Manuel d'utilisation / d'entretien du produit PS60 du fabricant Korg
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1 E PS60 P arameter Guide.
ii About the Par ameter Guide This document (“PS60 Pa r a me t e r Guide”) explain s the parameters that can be quickly edited from the .
iii T able of C ontents Performance Edit ... .............. .......... 1 Panel ............ ............................................... ............. 1 Keyboard, Wheels ................ .................. ............. 2 OverView ................ .
iv Effect Guide ......... .............. .......... 79 Overview ............ .................. .............. .................. 79 Dynamic modulation (Dmod) and Tempo Synchroniza- tion ................................................................
1 P er f ormance E dit Pa n e l The upper part of the PS60 Editor panel simulates the main buttons an d knobs of the PS60 ʹ s own front panel.
Pe r f o r m an c e Ed i t 2 EQ BASS knob [-18.0...+18.0] MID knob [-18.0...+18.0] TREBLE knob [-18.0...+18.0] These parameters adjust th e gain of the bass, mid, and tre ble (high) bands (page 120).
OverView Main Timbres 3 Ov erV ie w In this area, you can turn on/off each timbre of the selected performance, select programs, and edit the sett ings for Easy Setup, master effect, and EQ.
Pe r f o r m an c e Ed i t 4 global MIDI channel. This message is transmitte d on the MIDI Channel (page 7) specified for each timbre. IFX [Name] This indicates the program ʹ s insert effect.
Timbre Param (Timbre Paramete rs) Scale 5 T imbre P aram ( T imbre P aramet ers) Scale This specifies the scale used by the performance.
Pe r f o r m an c e Ed i t 6 Use Equal Te m p e r a m e n t for programs whose multi ‐ sample ( ʺ Multisample select, ʺ page 25) is set to mono: 0002, 00003, 0006, 00 07, 0009, Stereo: 0001, or 0003 (i.
Timbre Param (Timbre Parameters) MIDI/OSC 7 MIDI/OSC Main Timbres (A. Piano–Synth): Sub Timbres ( A. Piano –Synth): Here you can adjust settings for ea ch timbre ʹ s MIDI trans ‐ mission status, channel, and oscillator mode.
Pe r f o r m an c e Ed i t 8 Wit h the MN or LGT settings, the Program’ s setting will determine th e priority of the note that sounds when you play two or more note s.
Timbre Param (Timbre Parameter s) Tone 9 To n e Main Timbres (A. Piano–Synth): Sub Timbres ( A. Piano –Synth): Here you can adjust the sound of ea ch timbre ʹ s program.
Pe r f o r m an c e Ed i t 10 MIDI F ilter Main Timbres (A. Piano–S ynth): Sub Timbres ( A. Piano –Synth): These settings allow you to apply filters to the MIDI data that will be transmitted and receiv ed by each timbres.
MFX/EQ (Master Effect/EQ) MFX&EQ Routing 11 MFX/EQ (Master E f fe c t/EQ ) On this page yo u can adjust the settings for the master effects. These settings consist main ly of the following.
Pe r f o r m an c e Ed i t 12 MFX1 Here you can set th e effect parameters for the master effect 1 you selected in the MFX page MFX & EQ Routing. ( ) “MFX1 (Mod.
UTILITY Command EQ 13 UTILITY C ommand Proc edure for utility c ommands 1. Click the UTILITY button , and choose a co mmand from the menu that appears. 2. Adjust settings in the dialog box.
Pe r f o r m an c e Ed i t 14.
15 Pro g ram E d it Selecting the program that y ou want to edit Here ʹ s how to select the program that you wa n t to edit. •I f you ʹ re using Single settings, you ʹ ll enter the progr am edit page with that progra m automati cally selected.
Progra m Edit 16 Quick Par ameters Yo u can edit the quick parameters either from Program Edit mode on the PS60 it self, or from the editor ʹ s Quick page, described below .
Quick OSC Comm on 17 Oscillat or These parameters adjust the transpose, hold, and reverse settings for osci llators 1 and 2 at the same time. PtchStr tch (Pitch Stretch) [–12...0...
Progra m Edit 18 OSC EG/LFO OSC EG Fil te r/A m p E G Here you can adjust the settings for th e filter EG and amp EG of oscillat ors 1 and 2. In the Filter/Amp EG group, all filter EG s and amp EGs are adjusted simultaneously .
Quick OSC1 19 OSC LFO Here is where you can adjust LFO settings for oscillators 1 and 2. Each oscillator has two LFOs (LF O1 and LFO2). There ʹ s also a common LFO that can be sh ared by the tw o oscillators.
Progra m Edit 20 When this is set to 0, playing different notes on the key ‐ board won’ t change the pitch at all; it will be as if you ’ r e always playing C4.
Quick OSC2 21 Filter LFO 2 Intensity to A (FltLFO2toA) [–9 9 . .. + 9 9] This control s the depth and direction of Filter A cutoff mod ‐ ulation from LFO2. ) “Filter LFO1 Intensity to A (FltLFO1t oA)” on page 20 Fi lter LFO2 Intens ity to B (FltL FO2toB) [–99.
Progra m Edit 22 F ull Par ameters The parameters listed in the pages that follow are the full parameters. They can be edited only from the editor . Basic This page contains all of the basic settings for the Program.
Basic About Relative (R el) and Absolute parameters 23 Enable Half-Damper [ On, O ff ] On: Half ‐ Damper pedals, normal sustain ped als, and MIDI CC# 64 will all modulate the Amp EG, as described belo w .
Progra m Edit 24 Pr ogram Basic •S e t the Program to play polyphonically or monophonically V oice Assign Mode V oice Assign Mode (Mode) [Poly , Mono] ( ) “V oice A.
OSC/Pitch Program Basic 25 OSC/Pitch These pages control the first and most basic elements of sounds: the Multisamples that the oscillators play , and th e pitch used to them.
Progra m Edit 26 Mid-High, Mid-Lo w , Low These are th e settings for the second, third, and fourth velo ci ty zones. The parameters fo r Mid ‐ High and Mid ‐ Low are exactly the same as those for High, as described above.
OSC/Pitch OSC1 Multisample 27 Range (Crossfade Range) [Off , 1...127] This sets the range of vel oc iti es over which High will fade into Mid ‐ High , going up from the “Bottom Ve l .
Progra m Edit 28 OSC1 Pitch This page contains all of the settings for Oscillator 1’ s pitch modulation .
OSC/Pitch OSC1 Pitch 29 AMS (Pitch EG) [List of AMS Sources] This selects any AMS modulatio n source to scale the amount of the Pitch EG.
Progra m Edit 30 OSC2 Multisample This page controls the basic settings for Oscillator 2. It is available only when the Oscillato r Mode is set to Double; if not, the page will be gray ed out.
OSC/Pitch Pitch EG 31 When you select Key + Da mper , note s will only sound if the damper pedal is bein g held down.
Progra m Edit 32 Tim e Higher valu e s me an longe r times, as shown below: Attack [00...99] This sets how long the EG takes to move from the Start level to the Attack level.
OSC/Pitch Pitch EG 33 Slope [0L (Linear), 1...9, 10E (Ex p/Log)] This sets the curvature of the Slope segment ‐ the transition from the Break level to the Sustain level (which for the Pitch EG is always 0).
Progra m Edit 34 Threshold [–99...+99] This sets the AMS lev el which will trigger th e EG reset. When the “Threshold” is positive, the EG triggers when passing through the thresho ld moving upw ards.
Filter Pitch EG 35 Fi l t e r Filtering can make subtle or dramatic changes to the oscilla ‐ tor ’ s ti mbre.
Progra m Edit 36 Serial and Parallel Routing 12db/oct / 24db/oct Fil te r A Filt er T ype [LPF : Low Pass (12dB/oct), HPF: High Pa ss (12dB/oct), BPF: Ban d Pass (6dB/oct), BRF : Ba nd Re ject (6dB/ oct)] The filter will produce very diffe rent results depending on the selected filte r type.
Filter Filter1 37 Fi l t e r 1 Set the cutoff, resonanc e, and input and output levels of each filter , in cludin g modulation of resonance and output level. F ilterA Fil te r Bypass [Off , On] This lets you bypass Filter A completely .
Progra m Edit 38 F ilter1 Modulation Here you can edit the filter keyboard tracking and filter modulation for oscillator 1.
Filter Filter1 Modulation 39 the keyboard, and positive ramps make th e output go higher . Center ‐ High and High ‐ To p : negative ramps ma.
Progra m Edit 40 When “Intensity to A” is set to a positive (+) valu e, the EG’ s effect will m atch its shape. When the EG rises abov e 0, the cutoff frequency will increase.
Filter Filter1 LFO Mod. 41 Fi l t e r 1 L F O M o d . LFO1, LFO2, and the Common LFO can all modulate Filter A and B’ s cutoff frequenc ies.
Progra m Edit 42 Fi l t e r 1 E G The Filter EG, or Envelope Generator , lets you create com ‐ plex, time ‐ var y in g chan ges to the cutoff fre quencies of Fil ‐ ters A and B.
Filter Filter1 EG 43 Cur ve The explanation of the filter EG curve is same as for pitch EG curve. Please see “Curve” on pa ge 32.
Progra m Edit 44 Fi l t e r 2 This page controls Oscillator 2’ s basic filter 2 settings. It is available only when the Oscillato r Mode is set to Double; if not, the page will be gray ed out.
Amp Filter2 EG 45 Amp Oscillators 1 and 2 have separate controls for vo lum e (also called “amplitude,” or “amp” fo r short); pan; and as wel l as dedicated amp envelopes and keyboard tracking genera ‐ tors.
Progra m Edit 46 Amp1 EG This displays the Amp1 EG env elope specified in the Amp1 EG page. The graphic shows the shape of the Amp1 EG.
Amp Amp1 Mod ulation 47 Differenc es from other Keyboard T racks There are seve ral differences between the Amp keyboard tracking and th e Filter and Common keyboard tracking. For ex ample, the results of the Ramp va l ue s are different.
Progra m Edit 48 Amp1 EG These parameters le t you create time ‐ vary in g changes in th e volu me of oscillator 1. En velope These parameters specify how the amp 1 EG will change over ti me.
Amp Amp2 Mod ulation 49 Release [0L (Linear), 1...9, 10E (Exp/Log)] This sets the curvature of the Release segment ‐ th e transi ‐ tion from the Sustain level to the Release level.
Progra m Edit 50 LFO Each of the Osci llators 1, 2 has two LFOs, which you can use to modulate th e filter , amp, pitch, and many other parame ‐ ters.
LFO Amp2 EG 51 Random4–6 (Continuous) are smoothed ve rsi on s of Ran ‐ dom 1–3, with ramps inste ad of steps. Yo u can use them to create more gentle random variations.
Progra m Edit 52 OSC1 LFO1 This page has all of the controls for the first LFO of Oscilla ‐ tor 1. For instance, you can: • Control the LFO’ s frequ ency , and assign AMS co ntrollers to modulate th e frequency .
LFO OSC1 LFO2 53 When AMS is at its maximum val ue (for example by mov ‐ ing the joystick fully aw ay from you rse lf ), the A.
Progra m Edit 54 C ommon LFO Differenc es from LFO1/2 The Common LFO starts running as soon as you select the Program, and only resets when you tell it to do so explicitly via the Reset Source control, below .
AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) Common LFO 55 AMS Mix/C.K ey T rk (AMS Mix er/C ommon Keyboar d T rack) Each Oscillator has two AMS Mixer s, which are simple but powerful tools for combining and modifyin g AMS signals.
Progra m Edit 56 AMS Mixer2 Mix er T ype [ A+B, Am t AxB, O ffse t, Smoo thing , Shape, Quantize , G ate C ontrol] This is the secon d AMS Mixer fo r Oscillator 1. The parame ‐ ters are exactly the same as those for AMS Mixer 1.
AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) OSC1 AMS Mix 57 Amt AxB AMS Mixer , T yp e =Amt A x B This Mixer Ty p e uses AMS B to scale th e amount of AMS A.
Progra m Edit 58 Offset [–19 9...+199] This controls the amount of offset for AMS A. Setting Offset to +199 shi fts an AMS input of –99 all the way to +99.
AMS Mix/C.KeyTrk (AMS Mixer/Common Keyboard Track) OSC1 AMS Mix 59 AMS Mixer Shape ex am ples Quant ize This Mi xer Ty p e changes the input fr om a continuo us signal into a series of discrete st eps.
Progra m Edit 60 Gate O utput If the va lu e of the Control Source is less than the “Thresh ‐ old,” the Gate outputs the preset val u e or AMS source selected under “Below Threshold.
AMS Mix/C.KeyTrk (AMS Mixer/Co mmon Keyboard Track) Common KeyTrack (Common Key- 61 C o mmon Key T rack ( Common Key b o a rd T r a ck ) The two Oscillators share tw o Common k.
Progra m Edit 62 +Inf and –Inf ramps +Inf and –Inf are special settings which cre ate abrupt changes for split ‐ like effects.
IFX (Insert Effect) Common KeyTrack (Com mon Keyboard Track) 63 IFX (Inser t Effec t) Here, you can adjust settings for the insert effects. For more information, please see “Effect Guide” on page 79.
Progra m Edit 64 IFX Insert Effect (IFX) Here you can edit the parameters of the insert effect that you selected in the IFX Rou ting page.
MFX/EQ (Master Effect/EQ) IFX 65 MFX/EQ (Master E f fe c t/EQ ) Here, you can adjust the settings for the master effects and EQ.
Progra m Edit 66 MFX1 MFX1 Par ameters Here, you can edit the parameters of the master effect selected in the MFX/EQ page. For more information, please see “Effect Guide” on page 79.
UTILITY Command EQ 67 UTILITY C ommand Proc edure for utility c ommands 1. Click the UTILITY button , and choose a co mmand from the menu that appears. 2. Adjust the settings in the dialog box.
Progra m Edit 68 FX [All , Mod. Rev/Dly , EQ] Specify whether you wan t to copy effect settings and/or EQ settings. Load... Loads the PS60 Editor/Plug ‐ In Editor da ta that wa s previ ‐ ously saved on the computer .
69 Global Pa n e l The upper part of the PS60 Editor panel simulates the main buttons and knobs of the PS60 ʹ s own front panel. These cannot be edit ed in Global mode.
Global 70 Basic/MIDI C ontrollers Settings in the Basic/MIDI Controllers – Category pages are remembered while the PS60 Editor / Plug ‐ .
Basic/MIDI Controllers 71 Octave [-3...+0...+3] This shifts the pitch of the performance or progr am in one ‐ octave steps across a range of six octaves. V elocity Curve ( V el Curve) [1.
Global 72 overall sound, or to back off the high range to soften the sound. Memor y Protect Progra m [O ff , On ] This setting prote cts the internal program memory .
Basic/MIDI Controllers 73 PostMIDI: Ve l o c i t y Curve, aftertouch Curve, and T ranspos e will be applied to da ta before it enters the tone genera tor .
Global 74 Cont rollers JS Lock [X, Y , +Y , - Y , XY ] Yo u ca n switch the joystick betw een Lock an d Unlock states (the LED wil l light when the joystick is locked).
User Scale 75 U ser Sc ale Here, you can select the settings for four differen t User Octave Scales and one User All Notes Scale. The user scales you create here can be sele cted from the fo l ‐ lowing pages.
Global 76 Catego r y Programs are organized into sub ‐ categories. Yo u can assign a Program to a category and sub ‐ catego ry during the utility command Wr i t e process.
UTILITY Command 77 UTILITY C ommand Proc edure for utility c ommands 1. Click the UTILITY button , and choose a co mmand from the menu that appears. 2. Adjust the settings in the dialog box.
Global 78.
79 Effec t Gu ide Ov ervi ew The PS60 ʹ s effects co nsist of one insert effect fo r the program of each timbre (except for the Strings ti mbre), two master effects use d by the entire perfor mance, and EQ settings.
Effec t Gui de 80 Effect swi tch •I n th e Global page, yo u can switch effect s on/off as a whole for the performance or program.
Inser t Effec ts (IFX) 81 Synchronizing LFOs Most effe cts with LFOs, such as S11: St.W ah, can be synchro ‐ nized to tempo. This applies to th e individual effects LFOs. To set up LFOs to synchronize to tempo: 1.
Effec t Gui de 82 Yo u ca n also use “Effect SW” to turn IFX on and off. This MIDI control is performed on the global MIDI channel (page 72) .
IFX (Insert effec ts) List 000: No Effect 83 IFX (Inser t effects) List 000: No Effect Select this opti on when you do not use any effects. The Insert Effect sec tion outputs unprocessed signals an d the Master Effect section mutes the output.
Effect Guide 84 003:St. Limitr (Stereo Limiter) The Limiter regulates the input signal level. It is similar to the Compressor , except that .
IFX (Inser t effects) List 004: MulLimitr (Multiband Limiter) 85 T rigger Monitor Tu r n i n g this pa rameter On will cause the trigger signal to be output, ins tead of th e effect sound.
Effect Guide 86 Thre sh old Attack Release “Threshold” spec ifies the level where gating occurs when “Envelope Selec t” is set to L/R Mix, L Only , or R Only .
IFX (Insert ef fects) List 008: St.G7EQ (Stereo Graphic 7-Band EQ) 87 Q These parameters set the bandwidth of ea ch equalize r .
Effect Guide 88 Exciter Blend This parameter sets the de pth (inten sity) of the Exciter effect. Po s it i v e va l ue s give a frequency pattern (t o be emphas ized) different from negative va lu e s .
IFX (Insert effects) List 012: St.VtgW ah (Stereo Vintage/C ustom Wah) 89 Frequency Bottom Frequency T op The sweep width an d direction of the wa h filter are determined by the “Frequency To p ” and “Frequency Bottom” se ttings.
Effect Guide 90 Shape This parameter specifies the sw eep curve of the wah . It applies to all control via auto ‐ wah , modulation source, and LFO, and lets you adjust subtle nuances of the wa h effect.
IFX (Inser t effects) List 014: St.R ndFlt (Stereo Random Filter) 91 Phase [deg] Offsetting the left and right phases alters how modulation is applied to the left and right chan nels, creating a swelling affect.
Effect Guide 92 016: St.SubOsc (Stereo Sub Oscillator) This effe ct adds ve ry low freque ncies to the input signal. It is very useful when simulating emphasizing powerful low range.
IFX (In ser t effects ) List 018: St.Deci mt (Stereo Deci mator) 93 Vo i c e Top V oice Center V oice Bottom These parameters assign vowels to the top, center , and bottom position of the con troller .
Effect Guide 94 019: St. Record (Stereo Analo g Recor d) This effect simulat es the noise caused by scratches and dust on analog records. It also reproduces some of the modulation caused by a wa r pe d turntable.
IFX (Insert ef fects) List 021: St.Gt Cab (Stereo Guitar Cabinet) 95 Wa h The Wa h parame ter switches the wah effect on/off. Swit ch M od e This parameter sets how the wa h effect is switched on and off via the modulation source.
Effect Guide 96 022: St.Bs C ab (Stereo Bass Cabin et) This simulates the acoustica l character of a bass amp’ s speaker cabinet. 023: Bass Amp This simulates a bass amp. F ull parameter Quick parameter V alue Explanation T r im 0.
IFX (Inser t effects) List 025: T rebleBST ( T reble Booster) 97 024: B.Amp C ab (Bass Amp Model+Cabinet) This simulates a bass amp and speaker cabinet.
Effect Guide 98 026: T ube Pre ( T ube PreAmp Modeling) This effect simulat es a two ‐ stage vac u u m tube preamp. Yo u can make individual setti n gs for two vac u u m tubes connected in series.
IFX (Inser t effects) List 029: Stereo Phaser 99 Mic Position This expresses the effec t that the mic position has on the sound. The Close set ting is the closest mic position, and the Far setting is the farthest.
Effect Guide 100 031: OrangePhs ( Orange Phaser) This models a standard model of analog phaser that achieved great popularity . It gives a sense of mov ement to electric piano sounds, adding a rich ‐ sounding phase shift effect.
IFX (Insert effec ts) List 035: St.EnvPhs (Stereo En velope Phaser) 101 035: St.En vPhs (Stereo En velope Phaser) This stereo phaser uses an envelope generator for modulation. Yo u will obtain the same pattern of phasing each tim e you play .
Effect Guide 102 Con t rol M od e V oice 1 Resonance V oice 2 Resonance This parameter determines the resonance intensit y . When “Con trol Mode ” = Manual, the “Resonance” parameter sets the inte nsity of resonance.
IFX (Insert effects) List 038: TEX T reml (TEXTREM) 103 LFO W aveform This parameter sets the basic shape of the LFO. The V i ntage wav ef o r m models classic guitar ‐ amp tremolo.
Effect Guide 104 0 40 : St .Au t Pan (S te r eo Au to Pa n) This is a stereo ‐ in, stereo ‐ out auto ‐ panner . The Phase and Shape parameters lets .
IFX (Insert ef fects) List 042: St.Ring M (Stereo Ring Modulator) 105 Ty p e LFO Phase [deg] Select the type of phaser LFO and tremolo LFO for the “T ype” parameter . How the effect sound moves or rotates depends on th e type of LFO.
Effect Guide 106 Fixe d Fr eq [H z ] This parameter sets the oscillator freque ncy when “OSC Mode” is set to Fixed. Note Offset Note Fine These parameters for the oscillator are used when “OSC Mode” is set to Note (Key Follow).
IFX (Insert effects) List 045: P4EQ -Phaser (Par ametric 4- Band EQ - Phaser) 107 045: P4EQ-Phaser (Par ametric 4- Band EQ - Phaser) This effect combines a mono four ‐ band parametric equalizer and a phaser .
Effect Guide 108 047: Co mp-Amp (C ompressor - Amp Simulation) This effect co mbines a mono compressor and an amp simulation. Yo u can change the order of the effec ts. 048: C omp- OD ( Compressor - Overdriv e/Hi.
IFX (Insert effects) List 049: Comp-P4EQ (Compr essor - Parametric 4-Band EQ ) 109 049: C omp -P4EQ ( Compressor - Pa ra m e t ri c 4 - B a n d EQ) This effect combines a mono compressor and a four ‐ band parametric equalizer .
Effect Guide 110 051: Lmtr-P4EQ (Limiter - Pa ra m e t r ic 4 - B a n d EQ) This effect co mbines a mono limiter and a four ‐ band parametric equalizer . Yo u can change the order of the effects.
IFX (Inser t effects) List 053: Xctr- Comp (Ex citer - Compressor) 111 053: X ctr- Comp (Ex citer - C ompressor) This effect combines a mono exciter and a compressor . Yo u can change the order of the effects.
Effect Guide 112 055: Xctr- Phsr (Ex citer - Phaser) This effect co mbines a mono limiter and a phaser . 056: OD-Amp ( Overdr ive/Hi.Gain - Amp Simulation) This effect combines a mono overdriv e/h igh ‐ gain distortion and an amp simulation.
IFX (Insert effects) List 058: Wah-Amp (W ah - Amp Simulation) 113 057: OD-Phsr (Overdriv e/Hi.G ain - Phaser) This effect combines a mono ov erdrive/high ‐ gain distortio n and a phaser . Yo u can change th e order of the effects.
Effect Guide 114 059: Deci-Amp (Decimator - Amp Simulation) This effect co mbines a mono decimator and an amp simulation.
IFX (Insert effec ts) List 061: Amp- Trml ( Amp Simulation- T remolo) 115 061: Amp - T rml (Amp Simula tion- Tr e m o l o ) This effect combines a mono amp simulation and a tremolo.
Effect Guide 116 Con t rol M od e Preset T ype Cus to m M ix Cus to m De p th Custom Speed If Control Mode=Preset, you can use Preset Ty p e to select the effect. In this case , the Custom Mix/Depth/Speed settings are ignored.
MFX1 (Mod.) (Master Effect1–Modulation) List No Effect 117 MFX1 (Mod.) (Mast e r Effect1–Modulation) List No Effec t Select this if you don ʹ t wa nt to use an effec t. If selected for a master effe ct, the output will be muted.
Effect Guide 118 St.Phaser (Ster eo Phaser) This effect cre ates modulation by shiftin g the phase of the sound. It is effective when applied to sounds such as electric piano.
MFX2 (Rvb/Dly) (Master Effect2–Revreb/Delay) List No Effect 119 MFX2 (Rvb/Dly) (Master Ef fec t2–Revreb/Delay) List No Effec t Choose th is if yo u don ʹ t wa nt to use an effect. Wh en selected for the master effect, this mutes the out put.
Effect Guide 120 EQ (Equalizer) EQ Choose this if yo u don ʹ t wa nt to use an effe ct. When selected for the master effect, this mutes the output. F ull parameter Quick parameter V alue Explanation Tr i m ← 0.
121 App endices Alterna te Modula tion Sourc e ( AMS) Alternate Modula tion Overview Alter nate Mo dulat ion S ource s Alternate Modulation lets you use controller s, envelopes, LFOs, etc. to modulat e Program parameters.
Appe ndices 122 JS X This is the horizontal movement of the main joystick. It also receives MIDI Pitch bend. JS+Y : CC#01 This is the ver t ic al movement of the main joystick, upwards from the center .
Alternate Modulatio n So urce (AMS) Alternate Modulation settings 123 AMS operations and their result Notes for the table *1 EXT(+–): JS X, Ribbon:CC#16, Knob Mod1 (CC#17), .
Appe ndices 124 The eff ect s of AMS on various param- eters, and example applications We ’ l l describe some examples of using alternate modula ‐ tion.
Alternate Modulatio n So urce (AMS) Alternate Modulation settings 125 Filter LFO1/2 Intensity (p age 41) The LFO 1/2 filter modulation intensity can be controlled by the EG, Common LFO, keyboa rd tracking, controller , or tempo etc.
Appe ndices 126 LFO Frequency (page 51) The frequency of LFO 1, 2 or Common LFO can be con ‐ trolled by the EG, keyboard tracking, controllers, or tempo etc.
Dynamic Modulation Sour ce (Dmod) Alternate Modulation settings 127 Dynamic Modulation Sourc e (Dmod) Yo u ca n control certain effect parameters using the joystick, realtime control knobs, etc. “on the fly .
Appe ndices 128 Gate2, Gate2+D mpr (Gate2 , Gate2+ Dampe r) This is essentiall y the same as for Gate 1 or Gate 1 + Dmpr .
Foot Pedal Assign Alternate Modulation settings 129 F oot Pedal Assign Here you can specify the function that will be controlled by an assignable pedal (separately sold XVP ‐ 10, EXP ‐ 2) con ‐ nected to the DAMPER/P EDAL/SW1 or PEDAL/ SW2 jack.
Appe ndices 130 MIDI transmission when the PS60’ s controllers ar e used The following tables show the relation be twee n the MIDI messages that are t.
PS60 and MIDI CCs Response s to standard MIDI controllers 131 PS60 and MIDI C Cs Responses to standar d MIDI controll ers The followin g table shows how the PS60 responds .
Appe ndices 132 *1 Bank select messages are normally specified as program change ev ents. Howev er in some cases this will be insuffi ‐ cient when you wish to change banks on an external device.
PS60 and MIDI CCs Parameters controlled by MIDI CCs #70-79 133 P arameters c ontrolled b y MIDI C Cs #70-79 CC#70–79 correspond to the P S60’ s program parameters listed below .
Appe ndices 134 MIDI applications About MIDI MIDI stands for Mu sical Instrument Digital Interface, and is a wor ld ‐ wide standard for exchanging var i o u s types of musical data betw een electronic musical instruments and computers.
MIDI applications Messages tr ansmitted and received by the PS60 135 •I n Performance, transmission/reception can be switched on/off for each timbre. Switching per formanc es Yo u ca n use program change messages to switch perfor ‐ mances.
Appe ndices 136 C ontrolling por tamento Portamento tim e (C C#05) [Bn, 05, vv] If you assign the above CC# to an assi gnable pedal on the PS60 and .
MIDI applications Messages tr ansmitted and received by the PS60 137 Using v a rious contr ollers Here we will explain typical ways to use th e var io u s co n ‐ trollers.
Appe ndices 138 Resetting all contr o lle rs on a specific channel Reset all contr ollers (C C#121) [Bn, 79, 00] (value 00) When this is receiv ed, the va l ue of all controllers on that channel w ill be reset.
MIDI applications Messages tr ansmitted and received by the PS60 139 Inquir y message re quest [F0, 7E, nn, 06, 01, F7] Inquiry message [F0, 7E, nn, 06, 02, (nine byt es), F7] When an inquiry .
Appe ndices 140 Consult your local Korg dealer for more infomation on MIDI System Exclusive implementation. 1 1 . TR ANS MI TTE D DA TA 1-1 CHA NNE L ME SSA GES [H] :Hex, [D] :Decimal |Status| Second Third | Description ( Transmitted by .
MIDI Implemen tation 141 1 1 -2 SYSTEM REALTIME MESSAGES Status[Hex] Description ( Transmitted when ... ) F8 Timing Clock ( Always in Performance/Prog Edit) *3 FE Active Sensing ( Always ) *4 *3 Transmits these messages when MIDI Clock in Global mode is Internal.
Appe ndices 142 2 2 .RECOGNIZED RECEIVE DATA 2-1 CHANNEL MESSAGES [H] :Hex, [D] :Decimal |[Hex] | [H][D] [H][D] | | | Status Second | Third | Description ( Use .
MIDI Implemen tation 143 AMS : Alternate Modulation Source FX Dmod Src : Effect Dynamic Modulation Source n : MIDI Channel No. (0 - 15) •••••• Usually Global Channel. When in Performance, each timbre's channel.(Status is INT) g : Always Global Channel No.
Appe ndices 144 4015-2 Y anokuchi, Inagi-city, T ok yo 206-0812 Japan © 2010 K ORG INC. IMPORT ANT NO TICE TO C ONSUMERS This product has been manufactured ac cording to s.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Korg PS60 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Korg PS60 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Korg PS60, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Korg PS60 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Korg PS60, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Korg PS60.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Korg PS60. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Korg PS60 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
