Manuel d'utilisation / d'entretien du produit U24 du fabricant Midas Consoles
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U 16, U 24 and U 32 Professional Audio Mixing Consoles Operator Manual MUSIC Group Research UK Limited, Klark Industrial Park, Walter Nash Road, Kidderminster. Worcestershire. DY11 7HJ. England. T el: +44 1562 741515 Fax: +44 1562 745371 Email: mkt.info@music-group.
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Venice U Operator Manual iii MUSIC Group IP Limited Important safety instructions Terminals marked with this symbol carry ele ctrical current of sufficient magn itude to constitute risk of electric sho ck. Use only high-quality comme rcially-availabl e speaker cables with ¼" TS plugs pre-installed.
iv Venice U MUSIC Group IP Limi ted carefully . Registering your purchase and equipment with us hel ps us process you r repair claims quicker an d more efficiently . Thank you for your coop eration! § 3 Return materials authorization 1. To obtain wa rranty service, pleas e contact the retailer from whom the equipment was purchased.
Operator M anual v Other important information 1 Register online. Please register your new Mid as equipment right after you purchase i t by visiting www.midasconsoles.com. Registering yo ur purchase using our simpl e online form helps us to proces s your repair claims more quickly and e fficiently .
vi Venic e U MUSIC Group IP Limi ted.
vii VeniceU Operator Manual Contents Important safety instructions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iii Other important information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v Chapter 1 Introduction .
viii Contents VeniceU Operator Manual EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41 Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42 Auxes . .
Contents ix VeniceU Operator Manual The effect of EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Dynamic processing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Unity Gain . . . . . . .
x Contents VeniceU Operator Manual.
1 VeniceU Operator Manual Chapter 1: Introduction Thank you for choosing a Midas Venice U mixing console. The Venice U range of consoles have been developed to meet the needs of demanding live sound engineers and provide the solution for any audio mixing application in live sound or studio environments.
2 Chapter 1: Introduction VeniceU Operator Manual a flexible bus structure that lets the engineer configure the console for different applications. The VeniceU consoles (U16 left, U24 top and U32 bottom) All variants include four multifunction input channels for use on variou s sources.
Key features 3 VeniceU Operator Manual The USB interface can be used with any pers onal computer (PC) fitted with a standard USB 2.0 port, and is effectively a digital multi-channel cable (up to 8 in and 8 out channels) for connecting the PC to the console.
4 Chapter 1: Introduction VeniceU Operator Manual • Mains power supply — universal switch mode power supply unit (PSU) with mains input socket and on/off switch. • Lamps — socket(s) for fitting lamps. • Playback/record I/Os — input/output sockets for playback and recording.
Control surface 5 VeniceU Operator Manual Item Description 1 See Chapter 5 "Mono Input Channel" on page 37 2 See Chapter 6 "Multifunction Input Channel" on page 47 3 See Chapter 7 .
6 Chapter 1: Introduction VeniceU Operator Manual Rear panel The Venice U has a rear panel that houses the following. Rear panels of the VeniceU consoles showing the main areas Item Descri ption 1 See “Master outputs (mono and stereo)” on page 69.
External connections 7 VeniceU Operator Manual Rear panel of the VeniceU16 showing the main connector sections A. Inserts and returns. B. Mono input channel (insert, dire ct out, line in and mic in). C. Multifunction input channel (insert, direct ou t, line in left (mono) and right, and mic in).
8 Chapter 1: Introduction VeniceU Operator Manual Signal flow The following table giv es an overview of the basic si g nal fl ow. All channel types can also access the PFL, and AFL (left and right) solo buses.
Signal flow 9 VeniceU Operator Manual The following table shows the signal flow in detail. Signal Sourced from Routed to Mono Balanced XLR mic/line input or balanced Jack line input (common gain contr.
10 Chapter 1: Introduction VeniceU Operator Manual Mix matrix Ultimately, the mix matrix defines the capability of each Venice U . It follows the console layout, where inputs run vertically and buses run horizontally. A mix matrix is usually defined as the number of buses and the qu antity of simultaneously-mixable inputs there are per bus.
Service and support 11 VeniceU Operator Manual • There are diagrams throughout the manual that show you wh ere on the console the local information is referring to. These areas are indicated by blue shading. F or example, the mono input channels, as shown right.
12 Chapter 1: Introduction VeniceU Operator Manual.
13 VeniceU Operator Manual Chapter 2: Getting Started This chapter shows you how to prepare the Venice U for operation, whic h includes: • Installation • Conne cting up • Setting up •P o w e r.
14 Chapter 2: Getting Start ed VeniceU Operator Manual Electric fields Should this product be use d in an electrom agnetic field that is amplitude modulated by an audio frequency signal (2 0Hz to 20kHz), th e signal to noise ratio may be degraded.
Connecting up 15 VeniceU Operator Manual Connecting to balanced/unbalanced equipment The inserts of the Venice U are unbalanced. Ideally, you will be connecting the inserts to balanced equipment to help avoid noise problems due to grounding.
16 Chapter 2: Getting Start ed VeniceU Operator Manual Other connections The section gives details of the other Venice U in t e r c o n nections . Setting up There is no initial setting up required for the Venice U console.
Switching t he VeniceU o n/off 17 VeniceU Operator Manual Switching the Venice U on/off Switch the Venice U on/off via the mains switch on the rear panel. Mains power supply input on the rear panel. A. Mains on/off switch. B. Mains power supply socket (IEC connector).
18 Chapter 2: Getting Start ed VeniceU Operator Manual.
19 VeniceU Operator Manual Chapter 3: Using The VeniceU With USB This chapter shows you how to prepare your PC/Mac® for USB operation. The Venice U console has been tested and verified for US B use with the following computer operating systems: a PC running Windows® 7 and a Mac running OS® X (version 10.
20 Chapter 3: Using The VeniceU With USB VeniceU Operator Manual 3 In the User Account Control dialog box, click Yes. 4 In the “W elcome ... ” screen of the Setup dialog box, click Next. 5 In the “Choose Install Location” screen of the Setup dialog bo x, choose the destination of the USB driver and click Install.
Windows 7 operat ing system 21 VeniceU Operator Manual 7 The installation procedure should continue. After the installation has been completed successfully , click Next. 8 In the “Completi ng ... ” screen of the Setup dialog box, click Finish. 9 The Archwav e icon should appear in the task bar at the lower-right corner of the screen.
22 Chapter 3: Using The VeniceU With USB VeniceU Operator Manual Archwave USB Driver Control Panel window >> To open the Archwave US B Driver Control Panel window On your PC desktop, double-click the Archwave USB Driver Control Panel icon. Item Element 1 File menu.
Windows 7 operat ing system 23 VeniceU Operator Manual Devices option The Devices option lets you manage your audio system USB devices. Item Element 1 List of connected devices, showing the device name and serial number of each. 2 Up and Down buttons.
24 Chapter 3: Using The VeniceU With USB VeniceU Operator Manual Input Channels option The Input Channels option lists all of the input channels (also known as active input channels) in your audio system. Item Element 1 List of input channels. 2 Include device name in ASIO display name check box.
Windows 7 operat ing system 25 VeniceU Operator Manual Output Channels option The Output Channels option lists all of the output channels (also kn own as active output channels) in your audio system. Item Element 1 List of output channels. 2 Include device name in ASIO display name check box.
26 Chapter 3: Using The VeniceU With USB VeniceU Operator Manual Synchronisation option The Synchronisation option lets you choose the sample rate frequency and clock source. Item Element 1 Sampling Rate Selection Mode frame, lets you set the sampling rate automatically or manually .
Windows 7 operat ing system 27 VeniceU Operator Manual Settings option The Settings option lets you select the bu ffer sizes that your PC will use for y our recording software.
28 Chapter 3: Using The VeniceU With USB VeniceU Operator Manual Streams option The Streams option shows the audio and sync I/O connections for each connected device.
Mac operating system 29 VeniceU Operator Manual Mac operating system USB, when used with a Mac r unning OS® X (v ersion 10.7 or later), is a ‘plug and play’ d evice. So, unlike on a PC running Windows® 7, there is no need to install a USB device driver.
30 Chapter 3: Using The VeniceU With USB VeniceU Operator Manual.
Updating the VeniceU firmware 31 VeniceU Operator Manual Updating the Venice U firmware The latest version of the USB firmware for the Venice U will be available on the Midas website (address is on the front cover of this manu al ).
32 Chapter 3: Using The VeniceU With USB VeniceU Operator Manual 5 In the deviceUpgrade_64 dialog box, click Yes. The installation will begin. 6 If the upgrade w as successful, you should see the following Midas Firmware Upgrade dialog box. C lick OK.
Troubleshooting USB operation 33 VeniceU Operator Manual No devices found If no devices appear in the driver control panel, it means that the PC/Mac cannot detect a device. Do one of the following: • Connect the V e nice U to your PC/Mac. •I f t h e V e n i c e U is already connected to your PC/Mac, check that the connections are good.
34 Chapter 3: Using The VeniceU With USB VeniceU Operator Manual.
35 VeniceU Operator Manual Chapter 4: Working With The Console The following chapters give a description of the controls on the console surface and include useful operating information.
36 Chapter 4: Working With The Console VeniceU Operator Manual.
37 VeniceU Operator Manual Chapter 5: Mono Input Channel This chapter details the mono inpu t channels (8/16/24) of the Ve nice U . It describes the sections of each channel on the control surf ace and the related connectors on the rear panel.
38 Chapter 5: Mono Input Channel VeniceU Operator Manual Overview of the mono input channel Each mono channel has an X LR input that can be used for mic or line level signals up to +32dBu. An additional 1/4” inch TRS Jack socket, provides an input for line level signals that require protection against accidental 48-volt connection.
Rear panel 39 VeniceU Operator Manual Rear panel The Venice U channel inputs are located on the rear panel of the console and each channel comprises the following. Mono input channel connectors The direct out and insert points operate at a nominal level of 0dBu.
40 Chapter 5: Mono Input Channel VeniceU Operator Manual Gain This section lets you adjust the level of th e mic input signal, switch on 48 volts phantom power for the mic, attenuate the input sign al by 20dB, inve rt the mic polarity and enable the high pass filter on the mic input.
EQ 41 VeniceU Operator Manual EQ Each mono input channel of the Venice U has a four-band, swept EQ, allowing tonal control over the input signal. EQ section of the mono input channels Item Description.
42 Chapter 5: Mono Input Channel VeniceU Operator Manual Monitors The two monitor sends per input channel have the same functionality as the auxes (see “Auxes” on page 43). However, they have the following additional features: • They can be sourced pre-EQ.
Auxes 43 VeniceU Operator Manual Auxes The Venice U has four aux sends per input channel, w hich can be used for effects sends, monitors or as extra assignable outputs from t he console. Each aux has a control knob that gives continuous adjustment of the le vel sent from the input channel to the aux buses, in the range 4 (infinity/off) to +6dB.
44 Chapter 5: Mono Input Channel VeniceU Operator Manual Pan, mute and solo The Venice U has pan, mute and solo per mono input channel. Pan, mute and solo sections of the mono in put channels Item Des.
Fader, routing and meter 45 VeniceU Operator Manual Fader, routing and meter The Venice U is a flexible mixing console with four group buses, plus stereo and mono, with a 100 mm fader and a four-LED signal meter per mono input channel.
46 Chapter 5: Mono Input Channel VeniceU Operator Manual Meter The meter is especially useful when setting th e microphone gain of a channel. Also, as the meter is post-EQ, it is possible to see the effect that the channel equalisation has upon the level.
47 VeniceU Operator Manual Chapter 6: Multifunction Input Channel This chapter details the multifunction input channels of the Venice U . It describes the sections of each multifunction channel on the control surface and the related connectors on the rear panel.
48 Chapter 6: Multif unction Input Ch annel VeniceU Operator Manual Overview of the multif unction input channel The Venice U multifunction channel (shown right) is equipped with an XLR input, which are used for mic/lin e level signals up to +32dBu.
Rear panel 49 VeniceU Operator Manual Rear panel The Venice U channel inputs are located on the rear panel of the console. Multifunction input channel connectors Note: The insert and direct out are sourced from the mic input only. Item Description 1 insert Insert point on a single 1/4” TRS Jack socket.
50 Chapter 6: Multif unction Input Ch annel VeniceU Operator Manual Gain (mic inputs) This section has the same functionality as the gain section of the mono input channels except for the following.
Stereo line inputs 51 VeniceU Operator Manual Stereo line inputs The stereo line gain control knob adjusts level of the stereo line input signal, which is continuously variable from 4 (infinity/off) to +20dB with a centre detent at 0dB, thus allowing low level line signals to be trimmed to obtain the optimal signal level.
52 Chapter 6: Multif unction Input Ch annel VeniceU Operator Manual Monitors The monitor sends of the multifunction input chan nels have similar functionality to those of the mono input channels.
Balance, mute and solo 53 VeniceU Operator Manual Balance, mute and solo The Venice U has balance, mute and solo on every multifunction input channel. Balance, mute and solo sections of the multifunct.
54 Chapter 6: Multif unction Input Ch annel VeniceU Operator Manual Fader, routing and meter The Venice U fader section has the following functions. Fader section of the multifunction input channels I.
Fader, routing and meter 55 VeniceU Operator Manual Meter The meter is especially useful when setting th e microphone gain of a channel. Also, as the meter is post-EQ, it is possible to see the effect that the channel equalisation has upon the level.
56 Chapter 6: Multif unction Input Ch annel VeniceU Operator Manual.
57 VeniceU Operator Manual Chapter 7: Output Section This chapter deals with the output section of the Venice U . It describes the control surface and the related connectors on the rear panel.
58 Chapter 7: Output Sect ion VeniceU Operator Manual Rear panel The main outputs of the Venice U are located on the rear of the console. Output connections on rear panel.
Overview of the outputs section 59 VeniceU Operator Manual Overview of the outputs section The outputs section comprises the following main areas. Item Description 1 See “Matrices” on page 64. 2 See “Master outputs (mono and stereo)” on page 69.
60 Chapter 7: Output Sect ion VeniceU Operator Manual Output module notes Before looking at the function of the o utput section of the console, it is essential that you are comfortable with a few of the console’s features that af fect groups, matrices and auxes.
Groups 61 VeniceU Operator Manual Groups Each of the four group buses has an output and an insert. Group connectors on rear panel USB output is available for the groups by th e overriding multifun cti on input channels. For more information, see “USB” on page 62.
62 Chapter 7: Output Sect ion VeniceU Operator Manual USB The usb section on the rear panel of the console lets you connect a PC. USB section on the rear panel On the control surface, a usb in switch in the multifunction input channels lets you activate USB on those channels.
USB 63 VeniceU Operator Manual USB sections on the control surface Item Description 1 usb in switch This latching switch inserts the USB return to the channel, muting the mic and line inpu ts. 2 usb c/o This latching switch flips th e aux USB output to group output.
64 Chapter 7: Output Sect ion VeniceU Operator Manual Matrices There is an output connector and insert connector on the rear panel for both matrix outputs. Two matrix inserts and two matrix outputs on the rear panel USB output is available for the matrix output s by overriding the relevant multifunction input channel 29-30.
Matrices 65 VeniceU Operator Manual Item Description 1 group 1 to group 4 control knobs Each of the groups (1-4) has its own individual matrix send level, which is continuously variable from 4 (infinity/off) to +6dB. Unity (0dB) is also marked on the scale, allowing the signal to be routed to the matrix without any attenuation or gain.
66 Chapter 7: Output Sect ion VeniceU Operator Manual Stereo returns There are two stereo returns that route to masters, certain groups and the two monitor buses. Stereo returns 1 and 2 on the rear panel. Each return has left and right TRS 1/4” TRS Jack sockets.
Monitors 67 VeniceU Operator Manual Monitors There is an output connector and insert connector on the rear panel for both monitor bus outputs. Two monitor inserts and two monitor outputs on rear panel Monitor channels (1 and 2) Item Description 1 pre switch This is the bus master pre-fader switch.
68 Chapter 7: Output Sect ion VeniceU Operator Manual Auxes There are four independent aux outputs on the rear panel. Four aux XLR outputs on the rear panel Each aux output is controlled by a discrete section on the control surface.
Master outputs (mono and stereo) 69 VeniceU Operator Manual Table 2: Typical uses of auxiliaries Master outputs (mono and stereo) There is an output connector and insert connector on the rear panel for each of th e mono, left and right master channels.
70 Chapter 7: Output Sect ion VeniceU Operator Manual Master outputs sections on the control surface Item Descri ption 1 stereo to mono switch When this switch is on, a sum of the stereo left and right signals are routed to the mono signal bus (post-mute and post-fader, and post-insert points).
Talkback 71 VeniceU Operator Manual Talkback The Venice U provides a talkback mic that can be routed to a nu mbe r of the console’s outputs. Talk mic section on the control surface Item Description .
72 Chapter 7: Output Sect ion VeniceU Operator Manual Playback and recording The following four connectors on the rear panel provide discrete analogue inputs and outputs for audio playback an d reco rding, respectively.
Local monitor and phones 73 VeniceU Operator Manual Local monitor and phones There are two local monitor outputs on the rear panel for providing a signal fo r monitor speakers.
74 Chapter 7: Output Sect ion VeniceU Operator Manual Lamps There are sockets towards the top of the co nsole’s rear panel for connecting 12V desk lamps. They accept 4-pin female XLR connectors. The power rating of 5W is the maximum rating per output and must not b e exceeded.
75 VeniceU Operator Manual Appendix A: Functional Block Diagrams This chapter contains the Venice U signal path diagrams..
76 Appendix A: Functional Block Diagrams VeniceU Operator Manual Mono input module.
Mono input module 77 VeniceU Operator Manual.
78 Appendix A: Functional Block Diagrams VeniceU Operator Manual Stereo input module.
Stereo input module 79 VeniceU Operator Manual.
80 Appendix A: Functional Block Diagrams VeniceU Operator Manual Master and monitor modules.
Master and monitor modules 81 VeniceU Operator Manual.
82 Appendix A: Functional Block Diagrams VeniceU Operator Manual.
83 VeniceU Operator Manual Appendix B: Technical Specification This appendix provides the full te chnical specification for the Venice U series of mixing consoles. Due to a policy of continual improvement, Mida s reserves the right to alter the function or specification at any time without notice.
84 Appendix B: Technical Spec ification VeniceU Operator Manual Table 4: Venice U performance sp ecifications Input impe dance Mic Line 2k balance d 10k balan ced Input gain Mic Line mono channel Line.
Dimensions 85 VeniceU Operator Manual Dimensions This section gives details of the external dimensions of the Venice U series consoles. Table 5: Venice U technical specifications In the following diagrams dimensions are in millimetres, with the equivalent in inches enclosed in brackets.
86 Appendix B: Technical Spec ification VeniceU Operator Manual External dimensions of the U16, U24 and U32 co nsoles. Dimensions are in millimetres (inches). Venice U 16 = 552 (21.7”) Venice U 24 = 760 (29.9”) Venice U 32 = 960 (37.8”) 528 (20.
87 VeniceU Operator Manual Appendix C: Application Notes This appendix provides application notes as a guide to help you with Venice U console operation. With its flexible routing and functionality, the Venice U was designed with real-world sound engineers in mind, working in the real world.
88 Appendix C: Application Note s VeniceU Operator Manual channels will receive the same signal at the same time so, typically, when 16 channels are summed together a gain of around 5dB to 8dB will be seen. It is important to leave some headroom in the summing amplifiers so that they do not overload, should the sum exceed the maximum level.
Unity Gain 89 VeniceU Operator Manual Unity Gain Unity gain is a gain of 1, that is, no gain or attenuation is applied to a signal. If a signal entered a mono line level input of the Venice U at 0dBu .
90 Appendix C: Application Note s VeniceU Operator Manual There are a number of solutions to this problem: • Reduce the amplifier’s input attenuat or s to a level where the amplifier and console clip at the same point.
Routing 91 VeniceU Operator Manual The submix is now set up. The group level can be used to control the overall level of the channels (retaining their relative leve ls), mute the submix output or solo the submix signal. Note: Muting the subm ix is not the same as muting the channels.
92 Appendix C: Application Note s VeniceU Operator Manual.
93 VeniceU Operator Manual Appendix D: Crib Sheets This appendix provides you wi th a template each for the mono and multifunction input channels. These will help you keep a record of your most important settings and make notes. If necessary, you can make copies of these pages if you n eed more records.
94 Appendix D: Crib Sh eets VeniceU Operator Manual Mono input channels Notes:.
Multifunction input channels 95 VeniceU Operator Manual Multifunction input channels Notes:.
96 Appendix D: Crib Sh eets VeniceU Operator Manual.
97 VeniceU Operator Manual Appendix E: Best Grounding Practice This appendix gives details of the best grounding practices for the Venice U console in order to get the optimum performance out of it.
98 Appendix E: Best Grounding Practice VeniceU Operator Manual Ground loop Noise sources Audio manufacturers have known about these issues for many years and most equipment is designed to reduce ground l oop generation to the bare minimum or to minimise the effects.
Noise sources 99 VeniceU Operator Manual Isolated USB computer system. Note how th e isolation barrier breaks the ground loop. Non-isolated USB computer system.
100 Appendix E: Best Grounding Practice VeniceU Operator Manual Noise solutions The grounding on the Venice U is very robust and often such ground loop induced noises are negligible, but to get the ve.
Balanced connections 101 VeniceU Operator Manual Loop area diagram showing a small loop area Balanced connections Balanced connections are generally immune to ground loops because the grounded screen conductor is not used as a reference for the signal condu ctors.
102 Appendix E: Best Grounding Practice VeniceU Operator Manual Balanced transformers Active electronic circuits achieve good results, but for ultimate noise rejection, transformers are needed. Transformers colo ur the sound especially at low and high frequencies due to core saturation and impeda nce rises.
Ground referenced connections 103 VeniceU Operator Manual Screen termination diagram showing screen broken at source Ground referenced connections Many unbalanced signals are passed between pieces of equi pment where one of the devices is balanced and the other is not.
104 Appendix E: Best Grounding Practice VeniceU Operator Manual connecting balanced external processing equipment to the insert points, the connection method described in this section should be ad opted so as to benefit from the CMR of the external unit.
XLR shells 105 VeniceU Operator Manual XLR shells XLR pin 1s should only be used to provide a ground connection for cable screens. The shell (body) of cable XLRs also need to be connected to ground so they provide a screen for the terminals, but they should not be wi red internally to the pin 1 terminal.
106 Appendix E: Best Grounding Practice VeniceU Operator Manual Diagram showing the bond connection between console and 19” rack Midas Venice U console Power distribution unit (PDU) Power connectio .
107 VeniceU Operator Manual Appendix F: Modification For VeniceU16 Rack Mounting Use only screws that were loosened duri ng mod ification or such ones that are contained in the mount ing set. The module is a static-sensitive device . Proper grounding and electrostatic discharge (ESD) precautions are requ ired before handling t he module.
108 Appendix F: Modification For VeniceU16 Rack Mounting VeniceU Operator Manual Modification procedure 1 Electrically isolate the U 16 console by comp l e tely di s co n n ecti n g it from the mains. Remo ve all cables from the console, such as mains, audio, lamp, etc.
Modification procedure 109 VeniceU Operator Manual 4 At this point the blanking br acket (high lighted in red) is now loose and can be removed. T urn the unit o n its side and place it carefully on a smooth support.
110 Appendix F: Modification For VeniceU16 Rack Mounting VeniceU Operator Manual 6 The rear panel assembly (highlighted in green) should now be loose. R otate the rear panel assembly so that the connector panel ends up on the underside of the console.
Modification procedure 111 VeniceU Operator Manual 7 With the console still resting on its side, secure one end of the rear panel assembly to the side panel, using five (of the seven) screws that you remov ed in step 3. 8 Secure the rear panel assembly using the four screws you removed in step 5.
112 Appendix F: Modification For VeniceU16 Rack Mounting VeniceU Operator Manual 9 Fit the blanking brack et that you removed in step 4 (highlighted in green below) to the rear of the console. 10 Secure one end of the blanking bracke t to the side panel using the remaining two (of the seven) screws that y ou removed in Step 3.
Modification procedure 113 VeniceU Operator Manual 12 T urn the console onto its base and remo ve the arm rest by removing the four securing screws at the front.
114 Appendix F: Modification For VeniceU16 Rack Mounting VeniceU Operator Manual.
115 VeniceU Operator Manual Appendix G: Service Information This appendix give details of how to look after your Venice U . Routine maintenance To help keep your Venice U unit in good working order and to make sure it gives you optimum performance, we recommend that you carry out the following about once every month.
116 Appendix G: Service Information VeniceU Operator Manual Equipment disposal When this equipment has come to the end of it useful life, its disposal may come under the DIRECTIVE 2002/96/EC OF THE EUROPEAN PARLIAM ENT AND OF THE COUNCIL of 27 January 2003 on waste electrical and electronic equipment (WEEE).
Operator M anual 11 7 MUSIC Group IP Limited FEDERAL COMMUNICA TIONS COMMISSION COMPLIANCE INFORMA TION Ve n i c e U 16/V enice U 24/V enice U 32 complies with the FCC ru les as mentioned in th e foll.
1 18 Venice U MUSIC Group IP Limi ted.
Thank you for reading through this Operator Manual. We hope you found it useful. Please fe el free to send us y our comme nts. Our contact details and website address c an be found at the front of th is do cument.
Klark Industrial P ark, Walter Nash R oad, Kidderminster . Worcester shi re. DY11 7HJ. England. T el: +44 1562 7415 15, F ax: +44 1562 745371 Email: mkt.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Midas Consoles U24 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Midas Consoles U24 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Midas Consoles U24, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Midas Consoles U24 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Midas Consoles U24, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Midas Consoles U24.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Midas Consoles U24. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Midas Consoles U24 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
