Manuel d'utilisation / d'entretien du produit EASYSHARE LS443 du fabricant Kodak
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KO D AK EA SY SH AR E LS 443 Zo om D i git al C ame ra Us e r ’ s G u id e V i si t K oda k on the W o rl d Wi de W eb a t w w w .kod ak .c o m.
Ea st man K oda k Co mpan y 343 St at e St r eet R o ch es te r , N ew Yor k 14 6 50 © E as tm an Ko da k Comp an y , 2002 Kod ak a nd E as yS har e ar e tra dem ark s of Ea st m an K oda k Co mp a ny .
i Pr o d u c t O v e r v i e w Fr o n t V i e w 1 S hut t er b ut to n 7 Mic ro pho ne 2 Fl as h bu tt on 8 V i e w fin d er 3 Se lf T im er /B u rs t b u tto n 9 L e ns 4 S pea ke r 1 0 Le ns t hr ea.
ii Pr o d u c t O v e r v i e w Ba c k V i e w 1 Zoo m ( Wi de An gl e an d Te le ph ot o) 7 Po wer li gh t 2 Wri st st ra p po st 8 Me nu bu tton 3 S h ar e bu tto n 9 Jo ys ti ck /O K b utt on /p re.
ii i Pr o d u c t O v e r v i e w Side V ie ws 1 Sl ot fo r op t io n al M M C /S D ca rd 2 A/ V O ut 3 D C In 4 US B p or t 4 2 1 3.
iv Pr o d u c t O v e r v i e w B ottom Vie w 1 Bat t er y do or 2 Tr ip od s ock et 3 Doc k co nne ctor 3 2 1 2.
v Tabl e o f Cont ents 1 Getti ng Sta rt ed . .. ... .. .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .... ... .. .. .. .. .. .. .. .. .1 In stal l Soft w ar e F i rs t ... ... ... ... ... ... ...... ... ... ... ... ... ... ... ... ... ... ... .
vi Livev iew—Using t he L CD to Fra me Your Subj e ct .. ... ... .. 18 Quic kv i ew—Revi ewing the P icture Jus t T ak e n .. ... ... ... ... .. 19 Usin g t he A uto Focus Framing Mark s . ... ... ... ...... ... ... ... ... . 20 Usin g t he Optica l Zoom .
vi i 4 R evi ew in g Pic ture s and V i deos .. .. .. .. .. .. .. .. .... ... .. .. .. .... .. . 41 P icture and Vid eo Icons ... ... ... ... ... ... ... ... ... ... ... ... ... ...... ... ... ... ... .4 1 V iewing Si ngle P i ct ure s and V i deos ..
vi ii Turni ng Of f t he Low Li ght Aut o Focus L ED.. ... ... ... ... ... ... . 58 Setting V ideo Out ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...... . 58 Selecti ng a Language .. ... ... ... ... ... ... ... ...
ix 1 1 Ap pe ndix . .. .. .. .. .. .. .. ..... .. .. .. .. .. .. .. .. .. ..... .. .. .. .. .. .. .. .. .. ... .. .. .. .. .... 9 3 C a me ra Specif icat i ons .. ...... ... ... ... ... ... ... ... ... ... ...... ... ... ... ... ..... 93 Ori gi nal Fact ory Set tings — C a me r a .
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1 1 G etti ng Sta r ted In s tall S oft ware F irst In st all th e so ft wa re f ro m th e K OD A K EA S YS H AR E So ft w ar e C D bef or e co n ne ct in g t he c ame ra ( o r c am e ra d o ck ) to th e co m p ute r . F a ilu re to d o so ma y ca us e th e s of twa re to l oa d in co rr ec tly .
2 Ch a pt er 1 What C an I D o Wi th My Cam e ra? C a pt ur e S til l Pi ct ur e s — En jo y po in t- an d- sh oot ope ra t io n wi th f l as h, se lf t ime r , and z oo m fe at ur es . Us e A ut o, Spo rt, N ig ht , L an ds cap e, and Cl os e- up mod es to ex pa nd y our c ap ab il i ti es .
3 Cha p ter 1 Pa ck ag e Co n te n ts No t s hown: U se r’ s G u id e, Q uic k S tar t G u id e, K OD A K EA SY S H AR E So ft wa re C D . (I n so m e co un tr ie s, th e Us er ’ s G ui de is p ro vi de d on a C D in st ea d o f in p ri nt ed fo rm .
4 Ch a pt er 1 Attach ing the Wris t Strap 1 T hr ea d th e sh or t loo p o f t he w ri st st ra p th r ou gh t he w ri st st ra p po st . 2 T hr ea d th e lo ng lo o p th ro ug h th e sh or t l oop .
5 Cha p ter 1 L oa di ng th e Ba tt er y CAUTIO N: W e re comme nd us ing onl y a KODAK EA SYS HARE Li- Ion Re cha r g eab le B at ter y . F or i mpor ta nt ba tt er y and w arr anty in fo r m at io n , s ee Using t he Ba tt er y , pa ge 10 0 . 1 T u r n off th e ca m e ra .
6 Ch a pt er 1 Mod e D ia l Sett ing s T o us e in di vid u al mod e s, se e pa ge 1 3 . * T o tu rn o n th e f la sh , s ee pa ge 22 . I con Mod e Pur pos e Of f Tu rn s off th e c am e ra . Au to Fo r ge ne ra l pi ct ur e- t ak in g. A ut oma tica l ly s et s ex po sur e a nd f ocu s.
7 Cha p ter 1 Turnin g On th e Camera T urn t h e Mode dial f r om Of f t o an y othe r p os it i on. Th e Po w er l i g ht gl ow s g re en . Th e re ad y l i gh t bl in ks w h ile t he c am e ra p er fo rms a sel f-c hec k, th en gl ow s gr ee n w hen t he ca m e ra is re ady to ta k e pi ct ur es ( or video s, if th e mod e di al i s se t t o ).
8 Ch a pt er 1 S et ti n g th e D a te a n d T i me T h e D at e & T i m e s cr ee n is d is pl ay ed th e fir st t im e yo u t ur n o n th e c am e ra o r if t he b at ter y is re m ov e d f or m o re th a n 10 m in u te s. If th is is th e fir st tim e t he ca mer a ha s be en t ur ned o n, go t o St ep 3 .
9 Cha p ter 1 Ch ec k ing Came ra St atu s B ar T o ch ec k th e cu rr ent ca m er a se tt i ng s, tu rn th e M o d e dia l fro m t he O ff p os iti on .
10 Ch a pt er 1 Inse rting an MM C/SD Card Opt i ona l MMC /S D car ds pro vi de r emo va bl e, re us abl e s to ra ge f or pi ct ur es a nd vi de os . CAUTIO N: T h e ca rd ca n o nl y be i ns e rt ed o n e w ay ; fo rc in g it m a y dama ge the ca mer a or ca rd.
11 Cha p ter 1 Choos ing In ternal M e mory or M MC/SD Card T he c am er a of f er s t wo op ti on s f or s to ri ng pi ct ur es a nd v id eo s: I nternal Memory — st or e pi ct ur es and v i deo s i n in t er nal m emo ry . MMC/SD Ca rd — s t or e as ma ny p ic tu re s an d vi de os as y ou l ik e, de p en di ng o n th e siz e of th e ca rd .
12 Ch a pt er 1 C heck ing Yo ur S torag e S e ttin g In St i l l a n d Vid e o m od e s , th e st or ag e lo ca ti on i co n th at a pp ea rs i n th e sta tu s ba r in dica te s t he c ame ra ’ s s to ra g e l oc at io n.
13 2 Ta k i n g P i c t u r e s Th e ca m e ra is re a dy to t ak e pi ct ur es w he n yo u tu rn i t o n — ev en i f you are in R evi e w , Sh ar e, o r S et up.
14 Ch a pt er 2 U sing t h e Low Lig h t Au t o Focus LE D W h en t he S hu tte r bu tt on i s p re s se d ha lf -w a y d ow n in lo w li gh t, th e L o w Lig h t A ut o Fo cu s LE D m a y e m it a br ie f b e am o f lig h t. T h is lig h t il lu m in ate s th e su bj ec t s o th at : m Th e ca mer a ca n fo cu s mor e ef f ect i ve l y .
15 Cha p ter 2 Tak i ng Pictur e s in Nigh t M ode Us e th is m od e fo r ni gh t s c en es o r l ow lig ht c on di tio n s. Th e fl as h i llu m in a tes c lo se s ub je ct s. A l ong er e xp osure cap tu re s mor e de t ai l of ba ckg ro und su bj ec ts .
16 Ch a pt er 2 Tak ing P ict ures i n La nd sc a pe Mod e Us e th is mode to c apt u re d is ta nt su bj ect s , s uch a s l an ds cap e sc en es . 1 T urn th e M od e d ial to . Th e LCD d is pl ay s a m od e de sc ript io n. T o in te rr upt th e de sc ri pt io n, p re ss .
17 Cha p ter 2 T ak in g P i ct u res i n C los e-u p Mo d e Us e th is m od e to c ap tu re s ub je ct s 6 to 27 .5 i n. (1 3 to 7 0 cm ) f ro m th e le ns . 1 T urn t h e Mode dial t o . Th e LC D d is pl ay s a m od e de sc ri pt io n . To in te rr up t th e de sc ri pt io n , p re ss .
18 Ch a pt er 2 Live vie w — Us in g t he L C D to Fr a m e Your Su bj ec t W h en yo u tu rn on Li ve vi ew , t he L CD d isp la ys a l ive im a ge of w ha t th e len s s ee s . Us e th e LC D to fra me y our sub j ect . 1 T urn th e M od e d ial to a n y S ti ll p o sit io n.
19 Cha p ter 2 Quic kview — R ev i ewi n g t he P ict u re Ju st Take n Af te r y ou t ak e a pi ctu r e, th e LC D d isp la ys a Q ui ck vi ew o f th at pi ct ur e fo r a ppr ox i ma tel y 5 s eco nds . Wh ile the p i ct ur e is di spla ye d, y ou c an : m Re v i e w i t : If yo u t ak e n o ac t i on , t h e pi ct ur e is sa ve d.
20 Ch a pt er 2 Us in g t he Au to Foc u s F ra mi ng Ma rk s F or t he b es t p o ss i bl e pi ct ur es , t he c am e ra a tte m pt s to fo cu s on f or eg ro u nd su bj ec ts ( ev en if th e sub ject s a re n ot cen te re d in th e sc en e). N O TE : Au to F oc u s f ra m in g ma r ks a pp ea r on ly w he n th e LC D is t ur ne d on .
21 Cha p ter 2 U s i ng t h e Optical Zoom Us e O pti ca l Z o om t o ge t u p to 3X c lo se r t o yo ur su b je ct . W h en yo u tu rn o n th e c am e ra , t he l en s ex te nd s to t h e Wid e An gl e po si ti o n. 1 Us e th e vie w fin d er o r L C D to fr am e y ou r su bj ec t.
22 Ch a pt er 2 Us in g t h e F la s h Us e th e f la sh wh en y ou t ak e pi ct ur es at n ig ht , i nd oor s , or out do ors in heavy s ha d ow s. T he f l as h se tt ing c an b e ch a ng ed i n an y Sti ll m od e ; th e d ef au lt fla sh s et tin g is re st or ed w h en y ou e xi t t he m o de o r tu rn o ff th e c a m er a.
23 Cha p ter 2 Flash Settin gs In Each Mo d e Other F la s h S cre en Infor m atio n Wh en t he C us to m i c on ap pe ar s i n th e s t at us b ar , pr es s t he Fl a sh b ut to n. Th e LC D d is pl ay s th e fea t ur es th a t a r e cu rr en t ly se t.
24 Ch a pt er 2 Put ting Yours elf in th e Pic ture The Sel f T im er cr eat e s a 10 -sec ond d el ay bet we en t he t i me yo u pr ess t he S hu tt er b ut to n an d th e t im e th e pi ct ur e is ta ke n. 1 Pl ac e t he c amer a on a fl at su rf ac e or u se a tr ip od .
25 Cha p ter 2 Taki ng a Bu r st S er ie s of P ict ur es Bu r st le ts yo u to ta ke u p to 3 p ic tu re s i n qu ic k su cc e ssi on . Bu rs t is id ea l f or ta ki ng p ic tu re s o f sp or tin g e ve nts o r m ov in g ob je ct s. W he n yo u us e th e Bu rs t fe at ur e, th e Fl as h an d th e S e lf T im e r a re d is ab le d.
26 Ch a pt er 2 Still Me nus I mag e Stor ag e( pa ge 11 ) Foc us Z on e ( p age 3 2 ) Ex po s ur e Co m pe n sa tio n ( pa ge 2 7 ) IS O Spe ed ( pag e 33 ) Wh ite B alance ( pa ge 2 8 ) Lon g Ti m e.
27 Cha p ter 2 Se tt i ng E x po su re C o mp en sa tio n Us e Ex po s ur e C o m pe ns at i o n t o c o nt ro l h ow m u ch li gh t e n t er s t he c am e ra . T hi s s et t in g is us ef ul f or ta ki ng p ic t ure s i n ve ry l a rg e ro oms , un der lo w li gh t, w ith ou t a fla sh .
28 Ch a pt er 2 Sett ing Whi te Balanc e W h ite s ca n lo ok w h ite i n d a yli gh t , bu t di ffe re nt u nd e r o th er li gh ti ng c on d itio n s. U se W hi te B a la nc e t o c or re ct t he co lo r s hi fts tha t r es ul t fr om sh o ot in g p ic tur es und er di ff er en t l ig ht so urc es.
29 Cha p ter 2 S e t t in g Picture Qualit y Us e th e Qu a lit y s et tin g to s ele c t a p ic tu re re so lu ti on . 1 In a ny S til l m o de , pr es s th e M e n u bu tto n . 2 M ov e th e j oy st ick to hi gh li gh t Qu a lit y , t he n pr e ss th e OK b u tto n .
30 Ch a pt er 2 Sett ing C olor M ode Us e Col or Mode t o c ont r ol c ol or to nes and m ood s. 1 In a ny S t il l mo de, pr es s t he M e nu bu tt on . 2 Mov e th e j oy st i ck t o hi gh li gh t Co lo r Mo de , th en pr es s th e O K b u tto n. 3 M o ve th e jo ys tic k to h ig hl ig ht an op ti on , t he n pr es s th e OK b utto n.
31 Cha p ter 2 Setting E xposure M etering U se E xpo su re Me te rin g to e ns ur e th at th e pr ope r amo un t of li gh t e nt er s th e ca m er a le ns . 1 In a ny S til l m o de , pr es s th e M e n u bu tto n . 2 M ov e th e joy st ic k to h igh li gh t Ex po su r e M e te ri ng , then p re ss th e OK b u tto n.
32 Ch a pt er 2 Se tt i ng F ocu s Zone Us e th e Fo cus Zon e t o se le ct a la rg e or a con ce nt ra te d ar ea o f f oc us. 1 In a ny S t il l mo de, pr es s t he M e nu bu tt on . 2 M o ve t he jo ys ti ck t o h ig h lig ht F oc us Z on e , th en p re ss th e O K b u tto n.
33 Cha p ter 2 Se tt i ng IS O Spe ed Th e IS O se tt in g c o ntr o ls th e c a me r a ’ s s en si tiv ity to li gh t. U se a lo w er IS O se tt ing in b rig h tly li t s ce n es ; u se a h ig he r IS O se tti ng fo r lo w -li gh t s c en es .
34 Ch a pt er 2 Se tt ing L o ng T i me E xp osu r e U se L o ng T i m e E x po su re t o co nt ro l h o w lo ng t he s hu tte r st ay s o p en . Se tti ng s ar e: Off , 0 .7 , 1 , 1. 5, 2, 3, a nd 4 s ec ond s. NOT E: L ong T i me E xpo su re c an not be u sed wit h E xpo su re C ompe ns at i on.
35 Cha p ter 2 Pl ac i ng th e Da t e o n P i ct ur es Us e th e Da te S ta m p se tti ng to i m pr in t t he d at e on y ou r pi ctu r es . 1 M ak e su re t he c ame ra c lo ck is s et to th e c or re ct d ate ( p age 8 ). 2 In a ny S til l m o de , pr es s th e M e n u bu tto n .
36 Ch a pt er 2 Setting t he O rie nt at ion S e n s or I f y ou r ot at e the c am e ra t o tak e a p ict ur e (f or e xa m pl e, a po rt ra it sh ot ), th e O r ien ta ti on S en so r re or ie nt s the p ic tu re s o tha t it is di sp la ye d co rr ec t sid e u p .
37 3 Ta k i n g V i d e o s Us e th e Vid eo s ett in g to t ak e vid e os o r t o cu st om i ze vi de o -ta k ing s et tin g s. Be fo re yo u tak e a vi de o , m ak e s u re yo ur pic t u re st or ag e l oc at i o n i s se t th e wa y y ou wa nt it (s ee p age 1 1 ).
38 Ch a pt er 3 Q u ickview — Re vie wi ng th e V ide o Ju st Taken A ft er yo u ta ke a v id eo , t he L CD di sp lay s th e fir st fr am e o f t he v ide o fo r a pp r ox im a tel y 5 se co nd s. W h ile t he fr am e i s d is pl ay ed , yo u ca n: m Rev ie w it : If yo u ta ke n o a cti on , th e v id eo is s av ed .
39 Cha p ter 3 U s i ng t h e Optical Zoom Us e O pti ca l Z o om t o ge t u p to 3X c lo se r t o yo ur su b je ct . W h en yo u tu rn o n th e ca m er a, th e le ns i s s et to t he W id e An g le p os iti on . N OTE: Y ou ca n ch an ge Op ti ca l Z oom be fore (bu t n ot d ur in g) v id eo r ec or di ng.
40 Ch a pt er 3 Put ting Yours elf in t h e Video The Sel f T im er cr eat e s a 10 -sec ond d el ay bet we en t he t i me yo u pr ess t he Sh ut te r bu t t on a nd t he ti me v id eo r ec ord in g be gi ns . 1 Pl ac e t he c amer a on a fl at su rf ac e or u se a tr ip od .
41 4 Revi ewi ng P i ct ur es a n d Vi d eo s Pr es s th e R e vi ew b u tto n to vi ew a n d wo r k w i th yo u r p ic t u re s an d vi de os . Re mem be r , pr es s th e Shu t t er bu tt on t o ta ke a pi ct ure any ti me, e ve n in R e vi ew . 1 Pr es s the R e vie w b ut to n.
42 Chap ter 4 Vie w in g S in gle P ic t ures an d V ide os 1 Pr es s t he Re view b ut to n. 2 M o ve t he jo ys ti ck to s cr ol l b ac k wa rd o r fo rw a rd th ro u gh p ic tu re s an d vi de os. Fo r fas t sc ro l l i ng , pr es s a nd ho ld a bu tton .
43 Ch a pt er 4 P lay i ng a Vid e o m T o play a vide o, p re ss th e OK bu t t on . T o pa us e, pr es s t h e O K bu tt o n du ri ng pl ay ba ck . m T o a dj us t t he v ol um e , m o ve t he jo y sti ck du ri ng p la yb ac k . m T o r ew in d a vi de o, m o ve th e jo ys tic k du ri ng p l a yb ac k .
44 Chap ter 4 Re vie w Menus Ma gn if y ing Pi ctu r es Us e th e M ag ni fy fe at ure t o zo om in t o d if f er ent ar ea s of a pi ct ur e. 1 Pr es s t he Re view b ut to n, t h en l oca te a pi ct ur e. 2 T o mag ni fy at 2X, pr e ss th e OK bu tto n.
45 Ch a pt er 4 Pr ot ec t in g P i ct ur es a n d V i de o s Fr o m De l et ion 1 Pr es s th e Re vi ew b u tto n, th e n l oc a te th e pi ctu r e o r vi de o to p ro te ct. 2 P re ss t he M enu b ut t on. 3 M ov e th e j oy st ick to hi gh li gh t Pr ot ec t , th e n p r es s t he O K b ut ton .
46 Chap ter 4 Run ni n g a Sl i de Sh ow Us e th e Sl i de S how t o di s pl ay y our pi ct ur es a nd v i deo s on t he LCD . T o r un a sl i de s how o n a t el ev i s io n or on an y ex t ern al dev ice , se e pa ge 4 7 . S ta rting th e Sl id e Show 1 P re ss th e R ev ie w bu tt on , the n p re ss th e M en u bu tt on .
47 Ch a pt er 4 Turn ing On S lide Sh ow Loo p Wh en you t urn on L oop , t he s lid e sh ow is co nt in uou sl y r ep eated . 1 On t he S lid e Sh o w m en u , m o ve t he jo ys ti ck to h ig hl ig ht Lo o p, th e n pr es s the O K b ut t on. 2 M ov e th e j oy st ick to hi gh li gh t O n , th en p re ss th e O K bu tto n .
48 Chap ter 4 Copy in g Pic ture s and Vide os Y ou ca n co py p ic tu re s an d vi de os f r om a ca rd to i nt erna l memo ry or fro m in te rn al mem or y t o a c ard . Bef or e you c opy , make sur e t ha t: m A c ar d is in se rt ed in t he c am e ra .
49 Ch a pt er 4 Disp l a yin g Vi de o Da te T o disp la y t he c apt u re d at e an d ti me ( only d uri n g vi de o play ba ck on th e ca m er a) : 1 Pr es s th e Re vi ew b u tto n, th e n p r es s t he M e nu b u tto n. 2 M ov e th e joy st ic k to h igh li gh t V i de o D at e Di sp la y , th en p r es s t he OK b ut t on.
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51 5 T a gg ing Pictur es and Vi deos T he S har e bu tt on le ts you “ tag ” yo ur pi c tu re s an d vide os . Whe n t hey ar e t ra ns fe rr ed t o your co mput er , y ou ca n sh ar e: T agg ed .
52 Chap t er 5 Tagging P ictures for Printing 1 P re ss th e R ev iew bu tt on , t he n lo ca te a pi ct ur e. 2 P re ss th e Sh ar e bu tto n . H ig hl ig ht Pr in t , t hen p re ss th e O K bu tt on .* 3 Pr es s to se l ect t he nu mber of c opie s (0 -9 9).
53 Ch a pt er 5 Tag gi ng Pictur es and Vid eos for Em ai ling F ir st , use KODA K EAS YS HARE Sof t war e to cr ea t e a n ema il ad dre ss boo k on y ou r co mput er . Th en , co py u p t o 32 ema i l ad dr es se s to th e ca mer a ’ s in te rn a l m emo ry .
54 Chap t er 5 Tagg ing P ict ures a n d V ide os a s Fav o ri te s 1 P re ss th e R ev iew bu tt on , t he n lo ca te a pi ct ur e or vi de o. 2 Pr es s t he S har e bu tt o n. 3 M o ve th e jo ys tic k to h i g hl ig ht F av or ite , th en p re ss t he O K bu tt on .
55 6 Customi zi n g Y our C a m er a Setti ngs U se S etup t o cu stom i z e ca m era se tt i ngs ac cor di ng t o y our pr ef er enc es. To Ac cess S et up Mode /Me nus 1 In a ny m o de , pr es s t he M e nu b u tto n . 2 M ov e th e joy st ic k to h igh li gh t Se tu p , t he n pr es s th e OK b u tto n.
56 Ch a pt er 6 C hang ing the P rin t Quantit y Defa ult T h e D e fa ul t P ri nt Q ua n tity s et tin g de te rm i ne s th e v al ue t ha t i s d is p lay ed o n th e Sh ar e Prin t sc re en ( pa ge 5 2 ) . T h e d e fau lt v alu e is 1 . 1 Pr es s t he M en u bu tt on .
57 Chap t er 6 Tu rning O n Livevie w in S ti ll M odes T he L i v ev ie w fe atur e let s you us e the L CD as a vi ewfi nd er ( se e pag e 18 ). The de fa ul t s et tin g is O ff; p re ss th e O K bu tto n to t ur n th e L C D on w h en y ou n e ed it .
58 Ch a pt er 6 T u r n in g Off th e L o w L ig h t A u to Fo cu s LED Y ou ca n prev en t t he L ow Li gh t Au to Foc us L ED ( pa ge 1 4 ) from f ir i ng. N O TE : W he n th e L ow L ig h t A ut o F o cu s L E D is o ff , th e ca m e ra m ay no t pe rf or m as w e ll in lo w li gh t.
59 Chap t er 6 Sele c t ing a L anguage Y o u ca n di sp la y m e n us a nd s cr ee n m es sa ge s in d iffe re n t l an gu a ge s. 1 P re ss t he M enu b ut t on. 2 M ov e th e j oy st ic k to hi gh li gh t S et up , th e n p r es s t he O K bu tt on .
60 Ch a pt er 6 F o r matting Internal Memory or MMC/S D Ca r d CAUTIO N: For mat ting a ca rd er ase s all pic tu res a nd vi deo s, i ncl ud ing pro te ct ed fil es . For m at ti ng i nt er nal me mory era ses all pi ct ure s, v id eos , an d emai l a ddr ess es .
61 Chap t er 6 Vi e wing Camera Informat ion 1 P re ss t he M enu b ut t on. 2 M ov e th e j oy st ic k to hi gh li gh t S et up , th e n p r es s t he O K bu tt on . 3 M ov e th e j oy st i ck t o hi gh lig h t A b ou t , th en p re ss th e O K bu tto n .
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63 7 Instal l ing the S of twar e WI N DO WS Sy s te m Re qui rem en ts m P er son al com p ut er fo r WIN DOW S 9 8, 98S E, ME , 20 00 , or X P m 23 3 M H z pr oc es so r or g re at er m 6 4 MB of a .
64 Chap t er 7 M A C OS X S y st em R eq u i rem en ts m M A CI N TOS H co m p ut er w ith a G 3 or G 4 p ro ce ss or m M A C OS 10 .1 .2 , mi ni mu m m 128 MB of a va il ab l e RAM m 200 MB of a va i.
65 Cha pte r 7 In s tall t h e Soft ware Fo r in fo rm a tio n on t he s of tw ar e ap p lic at io ns in cl ud e d on th e K ODA K E ASY SHA RE Sof t wa re CD, s ee th e Qui ck St ar t Gu id e or the KODA K EAS YS HARE So ft wa re H e lp .
66 Chap t er 7 4 F ol lo w th e on -s cr ee n in st ru ct io ns to i ns t a ll t he s of tw ar e. If p ro m pt ed , r es t a rt th e co m pu te r wh e n th e i ns ta lla ti on is c om p le te . m S el ec t T y pic a l t o a u to m ati ca ll y i ns ta ll th e m o st c omm o nl y us ed ap pl ic at i ons .
67 8 Connecting to the C om p uter CAUTIO N: In s ta ll th e so ft w ar e fr om th e K O DA K E A SY S H AR E S o ftw a re C D b ef ore c onne ct in g th e cam e ra or Came ra Doc k t o t he c omput er . Fa il ur e to do s o may ca use the s of twa re t o lo ad in co r re c tly .
68 Ch a pt er 8 Con nec ting the C a mera Dock Af te r t he K ODAK E AS YSH ARE S of t war e is lo ad ed (s ee pag e 63 ), c on nec t t he Ca m er a Doc k to y ou r co mpu te r an d to a n ex te rn al pow er s our ce .
69 Cha p ter 8 Do ckin g th e Ca mer a T o tr a ns fer p ic tu re s a n d v id eo s fro m t he c am e ra to th e co mp ute r , o r to ch ar g e th e ba tte ry : 1 Tu r n o ff th e ca mer a. 2 Pl ac e th e c a m er a i n th e C a m er a Do c k an d pu sh d o wn t o se at th e co nn e ct or .
70 Ch a pt er 8 Tra ns ferr i ng Pictu res and Vi deo s T o t ra ns fe r pi c tu re s an d vide os f r om yo ur c amer a t o yo ur c omp ut er : 1 P la ce th e ca m e ra in th e C am e ra D o ck .
71 Cha p ter 8 Chargin g the Batt ery Th e b att er y is no t ch ar ge d whe n yo u re ce iv e it. 1 Tu r n o ff t h e ca mer a. 2 Ma ke su r e th e ba tte ry is i ns ta l le d in t h e ca mer a (s ee p age 5 ). 3 Pl ac e th e ca m er a in th e Ca m er a D oc k (s ee pa ge 6 9 ).
72 Ch a pt er 8 Con ne cti ng With t he US B Cabl e N O TE : Y o u ca n us e th e KO D AK A C a da pt er to p o w er th e ca m er a ; i t s av es b at t er y po wer whe n t r an sf er ri ng pict ures ( se e pa ge 5 ).
73 Cha p ter 8 Pr in t in g P i ct ur es f ro m Y o ur Co m p ut er Fo r d e ta ils on p rin ti ng p ict ur es fr om y ou r co m pu te r , se e th e Q u ick S ta rt G u id e o r t he KO DAK E ASY SHA RE So f twa re H el p.
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75 9 T r ou ble sh o oti ng T her e ma y be t i mes wh en y ou h av e que sti on s ab out us in g yo ur c ame ra o r C am e ra Do ck . Ad di ti on al te ch ni cal i nf orma t io n is av ai la ble i n th e Re adMe fi l e l oc at ed o n t h e KO DAK EA SY SHA RE So ft wa re C D.
76 Cha pte r 9 Sh u tte r bu tt on do es n ot work. Ca mer a i s not t urn ed on . Tu rn o n th e ca m er a ( pa ge 7 ). Th e ca mer a is pr oc es sing a p ic t ure ; t he r ead y lig ht (near t he v ie wf in der ) is bl i nki ng . Wait u nt il t he l ig ht st op s bl ink in g be fo re at te m pti ng to ta k e a no th e r p i ct ur e.
77 Chap t er 9 Pi ct ur e is to o dar k. Fla s h i s no t o n . T ur n on t he fl as h ( page 22 ). Th e su bj ec t is to o far aw a y f or th e fl as h t o h av e an e ff e ct . M o ve so t he re i s n o m o re th an 1 0. 8 ft ( 3 .3 m ) be tw e en th e ca mer a an d t he s ubj ec t ; 6.
78 Cha pte r 9 P ict ur e is no t cl ea r. Th e le ns i s d ir t y. C lean t h e le ns ( pa ge 9 6 ). Su bj ec t to o cl os e w hen t aki ng pi ct ur e. Mov e so th er e is at l ea st 2 .0 ft ( 0. 6 m) b e tw ee n th e ca m er a an d th e su bj ec t, or a t l ea st 0.
79 Chap t er 9 C a me r a/ Com pu t er Co mm uni cat i o ns Ca mera C ommuni ca t i on s Pr obl em Cau se S o lu ti on Th e co m put e r ca nn ot commun icat e w ith t he ca mer a. Th er e i s a p rob le m wi th th e c onfig u ra tio n of th e US B por t o n th e co mput er.
80 Cha pte r 9 MMC/S D C ards a nd I n tern al Mem or y MM C/ SD Ca rd s and I ntern al Me m ory Pr o bl e m Ca use S ol u tio n Th e ca m e ra d oes not r ec ogn ize MMC /SD car d. Th e ca rd ma y no t be M M C /S D ce rt ifi ed . P ur ch a se a ce rt ifi ed M M C /S D ca r d ( pa ge 1 0 ).
81 Chap t er 9 Ca m er a L C D M e s sa ge s LCD Mes sa ges Mes s age Cau se S o lu tio n N o im a ge s to d isp la y T h er e ar e no p ic tu re s in t he cur r e nt stor ag e lo ca ti on . Ch ang e pi ct ur e sto r a ge lo c at io n s et tin g ( pa ge 1 1 ).
82 Cha pte r 9 Ca rd i s p r ot ec te d ( Res et swi t ch o n ca rd) Sw i t c h o n c ar d is in wr it e -p rote ct p os it i on. Re se t th e s w itc h as s ho w n on L CD . C ar d is lo cke d (I ns er t a ne w c ar d) Th e ca rd i s w ri te- pr o tec te d .
83 Chap t er 9 Hi gh ca mer a t em p er at ur e. ( Ca m er a w il l b e tu rn ed o ff .) The i n t e rn al t em p er a tur e of th e came ra is to o hi gh f or t he c am e ra t o op er at e. The v i ewf i nde r lig ht g lo w s re d an d th e c a m er a t ur ns o f f .
84 Cha pte r 9 Cam era R ead y Li g ht Sta tus C a m er a R ea d y Li gh t Pro ble m Ca use So lu t io n R e ad y lig ht doe s no t tu rn o n and th e cam era doe s no t wor k. Ca mer a is not tu rn ed on . Tu rn o n th e ca m er a ( pa ge 7 ). Ba tt e ry i s e xha uste d.
85 Chap t er 9 R ea dy li gh t glo w s st ea dy r ed . Came ra ’ s in te rn al memo r y or card is fu ll . T ra ns fe r pi ctu r es to th e co mput er ( p age 67 ), d ele te pi ct ur es fr om t he ca mer a ( pa ge 4 3 ), sw it ch s t o ra ge lo c at ions ( pag e 11 ), o r in s er t a c ar d wi th a va ila bl e memory ( pa ge 1 0 ).
86 Cha pte r 9 Troubl eshoot ing — Ca m era D o ck Cam era Do ck Pr ob le ms Ca m era Do ck Pr obl em Cau se S olu ti on Pi ct ur es ar e not tr an s fer re d to th e co m p ut er AC ad ap t e r or USB c a ble i s n o t s ec u re ly c o nn ec te d. C hec k the c onn ec ti on s ( pa ge 6 8 ).
87 Chap t er 9 Ca m er a D oc k L i gh t St a tu s Ca me ra Do ck Li gh ts St ea dy G r e en The ca mer a i s s ea te d i n t he Ca m er a Do ck , c onn ec t e d t o A C powe r, an d bat t er y i s no t ch ar gi ng . B lin k in g Gr ee n P ic tu re s a n d v ide o s a re be in g tr a ns fe rre d to t he co m p ut er .
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89 10 G etti ng H elp He lpful We b Links He lp i n this M anual Se e T ro ubl es ho ot in g, pag e 75 fo r h e lp w ith p ro b lem s y ou m a y ha ve w it h y o ur c ame ra , ca mer a/co mput er con ne ctio ns , Ca mer a Do ck, or MMC /S D cards .
90 Cha pt er 10 Te le ph one C us t omer Support If yo u ha ve que st i ons co nce rn i n g t he o pe ra ti on of t h e so f t wa re or c ame ra , y ou may s pe ak wi t h a cu st ome r supp or t re pr es en ta ti v e.
91 Chap ter 10 Te l ep ho ne Numb e rs Au st ra lia 1 800 1 47 7 01 Au st ri a /Os t err eic h 0 179 567 3 57 B el gi um / Be lg i q ue 02 7 1 3 14 4 5 Br az il 0 800 1 500 00 Ca na da 1 8 00 46 5 63 .
92 Cha pt er 10 F or t he m o st up -t o- da te li st in gs , v isi t: h tt p:/ /w w w .k o da k. co m /U S /e n/ di git al /c on ta ct s/D A II nt er na ti on al Co n tac ts .
93 Chap t er 11 11 Ap pend i x Ca m e r a S p e c if i c a t io n s KODAK EA SYS HARE LS 443 Z oom Dig ital Came ra C o lo r 2 4 -b it, m ill io ns o f c o lor s Commu ni ca tion w i th co m p ut er U SB Vi a Ca mer a Doc k or U SB c abl e Dime ns io ns Wi d th De p t h He i g ht 4.
94 Ch apt er 11 L ens Ty pe Op ti c al q ua li t y gl as s, 6 gr ou ps/ 7 e l e men t s (4 a sp h er ica l le ns es ) Maxi mum Ap er tu re f / 2. 8 - f /9 .6 Fo ca l Le ng th 3 5 - 10 5 mm F oc us D i s ta nc e Cl os e- up : 6 to 27 .5 i n. ( 13 to 7 0 cm ) St an da r d: 2 ft (0 .
95 Chap t er 11 Or iginal F actory Set tings — Cam era F eat ur e F ac to r y Se tt in g Da t e/ Ti me 20 02/1/ 1; 12: 00 Da t e/ Ti me St amp Off D efa u lt Pr in t Qu an ti ty 1 D igi ta l Z o om .
96 Ch apt er 11 U pgradin g Your Soft ware a nd F irmwa re D o w nlo a d th e l at es t v er si on s of th e so ftw a re in c lu de d on t he K O DA K E A SY SH A RE S o ftw a re C D an d th e ca m er a fir m w ar e (th e so ft wa r e t ha t ru ns o n th e ca mer a) .
97 Chap t er 11 St o r age C ap a c i ti es Fi le si ze s ca n va ry . Y o u m ay b e ab le to s to re m o re o r fe we r p ict ur es a nd vid eo s . Pu rc h as e ac ce ss or ie s at yo ur K O D AK r eta il d ea le r o r h tt p: / /ww w .k oda k. co m/g o/ ac ces so ries .
98 Ch apt er 11 Lo c a t in g P i ct ur es an d V i de o s o n a C a r d Pi ct ur es st or ed on MMC /SD Ca rd s u se a st a nda rd ag ree d u pon by many cam er a man uf act u re rs .
99 Chap t er 11 m I f y ou u se t he car d in a ca mer a ot he r th an the K ODA K EAS YSHARE L S4 43 Zo o m D ig ita l C a m er a, an d th a t c ame ra m a nu fa ct ur er a dh e re s t o th is fil e s tr uc t u re s t an dar d, th e D CI M fol de r co nt ai ns a fo ld er n ame d by t ha t ca m er a.
100 Ch apt er 11 U s i n g th e B att ery m W e r ec o m m en d us in g on ly a K OD A K EA S YS H AR E Li -I on R ec h ar ge ab l e B a tte ry o r e q ui va len t 3. 7V L i- Io n. N ot al l ma nu fa c tur e r ’ s 3. 7V L i -I on r ec ha r ge ab le ba tte ri es ar e c om p at ib le w i th t he ca m er a.
10 1 Chap t er 11 E x pected Battery L if e * Ac tu al b att er y lif e m a y va ry b as ed o n us ag e . Po w er- Sa v i ng F eat u r es R e gulat ory In form ation FC C Co mpli a nce a n d Advi so ry T hi s de vi ce c om p li es wi th P ar t 15 o f t he F CC R ul es .
102 Ch apt er 11 T h is e qu ip m en t h a s b ee n te s ted a nd fo un d t o c om p ly w ith th e li m its fo r a C la ss B di gi t al dev i ce, pu rs ua nt t o P ar t 15 of th e FC C Rul e s.
103 Ind ex A ab ou t cam era inf or m atio n, 61 pi c tu re , v id e o, 49 AC ad ap ter , 5 acc es s o r ies, bu ying, 89 ad justi ng exp osu r e co mp en sa tio n, 27 pi c tu re qu a li ty, 2 9 ad va.
104 Inde x tr ans f e r ri ng pi ct ur e s, 70 US B c o nn ec ti o n, 68 usi n g , 67 Ca n ad i an co m p li a n ce , 10 2 card, me mo ry , 9 8 ca r ing for y o ur cam er a, 96 ch an gin g p ictu r e,.
10 5 Ind ex E EASYS HARE So ftware, in s talli ng, 63 em a ili ng pic tur es , vi de os, 5 3 erro r messag e s , 8 1 exp os ur e comp ensat ion , 2 7 lon g t im e , 3 4 exp os ur e m ete rin g, 31 e x.
106 Inde x f or m atti ng, 60 set tin g pi ctu re, v id eo lo c a ti o n, 11 sto r age capa city , 97 ISO s p eed , 3 3 K KO DAK EA S YSH AR E So f twa r e ge ttin g h elp, 8 9 i ns tal lin g , 6 5 tr.
107 Ind ex file na me co nv en tio ns , 9 8 form at tin g, 6 0 inse rt ing , 1 0 prin tin g f rom , 7 3 pr o ble ms , 80 se tti ng p i ct ure , vide o loc atio n , 11 storag e cap aci ties , 97 mo de .
108 Inde x p r od uct ov er v ie w , ii pro t ect i ng pi c t ur e s, vi de os , 4 5 Q q ual ity p r int , d igit al z o om , 2 1 se t tin g , 2 9 q uic kv iew , 3 8 tu r n in g o f f , 5 6 usi n g , .
10 9 Ind ex reso luti on , 29 se lf- tim er , 24 , 4 0 v ide o o ut , 5 8 se tu p m o de , us in g, 55 sha r e bu tto n, 51 shu tof f, a uto , 1 01 shu tter pr o ble ms , 76 se lf- tim er d ela y , 24.
110 Inde x t r ou bl e sho ot i ng ca me r a , 7 5 ca me ra co mm u nic atio ns , 79 Ca me ra Doc k , 86 ca me ra r ead y lig ht, 84 LC D m essage s , 8 1 MMC /S D car d , 8 0 tu rni ng cam er a o n a.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Kodak EASYSHARE LS443 c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Kodak EASYSHARE LS443 - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Kodak EASYSHARE LS443, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Kodak EASYSHARE LS443 va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Kodak EASYSHARE LS443, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Kodak EASYSHARE LS443.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Kodak EASYSHARE LS443. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Kodak EASYSHARE LS443 ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
