Manuel d'utilisation / d'entretien du produit PA3 du fabricant Korg
Aller à la page of 250
Advanced Edit ENGLISH OS V er . 1.0 1 E.
.
1 Table of Contents Advanced Style Record mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 The Style structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Style/Pad Import/Export . . . . . .
2 Table of Contents Write MultiSample dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Write Slice dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Delete Sample dialog box . . . . . . . . . . . . . .
3 Style Record mode The Style structure Advanced By en tering the Style Record mode, you ca n creat e your o wn Styles, or edit an existing Style. The Style s truc tu re The term “ Style ” rela tes with m usic sequences a ut oma tically pla yed by the a rran ger of the P a3X.
4 Style Record mode Style/Pad Import/Export J ust to summarize, when you pla y a chord o n the chord recog ni- tion area, the arranger determines which Style Element is use d, then determine s which C.
5 Style Record mode Exit by saving or deleting chang es Advanced Not e: Whil e in Reco rd mode, the foo tsw itc h an d EC5 pedals a re dis abl ed. O n t he contrar y , v olume / ex press ion -t y pe pe dal s can be used.
6 Style Record mode Main page - Record 1 Main page - Recor d 1 After having pressed the RECORD button, and having chosen w h e t h e r y o u w a n t t o e d i t a n e x i s t i n g S t y l e o r c r e a t e a n e w o n e , the main page of the S ty le Record mode ap pe ars, with the tab “Rec or d 1” selected.
7 Style Record mode Main page - Record 1 Advanced Wa r n i n g : I f yo u as sig n CV Lengt h a va lue low er th an Rec L ength , the value of Re c Le ng th i s not im media tely u pdated in t he display .
8 Style Record mode Main page - Record 1 NTT Area NT T T ype/T able NT T s (Not e T ransposition T ables) are the sophisticated algo- r i t h m s t h a t a l l o w K o r g a r r a n g e r s t o c o n v e r t r e c o g n i z e d c h o r d s into musica l patterns .
9 Style Record mode Main page - Record 2/Cue Advanced Delete Note bu tton U se this command to delete a single note or a single percussive instrumen t from a track. F or exam ple, to delete a sna re, k e ep the D2 note (c or res p ond ing to t h e sn are ) pre ss e d.
10 Style Record mode Main page - Guitar Mode Cue area Cue mode for [Style element] This parameter lets yo u decide how the current S ty le Element will enter after it has been selected. This setting is only available fo r the ‘V ariati on ’ and ‘ Fill ’ Style Elemen ts.
11 Style Record mode Main page - Guitar Mode Advanced Recor d ing strumming types T h e o c t a v e f r o m C 1 t o B 1 i s d e v o t e d t o s e l e c t i n g a stru mming ty pe.
12 Style Record mode Main page - Guitar Mode Y ou can record the pa ttern by playing i t in the range sho w n by the diagra m. Record ing a Chord Shape Y ou can finely choose C hord Sha p es by using MIDI messages.
13 Style Record mode Main page - Guitar Mode Advanced Choosing a Ke y/Chord for Intro 1 and Ending 1 The pattern is recor d ed in t he key indicated by the Key/Chord p a i r o f p a r a m e t e r s . H o w e v e r , t h i s p a r a m e t e r i s o n l y u s e d f o r playback by the In tro 1 and Ending 1 Style Elements.
14 Style Record mode Style Record procedure Style Recor d procedur e There are two differen t met hods for recording a S ty le: Rea ltime and Step. • R ealt im e Re cordi ng a llow s you to record St yl e p atterns i n rea ltime .
15 Style Record mode Style Record procedure Advanced Step Rec ord procedur e 1. While in the main page of t he Style Record mode, select the “ Ov er du b S te p R eco rd in g ” c om ma nd fr om th e p ag e m en u , to enter the Overdub St e p Record mode.
16 Style Record mode Edit menu Edit menu F ro m a n y p a g e ( a pa rt f o r S t ep Re co r d) , p r es s t h e ME N U b u t t o n t o o p e n t h e S t y l e R e c o r d e d i t m e n u . T h i s m e n u g i v e s a c c e s s t o the vario us Style Reco rd edit se ction s.
17 Style Record mode Event Edit: Event Edit Advanced Even t Ed i t : Eve nt Ed it The Even t Edit is the page where yo u can edit each single MIDI event o f the selected Chord V ariation. Y ou can, f or examp l e, replace a note with a differen t one, or cha nge its playing strength (i.
18 Style Record mode Event Edit: Event Edit W he n i n th is di al og bo x, se lec t a ta rg et me as ur e, an d t o uc h O K. The first event ava i lable in the target measure will be sele cted. Insert T ouch the Ins er t button in the display to i nser t a ne w eve nt at the curren t sho wn Posi tion.
19 Style Record mode Event Edit: Filter Advanced Even t Ed i t : Fi l te r This page is where you ca n s elect t he event types to be shown in the Even t Edit page. T urn On th e f ilt er for all ev ent types you do n ot wish t o see in the Even t Edit page.
20 Style Record mode Style Edit: Transpose T op parameters, yo u can selec t a single percussive instrument in a Drum or P ercussio n track. Not e: These par ameters a re ava ilable onl y when a Drum or Per - cussion tr ack is selected. Ex ecute T ouch this butt on to execute the operation set in this page.
21 Style Record mode Style Edit: Cut Advanced E / CV (Style El ement/Chord V ariation) U se these parameters to select the Style Element a nd Chord Va r i a t i o n f o r e d i t i n g . Va l u e V elocity chan ge value (±127). Star t / End Tick U se these para meters to set the starting an d ending po ints of the ran ge to be modified.
22 Style Record mode Style Edit: Delete Styl e Edit: Delete T h i s p a g e i s w h e r e y o u c a n d e l e t e M I D I e v e n t s o u t o f t h e S t y l e .
23 Style Record mode Style Edit: Copy from Style Advanced E / CV (Style El ement/Chord V ariation) U se these parameters to select the Style Element a nd Chord Va r i a t i o n f o r e d i t i n g .
24 Style Record mode Style Edit: Copy from Pad the source will be copied once, then the first 2 measures will be copied to fit the remaining 2 measur es. Not e: A void copying to a Ch ord V ariation w ith a dif ferent meter (time si g nat ure), for exam ple a 4/4 Chord V ariatio n on to a 3/4 one.
25 Style Record mode Style Element Track Cont rols: Sound/Expression Advanced Style Element T rack Con trols: Sound/ Expression In this page you can assign a dif feren t S ound to each track of the selected Style E lement.
26 Style Record mode Style Element Tra ck Controls: Keyboard Rang e Style Element T rack C ontr ols: K eyboard Ran ge The Key bo ard R ange automatical ly transp ose s any pattern note that would otherw ise play too hig h or too low in pitch, co m - pared to the or igin al acou stic inst ru ment, when transp ose d by the arrang er .
27 Style Record mode Style Track Controls: Type/Trigger/Tension Advanced Style T rack C ontrols: T ype/T rigger/T ension In this page you can set th e Mode, Retrigger m o de for t he S t yle tracks , and activa te/deactiva te the T ension f or the A ccom pani- ment tracks.
28 Style Record mode Import: Import SMF Impor t: Impor t SMF The Im port S MF fu nctio n allo ws y ou t o imp ort MI DI da ta fr om a Sta ndard MIDI F ile (SMF) crea ted on yo ur preferr ed external sequencer , and transform them in a Chord V ariation.
29 Style Record mode Import: Import SMF Advanced Importing an SMF separated by Mark ers into a Style As an a lternative t o importing single C hor d V ariations, yo u can im port a whole S tyle as an SMF separ ated by M arkers , i.e., a sin- gle SMF con t aining all the Chord V ariations (V ari atio n 1, V aria- t i o n 2 , e t c .
30 Style Record mode Export SMF Expor t SMF The Expo rt SMF fun ction allo ws yo u to export a Ch ord V aria- ti on as a St an d ard MI DI Fil e (SM F) , and e dit it o n y our pre fe rr ed external se quencer . To S o n g This (non edi t able) parameter sho w s the name of the S tandar d M I D I F i l e t o b e g e n e r a t e d .
31 Style Record mode Page menu Advanced Pa g e m en u T ouch the page menu ico n to open the page men u. T ouch a com- mand to select it. T ouch an y where in the display t o close the menu withou t sele cting a command. Wr it e S t y l e Selec t this command to op en the W rite Style dialog box, and save the Style to the i nternal memor y .
32 Style Record mode Copy Key/Chord dialog box Not e: A U ser or Fa vorite Style is usuall y promp ted when wr itin g a Styl e. Ho wever , you c an overwrit e a Fact ory Style, w hen the “ Fa c- tory St yle and P ad Pr otect ” par ame ter is left u nchec ked (see pa ge 236).
33 Style Record mode Copy Key Range dialog box Advanced C opy Key Range dialo g bo x Open this w indow by choosing the Copy K e yboard R ange i tem from the page men u. Here yo u can copy all Keyboard Range val- ues fo r the curren t Styl e Elemen t tracks to a diff eren t Styl e Ele- ment.
34 Style Record mode Overdub Step Recording window Fre e Me m or y Remaining memor y for recor d ing. Dura tion Rela tive dur ation of the inse rted not e. The per centage is alwa ys ref erred to the step valu e. 25% Stacca tissimo. 50% Stacca to. 85% Ordinar y artic ulation.
35 Pad Record mode The Pad structure Advanced By en tering the P ad Record mode, y ou can cr eate your own P ads, or edi t an existing Pad. The Pa d s t ru c t ur e A Pad is basical ly a sin g le-track S t yle. M ost of what a pplies to Styl e re cording al so applies to Pad re cordi ng.
36 Pad Record mode Exit by saving or deleting changes Exit by sa ving or deleting changes When finis hed editing, y ou can sa ve yo ur P ad in memory , or cance l any change. • T o s a v e c h a n g e s , s e l e c t t h e “ W r i t e P a d ” c o m m a n d f r o m t h e page men u (see “W rite P ad dialog box” on p age 47).
37 Pad Record mode Main page - Record 1 Advanced Be at The sequence will st art at the next beat, in sync with the arranger’ s or player’ s tempo. I t wi ll start from i t s very beginning (i.e., tick 1 or measure 1). Rec Length (R ecording Length) This par amete r s ets the rec ording lengt h ( in m eas ures) of t he sequen ce.
38 Pad Record mode Main page - Record 1 NTT Area NT T T ype/T able NT T s (Not e T ransposition T ables) are the sophisticated algo- r i t h m s t h a t a l l o w K o r g a r r a n g e r s t o c o n v e r t r e c o g n i z e d c h o r d s into musica l patterns .
39 Pad Record mode Main page - Guitar Mode Advanced Main page - Guitar Mode While in the m ain page , and a G uitar trac k has been select ed, touc h the “ Guitar M ode ” tab to see this pag e.
40 Pad Record mode Event Edit: Event Edit Other pages exhibi t a slightly differen t struc ture. Opera t ing mode This indicates that the instrument is in P ad R ecord mode. Edit sec tion This identifies the current edit section, corresponding to o ne of the items o f t he edit men u (s ee “Edit men u” on page 39).
41 Pad Record mode Pad Edit: Transpose Advanced Pa d E d i t : T r a n s p o s e In th is page yo u can transpose th e s elected tra ck(s). Not e: After transposing, pleas e do n ’t forget to readjust the “Key/ Chord” parameter in the main page of the Pad Record mode (s ee page 37).
42 Pad Record mode Pad Edit: Cut Pa d E d i t : Cu t This function lets you quickly delete a selected measure (or a series of measures) from the selected Chord V ariation. All fol- lowing even ts are mo ved back, to replace the cut measure(s). Afte r se tting the v ariou s parame ters, tou ch Exe cut e.
43 Pad Record mode Pad Edit: Delete All Advanced Bottom / T op Note U se these para meters to set the bo ttom a nd top o f the keyboar d range to d elete. Not e: These par ameters are a vailab le only when the All o r Note option is selec ted. Execute T ouch thi s but ton to ex ecute the o peration set in this pag e.
44 Pad Record mode Pad Track Controls : Sound/Expres sion Fro m Pad Choose this option to select the so urce P ad to cop y the Cho rd Va r i a t i o n f r o m . To u c h t h e Select b u t t o n t o o p e n t h e P a d S e l e c t windo w and sel ect the sour ce Pad .
45 Pad Record mode Pad Chord Table Advanced RX Noi se U se these controls to adjus t t he volume o f R X No is es in the cor- respo nding tracks. This co ntr ol appl ies to all types of trac ks (pr ovided the S ound in cludes RX No ises).
46 Pad Record mode Export: SMF Initial ize Check this p arameter if y ou wan t a ll Pad settings (i.e., K e y/ Chord, Cho rd T able, Sound…) a re reset when loading the SMF .
47 Pad Record mode Write Pad dialog box Advanced W rite P a d dialog bo x Open this w indow b y s electing the W rite Pad item fr om the p age men u. Her e you can sa ve the r e cor ded or edit ed Pad to me mor y . P arameter s saved i n the Pad a re mark ed with the symbo l thro ugh the user’ s man ual.
48 Sound operating mode The MIDI channel The Sound operating mode is where you can lis ten to individual Sounds, and edit them. T o selec t a Sou nd, s ee the “ In ter face b as ics ” ch ap ter in the U ser ’ s Manua l. In this mode, the selected Sound can al ways be play ed across the full keyboa rd ra nge.
49 Sound operating mode Main page Advanced Bank Bank the curr ent Sound belon gs to. Bank Select / Progr am Change sequenc e Ba nk Sele ct MS B / Ban k Sele ct LS B / Pr ogr am Ch ang e n umbe rs, in the form “ C C00.
50 Sound operating mode Digital Drawbars page Se le cted Eff ect Non e di ta bl e . This shows the effect assigne d to the correspond- ing FX processor . T o sele ct a different effect, see “Effects: “B” FX Config” on page 74. Send U se t his kn ob to adjust t he le vel of the dr y s ound sent to the cor- resp onding ef fec t.
51 Sound operating mode Edit menu Advanced T one/Noise tab T one is the timbre of the sound. N oises are mechanical noises fro m the keyboard a nd the to newheels. Wa v e (Drawbar W ave) To n e W av eshape of the drawbar s , pr oducing the b ase tim bre.
52 Sound operating mode Edit page structure Edit page s truc ture All edit pages share some basic elements. Opera t ing mode This indicates that the instrument is in Sound mode. Edit sec tion This identifies the current edit section, corresponding to o ne of the items o f t he edit men u (s ee “Edit men u” on page 51).
53 Sound operating mode Basic: OSC Basic Advanced Legat o This parameter is only ava i lable when the sele cted mod e is Mo no. I t is the same found on the main page of the Sound mode. See “Legato ” on page 49 for inf ormatio n on this parameter .
54 Sound operating mode Basic: OSC Basic 1st…6th The sound will begin f rom the offset location p re- determi ned for eac h samp le. No A tta ck The initial p ortion of the multisam ple is ig nored. AMS Acti vates th e Alterna te M odulatio n S our ce (see belo w).
55 Sound operating mode Basic: Vel/Key Zone Advanced Hi nt : T h i s i s e s p e c i a l l y u s e f u l t o t r i g g e r d i f f e r e n t sound n uances or cr eate vector -like sound sequenc es. Cycle 2 A s t he above, fo r us e with a different (a nd p aral- lel) gro up of Oscillators.
56 Sound operating mode Basic: Damper Mode Basic: Damper Mode H e re y ou can pro g ram ho w the Damper pedal wor ks, the Reso- nance/Halo effect, and the range within t he Note Off message is not sent to the selected Osci llator: Damper Mode Her e you can program the Dam p er Mode for each Oscillator .
57 Sound operating mode Basic: Damper Trigger Advanced Basic: Damper T rigger Her e you can set the notes trig gered by pressing a nd releasing the Damper P edal. The p arameters in this page ha ve ef fect on the Sound as a whole, and not on a single Oscil lator .
58 Sound operating mode DrumKit: Sample Setup (Drum Kits) DrumKit: Sample S etup (Drum Kits) This page ap p ears when you edi t a Drum Kit. H ere you can select a diff eren t percus sive sam ple fo r each key an d layer . Drum Ki ts u se onl y one oscillat or .
59 Sound operating mode DrumKit: EQ (Drum Kits) Advanced the Off or 1st Offse t, when playing lo udly you will select the 6th or N o A ttack Offset. When the “I ntensi t y” parameter has a nega t ive value, the selec- tion will happen in reverse (higher-numbered Offsets wil l be selected bef ore the l owest-n umbered ones).
60 Sound operating mode DrumKit: Voice Mixer (Drum Kits) DrumKit: V oice Mix er (Drum Kits) T h i s p a g e a p p e a r s w h e n y o u e d i t a D r u m K i t . H e r e y o u c a n s e t various parameters f or the dif feren t percussive sam ple assigned to the selec ted key and layer .
61 Sound operating mode Pitch: Pitch Mod Advanced Pitch: Pitch Mod H e r e y o u c a n m a k e p i t c h s e t t i n g s f o r e a c h o s c i l l a t o r .
62 Sound operating mode Pitch: Pitch Mod Pitch EG A MS (Alter nate Modulation Sour ce) T h i s p a r a m e t e r s e l e c t s t h e s o u r c e t h a t w i l l m o d u l a t e t h e p i t c h EG of the selected oscil lato r . S ee “ AMS (Alternate M o dulation Source) list ” on page 77).
63 Sound operating mode Pitch: Pitch EG Advanced Pitch: Pitch EG Here you can ma ke s etting s for t he pitch EG , w hich cre ates t ime- varian t changes in the pitch o f the os cillators.
64 Sound operating mode Filter: Filter Type At ( Attack Lev el Swing) This parameter specif ies the direct ion of change in “ A ttack Le vel” cause d by “ AMS 1/2 ” . If “Intensity” i s a p ositive (+) valu e, a s ett in g of + w i ll r ais e th e E G l e vel , a nd a s ett i ng of – wi l l d e cre a se it.
65 Sound operating mode Filter: Filter Mod Advanced Resonanc e (Resonanc e A) The resonance em phasizes the overtone com p onen ts that lie in the reg ion of th e cu toff freq uen cy spec ified by “ Fr equ ency” , p ro- ducing a more d istin ct ive s ound.
66 Sound operating mode Filter: Filter Mod Tr a c k i n g t o A / B These parameters specify the note numbers a t w hich keyb oard trackin g will b egin to ap ply , and se t the “In tensi ty to A ” and “I ntensi ty to B” pa rameters to specify the depth and dir ection of the change a pplied to f ilters A and B.
67 Sound operating mode Filter: Filter LFO Advanced Fi l t e r : Fi l t e r L F O Here you can us e th e f ilte r LFO to apply c ycl ic m odu lat ion to t he cut off frequen c y of th e filter (f or the select ed oscillat or) to cr eate cycli cal changes in tone.
68 Sound operating mode Filter: Filter EG Star t This para meter specifie s t he ch ange in cu toff freq uency at the time of note-on. -99…+99 Level value. Attack This parameter specif ies the change in cutoff frequency after the atta ck ti me ha s el aps e d.
69 Sound operating mode Amp: Amp Level/Pan Advanced T ime Modulation AMS1/2 U se this parameter to selecthe so urce that will contr ol the “ T ime ” p a r a m e t e r s o f t h e f i l t e r E G . S e e “ A M S ( A l t e r n a t e M o d u l a t i o n Source) lis t” on pag e 77.
70 Sound operating mode Amp: Amp Mod as yo u play higher), and towar d the left as the not e num bers decrease (i.e., as you play lower). N egative (–) values of this parameter will ha ve the op p osite effect.
71 Sound operating mode Amp: Amp EG Advanced Diagra m The diagram on to p of the page shows the Ampli tude envelope line. Level These parameters are the level of the en velope seg ment. Star t This parameter specifies t he volume level a t note-on. If you wa nt the note t o begin at a loud leve l, set this to a high va lue.
72 Sound operating mode LFO: LFO1 T ime Modulation Thes e par ameters let you use an alter nate modul ation s ource to modif y the amp EG times that were specifi ed in “ T ime ” on page 71.
73 Sound operating mode LFO: LFO1 Advanced Fre qu e n c y Set the LFO fr equency . A setting o f 99 is the fast est. 00…99 Fr equency rate. Off set This parameter specifies the central value of the LFO wavefo rm.
74 Sound operating mode LFO: LFO2 LFO: LFO2 Her e you can make settings fo r t he LFO2, which is the second LFO tha t can be ap plied to th e selected oscilla tor .
75 Sound operating mode Page menu Advanced Pa g e m en u T ouch the page menu icon to open the menu. T ouch a command to select it. T ouch an y where in the display to close t he menu witho ut selecting a co mmand. Wr it e S o u n d Selec t this command to open t he W rite Sound dial og box, and save all editing parameters to a Sound.
76 Sound operating mode Copy Oscillator dialog box Name Na me of the So und to be sav ed. T ouch the (T ext Edit) bu t- ton next to the na me to open the T ext Edit window . Sound Bank T arget bank of Soun ds. U se the V ALUE con trols to sel ect a dif- ferent bank.
77 Sound operating mode AMS (Alternate Modulation Source) list Advanced AMS (Alternate Mo dulation S ource) l ist Flt KT rk +/+ (Filter Keyboard T rack +/+) Flt KT rk +/– (Filter K eyboard T rack +/.
78 Sound operating mode AMS (Alternate Modulat ion Source) list + / 0 T h e s i g n o f t h e “ R a m p L o w ” s e t t i n g w i l l d e t e r - mine the direct ion of its effect.
79 Sampling operating mode Entering and exiting the Sampling mode Advanced Pa3X includ es a f ul l-feature d sampler , wit h p owerfu l to ols for creating (a) new sounds and (b) rh y thm patterns, based on a ud io grooves. Ne w S ou nd s. Samplin g a llows yo u to create new sounds, by recor ding from an external sour ce (e.
80 Sampling operating mode The Record ( Sampling) procedure Recording Next, yo u’ll record the sound or audio groove. 1. I f you can, sta r t first the source t o be reco rded, then touch the R ec ord button in the display to start recordin g.
81 Sampling operating mode Edit menu Advanced Wa r n i n g : Generat ed MIDI Groove s w ill be delet ed when turning the instrume nt off. I mpor t them to a Styl e track befor e turnin g the instrument off. Edit menu From a ny p age of t he Sa mpli ng mo de, pre ss th e M EN U bu tton to o p en the Sa mpling edit menu.
82 Sampling operating mode Sampling: Edit wi ll be saved as mono fi les. Stereo s amples will be saved as two se p- ar ate mono files, and will be trea ted as mono files when reload ed. Sour ce U se this p aramet er to choose either a micropho ne or a line source a s the inp ut.
83 Sampling operating mode Sampling: Loop Edit Advanced When editing a udi o grooves, the Loop Start should match the Sam ple Start point. This parameter usually differs from the Sam- ple Start in or dinar y sounds (i.e., a guitar , a piano , a voice…).
84 Sampling operating mode Sampling: Sampling Info Use Ze ro See “U se Zero ” on page 83. Loop Lock Thi s f ixes the leng th of t he lo op b ei ng ed ited . Off T he “Loop S. ” and “End” pa rameters can be edit ed separat ely . On When th e “Loop S.
85 Sampling operating mode Time Slice Advanced Drum Samples N umbe r of drum samples in memory . Multisampl es N umbe r of m u ltisamples in memo r y . A vailable Memory RAM Bank P a3X comes wi th 128MB of RAM alr e ady installed , and ca n b e expanded up t o 256MB with the option al EXB-M256 b oard.
86 Sampling operating mode Time Slice Ex.1 - Ge nerati ng samples a nd MIDI Gr oove data: Ex.2 - V ary ing the groove’ s tempo Ex.3 - Recombin ing MIDI n otes and sam ples Sample diagram This diagram shows the s amp le waveform an d t he slices.
87 Sampling operating mode Time Slice Advanced Metronome Information Meter U se this parameter to specif y the Meter o f t he original sample. Measures U se this parameter to specif y the number o f measures o f t he original samp le. U sual ly , you will load a groov e 1- or 2-measur es long.
88 Sampling operating mode The Time Slice procedure L o n g T h i s o p t i o n i s m o s t s u i t a b l e f o r c y m b a l s , w h o s e sound should be sust ained up until the next note. The “ tail” en velope is sustained and falls slo wly , then falls suddenl y next to the end.
89 Sampling operating mode The Extend procedure Advanced The Extend pr ocedure 1. Set the By p arameter , a ccording to the tempo of t he g roove you will use. If y ou will slow down the groo ve very much, a s s i g n h i g h e r v a l u e s t o t h i s p a r a m e t e r , o t h e r w i s e y o u m a y assign lower values.
90 Sampling operating mode Multisample: Key Assign Pitch Fine t u ning of the s elected samp le in cents (1 cent = 1/100 o f a sem ito ne). Fro m … T o Range of the selec ted Zone (or Index). The minimum size is one key . When reducing the ran ge of a zone, the adjacen t one is aut o- ma tically incr eased to fill the gap .
91 Sampling operating mode Page menu Advanced Tr i m / C r o p Select this co mmand to cu t all parts of the sa mple ou t of the selected ra nge (i.e ., out of the “S tart ” and “ End” po in ts). Select All U se this command to s elect the whole sample .
92 Sampling operating mode Write Sample dialog box Compress all samples When t her e is no mo re space in the Sa mple m emory for yo ur samples, y ou can comp ress the samples. W ith the option al EXB- M256 Sam ple RAM expansion, this will allow t o load up to 512MB of sam ples.
93 Sampling operating mode Delete Sample dialog box Advanced Name T o assign a dif feren t name to the S ound, touch the (T ext Edit) button to open the T ex t Edit wind ow . Sound Bank T arget bank of Sounds. E ach bank corresponds to one o f the SOUND buttons.
94 Sampling operating mode Export Multisample page Then touch th e Save button to see t he Ex port Sample dial og box: Original Name Na me of the sample being exported. Fil e N am e Na me of the g enerated f ile on the s torage device. Fil e Type Either of the file types you ca n choose as the file f ormat.
95 Voice Processor Accessing the Voice Processor edit pages Advanced The V oice Processor app lies ef fects, doubling and four -part har- mon y to your voice. Some de dic ated controllers on t he control panel (MIC S E TUP section) allows yo u to quickly access the most often used functi ons.
96 Voice Processor Voice Processor Setup: Mic Tone V oice P rocessor Setup: Mic T one In this page you can set parameters for the microphone in put, choosing the most sui t able settings f or the Le ad voic e (i.e., the main singer). Lead Level This paramete r sets the Lead voice lev el.
97 Voice Processor Voice Processor Setu p: Mic Tone Advanced •High band shelving The 2 “ Shelvin g” EQs boost o r cut all frequen cies below or a bove the the fr equencies set b y the Low an d High con trols r espec- tively . These are most like the comm on Bass and T reble co ntrols on a ster e o system.
98 Voice Processor Voice Processor Setup: Mic Tone There is only the single DeEss Level con trol; no other ma nual adj ustment s ettings are r e quir ed. The fact or y settin g of 50% gen- tly red uces sibilance withou t be coming ob vious. Higher settings of compress ion an d Shape or a br ig ht, s ibil ant voice may requ ire a higher s ettin g.
99 Voice Processor Voice Processor Setup: T alk Advanced V oic e Processor Setup: T alk T h i s p a g e i s w h e r e y o u c a n s e t t h e T a l k f u n c t i o n , t o b e u s e d t o address the a udie nce, speaking over the backgro und music.
100 Voice Processor Voice Processor Preset: Mixer/FX V oice Pr ocessor Preset: Mixer/FX This page con tains master level con t rols f or the V oice Pr o cessor as a whole. μMod Mod. Lev el Mast er L evel of the µM o d block. Lead to Mod Mast er L evel of the Lead voice go ing to the µM o d block.
101 Voice Processor Voice Processor Preset: Harmony Advanced C h o r d S c a n . T h e a r e a i s c h o s e n w i t h t h e C H O R D S C A N - NING buttons in the c ontrol panel. Low er Low er area (unde r the Spli t Po int). U pper U pper ar ea (under the S plit P oint) .
102 Voice Processor Voice Processor Preset: Double Amount Y ou can var y the amount of huma niz ation for th e har mony voices. All the styles except for the last one (T ime & Pitch) were designed a t middle values to allow y ou to add or r emove effects as yo u see fit.
103 Voice Processor Voice Processor Preset: Filter & Hard Tune Advanced V oice P rocessor P reset: F ilter & Hard T une This page contains the Filter and H ardT une ef fects, w hich dra- ma tically chan ge the sound ’ s charact er .
104 Voice Processor Voice Processor Preset: μMod V oice Pr ocessor Preset: μMod μM od is short for micro-modulation . The µMod ef fect is capable of cr eating m any d ifferen t sounds tha t rang e from s ubtle bu t lush thickening to creatively destruc tive.
105 Voice Processor Voice Processor Preset: Reverb Advanced beats (e.g. 1/4 triplets, 1/4 dott ed notes) for the left and right delays. Tim e L /R These parameters ar e us ed to display the exact dela y t ime and to allow edi ting with all Source set tings.
106 Effects Dynamic Modulation sources Pa3X i s e quipp ed wit h fou r p ower fu l Ef fe ct Proc ess ors for t he int e rnal MIDI tracks (U pper , L ower , Style, Song, P ads). Dynamic Modulation sourc es When the symbol is encoutered, a Dynamic Modula t ion can be applied to t he corresponding parameter .
107 Effects Dynamics (Dynamic) Advanced Dynamics (D ynamic) 0: No Effect Select this option when yo u do not use any effects. 1: Stereo C ompressor This effect compresses the in put signal to regulate the level and give a “p u nchy” ef fec t. I t is usef ul for gu itar , pi ano, and dr um sounds.
108 Effects Dynamics (Dynamic) a: Env elope S elect When L/R Mix is s elect ed for this paramete r , t he left and rig ht channels a re linked to contro l the Limiter using the mixed sig- nal. If L Only (or R Only) is sele cted, the left and r ight channels ar e linked, a nd the Limi ter is contr olled via onl y the left (o r right) channel.
109 Effects Dynamics (Dynamic) Advanced d: Attack d: Release These parameters set t he at t ack time and release t ime. A higher at tack time will ca use the com pressi on to be a pplied mo re slo w ly . f: T rigger Monitor Setting thi s paramete r On will cause the trigge r signal to be out- put, ins tead of the effect sound.
110 Effects EQ and Filters (EQ/Filter) c: Threshol d d: Attack d: Release “T hreshold ” specifie s the level at which ga ting occ urs when “En velope Select” is set to L/R Mix, L Only , or R Only . “ Attack ” and “Releas e ” sp ecif y the attack time and release time of the ga te.
111 Effects EQ and Filters (EQ/Filter) Advanced b: Band1 T ype c: Band4 T ype Sel ects a filt er ty pe fo r Ba nd 1 a nd 4 . e, f , g, h: Q These parameters set the b andwidth of each equalizer .
112 Effects EQ and Filters (EQ/Filter) b: Emphasis Freq This parameter sets the frequency to be emphasized. Higher val- ues will emphasize lo wer frequencies. c: Enhancer Delay L [msec] d: Enhancer Dela y R [msec] These parameters set the delay time fo r the Enhancer left and rig ht channel.
113 Effects EQ and Filters (EQ/Filter) Advanced a: Frequency Bottom a: Frequency T o p The sweep width and direction of the wah filter ar e determined by the “F requency T op ” and “Fr equenc y B otto m ” s ettings. b: Sweep Mode This paramete r changes the wah con trol mode.
114 Effects EQ and Filters (EQ/Filter) a: Mode b: Frequency Bottom b: Frequency T o p c: Resonance Bottom c: Resonance T op If Mode= Preset, thi s simula tes a vintag e wah pedal. In thi s case, int ernally fixed val ues are used f or Fr equency Bottom /T op a nd Resonance B otto m/T op, and these settings wi ll be ignored.
115 Effects EQ and Filters (EQ/Filter) Advanced d: BPM e: Step Base Note e: Times The width of an LFO step , or a cycle of random LFO , is obtained by m ultip lying the length o f a note ( r … w ) (.
116 Effects EQ and Filters (EQ/Filter) 16: St. Sub Oscillator (Stereo Sub Oscillat or) This effect a dds ver y low frequencies to the inp ut signal. It is ver y usef ul w hen simul ating a roaring drum s ound or emphasiz- ing powerful low rang e.
117 Effects EQ and Filters (EQ/Filter) Advanced c: V oice T op d: V oice Center e: V oice Bottom These parameters assign vowels to the top , center , and botto m posi tion of the con troll er .
118 Effects Overdrive, Amp models, and Mic models (O D Amp Mic) 19: St. Analog Rec ord (Stereo A nalog Record) This effect simulates the noise caused by scrat ches and dus t on a n a l o g r e c o r d s . I t a l s o r e p r o d u c e s s o m e o f t h e m o d u l a t i o n ca used b y a wa r ped turn table .
119 Effects Overdrive, Amp models, and Mic mo dels (OD Amp Mic) Advanced a: W ah The W ah parameter switches the wah effect on/off. a: Sw This pa rameter set s ho w the wah effect is swi tched on a nd off via the mod ulation so urce. When “ Sw” = Momen t, t he wah ef fect is usua lly turned off.
120 Effects Overdrive, Amp models, and Mic models (O D Amp Mic) 22: Gtr . Cabinet + NR This simula tes the acoustic qualities of a gui tar amp ’ s speaker cabinet. I t als o adds a No is e Reduction control. 23: St. Bass Cabinet (Stereo Bass C abinet) This simulates the aco ustic al character o f a bass amp ’ s spea ker cab inet.
121 Effects Overdrive, Amp models, and Mic mo dels (OD Amp Mic) Advanced 25: Bass Amp+Cabinet (Bass Amp Model+Cabinet) This simulates a bass a mp and speaker cabinet.
122 Effects Overdrive, Amp models, and Mic models (O D Amp Mic) b , f : S atura tion [%] W i t h h i g h e r s e t t i n g s o f t h i s v a l u e , t h e w a v e f o r m w i l l c h a n g e a t hig h gai n l evels , te nding to c ause d istor ti on. L ower s ett ings of this value will produce linear r esponse.
123 Effects Chorus, Flanger, and Phaser (Cho/Fln Phaser) Advanced Chorus, F langer , and Phaser (C ho/Fln Phaser) 29: Stereo Chorus This eff ect adds thic kness and w armth to th e sound b y modulat- ing the dela y time of the in put signal. Y ou can add sp read to the sound by offsetting th e pha se of the left an d right LFOs f ro m each o ther .
124 Effects Chorus, Flanger, and Phaser (Cho/Fln Phaser) 31: Black Chorus/Flanger This mo dels a Dani sh-made stere o chorus + pitch modu lator & flanger . Although this ef fect was orig inally intended for guitar , it wa s als o u se d by n um er o us ke yboa rd pl a ye rs .
125 Effects Chorus, Flanger, and Phaser (Cho/Fln Phaser) Advanced 33: St. Biphase Mod. (Stereo Biphase Modulation) This s tereo ch orus effect a dds two diff erent LFOs tog ether . Y ou can set the Frequency and Depth parameters for each LFO indi- vidually .
126 Effects Chorus, Flanger, and Phaser (Cho/Fln Phaser) 35: Ensemble This En semble effect has three ch orus block s that use LFO to create sub t le shimmering, and gives three d imensional depth and sp read to t he sound, because the signal is out put from the left, right, and cen ter .
127 Effects Chorus, Flanger, and Phaser (Cho/Fln Phaser) Advanced 37: Stereo Flanger This effec t gives a signif icant sw ell and movement o f pitch t o the sound. I t is more effect ive when applied to a sound with a lot of harmonics. This is a stereo flanger .
128 Effects Chorus, Flanger, and Phaser (Cho/Fln Phaser) 39: St. Random Flanger (Stereo Random Flanger) The stereo effect us es a step-shape wa veform a nd random LFO for mo dulati on, c reati ng a un ique f lang ing ef fe ct. 40: St. En v . Flanger (Stereo En velope Flanger) This Flang er uses an env elope generato r for modula tion.
129 Effects Chorus, Flanger, and Phaser (Cho/Fln Phaser) Advanced 41: Stereo Phaser Th is e f fe c t c re ate s a s we l l by sh i f ti ng t he p ha se . It i s ve r y ef f e ct i ve on electri c piano sounds. Y ou can add spread to the s ound by offs ett ing t he ph ase of t he le ft an d ri ght LF Os f rom ea ch othe r .
130 Effects Chorus, Flanger, and Phaser (Cho/Fln Phaser) 44: St. Random Phaser (Stereo Random Phaser) This is a stereo phaser . The ef fect uses a step-shape wav eform and ra ndom LFO f or modula tion, cr e ati ng a unique p hasin g effect. 45: St. En v .
131 Effects Modulation and Pitc h Shift (Mod./P.Shift) Advanced Modulation and P itch Shif t (Mod./P .Shif t) 46: Stereo V ibrato This effec t causes the pit ch of the input signal to shimmer . U s ing the A utoF ade allo ws yo u to i ncrease or decr ease the s himmerin g speed.
132 Effects Modulation and Pi tch Shift (Mod./P.Shift) 47: St. A u to F ade Mod. (Stere o Auto F ade Modulatiom) This st ereo cho r us/flan ger effect enab les you to con trol the LFO speed and effect balan ce using aut o fade, and y ou can s pread the sound b y offsettin g the phase of th e left an d right LF Os from each o t her .
133 Effects Modulation and Pitc h Shift (Mod./P.Shift) Advanced a: Contr ol Mode f: Voice 1: Reson ance h: V oice 2: Resonance This p arameter d eter mines the res onance i ntensity . When “ Control M o de ” = Man ual, the “Resonance ” parameter sets th e in tensi ty of r esonan ce.
134 Effects Modulation and Pi tch Shift (Mod./P.Shift) The effect is off when a value for the modula tion source specified for the “ Src” parameter is smaller than 64, and the effect is on when the value is 64 or higher . The Doppler effect is triggered when the value changes from 63 or sma ll er to 64 or hig he r .
135 Effects Modulation and Pitc h Shift (Mod./P.Shift) Advanced 51: Grain Shifter This e f fect cuts ex tremel y short sa mple s (“ grain s”) from the inpu t signal waveform and pla ys them repeatedly , giving a mechanica l character to t he sound.
136 Effects Modulation and Pi tch Shift (Mod./P.Shift) 53: Classic T remolo This model s the highly-accla imed tremo lo circuit tha t was built into a US-made com b o am p . T he Sp read s etting lets you crea te a pan effec t that wavers between left and rig ht.
137 Effects Modulation and Pitc h Shift (Mod./P.Shift) Advanced 55: Stereo Auto P an This is a stereo-in, stereo-out au to-p anner . The Phas e and Shape pa ra me ter s l et s y ou cr ea te va rio us p an nin g e ff ect s, s uc h as ma k- ing the left and rig ht in puts se em to chase ea ch other around the stereo f ield.
138 Effects Modulation and Pi tch Shift (Mod./P.Shift) a: T ype a: LFO Phase [degree] Select the type o f phaser L FO and tre molo LFO f or the “T ype ” parameter .
139 Effects Modulation and Pitc h Shift (Mod./P.Shift) Advanced 58: Detune U sing this effec t, you can ob t ain a detune effect t hat offsets the pitch of t he ef fec t s oun d sli ghtly f rom th e pitc h of t he i nput si g- nal. Compared to the chorus effec t, a more na tura l sound thick- ness will b e created.
140 Effects Modulation and Pi tch Shift (Mod./P.Shift) value for the F e edback parameter , t he pit ch wil l be raised (or low ered) mor e and mo re each time feedback is r epe a ted. If Fe e db a ck Positi on is set to Po s t , the feedbac k signal will no t pass t hrough t he pitch shifter again.
141 Effects Modulation and Pitc h Shift (Mod./P.Shift) Advanced 62: Organ V ib/Chorus ( Organ Vi bra to/Chorus) This effect simulates the cho r us and vib r ato circuitr y of a vintage or gan.
142 Effects Delay b: Speed Switch This para meter con trols ho w the ro tation speed (slo w and fas t) is switc hed via the modula tion sour ce. When Mo d e = To g g l e , the speed will swit ch between slo w and fast eac h time you pr ess the pedal or mo ve the jo ystick.
143 Effects Delay Advanced 65: Stereo/CrossDela y This is a stereo d elay , and can by used as a cr oss-feedbac k delay effect in which the delay sounds cross o ver between the left and righ t by cha nging the feedbac k rou ting. 66: St. Multitap Delay (Stereo Multitap Dela y) The left a nd righ t Mul titap Dela ys ha ve two ta ps respectiv ely .
144 Effects Delay 67: St. Mod Delay (Stereo Modulation Delay) This stereo dela y us es an LFO to sweep the delay time. The p itch also varies, creatin g a delay soun d w hich s wells and s himmers. Y ou can also co ntrol th e delay time using a modula tion source .
145 Effects Delay Advanced a: Control T arget This parameter selects no le vel con trol, delay o utp ut contro l (effect bala nce), o r feedback a moun t contr ol.
146 Effects Delay 70: T ape Echo This eff ect simula tes a ta pe echo uni t with thr e e pla yback heads. The distor ti on and tonal change typi ca l of magn eti c t ape are als o repro duce d.
147 Effects Delay Advanced a: Rec Mode b: Reverse T ime [msec] When “ Rec Mode ” is s et to Single, yo u can set up to 2,640msec for “Re vers e T ime. ” If re cordi ng star t s dur ing the rever se play- back, the playback will be in terrup ted.
148 Effects Delay 74: L/C/R BPM Dela y The L/C/R d elay enables yo u to matc h the delay tim e with the song te mpo. Y ou can also synchr onize the dela y time with the arp eg gi ator or se quen cer . If you prog ram t he tempo b efore p er- fo rmance, yo u can achiev e a delay effect that synchr onizes wi th the song in real-time.
149 Effects Delay Advanced 76: St.BP M Mtap Delay (Stereo BP M Multi tap Delay) This four -t ap dela y enables yo u to select a tempo and rhythm pat tern to set u p each tap . 77: St.BP M Mod. Delay (Stereo BP M Modulation Delay) This is a stereo modulatio n delay tha t lets you synchr onize the dela y time to the tem po of the so ng.
150 Effects Delay i: Time Ov er? L, R Y ou can set t he delay time up to 2,550mse c. If the delay time exceeds this limit, the error mes s age “ OVER!” a pp ears in the dis- pla y . S et the dela y time para meters so tha t this messa ge will not appear .
151 Effects Delay Advanced 79: T ape Echo BPM This is a tape echo that lets you synchr onize the del ay time to the tempo of the song. a: T ap1 Dmod Src b: T a p1 Delay Note b: Ti mes c: T a p1 Dmod N.
152 Effects Reverb and Early Reflections (Reverb ER) Rev erb and Early Reflec tions (Rev erb ER) 80: Reverb Hall This hall-type reverb simulates the reverbera tion of mid-size concert halls or ensemble halls. 81: Reverb SmoothHall This hall-typ e reverb simula tes t he reverberation of la rger hal ls and stadiums, and crea tes a smo oth release.
153 Effects Reverb and Early Reflections (Reverb ER) Advanced 85: Rev e rb BrightRoom This r oom-type rev erb emph asizes the ea rly r ef lectio ns that make the sound brighter . c: ER Level d: Reve rb Leve l These parameters set t he e arly refl ec tion le vel and reverb level.
154 Effects Mono-Mono Serial (Mono-Mono) Mono-Mono Serial (Mono -Mono) 88: P4EQ - Ex citer (Parametric 4-Band EQ - Exciter) This effec t com bines a mono four-band para met ric equalizer and an e xciter . 89: P4EQ - W a h (Par ametric 4-Band EQ - Wa h / A u t o Wa h ) This effec t combines a m ono four - band parametric equalizer and a w a h.
155 Effects Mono-Mono Serial (Mono-Mono) Advanced 90: P4EQ - Cho/Flng (Par amet ric 4-Band EQ - Chorus /Fla nger) This effec t combines a mono fo ur-band parametric e qualizer and a chorus/flanger . i: Output Mode Wh en W et I nve r t is select ed, the righ t chann el phase o f the cho- rus/fl anger effect sound is inverted.
156 Effects Mono-Mono Serial (Mono-Mono) 92: P4EQ - Mt. Delay (P arametric 4-Band EQ - Multitap Delay) This effec t com bines a mono four-band para met ric equalizer and a m ultita p delay . 93: Co mp - W ah ( C o m p r e s s o r - Wa h / A u t o Wa h ) This effect combines a mono co mpressor a nd a wah.
157 Effects Mono-Mono Serial (Mono-Mono) Advanced 94: Comp - A mp Sim ( Compressor - Am p Simulation) This ef fec t combine s a mono compressor and an amp simu la- tion. Y ou can change th e orde r of th e ef fec ts. 95: Comp - OD/HiGain ( Compressor - Overdrive/Hi.
158 Effects Mono-Mono Serial (Mono-Mono) 96: Co mp - P4EQ ( Compressor - P arametric 4-Band EQ) T hi s e ff ec t c o m b i n es a m on o co m p r es so r a n d a f o u r - ba nd p a ra - metric eq ualizer .
159 Effects Mono-Mono Serial (Mono-Mono) Advanced 98: Comp - Phaser ( Compressor - Phaser) This effect combines a mono co mpressor a nd a phaser . Y ou can change t he order of th e ef fe cts . 99: Comp - Mt . Delay ( Compressor - Multita p Delay) This effec t comb ines a mono com pressor and a mul t itap dela y .
160 Effects Mono-Mono Serial (Mono-Mono) 100: Limiter - P4EQ (Limiter - Parametric 4-Band EQ) This effec t combines a mo no limiter and a four-band parametric equalize r . Y ou can cha nge the o rder of the effects. a: [L]Ratio a: Threshold [dB] c: [L]Gain Adjust [dB] This pa rameter sets the signal comp ressio n “[L]Ratio ” .
161 Effects Mono-Mono Serial (Mono-Mono) Advanced 101: Limiter - Cho/Flng (Limiter - Cho rus/Flanger) T h i s e f f e c t c o m b i n e s a m o n o l i m i t e r a n d a c h o r u s / f l a n g e r . Y o u can ch ange the or der of the eff ects. 102: Limiter - Phaser This effect combines a mono limiter and a phaser .
162 Effects Mono-Mono Serial (Mono-Mono) 103: Limiter - Mt.Delay (Limiter - Multitap Delay) This effect combines a mono limiter and a multitap delay . Y ou can change the order of the effects. 104: Ex citer - Comp (Ex citer - C ompressor) This effect combines a mo no exciter a nd a comp ressor .
163 Effects Mono-Mono Serial (Mono-Mono) Advanced 105: Ex citer - Limiter This effect combines a mono ex citer and a limiter . Y ou can change t he order of th e ef fe cts . 106: Ex citer - Cho/Flng (Excit er - Chorus/Flanger) This effec t comb ines a mono limiter and a chorus/flanger .
164 Effects Mono-Mono Serial (Mono-Mono) 107: Ex citer - Phaser This effect combines a mono limiter and a phaser . 108: Ex citer - Mt.Delay (Ex citer - Multitap Delay) This effect combines a mo no exciter and a m u ltita p delay . EXCITER a [X]Ex citer Blend –100.
165 Effects Mono-Mono Serial (Mono-Mono) Advanced 109: OD/HG - Amp Sim ( O ver drive/Hi.Gain - Amp Simulation) This effect combines a mono ov erdr ive/high-gain distortion and an amp simul ation. Y ou can ch ange the order of t he effe ct s. 110: OD/HG - Cho/Flng ( O ver drive/Hi.
166 Effects Mono-Mono Serial (Mono-Mono) 111: OD/HG - Phaser (Ove rdr i ve/ Hi .G a i n - Ph a se r) This effec t combines a mono o verdrive/high -gain distortion and a phaser . Y ou can chang e the order of the effects. 112: OD/HG - Mt.Delay ( O verdriv e/H i.
167 Effects Mono-Mono Serial (Mono-Mono) Advanced 113: W a h - Amp Sim ( W ah - Amp Simulation) This effe ct combines a mono wah and an amp si mulati on. Y ou can ch ange the or der of the eff ects. 114: Decimator - Amp (Decimat or - Amp Simulation) This effect comb i nes a mono decimator and a n amp sim ul ation.
168 Effects Mono-Mono Serial (Mono-Mono) 115: Decimator - C omp (Decimator - C ompressor) This effec t comb ines a mono decimato r and a com pressor . Y ou can change the order of the effects. 116: AmpSim - T remolo (Amp Simula tion- T remolo) This effect combines a m ono am p simulation and a tremolo .
169 Effects Mono-Mono Serial (Mono-Mono) Advanced 117: Cho/Flng - Mt.Dly (Ch o r u s / Fl a n g e r - M u l t i t a p D e l ay ) This effect combines a mon o chorus/flanger and a m u ltita p delay . 118: Phaser - Cho/Flng (Phaser - Chorus/Flanger) This effec t combin es a mono phaser and a chorus/f langer .
170 Effects Mono-Mono Serial (Mono-Mono) 119: Reverb - Gate This effect combines a mono r e verb and a ga te. f : [G]En velope Selec t f : Src g: [G]Inp ut Reverb Mix g: Threshold The “[G]Env elope .
171 Effects Double Si ze Advanced Double Size Double-size effects take two processing unit s, t herefo re “ steal- ing” one u nit to th e fo l low ing F X pro c ess or s. 120: St. Mltband Limiter (Stereo Mltband Limiter) This is a stereo multiband limiter .
172 Effects Double Size 122: OD/HyperGain W ah (Ove rdr i ve/ Hy pe r G ai n Wah) This dist ortion effect has two m o des: ov erdriv e and hyper -gain that produces a st rong distortion. A highe r high -gain s etting is required fo r t his effect relative to a normal-size effect.
173 Effects Double Si ze Advanced a: Amp T ype d: Presenc e If the Am p T y pe is V OX A C15...VO X AC30TB , t his sets the at tenuatio n of the high-freq uenc y range . For o t her types, this sets the boos t of the high- frequency ra nge. This co rrespo nds to the Cut kno b contr ol of amps made by the VOX C o r p o r a t i on .
174 Effects Double Size 128: Bass T ubeAmp+Cab . (Bass T ube Amp Model + Cabinet) This simulat es a bass amp (with gain a nd drive) and speaker cab- inet. a: Amp T ype i: Cabinet T ype Recommended C ombinations of Bass Amp Models and Cabi- nets: 129: St.
175 Effects Double Si ze Advanced b , c, d, e, f , g: Status These parameters set t he out put status o f ea ch T ap. Always On : Outp ut is always on. (N o modulation) Always Off : Outp ut is always off. (N o modulation) On → Off (dm) : Output level is switc he d from on to off depend- ing on t he mo dul ation s ource.
176 Effects Double Size 132: St. P i tchShift BPM (Stereo P itch Shif ter BP M) This stereo pitch shi fter enable s you to s et t he del ay time to match the s ong tempo. 133: Rotary SpeakerOD (Rotar y Speaker Overdriv e) This i s a stereo rota r y speak er effect.
177 Effects Double Si ze Advanced a: Sw This parameter determin es how to switc h on/o f f the over drive via a modulation sour ce. W h e n “ S w ” = T o g g l e , o v e r d r i v e i s t u r n e d o n / o f f e a c h t i m e t h e pedal or joystic k is operated.
178 Effects Double Size 136: Hold Delay This effec t record s the input signal and plays it back repeatedly . Y ou can con t rol the sta r t of recor ding and reset via a modula tion source. Easy to use for real-time performances. a: Loop T ime [msec] W ith A uto , the loop time is auto matically set.
179 Effects Double Si ze Advanced The effect is off when a value for the modula tion source specified for the “RST Control Sr c” parameter is 63 or smaller , and the effect is on when the value is 64 or higher . 137: L CR BPM Long Dly The L/C/ R delay en ables yo u to mat ch the dela y time with th e son g tem p o .
180 Effects Vocoder 139: Early Reflections This ea rly r eflection effect h as more pr ecise early r eflections with twi ce the m aximum le ngth o f a normal-s ize effect (See “Earl y Ref lections ” on page 153.). Y ou can cr eate a very smooth and dense sound.
181 Effects Vocoder Advanced e: Fo rmant Shif t By o ffsetting the Carri er f ilt er , you ca n adjus t the height of the frequency range to which the vocoder ef fect is applied. The to nal qua lity w ill change si gni fi cantly . g: Noise Lev el This parameter enab les you to mix white noise with the Carrier .
182 Factory data Styles Styl es Note : Y o u c a n r e m o t e l y s e l e c t S t y l e s o n t h e P a 3 X , b y s e n d i n g i t Bank Select MSB (CC#0), Bank S elect LSB (CC#32) and P ro- gram Change me ssa ges on t he C ontrol channel (se e “MIDI: MIDI I n Channels ” on page 211 o f the U s er’ s Ma nual).
183 Factory data Styles Advanced 17 16 Slow Band 18 17 Big Band Jump 19 18 Big Band F ox 20 19 Big Band 40's 21 20 F ox Shuffle 1 22 21 F ox Shuffle 2 23 22 Italian T a ngo 1 24 23 Italian T a ng.
184 Factory data Styles 23 22 Unplugged Swing 24 23 Unplugged 3/4 25 24 Ac oustic Bld.3/4 Bank: C o untry 1 0 6 0 Easy Countr y 2 1 Countr y Blues 3 2 Slow Countr y 4 3 West Coast 5 4 Countr y Hit 65 .
185 Factory data Styles Advanced 9 8 Sambalegre 10 9 Samba Dance 11 10 Disco Samba 12 11 Mambo Party 13 12 Mambo 2000 14 13 Modern Bachata 15 14 Classic Beguine 16 15 Modern Beguine 17 16 Bayon 18 17 .
186 Factory data Styles 27 26 Groo ve Funk 28 27 Cool V ocal Bank: World 1 0 13 0 Sp anish Dance 2 1 Flamenco 4/4 3 2 Flamenco 3/4 43 C a s a t c h o c k 5 4 Greek Rumba 65 X a s a p i k o 76 S i r t .
187 Factory data Style Elements Advanced Style El ements Not e: Y ou can remotely s elect the var ious St yle E leme nts on the Pa3X, by s en ding it P rog ram C hang e mess age s o n t he C ontro l ch annel ( see “ M IDI: MIDI I n Chan nels ” on page 211 of the U s er’ s Manu al ).
188 Factory data Sounds (Bank order) Sounds (Bank order) Th e fo l low in g t ab le li st s a l l Pa 3X Fac t or y S oun ds as t he y appe a r in the banks accessed by p ressing the SOUND S ELECT butto ns on the control p anel. Legen d: The table al so includ es MI DI data us ed to re motely selec t the Sound s.
189 Factory data Sounds (Bank ord er) Advanced 121 12 21 Cassotto 16' 121 9 21 Cassotto 121 23 21 M aster Accor d ion 121 11 21 Sweet Musette 121 18 21 French Musette 121 16 21 2 Voices Musette 121 17 21 3 Voices Musette 121 3 23 Accordion16,8,4' 121 13 21 Cassotto Or .
190 Factory data Sounds (Bank order) 121 33 25 Real 12 Str ings 121 8 24 Nylon Gtr Pro1 121 11 24 Nylon Gtr Pro2 121 14 24 Nylon Slide Pro 121 19 25 Steel Guitar Pro 121 17 25 12 Strings Pro 121 5 25 Steel 12 Strings 121 31 25 Real Steel Gtr 121 32 25 Real Folk Gtr 121 28 27 Real El.
191 Factory data Sounds (Bank ord er) Advanced 121 19 48 Orchestra Tutti2 121 16 48 Orch. & Oboe 1 121 17 48 Orch. & Oboe 2 121 20 48 Orchestra&Flute 121 15 48 Strings & Horns 121 18 48 Strings & Glock . 121 1 45 Pizz. Ensemble 121 2 45 Pizz.
192 Factory data Sounds (Bank order) 121 5 62 Synth Brass 1 121 4 62 Elec trik Brass 121 31 61 Brass Section 121 26 61 Brass Fall 121 4 55 Brass I mpact 121 25 61 Brass Hit Fa c t o r y : S a x 121 13 65 Jazz Sax 1 DNC 121 14 65 Jazz Sax 2 DNC 121 12 65 Alto Sax DNC 121 12 66 T enor Sax DNC 121 9 65 Alto Sax Expr .
193 Factory data Sounds (Bank ord er) Advanced 121 6 97 Rave 121 5 98 M oving Bell 121 10 89 Analog Pad 3 121 12 90 Big Sweep Stab 121 2 91 Fr esh Ai r 1 121 11 91 Fresh Air 2 121 4 91 Pop Synth P a d.
194 Factory data Sounds (Bank order) 121 3 32 Acous. B ass Pro1 121 4 32 Acous. B ass Pro2 121 9 32 Jazz Bass 121 8 32 Acoustic Bass 121 6 33 Finger Bass 1 121 7 33 Finger Bass 2 121 10 33 Finger Bass.
195 Factory data Sounds (Bank ord er) Advanced 120 0 118 T urkish K it 120 0 119 Oriental P ercKit 120 0 64 Percussion Kit 120 0 65 Lati n Perc.Kit 1 120 0 68 Lati n Perc.
196 Factory data Sounds (Bank order) Legacy : Strings & Vocal 121 21 48 Strings Ens. 1 121 3 49 Strings Ens. 2 121 5 48 i3 Str ings 121 3 48 Stereo Strings 121 2 89 Master Pad 121 6 48 N Strings 1.
197 Factory data Sounds (Bank ord er) Advanced 121 6 84 Arp T wi ns 121 7 84 LoFi Ethnic Legacy: Ethnic 121 2 77 Shakuhachi 121 10 25 Mandolin Key O ff 121 1 109 W ar Pipes 121 7 104 Sitar Sitar 121 5 55 Hit in I ndia 121 6 104 T ambra 121 3 104 Indian Stars 121 2 112 Bali Gamelan Legacy: Bass 121 1 32 Ac.
198 Factory data Sounds (Bank order) 121 1 16 D et.Drawbar Org 121 2 16 I t. 60's Organ 121 3 16 Drawbar Org. 2 121 0 17 Perc.Organ GM 121 1 17 Det. Perc. Organ 121 2 17 Perc. Organ 2 121 0 18 Rock Organ GM 121 0 19 Church Organ GM 121 1 19 Ch urch Oct.
199 Factory data Sounds (Bank ord er) Advanced 121 0 63 Synth Brass 2 GM 121 1 63 Synth Brass 4 121 2 63 Analog Brass 2 GM2/X G: Reed 121 0 64 S oprano Sax GM 121 0 65 Alto Sax GM 121 0 66 T enor S ax.
200 Factory data Sounds (Bank order) 121 3 124 Door 121 4 124 Scratch 121 5 124 Wind Chime 121 0 125 Helicopter GM 121 1 125 Car En gine 121 2 125 Car Stop 121 3 125 Car Pass 121 4 125 Car Crash 121 5.
201 Factory data Sounds (Program Change order) Advanced Sounds (Program Change or der) The f ollow ing t able list s al l Pa3 X Fact or y S ound s in order of Bank S ele ct-P rogram Change numb er . Legend: The table also includes MI DI data u sed to remotely selec t the Sound s.
202 Factory data Sounds (Program Change order) 121 16 5 FM Stack EP Legacy: E. Piano 121 17 5 VPM E. Piano F ac tory : E. Piano 121 0 6 Harpsichord GM GM2/XG: Piano 121 1 6 Harpsi OctaveMix GM2/XG: P .
203 Factory data Sounds (Program Change order) Advanced 121 11 18 Rock Organ 2 Legacy : Organ 121 12 18 BX3 Rock 4 V . Factory : Organ 121 13 18 Jimmy Organ DNC Factory : Organ 121 0 19 Church Organ GM GM2/XG: Organ 121 1 19 Church Oc t.
204 Factory data Sounds (Program Change order) 121 10 25 Mandolin Key Off Legacy : Ethnic 121 11 25 Mandolin T rem. F actor y: Ethnic 121 12 25 Reso Guitar L egac y: Guit ar 121 13 25 Steel Slide P ro.
205 Factory data Sounds (Program Change order) Advanced 121 4 29 Lead Guitar DN C F actor y : Guitar 121 0 30 Dis tortion GtrGM GM2/XG: Guitar 121 1 30 Feedback DistGtr GM2/XG: Guitar 121 2 30 Dis t.
206 Factory data Sounds (Program Change order) 121 7 38 Bass Square Le gac y : Bass 121 8 38 Syn Bass Reso F actor y: Bass 121 9 38 Digi Ba ss 1 F ac tory : Bass 121 10 38 Digi Bass 2 F ac tory : Bass.
207 Factory data Sounds (Program Change order) Advanced 121 7 52 Aah Choir Legacy : Strings & Voc. 121 8 52 Wuuh Choir F ac tory : Strings & Voc . 121 9 52 Oh-Ah Voices F actor y : Strin gs & Voc. 121 10 52 Slow Choir Legacy: Strings & Voc .
208 Factory data Sounds (Program Change order) 121 0 61 Brass Section GM GM2/X G: Brass 121 1 61 Brass Section 2 GM2/X G: Brass 121 2 61 Tight Brass 3 F actor y: Brass 121 3 61 Glenn & Friends Fac.
209 Factory data Sounds (Program Change order) Advanced 121 12 71 Klarnet 2 Factory : Ethnic 121 13 71 Clarinet DNC F ac tor y: Woodwind 121 14 71 RealClarinet DNC F ac tor y: Woodwind 121 15 71 JazzClarinet DNC Factory : Woodwind 121 16 71 SoloClarinet DNC Factory : Woodwind 121 17 71 Clar & Sax Ens.
210 Factory data Sounds (Program Change order) 121 1 89 Sin e Pad GM2/X G : Synth Lead / Pad 121 2 89 Master Pad Legac y : Strings & Voc. 121 3 89 Power Synth F ac tory : Synth Lead 121 4 89 The P.
211 Factory data Sounds (Program Change order) Advanced 121 0 105 Banjo GM GM2/XG : Ethn ic 121 1 105 Banjo Key Off F actor y : Ethnic 121 2 105 Oud 2 F ac tory : Ethnic 121 3 105 Jaw Harp Factory : E.
212 Factory data Drum Kits Drum Kits The fo llow ing t able lists al l Pa3X Fac tor y Dr um Kit s in order of Ban k S ele ct- Prog ram C hange numb er . Legen d: The table al so includ es MI DI data us ed to re motely selec t the Dr um Kits. CC00: C o n t r o l C h a n g e 0 , o r B a n k S e l e c t M S B .
213 Factory data Drum Kits Advanced 127 0 32 Jazz Kit 1 XG GM2/XG: Drum 127 0 48 Jazz Kit 2 XG GM2/XG: Drum 127 0 40 Brush Kit XG GM2/XG: Drum 127 0 17 Classic Kit XG GM2/X G : Drum 120 64 0-127 … U.
214 Factory data Multisamples Multisamples The followin g t able lists all Pa3X F actor y M u ltisam ples. * OrigT une: Origina l T une, i.e., sam ples use the nat ural t unin g of the original i nstrumen t, instead of t he equal tu ning. Be ating m ay occur at the extr eme pitch, when the sound is used in con junction with o ther sounds.
215 Factory data Multisamples Advanced 114 Roto r Noise LF L 115 Roto r Noise LF R 116 Roto r Noise LS L 117 Roto r Noise LS R 118 H Organ Leakage 119 H Or gan 2nd H armo nic 120 H Or gan Click Kon 12.
216 Factory data Multisamples 249 A ccordion V olkst. 250 A ccordion Bass 251 A ccordion N oise KeyOn 252 A ccordion N oise KeyOff 253 A ccordion Chang e V oice 254 H armonica 1 255 H armonica 1 Fall .
217 Factory data Multisamples Advanced 384 Ac.G tr D wn1 L 385 Ac.G tr D wn1 R 386 Ac.G tr D wn2 L 387 Ac.G tr D wn2 R 388 Ac.G tr D wn3 L 389 Ac.G tr D wn3 R 390 Ac.G tr SlideHT U p p L 391 Ac.G tr SlideHT U p p R 392 Ac.G tr SlideHT U p f L 393 Ac.G tr SlideHT U p f R 394 Ac.
218 Factory data Multisamples 519 Dist. Gui tar1 Harmo . 520 Gtr H armonic GM 521 Dist. G uitar2 H armo P1 522 Dist. G uitar2 H armo P2 523 Dist. Gui tar2 Mu te1 524 Dist. Gui tar2 Mu te2 525 El. Gui t ar DistM uted p 526 El. Guita r DistM uted mp 527 El.
219 Factory data Multisamples Advanced 654 Detuned Su p er 655 Detuned PWM 656 Syn t h Brass 657 P opSynth-2 658 An.Strings1 659 An.Strings2 660 Analog V intage 661 Whit e Pad 662 N1 Air V ox 663 Syn .
220 Factory data Multisamples 789 T impani 790 T aiko 791 Djembe Open 792 Djembe M ute 793 Conga 794 Quinto & Bongo 795 Oko n kolo 796 T imbales 797 Cowbell & Clave 798 Cabasa 799 Shaker 800 C.
221 Factory data Drum Samples Advanced Drum Samples The followin g table lists all Pa3X F actor y Drum Samp les. #N a m e F a m i l y 0 BD 22 Inch Std1 Bass Drum 1 BD 22 Inch Std2 Bass Drum 2 BD 22 In.
222 Factory data Drum Samples 147 SD Crv+Rim Stage f Snare Drum 148 SD Crv Open Stage pp Snare Drum 149 SD Crv Open Stage p Snare Drum 150 SD Crv Open Stage mf Snare Drum 151 SD Crv Open Stage f Snare.
223 Factory data Drum Samples Advanced 306 SD Pop1 p GM Snare Drum 307 SD Pop1 mf Snare Drum 308 SD Pop1 mf GM Snare Drum 309 SD Pop1 f Snare Drum 310 SD Pop1 f GM Snare Drum 311 SD Pop1 +Rim mf Snare.
224 Factory data Drum Samples 465 SD Syn.2 Snare Drum 466 SD Syn.3 Snare Drum 467 SD Syn.4 Snare Drum 468 SD Electro Snare Drum 469 SD Orchestra Snare Drum 470 SD Orch.
225 Factory data Drum Samples Advanced 624 T om5 Low T om 625 T om6 Vintage Hi p T om 626 T om6 Vintage Hi mf T om 627 T om6 Vintage Hi f T om 628 T om6 Vintage Mi d p T om 629 T om6 Vintage M id mf T.
226 Factory data Drum Samples 783 Claps Natural 2b Low Per c. 784 Claps Natural 2c Lo w Perc. 785 Claps Natural 2d Low Perc. 786 Claps Natural 2e Low P erc. 787 Claps Natural 3a Low P erc. 788 Claps Natural 3b Low Per c. 789 Claps Natural 3c Lo w Perc.
227 Factory data Drum Samples Advanced 942 B ongo2 Lo Open a Low P erc. 943 B ongo2 Lo Open b Low Perc . 944 B ongo2 Lo Mute Low Perc . 945 B ongo2 Hi Open a Low P erc. 946 B ongo2 Hi Open b Low Perc . 947 B ongo2 Hi Muffled Low Perc . 948 B ongo2 Hi Slap Lo w Perc.
228 Factory data Drum Samples 1101 Cab asa 1 L b Up Hi P erc. 1102 Cab asa 1 S a Do wn Hi Pe rc. 1103 Cab asa 1 S a Up Hi P erc. 1104 Cab asa 1 S b Do wn Hi P erc. 1105 Cab asa 1 S b up Hi P erc . 1106 Caba sa 2 L Stac k b Hi Pe rc. 1107 Caba sa 2 L Stac k a Hi P erc.
229 Factory data Drum Samples Advanced 1260 M.E .2 Asagum Lo w Per c. 1261 M.E .2 Asmat ek Lo w P erc. 1262 M.E .2 Bendirg um Low P erc . 1263 M.E .2 Bendirtek1 Low P erc . 1264 M.E .2 Bendirtek2 Low P erc . 1265 M.E .2 Dm1 L ow Pe rc. 1266 M.E .2 Fin dik Lo w Per c.
230 Factory data Drum Samples 1419 Grv HH Clos ed8 HiHa t 1420 Grv HH Clos ed9 HiHa t 1421 Grv HH Clos ed10 HiHat 1422 Grv HH Clos ed11 HiHat 1423 Grv HH Clos ed12 HiHat 1424 Grv HH Open 1 HiHat 1425 .
231 Factory data Drum Samples Advanced 1578 99 Rid e Cym bal 1579 99 Rid e Dance Cymba l 1580 99 C rash1 Cymba l 1581 99 C rash2 Cymba l 1582 99 C rash3 Cymba l 1583 99 C abasa Hi P erc. 1584 99 Bong o Hi Low Pe rc. 1585 99 Bong o Low Low P erc. 1586 99 A gogo Hi Hi Pe rc .
232 Factory data Pads Pa d s Y ou can assign the following H its or Sequences to the four Pads. Older sounds might be still assigne d to the Pads when loading mus i c a l resources g enerated with an older operating system (see the follo w ing section).
233 Factory data Pads Advanced # HIT - Synth&P ad HIT - Voice # HIT - Bl ocks # HIT - Misc&SFX 1 # HIT - Misc&SFX 2 1 Cosmic 1 Aah ! 1 Blk Funk 1 A 1 Applause 1 Bubble 2 VCF Mo dulation 2 .
234 Factory data Pads 27 27 27 27 27 28 28 28 28 28 29 29 29 29 29 30 30 30 30 30 31 31 31 31 31 32 32 32 32 32 # SEQ - Guitar # SEQ - Orchestral # SEQ - Solo # SEQ - Synth&Pad # SEQ - Misc&SF.
235 Factory data Effects Advanced Effec ts The following table lists al l Pa3X Factory Ef fects. D etaile d infor- ma tion on eac h effect’ s param eter ar e conta ined in the “Eff ects ” cha pter (see page 106). # FX Name 0 No Effect 1 Stereo Compressor 2 D y n .
236 Factory data Effects 95 Comp - OD/HiG ain 96 Comp - P4EQ 97 Comp - Cho/Flng 98 Comp - Phaser 99 Comp - Mt. De lay 100 Limiter - P4EQ 101 Limiter-Cho/Flng 102 Limiter - Phaser 103 Limiter - Mt .Delay 104 Excit er - Comp 105 Exc iter - Li mite r 106 Exci ter-Cho/Flng 107 Excit e r - Phaser 108 Ex citer - Mt.
237 Factory data MIDI Setup Advanced MIDI S etup Default Master Kbd Player1 Player 2 Accordion 1 Accordion 2 Accordion 3 Ex t. Seq MIDI IN Channel 1 P1_Tr 1 Global P1_T r 1 P2_Tr 1 Global Up p1 Upp1 P.
238 Assignable parameters List of Assignable Foot switch / Pedal functions List of Assignable F ootswitch / Pedal func tions The following functions can be assigned to a footswitch or a con- tinu ous pedal.
239 Assignable parameters List of Assignable Footswitch / Pedal functions Advanced SubScale Preset 1 (SC1)…4 (SC4) Same functions of the SC Pres et buttons in the disp lay .
240 Assignable parameters List of Assignable Slider functions List of Assignable Slider functions The f ollowi ng functio ns c an be a ssigned to the As signabl e Slid- ers. List of Assignable S witch functions The following functions can be assig ned to t he Assignable Switch es .
241 Assignable parameters List of EC5 functions Advanced List of EC5 func tions The follo w ing functions can be as sig ned to a K org EC5’ s switc h pedal.
242 Assignable parameters List of EC5 functions Perform. Down Selects the previous P er formance Style Ch ange St yle number Sound Up Selects the next Sound Sound Down Selects the pr evious Sound T ra.
243 Assignable parameters Scales Advanced Scales The following is a list o f scales (or tunings) you can select in var- ious operating modes. Equal Equal tuning, th e standard scale f or modern W e s t e r n m u s i c . I t i s m a d e o f 1 2 i d e n t i c a l s e m i - tones.
244 MIDI Data MIDI Controllers MIDI C ontrollers The fo llowing is a tab le including all Con trol Cha nge message s, and t hei r e ffe c t on var iou s Pa3 X fu nc ti ons.
245 Recognized chords Advanced The following pages sho w the most important chor ds recogn ized by the P a3X, when the sele cted Chord Recognition mode is Finger e d 2 (see “ C hor d Recog nition M ode ” on page 135 of the U ser’ s Man ual ). Recognized chor ds may vary with a differ ent Chor d Recog nitio n mode.
246 Recognized chords T = constituent notes of the chord = can be used as tension 4-note TT Minor 7th 3-note T 4-note T T Minor-Major 7th 3-note T 3-note T T Diminished 4-note Diminished 7th 4-note TT.
.
© K ORG Italy 20 1 1 . All rights reser ved Address KORG IT ALY SpA Via Cagiata, 85 I-60027 Osimo (An) Italy We b www .korgpa.com www .korg.co.jp www .
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Korg PA3 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Korg PA3 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Korg PA3, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Korg PA3 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Korg PA3, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Korg PA3.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Korg PA3. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Korg PA3 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
