Mut e) Here ’ s how to individually mute tracks of SMF f ormat performance data. 1. Press the [Utility] button. 2. Using the Menu [ ] [ ] buttons, select “ T rack Mute. ” 3. Press the V alue [-] [+] buttons to select the track that you wish to mute.
99 Detailed Settings for V arious Functions Muting Individual Channels of P er formance Data ( Channel Mute) Y ou can mute (silence) individual channels of performance data of SMF music les (commercially available). 1. Press the [Utility] button. 2.
100 Media Settings Cr eating a F older in USB Memor y or User Memor y ( Creat e Folder) Y ou can create f olders in a connected USB memory device or in user memory. If you want to creat e a folder in USB memory, connect the USB memory to the USB Memor y connector .
101 Detailed Settings for V arious Functions C opying P er formance Song ( Cop y Song) Performance songs and SMF music les from USB memory can be copied to “Fa vorites” (User memory). If per formance da ta saved in USB memory is stored in “Fav orites, ” the stored performance song will not disappear even when you turn o the power .
102 C opying Registr ations ( C opy Registra tion) Registrations from USB memory can be copied to user memory. If a registration sav ed in USB memory is stored in user memor y , the stored reg istration data will not disappear even when you turn o the power .
103 Detailed Settings for V arious Functions C opying Rhythms ( C opy Rhythm) User memory already contains rhythms, but you can r eplace these rhythms with rhythms from USB memory . Rhythms copied from the USB memory into User memory will not be lost even if the power is turned o .
104 F ormatting a USB Memor y (F ormat Media) The process of pr eparing USB memor y so that they can be used with the A TELIER is called “initialization ” (formatting). If the media format does not match the A TELIER’ s, you will not be able to use that media with the A TELIER.
105 Detailed Settings for V arious Functions MIDI Settings Selec ting the MIDI T ransmit Channel (T x MIDI Channel) When you use the MIDI connectors of the A TELIER to transmit musical data to external devices, f or each keyboard (Upper , Lower , and Pedal) you can specify the channel on which your playing will be tr ansmitted as MIDI messages.
106 O ther Settings Adjust the S tandard P itch (Mast er T une) The basic pitch of an instrument is generally consider ed as the pitch of the middle A note. The “Master Tune ” parameter lets you adjust this basic pitch to match the pitch of an y other instruments that are playing together with the A TELIER.
107 Detailed Settings for V arious Functions Restoring the U ser Memor y to the Original F ac tor y Settings (User Memor y Reset) Y ou can restore the U ser memory to their original factor y settings. This function is called “User Memory Reset. ” 1.
108 Restoring All the F ac tor y Default Settings (F ac tor y Reset) The settings stored in the A TELIER can be returned to their factor y settings. This function is called “Factory Reset. ” 1. T urn down the volume to the minimum lev el, then turn o the power .
109 Connections with Other Equipment C onnec tions with O ther Equipmen t Connecting a CD D riv e and Playing Songs Y ou can connect a commercially available CD drive , and use it to play back music CDs or CD-ROMs on which SMF music les are saved. USB Memory connector USB connector USB cable CD drive 1.
110 Enjoying Kar aoke with a Music CD ( Cent er Cancel) Y ou can minimize the vocal sounds of a commer cially available music CD , and sing the vocal part yourself. This is a conv enient way to enjoy karaoke or practice soloing with a favorite music CD .
111 Connections with Other Equipment Enjoying VIMA TUNES S ongs The A TELIER can play back separately a vailable VIMA CD-R OMs (VIMA TUNES). This allows you t o play back VIMA TUNES songs while y ou enjoy performing with recommended sounds.
112 Changing the Speaker C onnec tion Settings By connecting speakers or an audio system to the Aux Out jacks, y ou can play the reverbera tion portion of the sound through your speakers. Y ou can also connect an external reverb device and use it to apply reverb .
113 Connections with Other Equipment Connecting a Computer The following bec ome possible once you connect a USB cable (available separately) between the USB (MIDI) c onnector located to the lower left of the A TELIER and the USB connec tor of y our computer .
114 Example connection: Playing a MIDI sound module from the A TELIER MIDI connectors MIDI device MIDI cable MIDI IN Making the connections 1. T urn the volume all the way down on the A TELIER and on the device you ’ re about to connect. 2. Switch o the pow er to the A TELIER and the device you ’r e about to connect.
115 T roubleshooting Appendices T roubleshooting If you suspect a malfunction, please read this section rst. P ower does not turn on Problem Cause Action Page When you press the [P ower] switch, the power doesn ’t come on AC adaptor is not connected correctly .
116 T roubleshooting Pr oblems with the sound Problem Cause Action Page When the human voice “ Jazz Scat” is selected, playing dynamics do not change the sound The setting of “Initial T ouch” is turned OFF . T urn “Initial T ouch” on. p . 92 Rotary eect is not be applied Some sounds do not allow the rotary eect to be applied.
117 T roubleshooting Appendices T roubleshooting Registra tions do not switch corr ec tly Problem Cause Action Page The Rhythm does not change when you press the Registration buttons The settings at which Registrations are r ecalled (Registration Arranger Update) has been set to “DELA YED .
118 T roubleshooting Pr oblems with playback func tions Problem Cause Action Page Moving your hand ov er the D Beam controller does not produc e a sound If a D Beam button is lit in red, moving your hand above the D Beam controller will apply an e ect to the sound you play from the keyboar d.
119 Error Message Appendices Error Message Error Message Meaning Copy P rotected. Can ’t Save. T o protect the copyright, this music le cannot be saved as SMF f ormat. Write-Protected Media The protect tab of the storage media is set to the P rotect (write prohibit) position.
120 Chord List symbol: Indicates the constituent not of chord. symbol: Chord shown with an “ ” can be played by pressing just the key marked with the “ .
121 Chord List Appendices Chord List B 6 B m6 Gm7 5 F#m7 5 Bm7 5 F# G A A B B F#maj7 Gmaj7 A maj7 Amaj7 B maj7 Bmaj7 F#7 G7 A 7 A7 B 7 B7 F#m Gm A m Am B m Bm F#m7 Gm7 A m7 Am7 B m7 Bm7 F#dim Gdim A d.
122 Glossar y Arrangemen t This refers t o changes that have been made in an original tune , by adding a new accompaniment or by changing the instrumen ts used. Aut omatic acc ompaniment Automatic A ccompaniment is automatic acc ompaniment when just a few keys in the low er section of the keyboard are pressed to specify the chord.
123 Stored It ems Appendices Stor ed I tems Settings that ar e stor ed af t er the pow er is turned o Arranger Update Auto Std T empo (Auto Standard T empo) Aux Out Mode D Beam Sensitivity Ez T ouch Exp.
124 Main Specications A TELIER Combo A T-350C: Music A TELIER Keyboard Upper 49 keys (C3–C7) Lower 64 keys ( W ater fall keyboard, A1–C7) Initial T ouch Upper, Lo wer (10 levels for each) Sound Generator Sound Generator Conforms to GM2/GS/X Glite Max.
125 Main Specications Appendices Main Specications W eight 25.5 kg / 56 lbs 4 oz (including Music Rest) 24.5 kg / 54 lbs 1 oz (not including Music Rest) Accessories Music Rest AC Adaptor Pow er .
126 Index A A C a d a p t o r ............................................................ 21 A c c o m p P a r t B a l a n c e .................................................... 96 A c c o m p / S M F [ ] [ ] b u t t o n ...........................
127 Index Appendices Index P e r c u s s i o n [ F a s t D e c a y ] b u t t o n ......................................... 34 P h o n e s j a c k ........................................................ 19 , 24 P i t c h B e n d R a n g e ............
128 Information When you need repair service, call your nearest Roland Service C enter or authorized Roland distributor in your country as shown below .
129 For EU Countries For China.
130 For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name : Type of Equipment : Responsible Party : Address : Telephone : A T -350C Digital Organ Roland Corporation U .S. 5100 S. Eastern Av enue Los Angeles, CA 90040-2938 (323) 890-3700 This product complies with the requirements of EMC Directive 2004/108/EC.
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Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Roland AT-350C c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Roland AT-350C - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Roland AT-350C, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Roland AT-350C va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Roland AT-350C, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Roland AT-350C.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Roland AT-350C. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Roland AT-350C ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
