Manuel d'utilisation / d'entretien du produit WK6500E1A du fabricant Casio
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E CTK6000/WK6500E1A USER’S GUIDE Please keep all information for future reference. Safety Precautions Bef ore tr ying to use the ke yboard, be sure to read the separate “Saf ety Precautions”.
Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 * 1 T rue voice Program Change O 0 - 127 O 0 - 127 :T rue # After T ouch.
Important! Please note the follo wing importan t info rmation bef ore using this product. • Before using the optional AC Adaptor to power the unit, be su re to check the AC Adaptor fo r any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage.
E-2 Contents General Guide ............................. E-4 Reading the Display ............. .............. ........... ..... E-6 Modes ........................ .............. .............. .............E-7 Menus ........................ ..........
Contents E-3 Using a Memory Card ............. E-102 Loading and Removing a Memory Card ......... E-103 Entering the Card Mode ............. ................ ....E-103 Formatting a Memory Card... .............. ............E-103 Saving Digital Keyboard Data to a Memory Card .
E-4 General Guide • Illustrations in this User’s Guide show the WK-6500. Back Dial L-1 - L-18 C-1 - C-13 R-1 - R-20 T-1 - T-8 S-1 CTK6000_e.book 4 ページ ２０１ ０年７月１２ 日 月.
General Guide E-5 • In this manual, the term “Digital Keyboard” refers to the CTK-6000/WK-6500. • This manual uses the numbers and names below to refer to buttons and controllers. • The following explains the meanings of the # and $ symbols that appear on the product console and with the key names below.
General Guide E-6 This section explains the cont ents of the Digital Keyboard’s display screen. Detailed information area This area displays a variety of information while the Digital Keyboard is being used. Use th is area to confirm proper operation when changing values, when selecting a menu item, and when performing other operations.
General Guide E-7 Your Digital Keyboard has th ree modes: a rhythm mode, a card mode, and a song sequencer mode. The currently selected mode is shown as an indicator on the display. •R h y t h m m o d e ( : indicator d isplayed) The rhythm mode is the initial power on default mode.
General Guide E-8 Your Digital Keyboard is equi pped with a song sequencer and other features that you can use t o store data you create. This stored data is retained even when the Digital Keyb oard is turned off.
E-9 Getting Read y to Pla y Prepare a household po wer outlet or batteries. • Be sure to comply with the separate “Safety Precautions”. Incorrect use of this product creates the risk of electric shock and fire.
Getting Ready to Play E-10 You can use six D-size batteries for p ower. • Use alkaline or zinc-carbon batteries. Never use oxyride or any ot her nickel based batteries. 1. Open the battery cover on the bottom of the Digital Keyboard. 2. Load six D-size batteri es into the battery compartment.
E-11 Connections Using headphones cuts off output from the built-in speakers, which means you can practice playing e ven late at night without disturbing others. • Be sure to tu rn down the volume level before connecting headphones. • Headphones do not come with the D igital Keyboard.
Connections E-12 You can connect audio equipment or a music amplifier to the Digital Keyboard and then play through external speakers for more powerful volume and better sound quality. • When ever connecting a device to the Digital Keyboard, first use the L-2 (MAIN VOLUME) knob to set the volume to a low level.
E-13 Selecting and Pla ying a T one 1. Rotate the L-2 (MAIN VOLUME) knob towards MIN to set the volume to a low level. 2. Referring to “Connections” (page E-11), connect headphones, ampl if ier, or other device. 3. Use the L-1 (POWER) button to turn on power.
Selecting and Playing a Tone E-14 ■ To disable Auto Power Off 1. While the Digital Keyboa rd is turned on, press the L-1 (POWER) button to turn it off. 2. While holding do wn the L-4 ([A] POPS/ROCK/ DANCE) button, press th e L-1 (POWER) button to turn on the Digital Keyboard.
Selecting and Playing a Tone E-15 5. Now you can play on the keyboard using the tone you selected. • You also can use the R-14 (–, +) buttons to select a demo tune.
Selecting and Playing a Tone E-16 1. Refer to the separate “App endix” to look up the group(s) and numbers of the two tones (UPPER 1 part tone and UPPER 2 part tone) yo u want to use. 2. Check to make sure that the @ and A indicators are not on the display.
Selecting and Playing a Tone E-17 1. While holding down the R-19 ( SPLIT) button, press the keyboar d key that you want to be the leftmost key in the right side (UPPER 1 part) range. • The name of th e key you press will appear on the display as the new split point key name.
Selecting and Playing a Tone E-18 The transpose feature lets you raise or lower the overall tuning of the keyboard in semi tone steps. You can use this feature to adjust keyboard tuning to a key that better matches a vocalist, another musical instrument, etc.
Selecting and Playing a Tone E-19 1. Press the L-10 (METRONOME) button. • This will start the metronome. • The display will show the tempo along with a count of the measures and beats since you started the metronome. 2. Press the L-10 (METRONOME) button again to stop the metronome.
Selecting and Playing a Tone E-20 ■ To adjust the tempo by tappin g a beat 1. While holding down the R-13 (FUNCTION) button, tap the L-12 (TAP) button four times at the speed (tempo) you want to set. • The first tap of the L-12 (TAP) button will cause the display shown below to appear.
Selecting and Playing a Tone E-21 Use the scale function to select one of the 17 preset temperaments (tunings) for the built-in sound so urce. You also can fine tune each note of a scale (from C to B) in one-cent units. After selecting one of the preset temperaments, you can edit it to suit your particular needs.
Selecting and Playing a Tone E-22 5. When you are finished, press the R-15 (EXIT) button twice. • This will ret urn to the scr een that was displayed before you displayed the scale screen. • The root not e setting you spec ify here is retained, even if you later change to a different preset temperament.
Selecting and Playing a Tone E-23 With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from a number of different arpeggiator options, including play ing arpeggios from a chord, playing various phrases automatically, and more.
E-24 Using A uto Accompaniment With Auto Accompaniment, simply select the accompaniment rhythm you want and the matching accompaniment (drums, guitar, etc.) will play automatical ly when you play a chord with your left hand. It’s like having your own personal backup group along with you wherever you go.
Using Auto Accompaniment E-25 6. Press the L-16 (SYNCHRO/ENDING) button. • This enters synchro standby (Auto Acco mpaniment waiting for you to play a chord), with the F indicator flashing on the display. The flashing F indicator means that the normal Auto Accompaniment pattern is standing by.
Using Auto Accompaniment E-26 While Auto Accompaniment is playing, you use the chord keyboard to specify the chord root and type. The area of the keyboard to the left of the spli t point (p age E-17) is the chord keyboard. The illustration bel ow shows the chord keyboard range under WK-6500 initial default settings.
Using Auto Accompaniment E-27 There are six different Auto Accompaniment patterns, shown below. You can switch between patterns during accompaniment play and even modify patterns.
Using Auto Accompaniment E-28 Auto harmonize lets you add har mony to melody no tes you play with your right hand. You can select any one of 12 Auto harmonize settings. 1. Hold down the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) button unti l the type selection screen sho wn below appears on the disp lay.
Using Auto Accompaniment E-29 6. To turn off auto harmonize, press the R-18 (AUTO HARMONIZE/ARPEGGIATOR) button again. • This cause s the pointer indicator next to AUTO HARMONIZE to disappear. You can use the rhythm editor to modify a built-in Auto Accompaniment rhythm and create an original “user rhythm” of your own.
Using Auto Accompaniment E-30 5. Edit the selected accompaniment pattern instrument part as desired. • While pe rforming the procedure below, yo u can press the L-17 (START/STOP) button and perform repeat playback of only the accompaniment pattern you are editing.
Using Auto Accompaniment E-31 9. After everything is the way you want, press the R-16 (ENTER) button. • This displays a screen for specifying the destination user rhythm number and rhythm name. 10. Use the di al or R -14 (–, +) buttons to select the destination user rhythm number you want.
E-32 Appl ying Eff ects to a Sound You can apply a variety of different acoustic effects to the s ounds produced by the Digital Keyb oard. The built-in effects incl ude a wide variety of variations that give you access to a selection of general digital effects.
Applying Effects to a Sound E-33 ■ DSP Effect Mode Configuration The DSP effect mode is enabled while “DSP” is selected for the “C horus/DSP”effect parameter. D SP and reverb can be used in the DSP effect mode. • Reverb This type of effect simulates acoustic spaces.
Applying Effects to a Sound E-34 Effects are divided among different types (reverb, chorus, DSP), so first you need to use the procedure below to select an effect type. 1. While holding down the R-13 (FUNCTION) button, press the C-5 (EFFECT) button. • This displays th e effect setting screen shown below.
Applying Effects to a Sound E-35 1. While holding down the R-13 (FUNCTION) button, press the C-5 (EFFECT) button to display the effect setting screen. 2. If you want, use the R-17 ( t , y ) buttons to move the thick brackets ( % ) to the “DSP Disable”setting, and then use the R -14 (–, +) buttons to change th e setting to “on”.
Applying Effects to a Sound E-36 1. While holding down the R-13 (FUNCTION) button, press the C-5 (EFFECT) button to display the effect setting screen. • Che ck to make sure that the “DSP Disable” setting is “oFF”. If it is “on”, change it to “oFF”.
Applying Effects to a Sound E-37 You can create a user DSP by editing one of the built-in preset DSPs. DSP areas numbered 101 through 200 are for storage of user DSPs. You can have up to 100 us er DSPs stored in memory at one time. To recall a stored user DSP, use the same procedure you use to recall a preset DSP.
Applying Effects to a Sound E-38 9. Press the R-14 (YES) button. • This displays a screen for specifying the destination user DSP number and DSP name. 10. Use the di al or R -14 (–, +) buttons to select the destination user DSP number you want. 11.
E-39 Using the Mix er The sound source of this Digital Keyboard is capable of sounding up to 32 individual parts simultaneously. Each part can be controlled indivi dually, and each part can be configured to sound a different musical instrument.
Using the Mixer E-40 1. Press the C-5 (MIXER) button. • This cause s the mixer screen to appear. 2. Use the R-17 ( u , i ) buttons to select the mixer parameter you want to cha nge. • You can sele ct master (MASTER), effect (DSP), microphone input (MIC/INST), or a part (A01 through A16, B01 through B16).
Using the Mixer E-41 • For details about how initial default set tings are configured when you perform the following procedure, see “Paramete r List” (page E-127). 1. While the mixer screen is di splayed, h old down the R-13 (FUNCTION) button as you press the C-13 (MENU) button.
Using the Mixer E-42 The tables below show the parameters that can be configured on the mixe r screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. MASTER parameters include items for adjusting the volume level, pan p osition, and other settings that are applied glo bally to a ll parts.
Using the Mixer E-43 The MIC/INST parameters include microphone input (input via T-7 (MIC IN) jack) related settings. MIC/INST Parameters (WK-6500 On ly) Parameter Name Description Setting Range Part (Mic/Inst Enable) Specifies if sound input via a microp hone should be output (on) or not output (oFF).
Using the Mixer E-44 Part parameters include setting items that can be adjusted for parts A01 through A16 and B01 throug h B16. Part Parameters Parameter Name Description Setting Range TONE (Part Tone) Specifies a tone for each part.
E-45 Using the T one Editor You can create a user tone by editing one of the built-in preset tones. The preset tones built into this Digital Keyboard consist of a number of parameters. To create a user tone, you first recall a preset tone (A:001 to K:128) and then modify its parameters to change it to your own original tone.
Using the Tone Editor E-46 • Cu toff Freque ncy The cutoff frequency is a parameter for adjusting timb re by cutting any frequency that is hi gher than a specific frequency. A larger cutoff frequency produces a brighter (harder) timbre, while a smaller frequency produces a darker (softer) timbre.
Using the To ne Editor E-47 6. To save a rhythm after you edit it, hold down the R-13 (FUNCTION) button as you press the C-13 (MENU) button. • This displays th e tone editor menu. 7. Press the R-16 (ENTER) button. • This displays a screen for specifying the destination user tone number and tone name.
Using the Tone Editor E-48 The table below shows the parameters that can be configured on the tone editor sc reen. For information about each parameter, also refer to “Tone Creat ion Overview” (page E-45). The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults.
Using the To ne Editor E-49 DSP On Off (DSP On/Off) Specifies whether DSP should be applied (on) or not applied (oF F) to notes. The following four setti ngs become enabled when “on” is selected for this setting. oFF * , on DSP Specifies the DSP to be applied to tones usin g DSP numbers (001 to 100: Preset DSPs; 101 to 200: User DSPs).
E-50 Music Presets Music presets provide one -touch access to Auto Accompaniment, tone, reverb, and othe r settings that are configured in accordance with preset chord progressions. A total of 305 presets let you easily configure the keyboard for a wide variety of different musi cal styles.
Music Presets E-51 3. Use the buttons from L-4 ([A] POPS/ROCK/ DANCE) to L-9 ([F] USER RHYTHMS) to select a music preset group. • The L- 9 ([F] USER RHYTMS) button is for the user preset group. For details, s ee “Creating a User Preset” (page E-54).
Music Presets E-52 The settings listed in the table below are recalled when a music preset is selected. • Except fo r the chord progression, all of th e settings can be modified after a music pres et is selected.
Music Presets E-53 While the music preset screen is displayed, you can use the L-18 (ACCOMP ON/OFF) button to change Auto Accompaniment settings. • Each press of the L-18 (A CCOMP ON/OFF) button cycles through settings as shown below.
Music Presets E-54 Preset areas numbered F:001 through F:050 are for storage of user presets. You can have up to 50 user presets stored in memory at one time. You can recall a stored user preset after pressing the L-9 ([F] USER RHYTHMS) button. See “T o perform using a music pres et” (page E-50) for more information.
Music Presets E-55 6. Use the R-17 ( y ) button to move the 0 to “Store” and then press the R-16 (ENTER) button. • This displays a screen for specifying the destination user preset number and name. 7. Use the di al or R -14 (–, +) buttons to select the destination user preset number you want.
Music Presets E-56 This section explains how chord progressions a re played in accordance with the “T iming” (Timing set) settings in step 5 under “ To create and save a user preset” (page E-54). Note that this setti ng affects playback only. It d oes not change the chord progress io n data.
Music Presets E-57 •3 / 4 Plays chords measure-by-measure at a timing t hat is 3/4 time s that of the recording. This setting is best for use wit h a 6/8 ti me rhythm. Playing back a chord pro gression like that shown for “Half” above while “3/4” is spec ified results in the progression shown bel ow.
Music Presets E-58 You can modify the preset chor d progression and save it as a user preset, or you can create a new chord progression from scratch and save it. 1. Perform steps 1 through 4 under “To perform using a music prese t” (page E-50) and select the music preset you want to edit in order to create yo ur user music preset.
Music Presets E-59 1. Perform steps 1 through 4 of the procedure under “Chord Progre ssion Editing Flow ” on page E-58. 2. Use the R-17 ( t , y ) buttons to move the cursor to the chord you want to edit. • You can use the L -15 ( d FF) and L-14 ( s REW) buttons to move the cursor by measure-by-measu re.
Music Presets E-60 4. Specify the location of th e new chord insert as a number of beats afte r the current cursor position. • Excep t for the R-8 ( 7 ) button, pressing the R-4 ( • ) button after you press any one of the above buttons will increase number of beats by 1.
Music Presets E-61 1. Perform steps 1 through 4 of the procedure under “Chord Progre ssion Editing Flow ” on page E-58. 2. While holding down the R-13 (FUNCTION) button, press the C-13 (MENU) button. 3. This displays a screen like the one shown below.
E-62 Sa ving K e yboard Setups to Registration Memory Registration memory lets you store Digital Keyboard setups (tone, rhythm, etc.) for instant recall whenever you need them. • For information about items that can be part of a registration setup, see “Par ameter List” (page E-127).
Saving Keyboard Setups to Registration Memory E-63 1. Configure the tone, rhythm, an d other settings you want to include in the setup. 2. Press the C-8 (BANK) button to select the bank you want. • Each pre ss of the C-8 (BANK) button cycles through the bank numbers.
E-64 Using the Song Sequencer You can use the song sequencer to record keyboard play (including Auto Accompaniment), or to record individual parts (multi-track recording) and combine them into a final song. After recording data, you can ed it each individual note (event).
Using the Song Sequencer E-65 2. Press the C-4 (RECORD) button. • The button will start flashing and the EASY REC screen shown below will appear on the display. • An asterisk ( * ) next to a song area number indicates that there is already data recorded in that area.
Using the Song Sequencer E-66 1. Perform steps 1 through 4 under “To perform using a music preset” (page E-50). 2. Press the C-4 (RECORD) button. • The button will start flashing and the EASY REC screen will appear on the display. 3. Start to play something us ing a music preset.
Using the Song Sequencer E-67 ■ Recording Start • Note settings •R h y t h m s e l e c t i o n • Temp o setting • Sca le setting • The mixer settings belo w – All part parameters from A0.
Using the Song Sequencer E-68 This section explains how to record to the system track and how to record to Tracks 01 through 1 6. For details about track configuration and what is recor ded to each track, see “Wha t you can do with the song sequencer” (page E-66).
Using the Song Sequencer E-69 7. Start playing something on the keyboard. • Recording starts automatica lly when you p erform any one of the following operations. • Starting recording will cause the C-4 (RECORD) button to change from flashing to lit.
Using the Song Sequencer E-70 4. Use the R-17 ( u , i ) buttons to select a track (Track 01 through Track 16). 5. Configure panel setti ngs as required for your performance. • Con figure the following settings: tone selection, tempo, mixer settings, etc.
Using the Song Sequencer E-71 1. While the song sequencer mo de initial screen is on the display after trac k recording is complete, hold down the R-13 (F UNCTION) button as you press the C-13 (MENU) button. • This displays th e song sequencer menu with the 0 located at “ClearTrack”.
Using the Song Sequencer E-72 You can access the mixer dur ing playback, playback standby, or record standby ( C-4 (RECORD) button flashing), or while recording is in progress ( C-4 (RECORD) button lit) . Press the C-5 (MIXER) button to display the mixer screen.
Using the Song Sequencer E-73 5. Use the R-17 ( y ) button to move the 0 to “PanelReco rd”. 6. Press the R-16 (ENTER) button. 7. In response to the “Sure?” me ssage that appears, press the R-14 (YES) button to execute the panel record operati on or the R-14 (NO) button to cancel.
Using the Song Sequencer E-74 1. Press the C-3 (SONG SEQUENCER) button to enter the song sequencer mode . 2. Use the dial or R-14 (–, +) buttons to select a song area number. 3. Press the C-5 (MIXER) button to display the mixer screen. 4. Use the R-17 ( u , i ) buttons to select the part you want to pla y (A04 through A 16, B01 through B16).
Using the Song Sequencer E-75 7. To stop playback, press the L-17 (START/STOP) button. • Pressing th e R-15 (EXIT) button without pressing the R-16 (ENTER) button in step 4 above will ca ncel the phrase setting operation and close the locator screen.
Using the Song Sequencer E-76 1. Perform the procedure un der “To start a song editor operation” on page E-75 to display the song editor menu, w ith the 0 located at “Clear”. 2. Press the R-16 (ENTER) button. • This displays th e “Clear Song” screen.
Using the Song Sequencer E-77 1. Perform the procedure un der “To start a song editor operation” on page E-75 to display the song editor menu. 2. Use the R-17 ( t , y ) button to move the 0 to “DeleteMeas.” and then press the R-16 (ENTER) button.
Using the Song Sequencer E-78 As explained in detail under “Songs, tracks, and parts” (p age E-66), the system track is an individ ual track, while the keyboard play and Auto Accompaniment data are recorded individually to mult iple parts (A04 thr ough A07, A09 through A16).
Using the Song Sequencer E-79 The following operations are supported during track (system track, Tracks 01 through 16) editing. • Clearing a single track • Copying one track to anot her track (Tracks 01 through 16 only) • Combining two t racks into a single track (Tracks 01 through 16 only) 1.
Using the Song Sequencer E-80 1. Perform the procedure under “To start a track editor operation” on page E-79 to display the track editor menu. 2. Use the R-17 ( t , y ) button to move the 0 to “Copy” and then press the R-16 (ENTER) button. • This cause s the “Copy Trac k” screen to appear.
Using the Song Sequencer E-81 7. After everything is the way you want, press the R-16 (ENTER) button. • If the destination track does not contain recorded data, combination of the trac ks starts immediately.
Using the Song Sequencer E-82 The event editor screen displays the individual events that make up a song as values and characters as shown in the sample screen below. The event editor screen shows three events at one time. The event in the middle line is t he selected event.
Using the Song Sequencer E-83 ■ Event Data List The following table shows the event types that correspond to t he abbreviations that app ear on the display, as well as the parameters of each event type and setting ranges.
Using the Song Sequencer E-84 ■ System Track Events Event Type display du ring insert display Parameter Name Setting Range display Event Name TnU1 UPPER 1 Tone [ Tone_U1 ] VALU Tone Numb.
Using the Song Sequencer E-85 1. Perform steps 1 to 3 of th e procedur e under “To start an event editor operat ion” on page E-81 to display the event editor screen. 2. While holding down th e R-13 (FUNCTION) button, use the R-17 ( u , i ) buttons to select the track you want to edit.
Using the Song Sequencer E-86 1. Perform the proce dure under “To start an event editor operation” on pag e E-81. 2. Use R-17 ( i ) button to display page three of the event editor menu, with the 0 located at “ViewSelect”. 3. Press the R-16 (ENTER) button.
Using the Song Sequencer E-87 1. Display the event editor sc ree n of the track that includes the events you want to delete. • See “To select a track for editing” (page E-85). 2. While holding down the R-13 (FUNCTION) button, press the C-13 (ME NU) button to display the event editor menu.
Using the Song Sequencer E-88 1. Display the event editor screen of the track where you want to insert the event. • See “To select a track for editing” (page E-85). 2. Use the R-17 ( t , y ) buttons to move the cursor to the position wh ere you want to insert an event.
Using the Song Sequencer E-89 3. Press the C-10 (COPY) button. • This displays th e “Copy” screen. • If you have alread y specifi ed a range using the locator screen (page E-74), that range will be displayed on the range specification screen. 4.
Using the Song Sequencer E-90 1. Display the event e ditor screen of the track y ou want to quantize. • See “To select a track for editing” (page E-85). 2. Press the C-11 (QUANTIZE) button. • This displays th e “Quantize” screen. 3. Use the dial or R-14 (–, +) buttons to change the setting in the thick brackets ( % ) to “All”.
Using the Song Sequencer E-91 You can use the procedures in th is section to delete all pitch bender events from a track or from a specific range in a track. • To delete individual pitch bender events, perform the operation under “To delete an individua l event” (page E-86).
Using the Song Sequencer E-92 1. Display the event e ditor screen of the track y ou want to edit. • See “To select a track for editing” (page E-85).
Using the Song Sequencer E-93 1. Perform steps 1 throug h 5 under “To adjust the velocity value of a note event” on page E-92. In step 4, select “Gatet imeMod.” instea d of “VelocityMod.”. 2. Press the R-16 (ENTER) button. • This will display the settin g screen like the one shown below.
Using the Song Sequencer E-94 1. Perform step s 1 and 2 under “To de lete a beat event” (page E-93). 2. Move the cursor to the beat event that comes immediately before the lo cation where you want to insert a new beat event. 3. Press the C-9 (INSERT) button.
Using the Song Sequencer E-95 5. Use buttons R-1 ( 5 ) to R-4 (•) and buttons R-7 ( 6 ) to R-10 ( , ) to specify the len gth of the note you want to input. • For information abo ut how to specify note lengths , see step 4 und er “To insert an event” (page E-88).
E-96 Using the Function Men u The function menu contains items for tuning and touch adjustments, local on/off, and other global settings that need to be changed by you relatively infrequently. It a lso includes some memory card operations (format, etc.
Using the Function Menu E-97 4. To exit the function menu, press the R-13 (FUNCTION) button or R-15 (EXIT) button. • No te that all function menu settings you configure are returned to their initial defaults whe never you turn off the Digital Keyboard.
Using the Function Menu E-98 Specifies how many times notes or chords should sound within one beat for arpeggio phrases played by the arpeggiator (page E-23). 1, 2, 2S, 3, 4 * , 4S, 6, 8 The setting value indicates the number of times within one beat.
Using the Function Menu E-99 • For details about “parts” mentio ned here, see “How Parts are Organized” (page E-39). Adjusts the Auto Accompaniment volume level (master volume of parts A09 through A16). This setting does not affect the keyboard volume level (parts A01 through A03).
Using the Function Menu E-100 Specifies whether the Digital Keyboard should remember its setup when turned off and restore it the next time it is turned on. • For in formation about the setting items that are restored when Auto Resume is enabled, see “Parameter List” (page E-127).
Using the Function Menu E-101 ■ To initializ e all da ta an d settings (o r parameter settings only) 1. Press the R-13 (FUNCTION) button to display the function menu. 2. Use the R-17 ( i , y ) buttons to move the 0 to “General” and then press the R-16 (ENTER) button.
E-102 Using a Memory Car d You can save Digital Keyboard user area data to a memory card and load data from a memory card to Digital Keyboard memory. You also can play musi c files (MIDI files) stored on a memory card on the Digital Keyboard. • Use an SD memo ry card or an SDHC memory card with a capacity of 32GB or less.
Using a Memory Card E-103 • A memo ry card must be positioned correctly when being loaded into the Digital Keyboard. Trying to force an improperly oriented memo ry card into the slot can damage the memory card and the slot.
Using a Memory Card E-104 4. Use the R-17 ( t , y ) buttons to move the 0 to “CardFormat”. 5. Press the R-16 (ENTER) button. • This will cause the confir mation message “Sure?” to appear. 6. Press the R-14 (YES) button to format the memory card or the R-14 (NO) button to cancel.
Using a Memory Card E-105 5. Press the R-17 ( y ) button to ch ange to the “Xxxx Save” * 1 screen. • To save a song sequencer s ong in SMF format, press the R-17 ( y ) button one more time here to display the “Seq SmfSave” screen.
Using a Memory Card E-106 • Make su re that all of the data you want to load is in the MUSICDAT folder on the memory card. 1. Insert the memory card into the card slot. 2. If the Digital Keyboard is in the card mode, press the C-7 (CARD) button to exit the card mode.
Using a Memory Card E-107 1. Insert the memory card into the card slot. 2. Press the C-7 (CARD) button to enter the card mode. 3. While holding down the R-13 (FUNCTION) button, press the C-13 (MENU) button. • This displays th e function menu “Play/CardUtl” screen.
Using a Memory Card E-108 You can use the Digital Keyboard to play music files you saved to a memory card with your computer. • Sup ported music files are SMF format 0 or 1 MIDI files (MID). • Playba ck of audio files (WAV, MP3, etc.) is not supported .
Using a Memory Card E-109 When playing a music file of a piano piece that has the left hand and the right hand parts recorded in separate MIDI channels, you can turn off play back of one of the parts a nd play it on the keyboard along with playback of the o ther part.
Using a Memory Card E-110 You can perform the followi ng operations and play on th e keyboard along with playback of a music file on a memory card. • Select U PPER 1 part, UPPER 2 part, and LOWER part tones.
Using a Memory Card E-111 Err or Messages Display Message Cause Required Action Format 1. The current memory card format is not compat ible with this Digital Keyb oard. 1. Format the memory card on the Digital Keyboard (pag e E-103). 2. The memory card capacity is greater than 32GB .
E-112 Connecting to a Computer You can connect the Digital Keyboard to a computer and exchange MIDI data between them. You can send play data from the Digital Keyboard to music software running on your computer, or you can send MIDI data from your computer to the Digital Keyboard for playback.
Connecting to a Computer E-113 You can transfer song sequencer songs, user rhythms, and other data in Digital Keyboard memory to a computer for storage. You also can load Auto Accompaniment data you download from the CASIO we bsite to the Digital Keyboard, which greatly expands the Auto Accompaniment patterns available to you.
E-114 Reference T r oubleshooting Symptom Action Included Accessories I can’t find something that should be included with the product. Carefully check inside all of the packing materials. Power Requirements Power will not turn on. • Check the AC adaptor or ma ke sure that the batteries are facing correctly (page E-9).
Reference E-115 Notes keep sounding, with out stopping. • Turn power off and then back on to initialize a l l Digital Keyboard settings (page E-13). • Replace t he batteries with new ones or switch over to AC adaptor power (page E-9). Some notes are cut off while they are playing.
Reference E-116 Specifications Models CTK-6000 / WK-6500 Keyboard CTK-6000: 61 standard-size keys WK-6500: 76 standard-size keys Touch Response 2 types, Off Maximum Polyphony 48 notes (24 for certain .
Reference E-117 • Desig n and specifications are s ubject to change without notice. Inputs/O utputs USB port TYPE B Sustain/Assignable jack Standard jack (s ustain, sostenuto, soft, start/stop) Phones jack Stereo standard jack Line Out R, L/MONO jacks Standard jack × 2 Output Impedance: 2.
Reference E-118 Be sure to read and observe the following operating precautions. ■ Locatio n Avoid the following loca tions for this product. • Areas exposed to direct sunlight and high humidity .
Reference E-119 The table below shows the preset DSPs that can be se lected by the procedure under “To use a DSP” (page E-36). • The “Numbe r” column shows DSP numbers, while the “Screen Name” shows the DSP name that appears on the display.
Reference E-120 All of the Digital Keyboard’s preset DSPs belong to one of the DSP types shown in the table below. When creating a user DSP (page E-37) or when using the tone editor ( page E-45) to e dit the DSP applied to a tone, you need to select one of the DSP type s in the table.
Reference E-121 ■ Single Type DSP Parameters 01: Wah This is a “wah” effect that can automatically affect the frequency using an LFO. Parameters and Value Ranges: 1 : Resonance (0 to 127) Adjusts the strength of resonance. 2 : Manual (0 to 127) Adjusts the wah filter reference frequency.
Reference E-122 08: Flanger Applies wildly pulsating and meta llic reve rberation to sounds. LFO waveform is selectab le. Parameters and Value Ranges: 1 : LFO Rate (0 to 127) Adjusts the LFO rate. 2 : LFO Depth (0 to 127) Adjusts the LFO depth. 3 : LFO Waveform (sin, tri, random) Selects the LFO waveform.
Reference E-123 14: Lo-Fi Applies various types of noise to the input signal to reproduce a retro Lo-Fi sound. Includes wow and flutter for rotati onal fluctuation like that in tapes and records, a Noise 1 generator that genera tes continual FM radio type, and a Noise 2 generator that generates record play types scratch noise.
Reference E-124 In addition to the chords that can be fingered w ith Fingered 1 and Fingered 2, the following chords also are recognized. • With F ingered 3, the lowest note fingered is inte rpreted as the base note. Inverted forms are not supported.
Reference E-125 Chor d Example List Root Chord Type M m dim aug sus4 sus2 7 m7 M7 m7 b 5 7 b 5 7sus4 add9 madd9 mM7 dim7 69 6 m6 ( A # ) /B b B F # / ( G b ) G ( G # ) /A b A F CC # / ( D b ) D ( D # ) /E b E • Since the chord input range is limited, this model may not sup port some of the chords shown above.
Reference E-126 The following shows the relationship between MIDI IN and MIDI OUT channels and each part. • For details about parts, see “How Parts are Organized” (page E-39). Assigning a MIDI Channel t o Each P ar t * 1 The A01 part MIDI OUT channel depends on the keybaord channel setting.
Reference E-127 P a rameter List To check this setting item: Refer to this column i n the table below: Setting items that are always saved when power is turned off Setting items stored in registra.
Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 * 1 T rue voice After T ouch Control Change X X X O Pitch Bender O O K e.
Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 * 1 T rue voice Program Change O 0 - 127 O 0 - 127 :T rue # After T ouch.
E CTK6000/WK6500E1A USER’S GUIDE Please keep all information for future reference. Safety Precautions Bef ore tr ying to use the ke yboard, be sure to read the separate “Saf ety Precautions”.
Un point important après l'achat de l'appareil (ou même avant l'achat) est de lire le manuel d'utilisation. Nous devons le faire pour quelques raisons simples:
Si vous n'avez pas encore acheté Casio WK6500E1A c'est un bon moment pour vous familiariser avec les données de base sur le produit. Consulter d'abord les pages initiales du manuel d'utilisation, que vous trouverez ci-dessus. Vous devriez y trouver les données techniques les plus importants du Casio WK6500E1A - de cette manière, vous pouvez vérifier si l'équipement répond à vos besoins. Explorant les pages suivantes du manuel d'utilisation Casio WK6500E1A, vous apprendrez toutes les caractéristiques du produit et des informations sur son fonctionnement. Les informations sur le Casio WK6500E1A va certainement vous aider à prendre une décision concernant l'achat.
Dans une situation où vous avez déjà le Casio WK6500E1A, mais vous avez pas encore lu le manuel d'utilisation, vous devez le faire pour les raisons décrites ci-dessus,. Vous saurez alors si vous avez correctement utilisé les fonctions disponibles, et si vous avez commis des erreurs qui peuvent réduire la durée de vie du Casio WK6500E1A.
Cependant, l'un des rôles les plus importants pour l'utilisateur joués par les manuels d'utilisateur est d'aider à résoudre les problèmes concernant le Casio WK6500E1A. Presque toujours, vous y trouverez Troubleshooting, soit les pannes et les défaillances les plus fréquentes de l'apparei Casio WK6500E1A ainsi que les instructions sur la façon de les résoudre. Même si vous ne parvenez pas à résoudre le problème, le manuel d‘utilisation va vous montrer le chemin d'une nouvelle procédure – le contact avec le centre de service à la clientèle ou le service le plus proche.
